It was Saturday night, and the end
of David’s third day at the farmhouse.
Upstairs, in the hot little room over the kitchen,
the boy knelt at the window and tried to find a breath
of cool air from the hills. Downstairs on the
porch Simeon Holly and his wife discussed the events
of the past few days, and talked of what should be
done with David.
“But what shall we do with him?”
moaned Mrs. Holly at last, breaking a long silence
that had fallen between them. “What can
we do with him? Doesn’t anybody want him?”
“No, of course, nobody wants
him,” retorted her husband relentlessly.
And at the words a small figure in
a yellow-white nightshirt stopped short. David,
violin in hand, had fled from the little hot room,
and stood now just inside the kitchen door.
“Who can want a child that has
been brought up in that heathenish fashion?”
continued Simeon Holly. “According to his
own story, even his father did nothing but play the
fiddle and tramp through the woods day in and day
out, with an occasional trip to the mountain village
to get food and clothing when they had absolutely
nothing to eat and wear. Of course nobody wants
him!”
David, at the kitchen door, caught
his breath chokingly. Then he sped across the
floor to the back hall, and on through the long sheds
to the hayloft in the barn the place where
his father seemed always nearest.
David was frightened and heartsick.
Nobody wanted him. He had heard
it with his own ears, so there was no mistake.
What now about all those long days and nights ahead
before he might go, violin in hand, to meet his father
in that far-away country? How was he to live those
days and nights if nobody wanted him? How was
his violin to speak in a voice that was true and pure
and full, and tell of the beautiful world, as his
father had said that it must do? David quite cried
aloud at the thought. Then he thought of something
else that his father had said: “Remember
this, my boy, in your violin lie all the
things you long for. You have only to play, and
the broad skies of your mountain home will be over
you, and the dear friends and comrades of your mountain
forests will be all about you.” With a
quick cry David raised his violin and drew the bow
across the strings.
Back on the porch at that moment Mrs.
Holly was saying:
“Of course there’s the
orphan asylum, or maybe the poorhouse if
they’d take him; but Simeon,”
she broke off sharply, “where’s that child
playing now?”
Simeon listened with intent ears.
“In the barn, I should say.”
“But he’d gone to bed!”
“And he’ll go to bed again,”
asserted Simeon Holly grimly, as he rose to his feet
and stalked across the moonlit yard to the barn.
As before, Mrs. Holly followed him,
and as before, both involuntarily paused just inside
the barn door to listen. No runs and trills and
rollicking bits of melody floated down the stairway
to-night. The notes were long-drawn, and plaintively
sweet; and they rose and swelled and died almost into
silence while the man and the woman by the door stood
listening.
They were back in the long ago Simeon
Holly and his wife back with a boy of their
own who had made those same rafters ring with shouts
of laughter, and who, also, had played the violin though
not like this; and the same thought had come to each:
“What if, after all, it were John playing all
alone in the moonlight!”
It had not been the violin, in the
end, that had driven John Holly from home. It
had been the possibilities in a piece of crayon.
All through childhood the boy had drawn his beloved
“pictures” on every inviting space that
offered, whether it were the “best-room”
wall-paper, or the fly leaf of the big plush album, and
at eighteen he had announced his determination to
be an artist. For a year after that Simeon Holly
fought with all the strength of a stubborn will, banished
chalk and crayon from the house, and set the boy to
homely tasks that left no time for anything but food
and sleep then John ran away.
That was fifteen years ago, and they
had not seen him since; though two unanswered letters
in Simeon Holly’s desk testified that perhaps
this, at least, was not the boy’s fault.
It was not of the grown-up John, the
willful boy and runaway son, however, that Simeon
Holly and his wife were thinking, as they stood just
inside the barn door; it was of Baby John, the little
curly-headed fellow that had played at their knees,
frolicked in this very barn, and nestled in their
arms when the day was done.
Mrs. Holly spoke first and
it was not as she had spoken on the porch.
“Simeon,” she began tremulously,
“that dear child must go to bed!” And
she hurried across the floor and up the stairs, followed
by her husband. “Come, David,” she
said, as she reached the top; “it’s time
little boys were asleep! Come!”
Her voice was low, and not quite steady.
To David her voice sounded as her eyes looked when
there was in them the far-away something that hurt.
Very slowly he came forward into the moonlight, his
gaze searching the woman’s face long and earnestly.
“And do you want me?” he faltered.
The woman drew in her breath with
a little sob. Before her stood the slender figure
in the yellow-white gown John’s gown.
Into her eyes looked those other eyes, dark and wistful, like
John’s eyes. And her arms ached with emptiness.
“Yes, yes, for my very own and
for always!” she cried with sudden passion,
clasping the little form close. “For always!”
And David sighed his content.
Simeon Holly’s lips parted,
but they closed again with no words said. The
man turned then, with a curiously baffled look, and
stalked down the stairs.
On the porch long minutes later, when
once more David had gone to bed, Simeon Holly said
coldly to his wife:
“I suppose you realize, Ellen,
just what you’ve pledged yourself to, by that
absurd outburst of yours in the barn to-night and
all because that ungodly music and the moonshine had
gone to your head!”
“But I want the boy, Simeon.
He he makes me think of John.”
Harsh lines came to the man’s
mouth, but there was a perceptible shake in his voice
as he answered:
“We’re not talking of
John, Ellen. We’re talking of this irresponsible,
hardly sane boy upstairs. He can work, I suppose,
if he’s taught, and in that way he won’t
perhaps be a dead loss. Still, he’s another
mouth to feed, and that counts now. There’s
the note, you know, it’s due in August.”
“But you say there’s money almost
enough for it in the bank.” Mrs.
Holly’s voice was anxiously apologetic.
“Yes, I know” vouchsafed
the man. “But almost enough is not quite
enough.”
“But there’s time more
than two months. It isn’t due till the last
of August, Simeon.”
“I know, I know. Meanwhile,
there’s the boy. What are you going to do
with him?”
“Why, can’t you use him on
the farm a little?”
“Perhaps. I doubt it, though,”
gloomed the man. “One can’t hoe corn
nor pull weeds with a fiddle-bow and that’s
all he seems to know how to handle.”
“But he can learn and
he does play beautifully,” murmured the woman;
whenever before had Ellen Holly ventured to use words
of argument with her husband, and in extenuation,
too, of an act of her own!
There was no reply except a muttered
“Humph!” under the breath. Then Simeon
Holly rose and stalked into the house.
The next day was Sunday, and Sunday
at the farmhouse was a thing of stern repression and
solemn silence. In Simeon Holly’s veins
ran the blood of the Puritans, and he was more than
strict as to what he considered right and wrong.
When half-trained for the ministry, ill-health had
forced him to resort to a less confining life, though
never had it taken from him the uncompromising rigor
of his views. It was a distinct shock to him,
therefore, on this Sunday morning to be awakened by
a peal of music such as the little house had never
known before. All the while that he was thrusting
his indignant self into his clothing, the runs and
turns and crashing chords whirled about him until
it seemed that a whole orchestra must be imprisoned
in the little room over the kitchen, so skillful was
the boy’s double stopping. Simeon Holly
was white with anger when he finally hurried down the
hall and threw open David’s bedroom door.
“Boy, what do you mean by this?” he demanded.
David laughed gleefully.
“And didn’t you know?”
he asked. “Why, I thought my music would
tell you. I was so happy, so glad! The birds
in the trees woke me up singing, ‘You’re
wanted you’re wanted;’ and the
sun came over the hill there and said, ‘You’re
wanted you’re wanted;’ and the
little tree-branch tapped on my window pane and said
’You’re wanted you’re
wanted!’ And I just had to take up my violin
and tell you about it!”
“But it’s Sunday the Lord’s
Day,” remonstrated the man sternly.
David stood motionless, his eyes questioning.
“Are you quite a heathen, then?”
catechised the man sharply. “Have they
never told you anything about God, boy?”
“Oh, ’God’? of
course,” smiled David, in open relief. “God
wraps up the buds in their little brown blankets,
and covers the roots with ”
“I am not talking about brown
blankets nor roots,” interrupted the man severely.
“This is God’s day, and as such should
be kept holy.”
“’Holy’?”
“Yes. You should not fiddle nor laugh nor
sing.”
“But those are good things,
and beautiful things,” defended David, his eyes
wide and puzzled.
“In their place, perhaps,”
conceded the man, stiffly, “but not on God’s
day.”
“You mean He wouldn’t like
them?”
“Yes.”
“Oh!” and David’s
face cleared. “That’s all right, then.
Your God isn’t the same one, sir, for mine loves
all beautiful things every day in the year.”
There was a moment’s silence.
For the first time in his life Simeon Holly found
himself without words.
“We won’t talk of this
any more, David,” he said at last; “but
we’ll put it another way I don’t
wish you to play your fiddle on Sunday. Now,
put it up till to-morrow.” And he turned
and went down the hall.
Breakfast was a very quiet meal that
morning. Meals were never things of hilarious
joy at the Holly farmhouse, as David had already found
out; but he had not seen one before quite so somber
as this. It was followed immediately by a half-hour
of Scripture-reading and prayer, with Mrs. Holly and
Perry Larson sitting very stiff and solemn in their
chairs, while Mr. Holly read. David tried to sit
very stiff and solemn in his chair, also; but the
roses at the window were nodding their heads and beckoning;
and the birds in the bushes beyond were sending to
him coaxing little chirps of “Come out, come
out!” And how could one expect to sit stiff
and solemn in the face of all that, particularly when
one’s fingers were tingling to take up the interrupted
song of the morning and tell the whole world how beautiful
it was to be wanted!
Yet David sat very still, or
as still as he could sit, and only the
tapping of his foot, and the roving of his wistful
eyes told that his mind was not with Farmer Holly
and the Children of Israel in their wanderings in
the wilderness.
After the devotions came an hour of
subdued haste and confusion while the family prepared
for church. David had never been to church.
He asked Perry Larson what it was like; but Perry
only shrugged his shoulders and said, to nobody, apparently:
“Sugar! Won’t ye
hear that, now?” which to David was
certainly no answer at all.
That one must be spick and span to
go to church, David soon found out never
before had he been so scrubbed and brushed and combed.
There was, too, brought out for him to wear a little
clean white blouse and a red tie, over which Mrs.
Holly cried a little as she had over the nightshirt
that first evening.
The church was in the village only
a quarter of a mile away; and in due time David, open-eyed
and interested, was following Mr. and Mrs. Holly down
its long center aisle. The Hollys were early as
usual, and service had not begun. Even the organist
had not taken his seat beneath the great pipes of
blue and gold that towered to the ceiling.
It was the pride of the town that
organ. It had been given by a great man (out
in the world) whose birthplace the town was. More
than that, a yearly donation from this same great
man paid for the skilled organist who came every Sunday
from the city to play it. To-day, as the organist
took his seat, he noticed a new face in the Holly pew,
and he almost gave a friendly smile as he met the
wondering gaze of the small boy there; then he lost
himself, as usual, in the music before him.
Down in the Holly pew the small boy
held his breath. A score of violins were singing
in his ears; and a score of other instruments that
he could not name, crashed over his head, and brought
him to his feet in ecstasy. Before a detaining
hand could stop him, he was out in the aisle, his
eyes on the blue-and-gold pipes from which seemed to
come those wondrous sounds. Then his gaze fell
on the man and on the banks of keys; and with soft
steps he crept along the aisle and up the stairs to
the organ-loft.
For long minutes he stood motionless,
listening; then the music died into silence and the
minister rose for the invocation. It was a boy’s
voice, and not a man’s, however, that broke the
pause.
“Oh, sir, please,” it
said, “would you could you teach me
to do that?”
The organist choked over a cough,
and the soprano reached out and drew David to her
side, whispering something in his ear. The minister,
after a dazed silence, bowed his head; while down
in the Holly pew an angry man and a sorely mortified
woman vowed that, before David came to church again,
he should have learned some things.