After
Frost
It is late afternoon in mid-September.
I stand in my garden sniffing the raw air, and wondering,
as always at this season, will there be frost
to-night or will there not? Of course if I were
a woodchuck or a muskrat, or any other really intelligent
creature, I should know at once and act accordingly,
but being only a stupid human being, I am thrown back
on conjecture, assisted by the thermometer, and an
appeal to Jonathan.
“Too much wind for frost,” says he.
“Sure? I’d hate to lose my nasturtiums
quite so early.”
“You won’t lose ’em.
Look at the thermometer if you don’t believe
me. If it’s above forty you’re safe.”
I look, and try to feel reassured.
But I am not quite easy in my mind until next morning
when, running out before breakfast, I make the rounds
and find everything untouched.
But a few days later the alarm comes
again. There is no wind this time, and, what
is worse, an ominous silence falls at dusk over the
orchard and meadow. “Why is everything
so still?” I ask myself. “Oh, of course the
katydids aren’t talking and the crickets,
and all the other whirr-y things. Ah! That
means business! My poor garden!”
“Jonathan!” I call, as
I feel rather than see his shape whirling noiselessly
in at the big gate after his ride up from the station.
“Help me cover my nasturtiums. There’ll
be frost to-night.”
“Maybe,” says Jonathan’s voice.
“Not maybe at all surely. Listen
to the katydids!”
“You mean, listen to the absence of katydids.”
“Very well. The point is, I want newspapers.”
“No. The point is, I am to bring newspapers.”
“Exactly.”
“And tuck up your nasturtiums
for the night in your peculiarly ridiculous fashion
“I know it looks ridiculous,
but really it’s sensible. There may be weeks
of summer after this.”
And so the nasturtiums are tucked
up, cozily hidden under the big layers of sheets,
whose corners we fasten down with stones. To be
sure, the garden is rather a funny sight, with
these pale shapes sprawling over its beds. But
it pays. For in the morning, though over in the
vegetable garden the squash leaves and lima beans
are blackened and limp, my nasturtiums are still pert
and crisp. I pull off the papers, wondering what
the passers-by have thought, and lo! my gay garden,
good for perhaps two weeks more!
But a day arrives when even newspaper
coddling is of no avail. Sometimes it is in late
September, sometimes not until October, but when it
comes there is no resisting.
The sun goes down, leaving a clear
sky paling to green at the horizon. A still cold
falls upon the world, and I feel that it is the end.
Shears in hand, I cut everything I can nasturtiums
down to the ground, leaves, buds, and all, feathery
sprays of cosmos, asters by the armful. Those
last bouquets that I bring into the house are always
the most beautiful, for I do not have to save buds
for later cutting. There will, alas, be no later
cutting.
So I fill my bowls and vases, and
next morning I go out, well knowing what I shall see.
It is a beautiful sight, too, if one can forget its
meaning. The whole golden-green world of autumn
has been touched with silver. In the low-lying
swamp beyond the orchard it is almost like a light
snowfall. The meadows rising beyond the barns
are silvered over wherever the long tree-shadows still
lie. And in my garden, too, where the shadows
linger, every leaf is frosted, but as soon as the
sun warms them through, leaf and twig turn dark and
droop to the ground. It is the end.
Except, indeed, for my brave marigolds
and caléndulas and little button asters.
It is for this reason that I have given them space
all summer, nipping them back when they tried to blossom
early, for they seem a bit crude compared with the
other flowers. But now that frost is here, my
feelings warm to them. I cannot criticize their
color and texture, so grateful am I to them for not
giving up. And when last night’s cuttings
have faded, I shall be very glad of a glowing mass
of marigold beside my fireplace, and of the yellow
stars of calendula, like embodied sunshine, on my
dining-table.
Well, then, the frost has come!
And after the first pang of realization, I find that,
curiously enough, the worst is over. Since it
has come, let it come! And now hurrah
for the garden house-cleaning! The garden is dead the
garden of yesterday! Long live the garden the
garden of to-morrow! For suddenly my mind has
leaped ahead to spring.
I can hardly wait for breakfast to
be over, before I am out in working clothes, pulling
up things not weeds now, but flowers, or
what were flowers. Nasturtiums, asters, cosmos,
snapdragon, stock, late-blooming cornflowers up
they all come, all the annuals, and the biennials that
have had their season. I fling them together
in piles, and soon have small haystacks all along
my grass paths, and there I am! Down
again to the good brown earth!
It is with positive satisfaction that
I stand and survey my beds, great bare patches of
earth, glorified here and there by low clumps of calendula
and great bushes of marigold. Now, then!
I can do anything! I can dig, and fertilize,
and transplant. Best of all, I can plan and plan!
The crisp wind stings my cheeks, but as I work I feel
the sun hot on the back of my neck. I get the
smell of the earth as I turn it over, mingled with
the pungent tang of marigold blossoms, very pleasant
out of doors, though almost too strong for the house
except near a fireplace. I believe the most characteristic
fall odors are to me this of marigold, mingled with
the fragrance of apples piled in the orchard, the good
smell of earth newly turned up, and the flavor of
burning leaves, borne now and then on the wind, from
the outdoor house-cleaning of the world.
There is perhaps no season of all
the garden year that brings more real delight to the
gardener, no time so stimulating to the imagination.
This year in the garden has been good, but next year
shall be better. All the failures, or near-failures,
shall of course be turned into successes, and the
successes shall be bettered. Last year there were
not quite enough hollyhocks, but next year there shall
be such glories! There are seedlings that I have
been saving, over on the edge of the phlox. I
dash across to look them up yes, here they
are, splendid little fellows, leaves only a bit crumpled
by the frost. I dig them up carefully, keeping
earth packed about their roots, and one by one I convey
them across and set them out in a beautiful row where
I want them to grow next year. Their place is
beside the old stone-flagged path, and I picture them
rising tall against the side of the woodshed, whose
barrenness I have besides more than half covered with
honeysuckle.
Then, there are my foxgloves.
Some of them I have already transplanted, but not
all. There is a little corner full of stocky yearlings
that I must change now. And that same corner
can be used for poppies. I have kept seeds of
this year’s poppies funny little brown
pepper-shakers, with tiny holes at the end through
which I shake out the fine seed dust. Doubtless
they would attend to all this without my help, but
I like to be sure that even my self-seeding annuals
come up where I most want them.
Biennials, like the foxglove and canterbury
bells, are of course, the difficult children of the
garden, because you have to plan not only for next
year but for the year after. Next year’s
bloom is secured unless they winter-kill in
this year’s young plants, growing since spring,
or even since the fall before. These I transplant
for next summer’s beauty. But for the year
after I like to take double precautions. Already
I have tiny seedlings, started since August, but besides
these I sow seed, too late to start before spring.
For a severe winter may do havoc, and I shall then
need the early start given by fall sowing.
As I work on, I discover all sorts
of treasures young plants, seedlings from
all the big-folk of my garden. Young larkspurs
surround the bushy parent clumps, and the ground near
the forget-me-nots is fairly carpeted with little
new ones. I have found that, though the old forget-me-nots
will live through, it pays to pull out the most ragged
of them and trust to the youngsters to fill their
places. These, and English daisies, I let grow
together about as they will. They are pretty together,
with their mingling of pink, white, and blue, they
never run out, and all I need is to keep them from
spreading too far, or from crowding each other too
much.
When my back aches from this kind
of sorting and shifting, I straighten up and look
about me again. Ah! The phlox! Time
now to attend to that!
My white phlox is really the most
distinguished thing in my garden. I have pink
and lavender, too, but any one can have pink and lavender
by ordering them from a florist. They can have
white, too, but not my white. For mine never
saw a florist; it is an inheritance.
Sixty or seventy years ago there was
a beautiful little garden north of the old house tended
and loved by a beautiful lady. The lady died,
and the garden did not long outlive her. Its
place was taken by a crab-apple orchard, which flourished,
bore blossom and fruit, until in its turn it grew
old, while the garden had faded to a dim tradition.
But one day in August, a few years ago, I discovered
under the shade of an old crab tree, two slender sprays
of white phlox, trying to blossom. In memory of
that old garden and its lady, I took them up and cherished
them. And the miracle of life was again made
manifest. For from those two little half-starved
roots has come the most splendid part of my garden.
All summer it makes a thick green wall on the garden’s
edge, beside the flagged path. In the other beds
it rises in luxuriant masses, giving background and
body with its wonderful deep green foliage, which is
greener and thicker than any other phlox I know.
And when its season to bloom arrives a
long month, from early August to mid-September it
is a glory of whiteness, the tallest sprays on a level
with my eyes, the shortest shoulder high, except when
rain weighs down the heavy heads and they lean across
the paths barring my passage with their fragrant wetness.
Here and there I have let the pink
and lavender phlox come in, for they begin to bloom
two weeks earlier, when the garden needs color.
But always my white must dominate. And it does.
Most wonderful of all is it on moonlight nights of
late August, when it broods over the garden like a
white cloud, and the night moths come crowding to its
fragrant feast, with their intermittent burring of
furry wings.
Ah, well! the phlox has passed now,
and its trim green leaves are brown and crackly.
I can do what I like with it after this. So when
my other transplanting grows tiresome, I fall upon
my phlox. Every year some of it needs thinning,
so quickly does it spread. I take the spading-fork,
and, with what seems like utter ruthlessness, I pry
out from the thickest centers enough good roots to
give the rest breathing and growing space. Along
the path edges I always have to cut out encroaching
roots each year, or else soon there would be no path.
But all that I take out is precious, either to give
to friends for their gardens, or to enlarge the edges
of my own. For this phlox needs almost no care,
and will fight grass and weeds for itself.
There are phlox seedlings, too, all
over the garden, but I have no way of telling what
color they are, though usually I can detect the white
by its foliage. I take them up and set them out
near the main phlox masses, and wait for the next
season’s blossoming before I give them their
final place.
This is the time of year, too, when
I give some attention to the rocks in my garden.
Of course, in order to have a garden at all, it was
necessary to take out enough rock to build quite a
respectable stone wall. But that was not the
end. There never will be an end. A Connecticut
garden grows rocks like weeds, and one must expect
to keep on taking them out each fall. The rest
of the year I try to ignore them, but after frost I
like to make a fresh raid, and get rid of another
wheelbarrow load or so. And I always notice that
for one barrow load of stones that go out, it takes
at least two barrow loads of earth to fill in.
Thus an excellent circulation is maintained, and the
garden does not stagnate. Moreover, I take great
pleasure in showing my friends especially
friends from the more earthy sections of New York
and farther west the piles of rock and the
parts of certain stone walls about the place that
have been literally made out of the cullings of my
garden. They never believe me.
As I am thus occupied, digging,
planting, thinning, sowing, I find it one
of the happiest seasons of the year. It is partly
the stimulus of the autumn air, partly the pleasure
of getting at the ground. I think there are some
of us, city folk though we be, who must have the giant
AntA|us for ancestor. We still need to get in
close touch with the earth now and then. Children
have a true instinct with their love of barefoot play
in the dirt, and there are grown folks who still love
it but we call it gardening. The sight
and the feel and the smell of my brown garden beds
gives me a pleasure that is very deep and probably
very primitive.
But there is another source of pleasure
in my fall gardening a pleasure not of
the senses but of the imagination.
For as I do my work my fancy is active.
As I transplant my young hollyhocks, I see them, not
little round-leaved bunches in my hand, but tall and
stately, aflare with colors yellows, whites,
pinks. As I dig about my larkspur and stake out
its seedlings, they spire above me in heavenly blues.
As I arrange the clumps of coarse-leaved young foxgloves,
I seem to see their rich tower-like clusters of old-pink
bells bending always a little towards the southeast,
where most sun comes from. As I thin my forget-me-not
I see it in my mind’s eye in
a blue mist of spring bloom. Thus, a garden rises
in my fancy, a garden where neither beetle, borer,
nor cutworm doth corrupt, and where the mole doth not
break in or steal, where gentle rain and blessed sun
come as they are needed, where all the flowers bloom
unceasingly in colors of heavenly light a
garden such as never yet existed nor ever shall, till
the tales of fairyland come true. I shall never
see that garden, yet every year it blooms for me afresh after
frost.