So much legendary lore and so many
strange fables have had their origin in the mandrake,
or the ‘Devil’s Candle,’ as the Arabians
call it, that it is worth while to endeavour to trace
if any, and what, analogy there be between it and
the mandragoras of the Greeks and the Soma of
the Indian mythology.
The mandrake is so called from the
German Mandragen, ’resembling man’ at
least, so says Mr. Thiselton-Dyer; but this derivation
is not quite satisfactory. The botanical name
is Mandragora officinalis, and sometimes the
May-apple, or Podophyllum peltatum, is also
called mandrake; but the actual plant of fact and
fancy belongs to the Solanum, or potato family.
Although one may doubt if the English
name be really derived from the German Mandragen,
it is certain that the Germans have long regarded
the plant as something uncanny. Other names which
they have for it are Zauberwurzel, or Sorcerer’s
Root, and Hexenmaennchen, or Witch’s
Mannikin, while they made little dolls or idols from
it, which they regarded with superstitious veneration,
and called Erdmann, or Earth-man.
Yet in other places, according to
one authority, the mandrake was popularly supposed
to be ’perpetually watched over by Satan; and
if it be pulled up at certain holy times and with
certain invocations, the evil spirit will appear to
do the bidding of the practitioner.’ A
superstition once common in the South of England was
that the mandrake had a human heart at its root, and,
according to Timbs, it was generally believed that
the person who pulled it would instantaneously fall
dead; that the root shrieked or groaned whenever separated
from the earth; and that whoever heard the shriek
would either die shortly afterwards or become afflicted
with madness.
To this last superstition there is
direct reference made by Shakespeare in Romeo and
Juliet:
’And shrieks like mandrakes torn
out of the earth,
That living mortals hearing them run mad.’
Frequent allusions to this superstition
are to be found in the old poets, although it is held
by some that the effects claimed for decoctions of
the mandrake really refer to those of the nightshade.
This confusion has certainly arisen at times, but
the most general idea concerning the mandrake was
that it was a stimulant rather than a narcotic.
It is true that Shakespeare regarded mandragora as
an opiate, for he makes Cleopatra to exclaim:
’Give me to drink mandragora,
That I might sleep out this great gap
of time
My Antony is away.’
And, again, when in Othello he makes Iago say:
’Nor poppy, nor mandragora,
Nor all the drowsy syrups of the world
Can ever medicine thee to that sweet sleep
Which thou owedst yesterday.’
But, on the other hand, we find Apuleius himself,
by the way, not unsuspected of magical arts writing
that when the root of the mandrake is steeped in wine
it produces vehement intoxication. The same idea
is reflected in Mrs. Browning’s Dead Pan:
’In what revels are ye sunken
In old Ethiopia?
Have the Pygmies made you drunken,
Bathing in mandragora,
Your divine pale lips that shiver
Like the lotus in the river?’
And there can be little doubt that
the mysterious ‘Lhasis,’ referred to by
Sir William Davenant a word whose etymology
is so obscure is nothing else than the
mandrake or mandragora; if so, then we see that the
plant was valued for its exciting and stimulating effects
rather than as an opiate.
Many commentators and most dictionaries
dispose of Reuben’s mandrakes as something altogether
different from the plant now known by the name; but
there is really no warrant for such a conclusion.
The Mandragora officinalis is quite common
in Celicia, Syria, and elsewhere in the East, and
is easily identifiable with the root of Baaras, which
Josephus describes in the Wars of the Jews. This
root, he says, is in colour like to that of flame,
and towards the evening it sends out a certain ray
like lightning. It is not easily to be pulled,
it will not yield quietly, and it is certain death
to anyone who dares pull it, unless he hangs it with
the head downwards. As to the uses of the root,
Josephus continues: ’After all his pains
in getting it, it is only valuable on account of one
virtue it hath: that if it only be brought to
sick persons, it quickly drives away those called
Demons, which are no other than the spirits of the
wicked, which enter into men that are alive and kill
them, unless they can obtain some help against them’;
and the root was esteemed a useful stimulant, although
in Baaras, at any rate, it seems to have lost its
reputation as a love-philtre. It is noteworthy
that Josephus also tells how Solomon had great skill
in enchantments, and cast out devils by means of this
root an accomplishment he is said to have
learned from some of the numerous foreign ladies with
whom he surrounded himself.
Now, it is interesting to turn from
the old Jewish historian to the old English herbalist,
Gerarde, who in 1597 wrote in his Herball pointing
out how, by ‘the corruption of time and the errour
of some,’ mandragora has been mistaken for what
he calls Circaea, or Enchanter’s Nightshade.
But of the mandrake, or mandragoras, Gerarde says:
’There hath been many ridiculous tales brought
up of this plant, whether of old wives, or some runagate
surgeons, or physickemongers, I know not; but sure
some one or more that sought to make themselves famous
or skillful above others were the first brochers of
the errour’ that the root resembles
a man. ’They add further,’ he says,
’that it is never, or very seldome, to be found
growing naturally, but under a gallowes, where the
matter that hath fallen from the dead body hath given
it the shape of a man, and the matter of a woman the
substance of a female plant, with many other such
doltish dreames. The fable further affirms that
he who would take up a plant thereof ... he should
surely die in short space after.’
This is clearly Josephus’s ‘root
of Baaras’ over again. Gerarde further
holds it to be the identical mandragoras of the
Greeks, and called Circaea because it was used
by Circe for love-potions and enchantments. If
this be so, then what was the ‘moly’ given
to Odysseus by Hermes wherewith to counteract the
charms of Circe? Was it a totally different plant,
or was it merely the same applied on the homoeopathic
principle? Mr. Andrew Lang thinks they cannot
be the same, because the ‘moly’ is described
by Homer as having a black root and a white flower,
while the mandragoras is described by Pliny as
having a yellow flower and white, fleshy roots.
But we know that Homer is somewhat confusing in the
matter of colours, and it is possible that various
shades of the purplish flower of the true mandrake
might appear to one observer as white, and to another
as yellow. Upon the whole, the probability is
that the two names meant one and the same plant, for
the characteristics are too peculiar to be alike possessed
by different species. If the moly were not mandragoras
there is nothing else known to modern botany that it
could be, unless it were rue, with which some scholars
have sought to identify it, but not very successfully.
The learned author of Pseudosia Epidemica,
or Vulgar Errors, at any rate, was clearly of opinion
that moly and mandragoras were one and the same.
He quotes also from Pliny that the ancient way of pulling
the root was to get on the windward side of the plant,
and with a sword to describe three circles about it,
whilst the operator kept his face turned to the west.
The dangers attending the plucking of mandrakes are
shrewdly disposed of by Sir Thomas Browne with the
remark that it is ’derogatory unto the Providence
of God ... to impose so destructive a quality on any
plant ... whose parts are usefull unto many.’
The same author mentions the superstition that the
mandrake grows under gallows, fructified by the decaying
bodies of criminals, that it grows both male and female,
and that it shrieks upon eradication. This last
idea he derides as ’false below confute, arising
perhaps from a small and stridulous noise which, being
firmly rooted, it maketh upon divulsion of parts.’
‘A slender foundation,’ he remarks, ’for
such a vast conception; for such a noise we sometimes
observe in other plants in parsnips, liquorish,
eringium, flags, and others.’
The belief that the root of the mandrake
resembles the human figure is characterized by the
writer last quoted, as a ’conceit not to be made
out by ordinary inspection, or any other eyes than
such as regarding the clouds behold them in shapes
conformable to pre-apprehensions.’ It is
traceable to the bifurcation of the root; a formation,
however, which is frequently found ‘in carrots,
parsnips, briony, and many others.’ There
is no other importance, therefore, to be attached to
’the epithet of Pythagoras, who calls it anthropomorphon,
and that of Columella, who terms it semihomo;’
nor to Albertus, ’when he affirmed that mandrakes
represent mankind with the distinction of either sex.’
The roots, which were commonly sold in various parts
of Europe ’unto ignorant people, handsomely
made out the shape of man or woman. But these
are not productions of nature but contrivances of
art, as divers have noted.... This is vain and
fabulous, which ignorant people and simple women believe;
for the roots which are carried about by impostors
are made of the roots of canes, briony, and other
plants.’ And the method of manufacture
is then explained by the erudite doctor. It is
evident from what has been cited that the prevalence
of the superstition, and the existence of the German
erdmann, were matters of common knowledge in
the latter half of the seventeenth century.
But the superstition can be traced
still later, for as recently as 1810 some of these
root-images were to be seen on sale in certain parts
of France, and were purchased as love-charms.
It is said that even now at this very day bits of
the Mandragoras officinalis are worn by the
young men and maidens of Greece to bring them fortune
in their love-affairs.
In some parts of England viz.,
in Oxfordshire, Buckinghamshire, and Somersetshire the
briony is called mandrake, and a small portion of the
root is frequently given to horses among their food
to make them sleek and improve their condition, and
it is still also sold ’for medicinal and other
purposes.’ Yet in other places it is called
‘Devil’s Food,’ because Satan is
supposed to be perpetually watching over it and to
jealously guard its magical properties. It is
partly on this account, and partly because of its
supposed effect in stimulating the passions, that
the Arabs sometimes call the mandrake Tuphacel-sheitan,
or Devil’s Apple, although it is otherwise known
as the Stone Apple. In many parts of Europe the
mandrake is believed to possess, in common with some
other plants, the power of opening locks and unshoeing
horses.
The belief that the mandrake had some
peculiar association with the devil has made it a
favourite plant with sorcerers and workers of enchantment
in all ages. Lord Bacon refers to it as a favourite
in his time, ’whereof witches and impostors
make an ugly image, giving it the form of a face at
the top of the root,’ and leaving the natural
threads of the root ‘to make a broad beard down
to the foot.’ Mr. Moncure Conway, however,
says that the superstition rightly belonging to the
mandrake was often transferred to other roots probably
in ignorance as to the identity of the real plant.
‘Thus,’ he says, ’the
author of Secrets du Petit Albert says that a peasant
had a bryonia root of human shape, which he received
from a gipsy. He buried it at a lucky conjunction
of the moon with Venus’ (the reader will not
fail to note the reference to the Goddess of Love)
’in spring, and on a Monday, in a grave, and
then sprinkled it with milk in which three field-mice
had been drowned. In a month it became more humanlike
than ever. Then he placed it in an oven with vervain,
wrapped it afterwards in a dead man’s shroud,
and so long as he kept it he never failed in luck
at games or work.’
Then we learn from the same author
that a German horse-dealer, of Augsburg, once lost
a horse, and being poor, wandered in despair to an
inn. There some men gave him a mandrake, and on
his return home he found a bag of ducats on the
table. His wife, however, did not like the business,
and persuaded the man to return to give back the root
to those from whom he got it. But he could not
find the men again, and soon after the house was burned
down, and both horse-dealer and wife perished.
The only suggestion from this story
is that the mandrake was supposed to bring ‘devil’s
luck,’ although, if so, it is difficult to understand
why the erdmanns were so carefully preserved
from generation to generation. One German writer,
Rist, says that he has seen one more than a century
old, which had been kept in a coffin, on which was
a cloth bearing a picture of a thief on the gallows
and a mandrake growing underneath.
Coles, who wrote The Art of Simpling,
in 1656, says the witches use the mandrake-roots,
’according to some, or, as I rather suppose,
the roots of briony, which simple people take for
the true mandrake, and make thereof an ugly image,
by which they represent the person on whom they intend
to exercise their witchcraft.’ But their
professions must at times have been even larger, for
it is on record that a witch was executed near Orleans,
in France, about 1605, who was charged with having
kept a living mandrake-fiend, having the form of a
female ape!
So much for the mandrake, of which,
however, a good deal more might be said. But
what has been said serves to establish that it was
identical with the mandragora, and with the mandragoras
of the Greeks; that it was probably also the briony;
that superstitions have attached to it in all countries
and from time immemorial, which ascribed to it occult
virtues; that the powers it exercised varied a good
deal according to locality and time, but that two
main conceptions have almost universally prevailed,
viz., that it was a stimulant, and a potent instrument
in affairs of the heart.
What, then, is the Soma, or Homa,
of the Hindu mythology the ambrosia of
the Indian gods? It has been the subject of much
discussion and some difference among comparative mythologists.
Soma was the chief deity among the ancient Hindus the
author of life, the giver of health, the protector
of the weak, and the guide to immortality. Once
he took upon himself the form of man, but was slain
by men and braised in a mortar. The similarity
with the Christian legend is remarkable, and the method
of death should be borne in mind. After his death,
Soma rose in flame to heaven, ’to be the benefactor
of the world and the mediator between God and man.’
One of the articles of faith with
the Hindus, therefore, is that they must hold communion
with Soma, and they are taught thus to pray to him:
’O Soma! thou art the strength of our heroes
and the death of our enemies, invincible in war!
Fulfil our vows in battle, fight for us! None
can resist thee; give us superiority! O Soma immortal!
May we drink to thee and be immortal like thee!’
Mr. Baring-Gould says that the whole legend of Soma
is but the allegorical history of the plant Sarcostemma
viminalis, which is associated with passionate
love ’because of the intoxicating liquor which
is derived from its juice. It is regarded as a
godsend. The way in which it is prepared is by
crushing it in a mortar; the juice is then thrown
on the sacrificial flame and so rises to heaven.’
The same writer tells us that a similar worship prevailed
among the Iranians, who called the juice Homa, but
they did not ferment it, and although they ascribed
to it divine attributes, they did not make Homa a
supreme deity. But both with them and with the
Hindus, ’the partaking of the juice was regarded
as a sacramental act, by virtue of which the receiver
was embued with a portion of the divine nature.’
Another writer, the author of Bible
Folklore, says that the ’old Soma was the same
as the Persian Homa, a brilliant god, who gives sons
to heroes, and husbands to maidens. The juice
of the plant, pounded in an iron mortar, is greenish
in colour, and is strained through a cloth and mixed
with the sap of a pomegranate branch; the yellow juice
is then strained through a vessel with nine holes.
Among the Parsees it is drunk, not as by the Brahmíns
in large quantities by sixteen priests, but in small
quantities by the two chief priests, and is thus not
intoxicating.’
The symbol is confused with the deity,
and ’Soma is at once the life-giving spring
of the juice of immortality, and the juice itself’ a
confusion not without analogy in some of the superstitions
narrated of the mandrake. But of old Soma was
drunk as mead was drunk by the Scandinavians, before
and after battle. It gave power and good fortune
as well as light and happiness, and when elevated into
a god was supposed to be the origin of all creation.
Now, of the Sarcostemma it
is to be noted that it belongs to the family of Asclepiadaceae,
which have all something more or less ‘fleshy’
looking about some parts of them, which, like the Apocyneae,
were in the old world credited with medicinal properties,
and which are generally acrid, stimulating, and astringent.
There are many poisonous members of the family, such
as the dog’s-bane and wolf’s-bane of our
own country, favourite plants with the enchanters,
while the cowplant of Ceylon is of the same species.
In Garrett’s Dictionary of India
it is stated that the Soma of the Védas is no
longer known in India, and the same statement is repeated
by many writers. It is certainly not indubitable
that the Sarcostemma viminalis was the plant
of wondrous virtues that was deified. On the
other hand, we find that these ascribed virtues closely
resemble those attributed to the mandrake, and it
is known that the Aryan people received many of their
ideas and superstitions from the old Jewish tribes.
We have seen, further, that belief
in the peculiar power of the mandrake in certain directions
was a settled belief at a very early period of the
Jewish history, and we thus arrive at the very probable
suggestion that the original Soma was neither more
nor less than the mandrake of Reuben, the ‘Baaras
root’ of Josephus, the mandragoras of the
Greeks, the moly of Homer, the mandragora of Shakespeare,
the mandragen of Germany, and the mandrake, again,
of England.