Quotes by Nathaniel Hawthorne
In youth men are apt to write more wisely than they really know or feel; and the remainder of life may be not idly spent in realizing and convincing themselves of the wisdom which they uttered long ago.
It is because the spirit is inestimable that the lifeless body is so little valued.
Nobody has any conscience about adding to the improbabilities of a marvelous tale.
By the sympathy of your human hearts for sin ye shall scent out all the places — whether in church, bedchamber, street, field, or forest — where crime has been committed, and shall exult to behold the whole earth one stain of guilt, one mighty blood spot.
She poured out the liquid music of her voice to quench the thirst of his spirit.
I have not lived, but only dreamed about living.
When the Artist rises high enough to achieve the Beautiful, the symbol by which he makes it perceptible to mortal senses becomes of little value in his eyes, while his spirit possesses itself in the enjoyment of the reality.
Nobody, I think, ought to read poetry, or look at pictures or statues, who cannot find a great deal more in them than the poet or artist has actually expressed.
Amid the seeming confusion of our mysterious world, individuals are so nicely adjusted to a system, and systems to one another and to a whole, that, by stepping aside for a moment, a man exposes himself to a fearful risk of losing his place forever.
The book, if you would see anything in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages.
Our Creator would never have made such lovely days, and have given us the deep hearts to enjoy them, above and beyond all thought, unless we were meant to be immortal.
The greatest obstacle to being heroic is the doubt whether one may not be going to prove one's self a fool; the truest heroism is, to resist the doubt; and the profoundest wisdom, to know when it ought to be resisted, and when to be obeyed.
As the moral gloom of the world overpowers all systematic gaiety, even so was their home of wild mirth made desolate amid the sad forest.
Nathaniel Hawthorne's Biography
Novelist and short story writer, a central figure in the American Renaissance. Nathaniel Hawthorne's best-known works include THE SCARLET LETTER (1850) and THE HOUSE OF THE SEVEN GABLES (1851). Like Edgar Allan Poe, Hawthorne took a dark view of human nature.

Nathaniel Hawthorne was born in Salem, Massachusetts. His father, Nathaniel Hathorne, was a sea captain and descendent of John Hathorne, one of the judges in the Salem witchcraft trials of 1692. He died when the young Nathaniel was four year old. Elizabeth Clarke Manning Hathorne, his mother, withdrew to a life of seclusion, which she maintained till her death. From Salem the family moved to Maine, where Hawthorne was educated at the Bowdoin College (1821-24). In the school among his friends were Longfellow and Franklin Pierce, who became the 14th president of the U.S.

Between the years 1825 and 1836, Hawthorne worked as a writer and contributor to periodicals. Among Hawthorne's friends was John L. O'Sullivan, whose magazine the Democratic Review published two dozen stories by him. According to an anecdote, Hawthorne burned his first short-story collection, Seven Tales of My Native Land, after publishers rejected it. Hawthorne's first novel, FANSHAWE (1828), appeared anonymously at his own expense. The work was based on his college life. It did not receive much attention and the author burned the unsold copies. However, the book initiated a friendship between Hawthorne and the publisher Samuel Goodrich. He edited in 1836 the American Magazine of Useful and Entertaining Knowledge in Boston, and compiled in 1837 PETER PARLEY'S UNIVERSAL HISTORY for children. In was followed by a series of books for children, GRANDFATHER'S CHAIR (1841), FAMOUS OLD PEOPLE (1841), LIBERTY TREE (1841), and BIOGRAPHICAL STORIES FOR CHILDREN (1842).

Hawthorne's second, expanded edition of TWICE-TOLD TALES (1837), was praised by Edgar Allan Poe in Graham's Magazine. "We know of few compositions which the critic can more honestly commend that these Twice-Told Tales," Poe stated. "As Americans, we feel proud of the book." Among Hawthorne's most widely anthologized stories are 'Young Goodman Brown' (1835), originally published in the New-England Magazine, 'The Birthmark (1843), published in Pioneer, and 'Rappacini's Daughter' (1844), which first appeared in Democratic Review, and was collected in MOSSES FROM AN OLD MANSE (1846). 'Young Goodman Brown', also included in this collection, is an allegorical tale, in which Hawthorne touches many of his favorite themes, such as hypocrisy, witchcraft, the Puritan guilt, and the sins of fathers. The protagonist, a young man, is from Salem. Against the wishes of his wife, named Faith, he sets off on a journey through the dark woods, and returns home a changed man, disillusioned after nightmarish experiences.

In 1842 Hawthorne became friends with the Transcendentalists in Concord, Ralph Waldo Emerson and Henry David Thoreau, who also drew on the Puritan legacy. However, generally he did not have much confidence in intellectuals and artists, and eventually he had to admit, that "the treasure of intellectual gold" did not provide food for his family. In 1842 Hawthorne married Sophia Peabody, an active participant in the Transcendentalist movement. Only the bride's family attended the wedding. Hawthorne settled with Sophia first in Concord, but a growing family and mounting debts compelled their return to Salem. Hawthorne was unable to earn a living as a writer and in 1846 he was appointed surveyor of the Port of Salem. Once he wrote to his friend Henry Wadsworth Longfellow: "I have locked myself in a dungeon and I can't find the key to get out." He worked there for three years until he was fired. "I detest this town so much," Hawthorne said, "that I hate to go out into the streets, or to have people see me."

The Scarlet Letter was a critical and popular success. The illicit love affair of Hester Prynne with the Reverend Arhur Dimmesdale and the birth of their child Pearl, takes place before the book opens. In Puritan New England, Hester, the mother of an illegitimate child, wears the scarlet A (for adulteress, named in the book by this initial) for years rather than reveal that her lover was the saintly young village minister. Her husband, Roger Chillingworth, proceeds to torment the guiltstricken man, who confesses his adultery before dying in Hester's arms. Hester plans to take her daughter Pearl to Europe to begin a new life. Toward the end of the dark romance Hawthorne wrote: "Be true! Be true! Show freely to the world, if not your worst, yet some trait whereby the worst may be inferred!" Hester Prynne has been seen as a pioneer feminist in the line from Anne Hutchinson to Margaret Fuller, a classic nurturer, a sexually autonomous woman, and an American equivalent of Anna Karenina. The influence of the novel is apparent in Henry James's The Portrait of a Lady (1881), in Kate Chopin's The Awakening (1899), and in William Faulkner's As I Lay Dying (1930). Hawthorne's daughter Una, christened after Spenser's heroine in The Faerie Queene, served as the model for Pearl.

Hawthorne was one of the first American writers to explore the hidden motivations of his characters. Among his allegorical stories is 'The Artist of the Beautiful' (1844) in which his protagonist creates an insect, perhaps a steam-driven butterfly. A girl he admires asks whether he made it, and he answers: "Wherefore ask who created it, so it be beautiful?" Eventually the insect is killed by an unfeeling child. Of his own workroom Hawthorne said: "This deserves to be called a haunted chamber, for thousands and thousands of visions have appeared to me in it."

"The Custom-House" sketch, prefatory to The Scarlet Letter, was based partly on his experiences in Salem. The novel, which appeared in 1850, told a story of the earliest victims of Puritan obsession and spiritual intolerance. Again the central theme is the effects of guilt and anxiety. Hawthorne's picture of the sin-obsessed Puritans has subsequently been criticized-they were less extreme than presented in the works of Hawthorne, Arthur Miller, Steven King, and many others. The House of the Seven Gables was published the following year. The story is based on the legend of a curse pronounced on Hawthorne's own family by a woman, who was condemned to death during the Salem witchcraft trials. The curse is mirrored in the decay of the Pyncheons' seven-gabled mansion. Finally the descendant of the killed woman marries a young niece of the family, and the hereditary sin ends.

THE BLITHEDALE ROMANCE (1852), set in a utopian New England community, examines the flaws inherent in practical utopianism. Hawthorne had earlier invested and lived in the Brook Farm Commune, West Roxbury. This led to speculations, that the doomed heroine was a portrait of the transcendentalist Margaret Fuller. During this productive period Hawthorne also established a warm friendship with Herman Melville, who dedicated Moby-Dick to him.

In 1853 Franklin Pierce became President. Hawthorne, who had written a campaign biography for him, was appointed as consul in Liverpool, England. He lived there for four years, and then spent a year and half in Italy writing THE MARBLE FAUN (1860), a story about the conflict between innocence and guilt. It was his last completed novel. In his Concord home, The Wayside, he wrote the essays contained in OUR OLD HOME (1863). Hawthorne died on May 19, 1864, in Plymouth, N.H. on a trip to the mountains with his friend Franklin Pierce. After his death, Sophia Hawthorne edited and published his notebooks. Modern editions of these works include many of the sections which she cut out or altered. The author's son Julian was convicted in 1912 of defrauding the public.

Some rights reserved Petri Liukkonen (author) & Ari Pesonen. Kuusankosken kaupunginkirjasto 2008