He was not a very good boy, or a very
bad boy, or a very bright boy, or an unusual boy in
any way. He was just a boy; and very often he
forgets that he is not a boy now. Whatever there
may be about The Boy that is commendable he owes to
his father and to his mother; and he feels that he
should not be held responsible for that.
His mother was the most generous and
the most unselfish of human beings. She was always
thinking of somebody else always doing for
others. To her it was blessed to give, and it
was not very pleasant to receive. When she bought
anything, The Boy’s stereotyped query was, “Who
is to have it?” When anything was bought for
her, her own invariable remark was, “What on
earth shall I do with it?” When The Boy came
to her, one summer morning, she looked upon him as
a gift from Heaven; and when she was told that it
was a boy, and not a bad-looking or a bad-conditioned
boy, her first words were, “What on earth shall
I do with it?”
She found plenty “to do with
it” before she got through with it, more than
forty years afterwards; and The Boy has every reason
to believe that she never regretted the gift.
Indeed, she once told him, late in her life, that
he had never made her cry! What better benediction
can a boy have than that?
The Boy’s father was a scholar,
and a ripe and good one. Self-made and self-taught,
he began the serious struggle of life when he was merely
a boy himself; and reading, and writing, and spelling,
and languages, and mathematics came to him by nature.
He acquired by slow degrees a fine library, and out
of it a vast amount of information. He never bought
a book that he did not read, and he never read a book
unless he considered it worth buying and worth keeping.
Languages and mathematics were his particular delight.
When he was tired he rested himself by the solving
of a geometrical problem. He studied his Bible
in Latin, in Greek, in Hebrew, and he had no small
smattering of Sanskrit. His chief recreation,
on a Sunday afternoon or on a long summer evening,
was a walk with The Boy among the Hudson River docks,
when the business of the day, or the week, was over
and the ship was left in charge of some old quartermaster
or third mate. To these sailors the father would
talk in each sailor’s own tongue, whether it
were Dutch or Danish, Spanish or Swedish, Russian
or Prussian, or a patois of something else,
always to the great wonderment of The Boy, who to
this day, after many years of foreign travel, knows
little more of French than “Combien?”
and little more of Italian than “Troppo caro.”
Why none of these qualities of mind came to The Boy
by direct descent he does not know. He only knows
that he did inherit from his parent, in an intellectual
way, a sense of humor, a love for books as
books and a certain respect for the men
by whom books are written.
It seemed to The Boy that his father
knew everything. Any question upon any subject
was sure to bring a prompt, intelligent, and intelligible
answer; and, usually, an answer followed by a question,
on the father’s part, which made The Boy think
the matter out for himself.
The Boy was always a little bit afraid
of his father, while he loved and respected him.
He believed everything his father told him, because
his father never fooled him but once, and that was
about Santa Claus!
When his father said, “Do this,”
it was done. When his father told him to go or
to come, he went or he came. And yet he never
felt the weight of his father’s hand, except
in the way of kindness; and, as he looks back upon
his boyhood and his manhood, he cannot recall an angry
or a hasty word or a rebuke that was not merited and
kindly bestowed. His father, like the true Scotchman
he was, never praised him; but he never blamed him except
for cause.
The Boy has no recollection of his
first tooth, but he remembers his first toothache
as distinctly as he remembers his latest; and he could
not quite understand then why, when The Boy
cried over that raging molar, the father walked the
floor and seemed to suffer from it even more than
did The Boy; or why, when The Boy had a sore throat,
the father always had symptoms of bronchitis or quinsy.
The father, alas! did not live long
enough to find out whether The Boy was to amount to
much or not; and while The Boy is proud of the fact
that he is his father’s son, he would be prouder
still if he could think that he had done something
to make his father proud of him.
From his father The Boy received many
things besides birth and education; many things better
than pocket-money or a fixed sum per annum; but, best
of all, the father taught The Boy never to cut a string.
The Boy has pulled various cords during his uneventful
life, but he has untied them all. Some of the
knots have been difficult and perplexing, and the
contents of the bundles, generally, have been of little
import when they have been revealed; but he saved the
strings unbroken, and invariably he has found those
strings of great help to him in the proper fastening
of the next package he has had occasion to send away.
The father had that strong sense of
humor which Dr. Johnson who had no sense
of humor whatever denied to all Scotchmen.
No surgical operation was necessary to put one of
Sydney Smith’s jokes into the father’s
head, or to keep it there. His own jokes were
as original as they were harmless, and they were as
delightful as was his quick appreciation of the jokes
of other persons.
A long siege with a certain bicuspid
had left The Boy, one early spring day, with a broken
spirit and a swollen face. The father was going,
that morning, to attend the funeral of his old friend,
Dr. McPherson, and, before he left the house, he asked
The Boy what should be brought back to him as a solace.
Without hesitation, a brick of maple sugar was demanded a
very strange request, certainly, from a person in that
peculiar condition of invalidism, and one which appealed
strongly to the father’s own sense of the ridiculous.
When the father returned, at dinner-time,
he carried the brick, enveloped in many series of
papers, beginning with the coarsest kind and ending
with the finest kind; and each of the wrappers was
fastened with its own particular bit of cord or ribbon,
all of them tied in the hardest of hard knots.
The process of disentanglement was long and laborious,
but it was persistently performed; and when the brick
was revealed, lo! it was just a brick not
of maple sugar, but a plain, ordinary, red-clay, building
brick which he had taken from some pile of similar
bricks on his way up town. The disappointment
was not very bitter, for The Boy knew that something
else was coming; and he realized that it was the First
of April and that he had been April-fooled! The
something else, he remembers, was that most amusing
of all amusing books, Phoenixiana, then just
published, and over it he forgot his toothache, but
not his maple sugar. All this happened when he
was about twelve years of age, and he has ever since
associated “Squibob” with the sweet sap
of the maple, never with raging teeth.
It was necessary, however, to get
even with the father, not an easy matter, as The Boy
well knew; and he consulted his uncle John, who advised
patient waiting. The father, he said, was absolutely
devoted to The Commercial Advertiser, which
he read every day from frontispiece to end, market
reports, book notices, obituary notices, advertisements,
and all; and if The Boy could hold himself in for a
whole year his uncle John thought it would be worth
it. The Commercial Advertiser of that date
was put safely away for a twelvemonth, and on the First
of April next it was produced, carefully folded and
properly dampened, and was placed by the side of the
father’s plate; the mother and the son making
no remark, but eagerly awaiting the result. The
journal was vigorously scanned; no item of news or
of business import was missed until the reader came
to the funeral announcements on the third page.
Then he looked at the top of the paper, through his
spectacles, and then he looked, over his spectacles,
at The Boy; and he made but one observation.
The subject was never referred to afterwards between
them. But he looked at the date of the paper,
and he looked at The Boy; and he said: “My
son, I see that old Dr. McPherson is dead again!”
The Boy was red-headed and long-nosed,
even from the beginning a shy, introspective,
self-conscious little boy, made peculiarly familiar
with his personal defects by constant remarks that
his hair was red and that his nose was
long. At school, for years, he was known familiarly
as “Rufus,” “Red-Head,” “Carrot-Top,”
or “Nosey,” and at home it was almost
as bad.
His mother, married at nineteen, was
the eldest of a family of nine children, and many
of The Boy’s aunts and uncles were but a few
years his senior, and were his daily, familiar companions.
He was the only member of his own generation for a
long time. There was a constant fear, upon the
part of the elders, that he was likely to be spoiled,
and consequently the rod of verbal castigation was
rarely spared. He was never praised, nor petted,
nor coddled; and he was taught to look upon himself
as a youth hairily and nasally deformed and mentally
of but little wit. He was always falling down,
or dropping things. He was always getting into
the way, and he could not learn to spell correctly
or to cipher at all. He was never in his mother’s
way, however, and he was never made to feel so.
But nobody except The Boy knows of the agony which
the rest of the family, unconsciously, and with no
thought of hurting his feelings, caused him by the
fun they poked at his nose, at his fiery locks, and
at his unhandiness. He fancied that passers-by
pitied him as he walked or played in the streets, and
he sincerely pitied himself as a youth destined to
grow up into an awkward, tactless, stupid man, at
whom the world would laugh so long as his life lasted.
An unusual and unfortunate accident
to his nose when he was eight or ten years old served
to accentuate his unhappiness. The young people
were making molasses candy one night in the kitchen
of his maternal grandfather’s house the
aunts and the uncles, some of the neighbors’
children, and The Boy and the half of a
lemon, used for flavoring purposes, was dropped as
it was squeezed by careless hands very likely
The Boy’s own into the boiling syrup.
It was fished out and put, still full of the syrup,
upon a convenient saucer, where it remained, an exceedingly
fragrant object. After the odor had been inhaled
by one or two of the party, The Boy was tempted to
“take a smell of it”; when an uncle, boylike,
ducked the luckless nose into the still simmering
lemonful. The result was terrible. Red-hot
sealing-wax could not have done more damage to the
tender, sensitive feature.
The Boy carried his nose in a sling
for many weeks, and the bandage, naturally, twisted
the nose to one side. It did not recover its natural
tint for a long time, and the poor little heart was
nearly broken at the thought of the fresh disfigurement.
The Boy felt that he had not only an unusually long
nose, but a nose that was crooked and would always
be as red as his hair.
He does not remember what was done
to his uncle. But the uncle was for half a century
The Boy’s best and most faithful of friends.
And The Boy forgave him long, long ago.
The Boy’s first act of self-reliance
and of conscious self-dependence was a very happy
moment in his young life; and it consisted in his being
able to step over the nursery fender, all alone, and
to toast his own shins thereby, without falling into
the fire. His first realization of “getting
big” came to him about the same time, and with
a mingled shock of pain and pleasure, when he discovered
that he could not walk under the high kitchen-table
without bumping his head. He tried it very often
before he learned to go around that article of furniture,
on his way from the clothes-rack, which was his tent
when he camped out on rainy days, to the sink, which
was his oasis in the desert of the basement floor.
This kitchen was a favorite playground of The Boy,
and about that kitchen-table centre many of the happiest
of his early reminiscences. Ann Hughes, the cook,
was very good to The Boy. She told him stories,
and taught him riddles, all about a certain “Miss
Netticoat,” who wore a white petticoat, and
who had a red nose, and about whom there still lingers
a queer, contradictory legend to the effect that “the
longer she stands the shorter she grows.”
The Boy always felt that, on account of her nose,
there was a peculiar bond of sympathy between little
Miss Netticoat and himself.
As he was all boy in his games, he
would never cherish anything but a boy-doll, generally
a Highlander, in kilts and with a glengarry, that
came off! And although he became foreman of a
juvenile hook-and-ladder company before he was five,
and would not play with girls at all, he had one peculiar
feminine weakness. His grand passion was washing
and ironing. And Ann Hughes used to let him do
all the laundry-work connected with the wash-rags
and his own pocket-handkerchiefs, into which, regularly,
every Wednesday, he burned little brown holes with
the toy flat-iron, which would get too hot.
But Johnny Robertson and Joe Stuart and the other
boys, and even the uncles and the aunts, never knew
anything about that unless Ann Hughes gave
it away!
The Boy seems to have developed, very
early in life, a fondness for new clothes a
fondness which his wife sometimes thinks he has quite
outgrown. It is recorded that almost his first
plainly spoken words were “Coat and hat,”
uttered upon his promotion into a more boyish apparel
than the caps and frocks of his infancy. And he
remembers very distinctly his first pair of long trousers,
and the impression they made upon him, in more ways
than one. They were a black-and-white check, and
to them was attached that especially manly article,
the suspender. They were originally worn in celebration
of the birth of the New Year, in 1848 or 1849, and
The Boy went to his father’s store in Hudson
Street, New York, to exhibit them on the next business-day
thereafter. Naturally they excited much comment,
and were the subject of sincere congratulation.
And two young clerks of his father, The Boy’s
uncles, amused themselves, and The Boy, by playing
with him a then popular game called “Squails.”
They put The Boy, seated, on a long counter, and they
slid him, backward and forward between them, with great
skill and no little force. But, before the championship
was decided, The Boy’s mother broke up the game,
boxed the ears of the players, and carried the human
disk home in disgrace; pressing as she went, and not
very gently, the seat of The Boy’s trousers
with the palm of her hand!
He remembers nothing more about the
trousers, except the fact that for a time he was allowed
to appear in them on Sundays and holidays only, and
that he was deeply chagrined at having to go back to
knickerbockers at school and at play.
The Boy’s first boots were of
about this same era. They were what were then
known as “Wellingtons,” and they had
legs. The legs had red leather tops, as was the
fashion in those days, and the boots were pulled on
with straps. They were always taken off with the
aid of the boot-jack of The Boy’s father, although
they could have been removed much more easily without
the use of that instrument. Great was the day
when The Boy first wore his first boots to school;
and great his delight at the sensation he thought
they created when they were exhibited in the primary
department.
The Boy’s first school was a
dame’s school, kept by a Miss or Mrs. Harrison,
in Harrison Street, near the Hudson Street house in
which he was born. He was the smallest child
in the establishment, and probably a pet of the larger
girls, for he remembers going home to his mother in
tears, because one of them had kissed him behind the
class-room door. He saw her often, in later years,
but she never tried to do it again!
At that school he met his first love,
one Phoebe Hawkins, a very sweet, pretty girl, as
he recalls her, and, of course, considerably his senior.
How far he had advanced in the spelling of proper names
at that period is shown by the well-authenticated
fact that he put himself on record, once as “loving
his love with an F, because she was Feeby!”
Poor Phoebe Hawkins died before she
was out of her teens. The family moved to Poughkeepsie
when The Boy was ten or twelve, and his mother and
he went there one day from Red Hook, which was their
summer home, to call upon his love. When they
asked, at the railroad-station, where the Hawkinses
lived and how they could find the house, they were
told that the carriages for the funeral would meet
the next train. And, utterly unprepared for such
a greeting, for at latest accounts she had been in
perfect health, they stood, with her friends, by the
side of Phoebe’s open grave.
In his mind’s eye The Boy, at
the end of forty years, can see it all; and his childish
grief is still fresh in his memory. He had lost
a bird and a cat who were very dear to his heart,
but death had never before seemed so real to him;
never before had it come so near home. He never
played “funeral” again.
In 1851 or 1852 The Boy went to another
dame’s school. It was kept by Miss Kilpatrick,
on Franklin or North Moore Street. From this,
as he grew in years, he was sent to the Primary Department
of the North Moore Street Public School, at the corner
of West Broadway, where he remained three weeks, and
where he contracted a whooping-cough which lasted him
three months. The other boys used to throw his
hat upon an awning in the neighborhood, and then throw
their own hats up under the awning in order to bounce
The Boy’s hat off an amusement for
which he never much cared. They were not very
nice boys, anyway, especially when they made fun of
his maternal grandfather, who was a trustee of the
school, and who sometimes noticed The Boy after the
morning prayers were said. The grandfather was
very popular in the school. He came in every day,
stepped upon the raised platform at the principal’s
desk, and said in his broad Scotch, “Good morning,
boys!” to which the entire body of pupils, at
the top of their lungs, and with one voice, replied,
“G-o-o-d morning, Mr. Scott!” This
was considered a great feature in the school; and
strangers used to come from all over the city to witness
it. Somehow it made The Boy a little bit ashamed;
he does not know why. He would have liked it
well enough, and been touched by it, too, if it had
been some other boy’s grandfather. The Boy’s
father was present once The Boy’s
first day; but when he discovered that the President
of the Board of Trustees was going to call on him
for a speech he ran away; and The Boy would have given
all his little possessions to have run after him.
The Boy knew then, as well as he knows now, how his
father felt; and he thinks of that occasion every
time he runs away from some after-dinner or occasional
speech which he, himself, is called upon to make.
After his North Moore Street experiences
The Boy was sent to study under men teachers in boys’
schools; and he considered then that he was grown
up.
The Boy, as has been said, was born
without the sense of spell. The Rule of Three,
it puzzled him, and fractions were as bad; and the
proper placing of e and i, or i and e, the doubling
of letters in the middle of words, and how to treat
the addition of a suffix in “y” or “tion”
“almost drove him mad,” from his childhood
up. He hated to go to school, but he loved to
play school; and when Johnny Robertson and he
were not conducting a pompous, public funeral a
certain oblong hat-brush, with a rosewood back, studded
with brass tacks, serving as a coffin, in which lay
the body of Henry Clay, Daniel Webster, or the Duke
of Wellington, all of whom died when Johnny and The
Boy were about eight years old they were
teaching each other the three immortal and exceedingly
trying “R’s” reading,
’riting, and ’rithmetic in a
play-school. Their favorite spelling-book was
a certain old cook-book, discarded by the head of
the kitchen, and considered all that was necessary
for their educational purpose. From this, one
afternoon, Johnnie gave out “Dough-nut,”
with the following surprising result. Conscious
of the puzzling presence of certain silent consonants
and vowels, The Boy thus set it down: “D-O,
dough, N-O-U-G-H-T, nut doughnut!”
and he went up head in a class of one, neither teacher
nor pupil perceiving the marvellous transposition.
All The Boy’s religious training
was received at home, and almost his first text-book
was “The Shorter Catechism,” which, he
confesses, he hated with all his little might.
He had to learn and recite the answers to those awful
questions as soon as he could recite at all, and, for
years, without the slightest comprehension as to what
it was all about. Even to this day he cannot
tell just what “Effectual Calling,” or
“Justification,” is; and I am sure that
he shed more tears over “Effectual Calling”
than would blot out the record of any number of infantile
sins. He made up his youthful mind that if he
could not be saved without “Effectual Calling” whatever
that was he did not want to be saved at
all. But he has thought better of it since.
It is proper to affirm here that The
Boy did not acquire his occasional swear-words from
“The Shorter Catechism.” They were
born in him, as a fragment of Original Sin; and they
came out of him innocently and unwittingly, and only
for purposes of proper emphasis, long before the days
of “Justification,” and even before he
knew his A, B, C’s.
His earliest visit to Scotland was
made when he was but four or five years of age, and
long before he had assumed the dignity of trousers,
or had been sent to school. His father had gone
to the old home at St. Andrews hurriedly, upon the
receipt of the news of the serious illness of The
Boy’s grandmother, who died before they reached
her. Naturally, The Boy has little recollection
of that sad month of December, spent in his grandfather’s
house, except that it was sad. The weather
was cold and wet; the house, even under ordinary circumstances,
could not have been a very cheerful one for a youngster
who had no companions of his own age. It looked
out upon the German Ocean which at that
time of the year was always in a rage, or in the sulks and
it was called “Peep o’ Day,” because
it received the very first rays of the sun as he rose
upon the British Isles.
The Boy’s chief amusement was
the feeding of “flour-scones” and oat-cakes
to an old goat, who lived in the neighborhood, and
in daily walks with his grandfather, who seemed to
find some little comfort and entertainment in the
lad’s childish prattle. He was then almost
the only grandchild; and the old man was very proud
of his manner and appearance, and particularly amused
at certain gigantic efforts on The Boy’s part
to adapt his own short legs to the strides of his
senior’s long ones.
After they had interviewed the goat,
and had watched the wrecks with which the wild shore
was strewn, and had inspected the Castle in ruins,
and the ruins of the Cathedral, The Boy would be shown
his grandmother’s new-made grave, and his own
name in full a common name in the family upon
the family tomb in the old kirk-yard; all of which
must have been very cheering to The Boy; although
he could not read it for himself. And then, which
was better, they would stand, hand in hand, for a
long time in front of a certain candy-shop window,
in which was displayed a little regiment of lead soldiers,
marching in double file towards an imposing and impregnable
tin fortress on the heights of barley-sugar.
Of this spectacle they never tired; and they used to
discuss how The Boy would arrange them if they belonged
to him; with a sneaking hope on The Boy’s part
that, some day, they were to be his very own.
At the urgent request of the grandfather,
the American contingent remained in St. Andrews until
the end of the year; and The Boy still remembers vividly,
and he will never forget, the dismal failure of “Auld
Lang Syne” as it was sung by the family, with
clasped hands, as the clock struck and the New Year
began. He sat up for the occasion or,
rather, was waked up for the occasion; and of all that
family group he has been, for a decade or more, the
only survivor. The mother of the house was but
lately dead; the eldest son, and his son, were going,
the next day, to the other side of the world; and
every voice broke before the familiar verse came to
an end.
As The Boy went off to his bed he
was told that his grandfather had something for him,
and he stood at his knee to receive a Bible!
That it was to be the lead soldiers and the tin citadel
he never for a moment doubted; and the surprise and
disappointment were very great. He seems to have
had presence of mind enough to conceal his feelings,
and to kiss and thank the dear old man for his gift.
But as he climbed slowly up the stairs, in front of
his mother, and with his Bible under his arm, she
overheard him sob to himself, and murmur, in his great
disgust: “Well, he has given me a book!
And I wonder how in thunder he thinks I am going to
read his damned Scotch!”
This display of precocious profanity
and of innate patriotism, upon the part of a child
who could not read at all, gave unqualified pleasure
to the old gentleman, and he never tired of telling
the story as long as he lived.
The Boy never saw the grandfather
again. He had gone to the kirk-yard, to stay,
before the next visit to St. Andrews was made; and
now that kirk-yard holds everyone of The Boy’s
name and blood who is left in the town.
The Boy was taught, from the earliest
awakening of his reasoning powers, that truth was
to be told and to be respected, and that nothing was
more wicked or more ungentlemanly than a broken promise.
He learned very early to do as he was told, and not
to do, under any consideration, what he had said he
would not do. Upon this last point he was almost
morbidly conscientious, although once, literally,
he “beat about the bush.” His aunt
Margaret, always devoted to plants and to flowers,
had, on the back stoop of his grandfather’s
house, a little grove of orange and lemon trees, in
pots. Some of these were usually in fruit or in
flower, and the fruit to The Boy was a great temptation.
He was very fond of oranges, and it seemed to him
that a “home-made” orange, which he had
never tasted, must be much better than a grocer’s
orange; as home-made cake was certainly preferable,
even to the wonderful cakes made by the professional
Mrs. Milderberger. He watched those little green
oranges from day to day, as they gradually grew big
and yellow in the sun. He promised faithfully
that he would not pick any of them, but he had a notion
that some of them might drop off. He never shook
the trees, because he said he would not. But
he shook the stoop! And he hung about the bush,
which he was too honest to beat. One unusually
tempting orange, which he had known from its bud-hood,
finally overcame him. He did not pick it off,
he did not shake it off; he compromised with his conscience
by lying flat on his back and biting off a piece of
it. It was not a very good action, nor was it
a very good orange, and for that reason, perhaps,
he went home immediately and told on himself.
He told his mother. He did not tell his aunt
Margaret. His mother did not seem to be as much
shocked at his conduct as he was. But, in her
own quiet way, she gave him to understand that promises
were not made to be cracked any more than they were
made to be broken that he had been false
to himself in heart, if not in deed, and that he must
go back and make it “all right” with his
aunt Margaret. She did not seem to be very much
shocked, either; he could not tell why. But they
punished The Boy. They made him eat the rest
of the orange!
He lost all subsequent interest in
that tropical glade, and he has never cared much for
domestic oranges since.
Among the many bumps which are still
conspicuously absent in The Boy’s phrenological
development are the bumps of Music and Locality.
He whistled as soon as he acquired front teeth; and
he has been singing “God Save the Queen”
at the St. Andrew’s Society dinners, on November
the 30th, ever since he came of age. But that
is as far as his sense of harmony goes. He took
music-lessons for three quarters, and then his mother
gave it up in despair. The instrument was a piano.
The Boy could not stretch an octave with his right
hand, the little finger of which had been broken by
a shinny-stick; and he could not do anything whatever
with his left hand. He was constantly dropping
his bass-notes, which, he said, were “understood.”
And even Miss Ferguson most patient of
teachers declared that it was of no use.
The piano to The Boy has been the
most offensive of instruments ever since. And
when his mother’s old piano, graceful in form,
and with curved legs which are still greatly admired,
lost its tone, and was transformed into a sideboard,
he felt, for the first time, that music had charms.
He had to practise half an hour a
day, by a thirty-minute sand-glass that could not
be set ahead; and he shed tears enough over “The
Carnival of Venice” to have raised the tide in
the Grand Canal. They blurred the sharps and
the flats on the music-books those tears;
they ran the crotchets and the quavers together, and,
rolling down his cheeks, they even splashed upon his
not very clean little hands; and, literally, they
covered the keys with mud.
Another serious trial to The Boy was
dancing-school. In the first place, he could
not turn round without becoming dizzy; in the second
place, he could not learn the steps to turn round
with; and in the third place, when he did dance he
had to dance with a girl! There was not a boy
in all Charraud’s, or in all Dodworth’s,
who could escort a girl back to her seat, after the
dance was over, in better time, or make his “thank-you
bow” with less delay. His only voluntary
terpsichorean effort at a party was the march to supper;
and the only steps he ever took with anything like
success were during the promenade in the lancers.
In “hands-all-round” he invariably started
with the wrong hand; and if in the set there were
girls big enough to wear long dresses, he never failed
to tear such out at the gathers. If anybody fell
down in the polka it was always The Boy; and if anybody
bumped into anybody else, The Boy was always the bumper,
unless his partner could hold him up and steer him
straight.
Games, at parties, he enjoyed more
than dancing, although he did not care very much for
“Pillows and Keys,” until he became courageous
enough to kneel before somebody except his maiden
aunts. “Porter” was less embarrassing,
because, when the door was shut, nobody but the little
girl who called him but could tell whether he kissed
her or not. All this happened a long time ago!
The only social function in which
The Boy took any interest whatever was the making
of New-Year’s calls. Not that he cared to
make New-Year’s calls in themselves, but because
he wanted to make more New-Year’s calls than
were made by any other boy. His “list,”
based upon last year’s list, was commenced about
February 1; and it contained the names of every person
whom The Boy knew, or thought he knew, whether that
person knew The Boy or not, from Mrs. Penrice, who
boarded opposite the Bowling Green, to the Leggats
and the Faures, who lived near Washington Parade Ground,
the extreme social limits of his city in those days.
He usually began by making a formal call upon his
own mother, who allowed him to taste the pickled oysters
as early as ten in the morning; and he invariably
wound up by calling upon Ann Hughes in the kitchen,
where he met the soap-fat man, who was above his profession,
and likewise the sexton of Ann Hughes’s church,
who generally came with Billy, the barber on the corner
of Franklin Street. There were certain calls The
Boy always made with his father, during which he did
not partake of pickled oysters; but he had pickled
oysters everywhere else; and they never seemed to
do him any serious harm.
The Boy, if possible, kept his new
overcoat until New Year’s Day and
he never left it in the hall when he called!
He always wore new green kid gloves why
green? fastened at the wrists with a single
hook and eye; and he never took off his kid gloves
when he called, except on that particular New Year’s
Day when his aunt Charlotte gave him the bloodstone
seal-ring, which, at first, was too big for his little
finger, the only finger on which a seal-ring
could be worn and had to be made
temporarily smaller with a piece of string.
When he received, the next New Year,
new studs and a scarf-pin all bloodstones,
to match the ring he exhibited no little
ingenuity of toilet in displaying them both, because
studs are hardly visible when one wears a scarf, unless
the scarf is kept out of the perpendicular by stuffing
one end of it into the sleeve of a jacket; which requires
constant attention and a good deal of bodily contortion.
When The Boy met Johnny Robertson
or Joe Stuart making calls, they never recognized
each other, except when they were calling together,
which did not often occur. It was an important
rule in their social code to appear as strangers in-doors,
although they would wait for each other outside, and
compare lists. When they did present themselves
collectively in any drawing-room, one boy usually
The Boy’s cousin Lew was detailed
to whisper “T. T.” when he considered
that the proper limit of the call was reached.
“T. T.” stood for “Time to Travel”;
and at the signal all conversation was abruptly interrupted,
and the party trooped out in single file. The
idea was not original with the boys. It was borrowed
from the hook-and-ladder company, which made all its
calls in a body, and in two of Kipp and Brown’s
stages, hired for the entire day. The boys always
walked.
The great drawbacks to the custom
of making New-Year’s calls were the calls which
had to be made after the day’s hard work
was supposed to be over, and when The Boy and his
father, returning home very tired, were told that
they must call upon Mrs. Somebody, and upon
Mrs. Somebody-else, whom they had neglected to visit,
because the husbands and the sons of these ladies
had called upon the mother of The Boy. New Year’s
Day was not the shortest day of the year, by any means,
but it was absolutely necessary to return the Somebody’s
call, no matter how late the hour, or how tired the
victims of the social law. And it bored the ladies
of the Somebody household as much as it bored the father
and The Boy.
The Boy was always getting lost.
The very first time he went out alone he got lost!
Told not to go off the block, he walked as far as the
corner of Leonard Street, put his arm around the lamp-post,
swung himself in a circle, had his head turned the
wrong way, and marched off, at a right angle, along
the side street, with no home visible anywhere, and
not a familiar sign in sight. A ship at sea without
a rudder, a solitary wanderer in the Great American
Desert without a compass, could not have been more
utterly astray. The Boy was so demoralized that
he forgot his name and address; and when a kindly
policeman picked him up, and carried him over the
way, to the Leonard Street station-house for identification,
he felt as if the end of everything had come.
It was bad enough to be arrested, but how was he to
satisfy his own conscience, and explain matters to
his mother, when it was discovered that he had broken
his solemn promise, and crossed the street? He
had no pocket-handkerchief; and he remembers that
he spoiled the long silk streamers of his Glengarry
bonnet by wiping his eyes upon them. He was recognized
by his Forty-second-plaid gingham frock, a familiar
object in the neighborhood, and he was carried back
to his parents, who had not had time to miss him,
and who, consequently, were not distracted. He
lost nothing by the adventure but himself, his self-respect,
a pint of tears and one shoe.
He was afterwards lost in Greenwich
Street, having gone there on the back step of an ice-cart;
and once he was conveyed as far as the Hudson River
Railroad Depot, at Chambers Street, on his sled, which
he had hitched to the milkman’s wagon, and could
not untie. This was very serious, indeed; for
The Boy realized that he had not only lost himself
but his sleigh, too. Aunt Henrietta found The
Boy sitting disconsolately in front of Wall’s
bake-shop; but the sleigh did not turn up for several
days. It was finally discovered, badly scratched,
in the possession of “The Head of the Rovers.”
“The Hounds” and “The
Rovers” were rival bands of boys, not in The
Boy’s set, who for many years made out-door
life miserable to The Boy and to his friends.
They threw stones and mud at each other, and at everybody
else; and The Boy was not infrequently blamed for the
windows they broke. They punched all the little
boys who were better dressed than they were, and they
were even depraved enough, and mean enough, to tell
the driver every time The Boy or Johnny Robertson attempted
to “cut behind.”
There was also a band of unattached
guérillas who aspired to be, and often pretended
to be, either “Hounds” or “Rovers” they
did not care which. They always hunted in couples,
and if they met The Boy alone they asked him to which
of the organizations he himself belonged. If he
said he was a “Rover,” they claimed to
be “Hounds,” and pounded him. If he
declared himself in sympathy with the “Hounds,”
they hoisted the “Rovers’” colors,
and punched him again. If he disclaimed both
associations, they punched him anyway, on general principles.
“The Head of the Rovers” was subsequently
killed, in front of Tom Riley’s liberty-pole
in Franklin Street, in a fireman’s riot, and
“The Chief of the Hounds,” who had a club-foot,
became a respectable egg-merchant, with a stand in
Washington Market, near the Root-beer Woman’s
place of business, on the south side. The Boy
met two of the gang near the Desbrosses Street Ferry
only the other day; but they did not recognize The
Boy.
The only spot where The Boy felt really
safe from the interference of “The Hounds”
and “The Rovers” was in St. John’s
Square, that delightful oasis in the desert of brick
and mortar and cobble-stones which was known as the
Fifth Ward. It was a private enclosure, bounded
on the north by Laight Street, on the south by Beach
Street, on the east by Varick Street, and on the west
by Hudson Street; and its site is now occupied by
the great freight-warehouses of the New York Central
and Hudson River Railroad Company.
In the “Fifties,” and
long before, it was a private park, to which only
the property owners in its immediate neighborhood had
access. It possessed fine old trees, winding
gravel-walks, and meadows of grass. In the centre
was a fountain, whereupon, in the proper season, the
children were allowed to skate on both feet, which
was a great improvement over the one-foot gutter-slides
outside. The Park was surrounded by a high iron
railing, broken here and there by massive gates, to
which The Boy had a key. But he always climbed
over. It was a point of etiquette, in The Boy’s
set, to climb over on all occasions, whether the gates
were unlocked or not. And The Boy, many a time,
has been known to climb over a gate, although it stood
wide open! He not infrequently tore his clothes
on the sharp spikes by which the gates were surmounted;
but that made no difference to The Boy until
he went home!
The Boy once had a fight in the Park,
with Bill Rice, about a certain lignum-vitae peg-top,
of which The Boy was very fond, and which Bill Rice
kicked into the fountain. The Boy got mad, which
was wrong and foolish of The Boy; and The Boy, also,
got licked. And The Boy never could make his
mother understand why he was silly and careless enough
to cut his under-lip by knocking it against Bill Rice’s
knuckles. Bill subsequently apologized by saying
that he did not mean to kick the top into the fountain.
He merely meant to kick the top. And it was all
made up.
The Boy did not fight much. His
nose was too long. It seemed that he could not
reach the end of it with his fists when he fought;
and that the other fellows could always reach it with
theirs, no matter how far out, or how scientifically,
his left arm was extended. It was “One,
two, three and recover” on
The Boy’s nose! The Boy was a good runner.
His legs were the only part of his anatomy which seemed
to him as long as his nose. And his legs saved
his nose in many a fierce encounter.
The Boy first had daily admission
to St. John’s Park after the family moved to
Hubert Street, when The Boy was about ten years old;
and for half a decade or more it was his happy hunting-ground when
he was not kept in school! It was a particularly
pleasant place in the autumn and winter months; for
he could then gather “smoking-beans” and
horse-chestnuts; and he could roam at will all over
the grounds without any hateful warning to “Keep
Off the Grass.”
The old gardener, generally a savage
defender of the place, who had no sense of humor as
it was exhibited in boy nature, sometimes let the boys
rake the dead leaves into great heaps and make bonfires
of them, if the wind happened to be in the right direction.
And then what larks! The bonfire was a house
on fire, and the great garden-roller, a very heavy
affair, was “Engine N,” with which
the boys ran to put the fire out. They all shouted
as loudly and as unnecessarily as real firemen did,
in those days; the foreman gave his orders through
a real trumpet, and one boy had a real fireman’s
hat with “Engine N” on it. He
was chief engineer, but he did not run with the machine:
not because he was chief engineer, but because while
in active motion he could not keep his hat on.
It was his father’s hat, and its extraordinary
weight was considerably increased by the wads of newspaper
packed in the lining to make it fit. The chief
engineer held the position for life on the strength
of the hat, which he would not lend to anybody else.
The rest of the officers of the company were elected,
viva voce, every time there was a fire.
This entertainment came to an end,
like everything else, when the gardener chained the
roller to the tool-house, after Bob Stuart fell under
the machine and was rolled so flat that he had to be
carried home on a stretcher, made of overcoats tied
together by the sleeves. That is the only recorded
instance in which the boys, particularly Bob, left
the Park without climbing over. And the bells
sounded a “general alarm.” The dent
made in the path by Bob’s body was on exhibition
until the next snow-storm.
The favorite amusements in the Park
were shinny, baseball, one-old-cat, and fires.
The Columbia Baseball Club was organized in 1853 or
1854. It had nine members, and The Boy was secretary
and treasurer. The uniform consisted chiefly
of a black leather belt with the initials [reversed
C]B[reversed B]C in white letters, hand-painted, and
generally turned the wrong way. The first base
was an ailantus-tree; the second base was another
ailantus-tree; the third base was a button-ball-tree;
the home base was a marble head-stone, brought for
that purpose from an old burying-ground not far away;
and “over the fence” was a home-run.
A player was caught out on the second bounce, and
he was “out” if hit by a ball thrown at
him as he ran. The Boy was put out once by a crack
on the ear, which put The Boy out very much.
“The Hounds” and “The
Rovers” challenged “The Columbias”
repeatedly. But that was looked upon simply as
an excuse to get into the Park, and the challenges
were never accepted. The challengers were forced
to content themselves with running off with the balls
which went over the fence; an action on their part
which made home-runs through that medium very unpopular
and very expensive. In the whole history of “The
Hounds” and “The Rovers,” nothing
that they pirated was ever returned but The Boy’s
sled.
Contemporary with the Columbia Baseball
Club was a so-called “Mind-cultivating Society,”
organized by the undergraduates of McElligott’s
School, in Greene Street. The Boy, as usual, was
secretary when he was not treasurer. The object
was “Debates,” but all the debating was
done at the business meetings, and no mind ever became
sufficiently cultivated to master the intricacies of
parliamentary law. The members called it a Secret
Society, and on their jackets they wore, as conspicuously
as possible, a badge-pin consisting of a blue enamelled
circlet containing Greek letters in gold. In a
very short time the badge-pin was all that was left
of the Society; but to this day the secret of the
Society has never been disclosed. No one ever
knew, or will ever know, what the Greek letters stood
for not even the members themselves.
The Boy was never a regular member
of any fire-company, but almost as long as the old
Volunteer Fire Department existed, he was what was
known as a “Runner.” He was attached,
in a sort of brevet way, to “Pearl Hose N,” and, later, to “11 Hook and Ladder.”
He knew all the fire districts into which the city
was then divided; his ear was always alert, even in
the St. John’s Park days, for the sound of the
alarm-bell, and he ran to every fire at any hour of
the day or night, up to ten o’clock P.M.
He did not do much when he got to the fire but stand
around and “holler.” But once a
proud moment he helped steer the hook-and-ladder
truck to a false alarm in Macdougal Street and
once a very proud moment, indeed he
went into a tenement-house, near Dr. Thompson’s
church, in Grand Street, and carried two negro babies
down-stairs in his arms. There was no earthly
reason why the babies should not have been left in
their beds; and the colored family did not like it,
because the babies caught cold! But The Boy, for
once in his life, tasted the delights of self-conscious
heroism.
When The Boy, as a bigger boy, was
not running to fires he was going to theatres, the
greater part of his allowance being spent in the box-offices
of Burton’s Chambers Street house, of Brougham’s
Lyceum, corner of Broome Street and Broadway, of Niblo’s,
and of Castle Garden. There were no afternoon
performances in those days, except now and then when
the Ravels were at Castle Garden; and the admission
to pit and galleries was usually two shillings otherwise,
twenty-five cents. His first play, so far as
he remembers, was “The Stranger,” a play
dismal enough to destroy any taste for the drama,
one would suppose, in any juvenile mind. He never
cared very much to see “The Stranger” again,
but nothing that was a play was too deep or too heavy
for him. He never saw the end of any of the more
elaborate productions, unless his father took him
to the theatre (as once in a while he did), for it
was a strict rule of the house, until The Boy was
well up in his teens, that he must be in by ten o’clock.
His father did not ask him where he was going, or where
he had been; but the curfew in Hubert Street tolled
at ten. The Boy calculated carefully and exactly
how many minutes it took him to run to Hubert Street
from Brougham’s or from Burton’s; and by
the middle of the second act his watch a
small silver affair with a hunting-case, in which
he could not keep an uncracked crystal was
always in his hand. He never disobeyed his father,
and for years he never knew what became of Claude
Melnotte after he went to the wars; or if Damon got
back in time to save Pythias before the curtain fell.
The Boy, naturally, had a most meagre notion as to
what all these plays were about, but he enjoyed his
fragments of them as he rarely enjoys plays now.
Sometimes, in these days, when the air is bad, and
plays are worse, and big hats are worse than either,
he wishes that he were forced to leave the modern
play-house at nine-forty-five, on pain of no supper
that night, or twenty lines of “Virgil”
the next day.
On very stormy afternoons the boys
played theatre in the large garret of The Boy’s
Hubert Street house; a convenient closet, with a door
and a window, serving for the Castle of Elsinore in
“Hamlet,” for the gunroom of the ship
in “Black-eyed Susan,” or for the studio
of Phidias in “The Marble Heart,” as the
case might be. “The Brazilian Ape,”
as requiring more action than words, was a favorite
entertainment, only they all wanted to play Jocko
the Ape; and they would have made no little success
out of the “Lady of Lyons” if any of them
had been willing to play Pauline. Their costumes
and properties were slight and not always accurate,
but they could “launch the curse of Rome,”
and describe “two hearts beating as one,”
in a manner rarely equalled on the regular stage.
The only thing they really lacked was an audience,
neither Lizzie Gustin nor Ann Hughes ever being able
to sit through more than one act at a time. When
The Boy, as Virginius, with his uncle Aleck’s
sword-cane, stabbed all the feathers out of the pillow
which represented the martyred Virginia; and when
Joe Stuart, as Falstaff, broke the bottom out of Ann
Hughes’s clothes-basket, the license was revoked,
and the season came to an untimely end.
Until the beginning of the weekly,
or the fortnightly, sailings of the Collins line of
steamers from the foot of Canal Street (a spectacle
which they never missed in any weather), Joe Stuart,
Johnny Robertson, and The Boy played “The Deerslayer”
every Saturday in the back-yard of The Boy’s
house. The area-way was Glimmer-glass, in which
they fished, and on which they canoed; the back-stoop
was Muskrat Castle; the rabbits were all the wild
beasts of the Forest; Johnny was Hawk-Eye, The Boy
was Hurry Harry, and Joe Stuart was Chingachgook.
Their only food was half-baked potatoes sweet
potatoes if possible which they cooked
themselves and ate ravenously, with butter and salt,
if Ann Hughes was amiable, and entirely unseasoned
if Ann was disposed to be disobliging.
They talked what they fondly believed
was the dialect of the Delaware tribe, and they were
constantly on the lookout for the approaches of Rivenoak,
or the Panther, who were represented by any member
of the family who chanced to stray into the enclosure.
They carefully turned their toes in when they walked,
making so much effort in this matter that it took
a great deal of dancing-school to get their feet back
to the “first position” again; and they
even painted their faces when they were on the war-path.
The rabbits had the worst of it!
The campaign came to a sudden and
disastrous conclusion when the hostile tribes, headed
by Mrs. Robertson, descended in force upon the devoted
band, because Chingachgook broke one of Hawk-Eye’s
front teeth with an arrow, aimed at the biggest of
the rabbits, which was crouching by the side of the
roots of the grape-vine, and playing that he was a
panther of enormous size.
Johnny Robertson and The Boy had one
great superstition to wit, Cracks!
For some now inexplicable reason they thought it unlucky
to step on cracks; and they made daily and hourly
spectacles of themselves in the streets by the eccentric
irregularity of their gait. Now they would take
long strides, like a pair of ostriches, and now short,
quick steps, like a couple of robins; now they would
hop on both feet, like a brace of sparrows; now they
would walk on their heels, now on their toes; now
with their toes turned in, now with their toes turned
out at right angles, in a splay-footed
way; now they would walk with their feet crossed,
after the manner of the hands of very fancy, old-fashioned
piano-players, skipping from base to treble over
cracks. The whole performance would have driven
a sensitive drill-sergeant or ballet-master to distraction.
And when they came to a brick sidewalk they would
go all around the block to avoid it. They could
cross Hudson Street on the cobblestones with great
effort, and in great danger of being run over; but
they could not possibly travel upon a brick pavement,
and avoid the cracks. What would have happened
to them if they did step on a crack they did
not exactly know. But, for all that, they never
stepped on cracks of their own free will!
The Boy’s earliest attempts
at versification were found, the other day, in an
old desk, and at the end of almost half a century.
The copy is in his own boyish, ill-spelled print;
and it bears no date. The present owner, his
aunt Henrietta, well remembers the circumstances and
the occasion, however, having been an active participant
in the acts the poem describes, although she avers
that she had no hand in its composition. The
original, it seems, was transcribed by The Boy upon
the cover of a soap-box, which served as a head-stone
to one of the graves in his family burying-ground,
situated in the back-yard of the Hudson Street house,
from which he was taken before he was nine years of
age. The monument stood against the fence, and
this is the legend it bore rhyme, rhythm,
metre, and orthography being carefully preserved:
“Three little kitens of our
old cat
Were berrid this day in this
grassplat.
They came to there deth in
an old slop pale,
And after loosing their breth
They were pulled out by the
tale.
These three little kitens
have returned to their maker,
And were put in the grave
by The Boy,
Undertaker.”
At about this period The Boy officiated
at the funeral of another cat, but in a somewhat more
exalted capacity. It was the Cranes’ cat,
at Red Hook a Maltese lady, who always
had yellow kittens. The Boy does not remember
the cause of the cat’s death, but he thinks that
Uncle Andrew Knox ran over her, with the “dyspepsia-wagon” so
called because it had no springs. Anyway, the
cat died, and had to be buried. The grave was
dug in the garden of the tavern, near the swinging-gate
to the stable, and the whole family attended the services.
Jane Purdy, in a deep crape veil, was the chief mourner;
The Boy’s aunts were pall-bearers, in white
scarves; The Boy was the clergyman; while the kittens who
did not look at all like their mother were
on hand in a funeral basket, with black shoestrings
tied around their necks.
Jane was supposed to be the disconsolate
widow. She certainly looked the part to perfection;
and it never occurred to any of them that a cat, with
kittens, could not possibly have left a widow behind
her.
The ceremony was most impressive;
the bereaved kittens were loud in their grief; when,
suddenly, the village-bell tolled for the death of
an old gentleman whom everybody loved, and the comedy
became a tragedy. The older children were conscience-stricken
at the mummery, and they ran, demoralized and shocked,
into the house, leaving The Boy and the kittens behind
them. Jane Purdy tripped over her veil, and one
of the kittens was stepped on in the crush. But
The Boy proceeded with the funeral.
When The Boy got as far as a room
of his own, papered with scenes from circus-posters,
and peopled by tin soldiers, he used to play that his
bed was the barge Mayflower, running from Barrytown
to the foot of Jay Street, North River, and that he
was her captain and crew. She made nightly trips
between the two ports; and by day, when she was not
tied up to the door-knob which was Barrytown she
was moored to the handle of the wash-stand drawer which
was the dock at New York. She never was wrecked,
and she never ran aground; but great was the excitement
of The Boy when, as not infrequently was the case,
on occasions of sweeping, Hannah, the up-stairs girl,
set her adrift.
The Mayflower was seriously
damaged by fire once, owing to the careless use, by
a deck-hand, of a piece of punk on the night before
the Fourth of July; this same deck-hand being nearly
blown up early the very next morning by a bunch of
fire-crackers which went off by themselves in
his lap. He did not know, for a second or two,
whether the barge had burst her boiler or had been
struck by lightning!
Barrytown is the river port of Red
Hook a charming Dutchess County hamlet
in which The Boy spent the first summer of his life,
and in which he spent the better part of every succeeding
summer for a quarter of a century; and he sometimes
goes there yet, although many of the names he knows
were carved, in the long-agoes, on the tomb. He
always went up and down, in those days, on the Mayflower,
the real boat of that name, which was hardly more
real to him than was the trundle-bed of his vivid,
nightly imagination. They sailed from New York
at five o’clock P.M., an hour looked for, and
longed for, by The Boy, as the very beginning of summer,
with all its delightful young charms; and they arrived
at their destination about five of the clock the next
morning, by which time The Boy was wide awake, and
on the lookout for Lasher’s Stage, in which
he was to travel the intervening three miles.
And eagerly he recognized, and loved, every landmark
on the road. Barringer’s Corner; the half-way
tree; the road to the creek and to Madame Knox’s;
and, at last, the village itself, and the tavern, and
the tobacco-factory, and Massoneau’s store,
over the way; and then, when Jane Purdy had shown
him the new kittens and the little chickens, and he
had talked to “Fido” and “Fanny,”
or to Fido alone after Fanny was stolen by gypsies Fanny
was Fido’s wife, and a poodle he rushed
off to see Bob Hendricks, who was just his own age,
barring a week, and who has been his warm friend for
more than half a century; and then what good times
The Boy had!
Bob was possessed of a grandfather
who could make kites, and swings, and parallel-bars,
and things which The Boy liked; and Bob had a mother and
he has her yet, happy Bob! who made the
most wonderful of cookies, perfectly round, with sparkling
globules of sugar on them, and little round holes
in the middle; and Bob and The Boy for days, and weeks,
and months together hen’s-egged, and rode in
the hay-carts, and went for the mail every noon, and
boosted each other up into the best pound-sweet-tree
in the neighborhood; and pelted each other with little
green apples, which weighed about a pound to the peck;
and gathered currants and chestnuts in season; and
with long straws they sucked new cider out of bung-holes;
and learned to swim; and caught their first fish;
and did all the pleasant things that all boys do.
At Red Hook they smoked their first
cigar half a cigar, left by uncle Phil and
they wished they hadn’t! And at Red Hook
they disobeyed their mothers once, and were found
out. They were told not to go wading in the creek
upon pain of not going to the creek at all; and for
weeks they were deprived of the delights of the society
of the Faure boys, through whose domain the creek
ran, because, when they went to bed on that disastrous
night, it was discovered that Bob had on The Boy’s
stockings, and that The Boy was wearing Bob’s
socks; a piece of circumstantial evidence which convicted
them both. When the embargo was raised and they
next went to the creek, it is remembered that Bob tore
his trousers in climbing over a log, and that The
Boy fell in altogether.
The Boy usually kept his promises,
however, and he was known even to keep a candy-cane twenty-eight
inches long, red and white striped like a barber’s
pole for a fortnight, because his mother
limited him to the consumption of two inches a day.
But he could not keep any knees to his trousers; and
when The Boy’s mother threatened to sew buttons brass
buttons, with sharp and penetrating eyes on
to that particular portion of the garment in question,
he wanted to know, in all innocence, how they expected
him to say his prayers!
One of Bob’s earliest recollections
of The Boy is connected with a toy express-wagon on
four wheels, which could almost turn around on its
own axis. The Boy imported this vehicle into
Red Hook one summer, and they used it for the transportation
of their chestnuts and their currants and their apples,
green and ripe, and the mail, and most of the dust
of the road; and Bob thinks, to this day, that nothing
in all these after years has given him so much profound
satisfaction and enjoyment as did that little cart.
Bob remembers, too what
The Boy tries to forget The Boy’s
daily practice of half an hour on the piano borrowed
by The Boy’s mother from Mrs. Bates for that
dire purpose. Mrs. Bates’s piano is almost
the only unpleasant thing associated with Red Hook
in all The Boy’s experience of that happy village.
It was pretty hard on The Boy, because, in The Boy’s
mind, Red Hook should have been a place of unbroken
delights. But The Boy’s mother wanted to
make an all-round man of him, and when his mother
said so, of course it had to be done or tried.
Bob used to go with The Boy as far as Dr. Bates’s
house, and then hang about on the gate until The Boy
was released; and he asserts that the music which
came out of the window in response to The Boy’s
inharmonic touch had no power whatever to soothe his
own savage young breast. He attributes all his
later disinclination to music to those dreary thirty
minutes of impatient waiting.
The piano and its effect upon The
Boy’s uncertain temper may have been
the innocent cause of the first, and only, approach
to a quarrel which The Boy and Bob ever had.
The prime cause, however, was, of course, a girl!
They were playing, that afternoon, at Cholwell Knox’s,
when Cholwell said something about Julia Booth which
Bob resented, and there was a fight, The Boy taking
Cholwell’s part; why, he cannot say, unless
it was because of his jealousy of Bob’s affection
and admiration for that charming young teacher, who
won all hearts in the village, The Boy’s among
the number. Anyway, Bob was driven from the field
by the hard little green apples of the Knox orchard;
more hurt, he declares, by the desertion of his ally
than by all the blows he received.
It never happened again, dear Bob,
and, please God, it never will!
Another trouble The Boy had in Red
Hook was Dr. McNamee, a resident dentist, who operated
upon The Boy, now and then. He was a little more
gentle than was The Boy’s city dentist, Dr. Castle;
but he hurt, for all that. Dr. Castle lived in
Fourth Street, opposite Washington Parade Ground,
and on the same block with Clarke and Fanning’s
school. And to this day The Boy would go miles
out of his way rather than pass Dr. Castle’s
house. Personally Dr. Castle was a delightful
man, who told The Boy amusing stories, which The Boy
could not laugh at while his mouth was wide open.
But professionally Dr. Castle was to The Boy an awful
horror, of whom he always dreamed when his dreams were
particularly bad. As he looks back upon his boyhood,
with its frequent toothache and its long hours in
the dentists’ chairs, The Boy sometimes thinks
that if he had his life to live over again, and could
not go through it without teeth, he would prefer not
to be born at all!
It has rather amused The Boy, in his
middle age, to learn of the impressions he made upon
Red Hook in his extreme youth. Bob, as has been
shown, associates him with a little cart, and with
a good deal of the concord of sweet sounds. One
old friend remembers nothing but his phenomenal capacity
for the consumption of chicken pot-pie. Another
old friend can recall the scrupulously clean white
duck suits which he wore of afternoons, and also the
blue-checked long apron which he was forced to wear
in the mornings; both of them exceedingly distasteful
to The Boy, because the apron was a girl’s garment,
and because the duck suit meant “dress-up,”
and only the mildest of genteel play; while Bob’s
sister dwells chiefly now upon the wonderful valentine
The Boy sent once to Zillah Crane. It was so
large that it had to have an especial envelope made
to fit it; and it was so magnificent, and so delicate,
that, notwithstanding the envelope, it came in a box
of its own. It had actual lace, and pinkish Cupids
reclining on light-blue clouds; and in the centre
of all was a compressible bird-cage, which, when it
was pulled out, like an accordion, displayed not a
dove merely, but a plain gold ring a real
ring, made of real gold. Nothing like it had ever
been seen before in all Dutchess County; and it was
seen and envied by every girl of Zillah’s age
between Rhinebeck and Tivoli, between Barrytown and
Pine Plains.
The Boy did an extensive business
in the valentine line, in the days when February Fourteenth
meant much more to boys than it does now. He
sent sentimental valentines to Phoebe Hawkins and comic
valentines to Ann Hughes, both of them written anonymously,
and both directed in a disguised hand. But both
recipients always knew from whom they came; and, in
all probability, neither of them was much affected
by the receipt. The Boy, as he has put on record
elsewhere, never really, in his inmost heart, thought
that comic valentines were so very comic, because
those that came to him usually reflected upon his nose,
or were illuminated with portraits of gentlemen of
all ages adorned with supernaturally red hair.
In later years, when Bob and The Boy
could swim a little and had
learned to take care of themselves in water over their
heads, the mill-pond at Red Hook played an important
part in their daily life there. They sailed it,
and fished it, and camped out on its banks, with Ed
Curtis before Ed went to West Point and
with Dick Hawley, Josie Briggs, and Frank Rodgers,
all first-rate fellows. But that is another story.
The Boy was asked, a year or two ago,
to write a paper upon “The Books of his Boyhood.”
And when he came to think the matter over he discovered,
to his surprise, that the Books of his Boyhood consisted
of but one book! It was bound in two twelvemo
green cloth volumes; it bore the date of 1850, and
it was filled with pictorial illustrations of “The
Personal History and Experiences of David Copperfield,
the Younger.” It was the first book The
Boy ever read, and he thought then, and sometimes
he thinks now, that it was the greatest book ever written.
The traditional books of the childhood of other children
came later to The Boy: “Robinson Crusoe,”
and the celebrated “Swiss Family” of the
same name; “The Desert Home,” of Mayne
Reid; Marryat’s “Peter Simple”;
“The Leather Stocking Tales”; “Rob
Roy”; and “The Three Guardsmen” were
well thumbed and well liked; but they were not The
Boy’s first love in fiction, and they never
usurped, in his affections, the place of the true
account of David Copperfield. It was a queer book
to have absorbed the time and attention of a boy of
eight or nine, who had to skip the big words, who
did not understand it all, but who cried, as he has
cried but once since, whenever he came to that dreadful
chapter which tells the story of the taking away of
David’s mother, and of David’s utter,
hopeless desolation over his loss.
How the book came into The Boy’s
possession he cannot now remember, nor is he sure
that his parents realized how much, or how often, he
was engrossed in its contents. It cheered him
in the measles, it comforted him in the mumps.
He took it to school with him, and he took it to bed
with him; and he read it, over and over again, especially
the early chapters; for he did not care so much for
David after David became Trotwood, and fell in love.
When, in 1852, after his grandfather’s
death, The Boy first saw London, it was not the London
of the Romans, the Saxons, or the Normans, or the
London of the Plantagenets or the Tudors, but the London
of the Micawbers and the Traddleses, the London of
Murdstone and Grinby, the London of Dora’s Aunt
and of Jip. On his arrival at Euston Station the
first object upon which his eyes fell was a donkey-cart,
a large wooden tray on wheels, driven, at a rapid
pace, by a long-legged young man, and followed, at
a pace hardly so rapid, by a boy of about his own age,
who seemed in great mental distress. This was
the opening scene. And London, from that moment,
became to him, and still remains, a great moving panorama
of David Copperfield.
He saw the Orfling, that first evening,
snorting along Tottenham Court Road; he saw Mealy
Potatoes, in a ragged apron and a paper cap, lounging
along Broad Street; he saw Martha disappear swiftly
and silently into one of the dirty streets leading
from Seven Dials; he saw innumerable public-houses the
Lion, or the Lion and something else in
anyone of which David might have consumed that memorable
glass of Genuine Stunning ale with a good head on
it. As they drove through St. Martin’s Lane,
and past a court at the back of the church, he even
got a glimpse of the exterior of the shop where was
sold a special pudding, made of currants, but dear;
a two-pennyworth being no larger than a pennyworth
of more ordinary pudding at any other establishment
in the neighborhood. And, to crown all, when
he looked out of his back bedroom window, at Morley’s
Hotel, he discovered that he was looking at the actual
bedroom windows of the Golden Cross on the Strand,
in which Steerforth and little Copperfield had that
disastrous meeting which indirectly brought so much
sorrow to so many innocent men and women.
This was but the beginning of countless
similar experiences, and the beginning of a love for
Landmarks of a more important but hardly of a more
delightful character. Hungerford Market and Hungerford
Stairs, with the blacking-warehouse abutting on the
water when the tide was in, and on the mud when the
tide was out, still stood near Morley’s in 1852;
and very close to them stood then, and still stands
to-day, the old house in Buckingham Street, Adelphi,
where, with Mrs. Crupp, Trotwood Copperfield found
his lodgings when he began his new life with Spenlow
and Jorkins. These chambers, once the home of
Clarkson Stanfield, and since of Mr. William Black
and of Dr. B. E. Martin, became, in later days, very
familiar to The Boy, and still are haunted by the great
crowd of the ghosts of the past. The Boy has
seen there, within a few years, and with his eyes
wide open, the spirits of Traddles, of Micawber, of
Steerforth, of Mr. Dick, of Clara Peggotty and Daniel,
of Uriah Heep the last slept one evening
on the sofa pillows before the fire, you may remember and
of Aunt Betsy herself. But in 1852 he could only
look at the outside of the house, and, now and then,
when the door was open, get a glimpse of the stairs
down which some one fell and rolled, one evening,
when somebody else said it was Copperfield!
The Boy never walked along the streets
of London by his father’s side during that memorable
summer without meeting, in fancy, some friend of David’s,
without passing some spot that David knew, and loved,
or hated. And he recognized St. Paul’s
Cathedral at the first glance, because it had figured
as an illustration on the cover of Peggotty’s
work-box!
Perhaps the event which gave him the
greatest pleasure was a casual meeting with little
Miss Moucher in a green omnibus coming from
the top of Baker Street to Trafalgar Square.
It could not possibly have been anybody else.
There were the same large head and face, the same short
arms. “Throat she had none; waist she had
none; legs she had none, worth mentioning.”
The Boy can still hear the pattering of the rain on
the rattly windows of that lumbering green omnibus;
he can remember every detail of the impressive drive;
and Miss Moucher, and the fact of her existence
in the flesh, and there present, wiped from his mind
every trace of Mme. Tussaud’s famous gallery,
and the waxworks it contained.
This was the Book of The Boy’s
Boyhood. He does not recommend it as the exclusive
literature of their boyhood to other boys; but out
of it The Boy knows that he got nothing but what was
healthful and helping. It taught him to abominate
selfish brutality and sneaking falsehood, as they
were exhibited in the Murdstones and the Heeps; it
taught him to keep Charles I., and other fads, out
of his “Memorials”; it taught him to avoid
rash expenditure as it was practised by the Micawbers;
it showed him that a man like Steerforth might be
the best of good fellows and at the same time the
worst and most dangerous of companions; it showed,
on the other hand, that true friends like Traddles
are worth having and worth keeping; it introduced
him to the devoted, sisterly affection of a woman
like Agnes; and it proved to him that the rough pea-jacket
of a man like Ham Peggotty might cover the simple heart
of as honest a gentleman as ever lived.
The Boy, in his time, has been brought
in contact with many famous men and women; but upon
nothing in his whole experience does he look back
now with greater satisfaction than upon his slight
intercourse with the first great man he ever knew.
Quite a little lad, he was staying at the Pulaski
House in Savannah, in 1853 perhaps it was
in 1855 when his father told him to observe
particularly the old gentleman with the spectacles,
who occupied a seat at their table in the public dining-room;
for, he said, the time would come when The Boy would
be very proud to say that he had breakfasted, and
dined, and supped with Mr. Thackeray. He had
no idea who, or what, Mr. Thackeray was; but his father
considered him a great man, and that was enough for
The Boy. He did pay particular attention to Mr.
Thackeray, with his eyes and his ears; and one morning
Mr. Thackeray paid a little attention to him, of which
he is proud, indeed. Mr. Thackeray took The Boy
between his knees, and asked his name, and what he
intended to be when he grew up. He replied, “A
farmer, sir.” Why, he cannot imagine, for
he never had the slightest inclination towards a farmer’s
life. And then Mr. Thackeray put his gentle hand
upon The Boy’s little red head, and said:
“Whatever you are, try to be a good one.”
To have been blessed by Thackeray
is a distinction The Boy would not exchange for any
niche in the Temple of Literary Fame; no laurel crown
he could ever receive would be able to obliterate,
or to equal, the sense of Thackeray’s touch;
and if there be any virtue in the laying on of hands
The Boy can only hope that a little of it has descended
upon him.
And whatever The Boy is, he has tried,
for Thackeray’s sake, “to be a good one!”