The story which I have here put into
a dramatic form is one familiar to Romanists, and
perfectly and circumstantially authenticated.
Abridged versions of it, carefully softened and sentimentalised,
may be read in any Romish collection of Lives of the
Saints. An enlarged edition has been published
in France, I believe by Count Montalembert, and translated,
with illustrations, by an English gentleman, which
admits certain miraculous legends, of later date,
and, like other prodigies, worthless to the student
of human character. From consulting this work
I have hitherto abstained, in order that I might draw
my facts and opinions, entire and unbiassed, from
the original Biography of Elizabeth, by Dietrich of
Appold, her contemporary, as given entire by Canisius.
Dietrich was born in Thuringia, near
the scene of Elizabeth’s labours, a few years
before her death; had conversed with those who had
seen her, and calls to witness ‘God and the elect
angels,’ that he had inserted nothing but what
he had either understood from religious and veracious
persons, or read in approved writings, viz.
’The Book of the Sayings of Elizabeth’s
Four Ladies (Guta, Isentrudis, and two others)’;
’The Letter which Conrad of Marpurg, her Director,
wrote to Pope Gregory the Ninth’ (these two documents
still exist); ‘The Sermon of Otto’
(de Ordine Praedic), which begins thus:
‘Mulierem fortem.’
‘Not satisfied with these,’
he ’visited monasteries, castles, and towns,
interrogated the most aged and veracious persons, and
wrote letters, seeking for completeness and truth
in all things;’ and thus composed his biography,
from which that in Surius (Acta Sanctórum),
Jacobus de Voragine, Alban Butler, and all others
which I have seen, are copied with a very few additions
and many prudent omissions.
Wishing to adhere strictly to historical
truth, I have followed the received account, not only
in the incidents, but often in the language which
it attributes to its various characters; and have
given in the Notes all necessary references to the
biography in Canisius’s collection. My
part has therefore been merely to show how the conduct
of my heroine was not only possible, but to a certain
degree necessary, for a character of earnestness and
piety such as hers, working under the influences of
the Middle Age.
In deducing fairly, from the phenomena
of her life, the character of Elizabeth, she necessarily
became a type of two great mental struggles of the
Middle Age; first, of that between Scriptural or unconscious,
and Popish or conscious, purity: in a word, between
innocence and prudery; next, of the struggle between
healthy human affection, and the Manichean contempt
with which a celibate clergy would have all men regard
the names of husband, wife, and parent. To exhibit
this latter falsehood in its miserable consequences,
when received into a heart of insight and determination
sufficient to follow out all belief to its ultimate
practice, is the main object of my Poem. That
a most degrading and agonising contradiction on these
points must have existed in the mind of Elizabeth,
and of all who with similar characters shall have
found themselves under similar influences, is a necessity
that must be evident to all who know anything of the
deeper affections of men. In the idea of a married
Romish saint, these miseries should follow logically
from the Romish view of human relations. In
Elizabeth’s case their existence is proved equally
logically from the acknowledged facts of her conduct.
I may here observe, that if I have
in no case made her allude to the Virgin Mary, and
exhibited the sense of infinite duty and loyalty to
Christ alone, as the mainspring of all her noblest
deeds, it is merely in accordance with Dietrich’s
biography. The omission of all Mariolatry is
remarkable. My business is to copy that omission,
as I should in the opposite case have copied the introduction
of Virgin-worship into the original tale. The
business of those who make Mary, to women especially,
the complete substitute for the Saviour I
had almost said, for all Three Persons of the Trinity is
to explain, if they can, her non-appearance in this
case.
Lewis, again, I have drawn as I found
him, possessed of all virtues but those of action;
in knowledge, in moral courage, in spiritual attainment,
infinitely inferior to his wife, and depending on her
to be taught to pray; giving her higher faculties
nothing to rest on in himself, and leaving the noblest
offices of a husband to be supplied by a spiritual
director. He thus becomes a type of the husbands
of the Middle Age, and of the woman-worship of chivalry.
Woman-worship, ‘the honour due to the weaker
vessel,’ is indeed of God, and woe to the nation
and to the man in whom it dies. But in the Middle
Age, this feeling had no religious root, by which it
could connect itself rationally, either with actual
wedlock or with the noble yearnings of men’s
spirits, and it therefore could not but die down into
a semi-sensual dream of female-saint-worship, or fantastic
idolatry of mere physical beauty, leaving the women
themselves an easy prey to the intellectual allurements
of the more educated and subtle priesthood.
In Conrad’s case, again, I have
fancied that I discover in the various notices of
his life a noble nature warped and blinded by its
unnatural exclusions from those family ties through
which we first discern or describe God and our relations
to Him, and forced to concentrate his whole faculties
in the service, not so much of a God of Truth as of
a Catholic system. In his character will be found,
I hope, some implicit apology for the failings of
such truly great men as Dunstan, Becket, and Dominic,
and of many more whom, if we hate, we shall never
understand, while we shall be but too likely, in our
own way, to copy them.
Walter of Varila, a more fictitious
character, represents the ‘healthy animalism’
of the Teutonic mind, with its mixture of deep earnestness
and hearty merriment. His dislike of priestly
sentimentalities is no anachronism. Even in his
day, a noble lay-religion, founded on faith in the
divine and universal symbolism of humanity and nature,
was gradually arising, and venting itself, from time
to time, as I conceive, through many most unsuspected
channels, through chivalry, through the minne-singers,
through the lay inventors, or rather importers, of
pointed architecture, through the German school of
painting, through the politics of the free towns,
till it attained complete freedom in Luther and his
associate reformers.
For my fantastic quotations of Scripture,
if they shall be deemed irreverent, I can only say,
that they were the fashion of the time, from prince
to peasant that there is scarcely one of
them with which I have not actually met in the writings
of the period that those writings abound
with misuse of Scripture, far more coarse, arbitrary,
and ridiculous, than any which I have dared to insert
that I had no right to omit so radical a characteristic
of the Middle Age.
For the more coarse and homely passages
with which the drama is interspersed, I must make
the same apology. I put them there because they
were there because the Middle Age was, in
the gross, a coarse, barbarous, and profligate age because
it was necessary, in order to bring out fairly the
beauty of the central character, to show ‘the
crooked and perverse generation’ in which she
was ’a child of God without rebuke.’
It was, in fact, the very ferocity and foulness of
the time which, by a natural revulsion, called forth
at the same time the Apostolic holiness and the Manichean
asceticism of the Mediaeval Saints. The world
was so bad that, to be Saints at all, they were compelled
to go out of the world. It was necessary, moreover,
in depicting the poor man’s patroness, to show
the material on which she worked; and those who know
the poor, know also that we can no more judge truly
of their characters in the presence of their benefactors,
than we can tell by seeing clay in the potter’s
hands what it was in its native pit. These scenes
have, therefore, been laid principally in Elizabeth’s
absence, in order to preserve their only use and meaning.
So rough and common a life-picture
of the Middle Age will, I am afraid, whether faithful
or not, be far from acceptable to those who take their
notions of that period principally from such exquisite
dreams as the fictions of Fouque, and of certain moderns
whose graceful minds, like some enchanted well,
In whose calm depths the pure and beautiful
Alone are mirrored,
are, on account of their very sweetness
and simplicity, singularly unfitted to convey any
true likeness of the coarse and stormy Middle Age.
I have been already accused, by others than Romanists,
of profaning this whole subject i.e. of
telling the whole truth, pleasant or not, about it.
But really, time enough has been lost in ignorant
abuse of that period, and time enough also, lately,
in blind adoration of it. When shall we learn
to see it as it was? the dawning manhood
of Europe rich with all the tenderness,
the simplicity, the enthusiasm of youth but
also darkened, alas! with its full share of youth’s
precipitance and extravagance, fierce passions and
blind self-will its virtues and its vices
colossal, and, for that very reason, always haunted
by the twin-imp of the colossal the caricatured.
Lastly, the many miraculous stories
which the biographer of Elizabeth relates of her,
I had no right, for the sake of truth, to interweave
in the plot, while it was necessary to indicate at
least their existence. I have, therefore, put
such of them as seemed least absurd into the mouth
of Conrad, to whom, in fact, they owe their original
publication, and have done so, as I hope, not without
a just ethical purpose.
Such was my idea: of the inconsistencies
and short-comings of this its realisation, no one
can ever be so painfully sensible as I am already
myself. If, however, this book shall cause one
Englishman honestly to ask himself, ’I, as a
Protestant, have been accustomed to assert the purity
and dignity of the offices of husband, wife, and parent.
Have I ever examined the grounds of my own assertion?
Do I believe them to be as callings from God, spiritual,
sacramental, divine, eternal? Or am I at heart
regarding and using them, like the Papist, merely
as heaven’s indulgences to the infirmities of
fallen man?’ then will my book have
done its work.
If, again, it shall deter one young
man from the example of those miserable dilettanti,
who in books and sermons are whimpering meagre second-hand
praises of celibacy depreciating as carnal
and degrading those family ties to which they owe
their own existence, and in the enjoyment of which
they themselves all the while unblushingly indulge insulting
thus their own wives and mothers nibbling
ignorantly at the very root of that household purity
which constitutes the distinctive superiority of Protestant
over Popish nations again my book will
have done its work.
If, lastly, it shall awaken one pious
Protestant to recognise, in some, at least, of the
Saints of the Middle Age, beings not only of the same
passions, but of the same Lord, the same faith, the
same baptism, as themselves, Protestants, not
the less deep and true, because utterly unconscious
and practical mighty witnesses against
the two antichrists of their age the tyranny
of feudal caste, and the phantoms which Popery substitutes
for the living Christ then also will my
little book indeed have done its work. C. K.
1848.