History classroom, converted temporarily
into a dressing room, was a scene of busy confusion.
The Seniors were being “made up” a
woman had come from New York especially for the purpose.
It was almost time for the play to
begin and everybody was in a hurry. Outside the
Assembly Hall was rapidly filling and the murmur of
voices penetrated to the dressing room.
“There must be a perfect swarm
of visitors,” Betty said. “I know
the minute I get on that stage I’ll forget every
one of my lines,” she added, as she looked critically
at herself in the glass. She was playing the
part of Shylock, and her long beard and gray wig disguised
her almost beyond recognition.
“Do you think I need some more
lines on my face?” she asked Miss Crosby, who
was acting as stage manager.
“No, Betty dear, I don’t;
I think you’re quite ugly enough,” Miss
Crosby answered her. “Are you ready, Polly?”
“No; I’m still struggling
with this sash,” Polly answered, coming out
from behind a screen dressed as Bassanio.
“I’ll fix it. There!”
Miss Crosby tied the refractory sash and then stood
off to view the effect. “You make a very
gallant and graceful Bassanio,” she said.
“Where’s my Portia?” Polly inquired.
Lois was being “made up”;
so she could only laugh in response. She was
charming in a full black velvet gown, trimmed with
heavy white lace, and her hair was crowned by a cap
of pearls.
Angela, in dark green, was no less
lovely as Nerissa. Evelin made a dignified Antonio,
and Dot Mead a jaunty Gratiano. Helen played the
double rôle of Salarino and the Moor, while Dorothy
Lansing took The Prince of Arragon and the Gaoler.
On account of the small number of
Seniors, all of the lesser characters had been omitted,
and the play had been cut down to three acts.
The first the Venetian
street scene, where Antonio bargains with Shylock.
The second the choosing of the caskets,
and the third the courtroom.
Angela, who was industriously shaking
powder into her new satin slipper because it hurt,
began reciting her lines:
“’Your Father was ever
virtuous; and holy men at their death have good inspirations ’”
“Do keep still, Ange,”
Betty begged; “you’ll get me all mixed
up. ’Oh, upright judge a Daniel come
prepare ’” she murmured to herself.
Lois in the other corner of the room
was chanting: “’The quality of mercy
is not strained it droppeth like the gentle
dew from Heaven upon the place beneath. It is
thrice blest ’ There, I know
I’ll get that wrong,” she broke off “it’s
‘twice blest,’ and I always say ‘thrice.’”
“You’re far too generous
with your blessings,” Polly laughed. “I
feel perfectly sure that I will giggle right out when
you say: ’You see me Lord Bassanio as I
am ’ you know.”
“Don’t you dare look at
me,” Lois warned, “or I’ll laugh,
too. Mercy, listen to those people! I’m
going to peep.” She opened the door a crack
and looked out into the Assembly Hall. She saw
Maud and Fanny, who were acting as two of the ushers,
seating the new arrivals.
“The hall’s jammed,”
she told the girls. “How many guests have
you to-night, Dot?” she asked.
“Six! My mother, two girl
cousins of mine and three boys.”
“I expect five,” Evelin
said. “I hope they’re all here.
Did you notice two lanky men, a girl that looks like
me, and my mother and father?”
“No, I didn’t,”
Lois said; “that is, I can’t recognize
them from your description.”
“Wasn’t it a shame your
mother couldn’t come, Betty?” Polly said.
“But, of course, Dick is here,” she teased.
“No, he’s not,”
Lois laughed. “I’d have seen his red
head in the crowd if he had been.”
“He’s coming with John
Frisby and Ange’s sister and brother-in-law,”
Betty said, without paying any attention to Lois’
teasing.
“There’ll be at least
twenty couples for the dance,” Polly said.
“That means the room won’t look half empty,
the way it did last year.”
“I hope there’s enough
sherbet,” Evelin said; “boys always eat
twice as much as you expect them to.”
“Well, there are cakes enough
to feed a whole army,” Dorothy Lansing added.
“I know, for I ordered them.”
“The orchestra is here.
Oh, bother that buckle! it’s sure to come off,”
Helen exclaimed.
“Has the sherbet come, does anybody know?”
Angela asked.
“They promised it by six o’clock,”
Dot Mead replied; “it’s surely here by
now.”
“It’s time for the curtain,”
Miss Crosby called, as she came down from the stage,
where she had been putting the last finishing touches
to the Venetian street. “Are you ready?”
Polly and Angela and Helen jumped up.
“Don’t forget your cue,
Betty,” Angela warned, “and don’t
you dare make me laugh.”
Miss Crosby gave the signal for the
lights to be turned off and a low murmur of anticipation
ran through the Assembly Hall as the curtain rose.
Betty’s clever interpretation
of Shylock won the applause for the first act.
“Jemima! I’m glad
that’s over,” she said as the curtain rang
down. “The grease paint is all running
down my cheeks. It’s awfully hot up there.”
They heard the audience still applauding.
“Go take a curtain call, Betty,”
Miss Crosby called. “All of you, hurry
up! Lois, are you and Angela ready for the next
act?”
It is hard to say who held the stage
during the casket scene. Angela was sweet as
Nerissa, and Polly made such a charming lover that
she was especially applauded. Lois delighted
every one as Portia, but, of course, her real triumph
came in the next act.
It is one of the hardest things in
the world to recite lines with which your audience
is familiar and put sufficient new meaning in them
to hold their attention. It is so easy to fall
into a sing-song chant, particularly with a long speech.
But Lois did it. She gave each word its proper
stress and the soft mellow quality of her voice gained
her extra praise.
It was a tired, but happily contented
cast that took the encore after the final curtain,
and the audience were enthusiastic in their applause.
“And now, for the dance,”
Polly exclaimed, as they hurried back to the dressing
room to change their costumes. “I wish we
could go as we are
“Why, Polly, you shock me,”
Betty laughed. “I can’t imagine eating
sherbet with this beard.”
“They are pushing back the chairs;
hear them?” Lois said. “Do hurry,
Poll.”
They finished dressing, and joined
their party waiting for them in one corner of the
room. Jim Thorp and Bob were extravagant in their
congratulations.
“I expect that Lo will be starring
in less than a year. How many people have called
you a born actress, little sister?” he asked.
“Oh, at least a million!”
Lois replied; for she was not to be teased.
“How do you like being a man,
Polly?” Jim inquired. “You were so
dashing and debonair, that I bet every fellow in the
room felt big and clumsy in comparison.”
“That pretty girl who played
Nerissa was fine. I’d like to meet her,”
Bob said, “and you must introduce Jim to Betty;
I want him to see her without the beard.”
“All right; come on, and let’s
find them; they’ll be together,” Polly
suggested as the music started.
“Oh, let’s have one dance first!”
Bob said.
After the dance ended, all the girls
tried to introduce their friends to one another.
It was a little confusing, for all the boys wanted
to dance with every girl. Polly was so busy,
meeting and dancing with different partners, that
she didn’t see Bob again until much later in
the evening. He was standing in one corner of
the room and he looked very warm.
“Let’s go out,”
he suggested. “It’s so awfully hot
in here; it’s not against the rules, or anything,
is it?” he added, as Polly hesitated.
She laughed. “No, of course
not; but I was trying to remember who I had the next
dance with,” she said.
“With me,” Bob assured
her promptly. “Come on; I have your scarf
in my pocket.” They slipped out of one
of the long windows at the end of the hall and walked
toward the pond.
“Bob, do you realize that this
is my last night at Seddon Hall?” Polly said,
seriously. Bob nodded. “Yes, to-morrow
you get your nice, beribboned diploma, or, I suppose
it’s beribboned; is it?”
“Yes!” Polly answered absently.
“Lucky you.”
“Why?”
“To have finished. There’s
nothing more thoroughly satisfactory than finishing
something,” Bob said, earnestly.
“But some things are too wonderful
ever to finish,” Polly objected, looking down
at the stars reflected in the pond. “I’m
simply broken-hearted at the thought of leaving to-morrow.
It’s all been so fine. Why, Bobby, what
will life away from Seddon Hall be like?”
“Whatever you make it, I suppose,”
Bob said, wisely. Polly was silent for a time.
“Well,” she said at last,
“whatever I do, or whatever happens to me, it
will never be quite as nice as Seddon Hall.”
“What a happy outlook,”
Bob teased. “Polly, you’re indulging
in the blues. Stop it!” he commanded.
Polly laughed and gave herself a little
shake. “All right! It’s the
stars, they always make me sad; come on, let’s
go back and dance.”
As they returned they met Betty and
Dick. They were hurrying around the corner of
the house.
“Whither away?” Polly called, gaily.
“Oh, Poll, the most awful thing
has happened!” Betty explained, when they came
up to them. “The sherbet didn’t come
and all the class are tearing their hair; we’re
out looking for it.”
“Better join the expedition,” Dick laughed.
“Betty tells me there are no
less than seven back doors to this place, and the
sherbet may be melting at any one of them.”
“Oh, Dick, it’s serious!”
Betty said, crossly. “Dot Mead called up
the caterer and he said it had been delivered,”
she explained to Polly.
“A tragedy!” Bob exclaimed.
“I must have sherbet; the party will be ruined
without it.”
“Of course it will,” Betty
answered; “you can’t do just with chicken
salad. It’s got to be found. You go
that way and we’ll go this. Look at every
door, and perhaps we’ll find it.”
They started in opposite directions,
but when they met outside of the Assembly Hall a few
minutes later the sherbet was still missing.
“I’m going to tell Mrs.
Baird,” Betty said; “maybe she can suggest
something to do. Dick, you wait here with Polly
and Bob. I’ll be right back.”
And she disappeared through the window.
“Do you suppose,” Polly
said, suddenly “I have an idea.
Come with me, both of you.” She ran down
the road, regardless of satin slippers, as far as
the gym. “They may have left it here by
mistake,” she said to the boys.
Bob ran to the door. “Here
it is!” he exclaimed. He pointed to the
six buckets packed full of ice.
“What will we do with it?”
Dick inquired. “Carry it back to Betty?”
“No; we’ll unpack it here ugh!
The ice is all slushy.” She stood back
to save her dress.
“We’ll do it,” Bob
said. “You look out. Here Dick, dump
them.”
“You’ll ruin your clothes,”
Polly protested. “Wait and I’ll get
some one from the house.”
“Never!” Dick declared,
“wait even an instant while this precious stuff
melts; I should say not.”
“All right, you unpack it; be
careful of the tins, the covers fall off sometimes,
and the salt gets in the ice cream,” she warned.
“I’ll go find Betty.”
She found her on the Senior porch.
She was just coming out with one of the maids.
“We’ve found it!” Polly called to
her.
“Jemima! where?” Betty demanded.
“At the gym. The driver
must have just dumped it down at the first door he
came to. The boys are unpacking it.”
Fifteen minutes later the sherbet,
a little melted and, perhaps a trifle salty, was served
in glass cups and no one but the agonized Seniors and
Dick and Bob knew of the narrow escape.
The rescuing party joined Lois and
Jim over in one corner of the room.
“It’s delicious,”
Bob said, feelingly. “Jim, did you ever
unpack ice cream cans that were completely surrounded
by slush?” he asked, casually.
“No!” Jim said, wonderingly. “Why?”
“Didn’t you? You should have.”
“Do it the next warm night when you’re
all dressed up.”
“It’s a great way to cool off,”
Dick advised.
“What are they talking about, Poll?” Lois
demanded.
Polly explained. “It was
such a lark watching them!” she concluded, laughing.
“I’m going to write,” Betty began,
and then stopped abruptly.
“Write what?” Dick asked.
Betty’s expression changed.
“Jemima!” she said slowly; “I was
going to say, that the next composition I wrote would
be on the Quest of the Missing Sherbet and then I
suddenly remembered that I wouldn’t have to
write any more. This is our last night,”
she added, solemnly.
Polly and Lois looked at her.
The smiles faded from their lips, and they ate the
rest of the sherbet in silence.