Scene-Same as Act Three,
about nine o’clock of a foggy night two days
later.
The whistles of steamers in the harbor
can be heard. The cabin is lighted by a small
lamp on the table. A suitcase stands in the middle
of the floor. Anna is sitting in the rocking-chair.
She wears a hat, is all dressed up as in Act One.
Her face is pale, looks terribly tired and worn, as
if the two days just past had been ones of suffering
and sleepless nights. She stares before her despondently,
her chin in her hands. There is a timid knock
on the door in rear. Anna jumps to her feet
with a startled exclamation and looks toward the door
with an expression of mingled hope and fear.
Anna-[Faintly.] Come
in. [Then summoning her courage-more resolutely.]
Come in. [The door is opened and Chris appears
in the doorway. He is in a very bleary, bedraggled
condition, suffering from the after effects of his
drunk. A tin pail full of foaming beer is in
his hand. He comes forward, his eyes avoiding
Anna’s. He mutters stupidly.] It’s
foggy.
Anna-[Looking him
over with contempt.] So you come back at last, did
you? You’re a fine looking sight! [Then
jeeringly.] I thought you’d beaten it for good
on account of the disgrace I’d brought on you.
Chris-[Wincing-faintly.]
Don’t say dat, Anna, please! [He sits in a chair
by the table, setting down the can of beer, holding
his head in his hands]
Anna-[Looks at him
with a certain sympathy.] What’s the trouble?
Feeling sick?
Chris-[Dully.] Inside my head feel
sick.
Anna-Well, what d’you
expect after being soused for two days? [Resentfully.]
It serves you right. A fine thing-you
leaving me alone on this barge all that time!
Chris-[Humbly.] Ay’m sorry,
Anna.
Anna-[Scornfully] Sorry!
Chris-But Ay’m
not sick inside head vay you mean. Ay’m
sick from tank too much about you, about me.
Anna-And how about me? D’you
suppose I ain’t been thinking, too?
Chris-Ay’m sorry,
Anna. [He sees her bag and gives a start] You pack
your bag, Anna? You vas going ?
Anna-[Forcibly.] Yes, I was going
right back to what you think.
Chris-Anna!
Anna-I went ashore
to get a train for New York. I’d been waiting
and waiting ’till I was sick of it. Then
I changed my mind and decided not to go to-day.
But I’m going first thing to-morrow, so it’ll
all be the same in the end.
Chris-[Raising his head-pleadingly]
No, you never do dat, Anna!
Anna-[With a sneer.] Why not, I’d
like to know?
Chris-You don’t
never gat to do-dat vay-no more,
Ay tal you. Ay fix dat up all right.
Anna-[Suspiciously.] Fix what up?
Chris-[Not seeming
to have heard her question-sadly.] You vas
vaiting, you say? You vasn’t vaiting for
me, Ay bet.
Anna-[Callously.] You’d win.
Chris-For dat Irish fallar?
Anna-[Defiantly.]
Yes-if you want to know! [Then with a forlorn
laugh.] If he did come back it’d only because
he wanted to beat me up or kill me, I suppose.
But even if he did, I’d rather have him come
than not show up at all. I wouldn’t care
what he did.
Chris-Ay guess it’s true you
vas in love with him all right.
Anna-You guess!
Chris-[Turning to
her earnestly.] And Ay’m sorry for you like hell
he don’t come, Anna!
Anna-[Softened.] Seems to me you’ve
changed your tune a lot.
Chris-Ay’ve
been tanking, and Ay guess it vas all my fault-all
bad tangs dat happen to you. [Pleadingly.] You try
for not hate me, Anna. Ay’m crazy olé
fool, dat’s all.
Anna-Who said I hated you?
Chris-Ay’m sorry
for everytang Ay do wrong for you, Anna. Ay vant
for you be happy all rest of your life for make up!
It make you happy marry dat Irish fallar, Ay
vant it, too.
Anna-[Dully.]-Well,
there ain’t no chance. But I’m glad
you think different about it, anyway.
Chris-[Supplicatingly.]
And you tank-maybe-you forgive
me sometime?
Anna-[With a wan smile.] I’ll
forgive you right now.
Chris-[Seizing her
hand and kissing it-brokenly.] Anna lilla!
Anna lilla!
Anna-[Touched but
a bit embarrassed.] Don’t bawl about it.
There ain’t nothing to forgive, anyway.
It ain’t your fault, and it ain’t mine,
and it ain’t his neither. We’re all
poor nuts, and things happen, and we yust get mixed
in wrong, that’s all.
Chris-[Eagerly.] You
say right tang, Anna, py golly! It ain’t
nobody’s fault! [Shaking his fist.] It’s
dat olé davil, sea!
Anna-[With an exasperated
laugh.] Gee, won’t you ever can that stuff?
[Chris relapses into injured silence. After
a pause Anna continues curiously.] You said a
minute ago you’d fixed something up-about
me. What was it?
Chris-[After a hesitating
pause.] Ay’m shipping avay on sea again, Anna.
Anna-[Astounded.] You’re-what?
Chris-Ay sign on steamer
sail to-morrow. Ay gat my olé yob-bo’sun.
[Anna stares at him. As he goes on, a bitter
smile comes over her face.] Ay tank dat’s best
tang for you. Ay only bring you bad luck, Ay
tank. Ay make your mo’der’s life sorry.
Ay don’t vant make yours dat way, but Ay do
yust same. Dat olé davil, sea, she make me
Yonah man ain’t no good for nobody. And
Ay tank now it ain’t no use fight with sea.
No man dat live going to beat her, py yingo!
Anna-[With a laugh
of helpless bitterness.] So that’s how you’ve
fixed me, is it?
Chris-Yes, Ay tank
if dat olé davil gat me back she leave you alone
den.
Anna-[Bitterly.] But,
for Gawd’s sake, don’t you see, you’re
doing the same thing you’ve always done?
Don’t you see ? [But she sees the look
of obsessed stubbornness on her father’s face
and gives it up helplessly.] But what’s the
use of talking. You ain’t right, that’s
what. I’ll never blame you for nothing no
more. But how you could figure out that was fixing
me !
Chris-Dat ain’t
all. Ay gat dem fallars in steam-ship office
to pay you all money coming to me every month vhile
Ay’m avay.
Anna-[With a hard
laugh.] Thanks. But I guess I won’t be hard
up for no small change.
Chris-[Hurt-humbly.]
It ain’t much, Ay know, but it’s plenty
for keep you so you never gat go.
Anna-[Shortly.] Shut
up, will you? We’ll talk about it later,
see?
Chris-[After a pause-ingratiatingly.]
You like Ay go ashore look for dat Irish fallar,
Anna?
Anna-[Angrily.] Not
much! Think I want to drag him back?
Chris-[After a pause-uncomfortably.]
Py golly, dat booze don’t go veil. Give
me fever, Ay tank, Ay feel hot like hell. [He takes
off his coat and lets it drop on the floor. There
is a loud thud.]
Anna-[With a start.]
What you got in your pocket, for Pete’s sake-a
ton of lead? [She reaches down, takes the coat and
pulls out a revolver-looks from it to him
in amazement.] A gun? What were you doing with
this?
Chris-[Sheepishly.]
Ay forgat. Ain’t nutting. Ain’t
loaded, anyvay.
Anna-[Breaking it
open to make sure-then closing it again-looking
at him suspiciously.] That ain’t telling me
why you got it?
Chris-[Sheepishly.]
Ay’m olé fool. Ay gat it vhen Ay go
ashore first. Ay tank den it’s all fault
of dat Irish fallar.
Anna-[With a shudder.]
Say, you’re crazier than I thought. I never
dreamt you’d go that far.
Chris-[Quickly.] Ay
don’t. Ay gat better sense right avay.
Ay don’t never buy bullets even. It ain’t
his fault, Ay know.
Anna-[Still suspicious
of him.] Well, I’ll take care of this for a
while, loaded or not. [She puts it in the drawer of
table and closes the drawer.]
Chris-[Placatingly.]
Throw it overboard if you vant. Ay don’t
care, [Then after a pause.] Py golly, Ay tank Ay go
lie down. Ay feel sick. [Anna takes a magazine
from the table. Chris hesitates by her chair.]
Ve talk again before Ay go, yes?
Anna-[Dully.] Where’s this ship
going to?
Chris-Cape Town.
Dat’s in South Africa. She’s British
steamer called Londonderry. [He stands hesitatingly-finally
blurts out.] Anna-you forgive me sure?
Anna-[Wearily.] Sure
I do. You ain’t to blame. You’re
yust-what you are-like me.
Chris-[Pleadingly.]
Den-you lat me kiss you again once?
Anna-[Raising her
face-forcing a wan smile.] Sure. No
hard feelings.
Chris-[Kisses her-brokenly.]
Anna lilla! Ay-[He fights for
words to express himself, but finds none-miserably-with
a sob.] Ay can’t say it. Good-night, Anna.
Anna-Good-night. [He
picks up the can of beer and goes slowly into the
room on left, his shoulders bowed, his head sunk forward
dejectedly. He closes the door after him.
Anna turns over the pages of the magazine, trying
desperately to banish her thoughts by looking at the
pictures. This fails to distract her, and flinging
the magazine back on the table, she springs to her
feet and walks about the cabin distractedly, clenching
and unclenching her hands. She speaks aloud to
herself in a tense, trembling voice.] Gawd, I can’t
stand this much longer! What am I waiting for
anyway?-like a damn fool! [She laughs helplessly,
then checks herself abruptly, as she hears the sound
of heavy footsteps on the deck outside. She appears
to recognize these and her face lights up with joy.
She gasps:] Mat! [A strange terror seems suddenly to
seize her. She rushes to the table, takes the
revolver out of drawer and crouches down in the corner,
left, behind the cupboard. A moment later the
door is flung open and mat Burke appears
in the doorway. He is in bad shape-his
clothes torn and dirty, covered with sawdust as if
he had been grovelling or sleeping on barroom floors.
There is a red bruise on his forehead over one of
his eyes, another over one cheekbone, his knuckles
are skinned and raw-plain evidence of the
fighting he has been through on his “bat.”
His eyes are bloodshot and heavy-lidded, his face
has a bloated look. But beyond these appearances-the
results of heavy drinking-there is an expression
in his eyes of wild mental turmoil, of impotent animal
rage baffled by its own abject misery.]
Burke-[Peers blinkingly
about the cabin-hoarsely.] Let you not be
hiding from me, whoever’s here-though
’tis well you know I’d have a right to
come back and murder you. [He stops to listen.
Hearing no sound, he closes the door behind him and
comes forward to the table. He throws himself
into the rocking-chair-despondently.] There’s
no one here, I’m thinking, and ’tis a
great fool I am to be coming. [With a sort of dumb,
uncomprehending anguish.] Yerra, Mat Burke, ’tis
a great jackass you’ve become and what’s
got into you at all, at all? She’s gone
out of this long ago, I’m telling you, and you’ll
never see her face again. [Anna stands up, hesitating,
struggling between joy and fear. BURKE’S
eyes fall on Anna’s bag. He leans over
to examine it.] What’s this? [Joyfully.] It’s
hers. She’s not gone! But where is
she? Ashore? [Darkly.] What would she be doing
ashore on this rotten night? [His face suddenly convulsed
with grief and rage.] ’Tis that, is it?
Oh, God’s curse on her! [Raging.] I’ll
wait ’till she comes and choke her dirty life
out. [Anna starts, her face grows hard. She
steps into the room, the revolver in her right hand
by her side.]
Anna-[In a cold, hard tone.] What
are you doing here?
Burke-[Wheeling about
with a terrified gasp] Glory be to God! [They remain
motionless and silent for a moment, holding each other’s
eyes.]
Anna-[In the same hard voice] Well,
can’t you talk?
Burke-[Trying to fall
into an easy, careless tone] You’ve a year’s
growth scared out of me, coming at me so sudden and
me thinking I was alone.
Anna-You’ve
got your nerve butting in here without knocking or
nothing. What d’you want?
Burke-[Airily] Oh,
nothing much. I was wanting to have a last word
with you, that’s all. [He moves a step toward
her.]
Anna-[Sharply-raising
the revolver in her hand.] Careful now! Don’t
try getting too close. I heard what you said you’d
do to me.
Burke-[Noticing the
revolver for the first time.] Is it murdering me you’d
be now, God forgive you? [Then with a contemptuous
laugh.] Or is it thinking I’d be frightened
by that old tin whistle? [He walks straight for her.]
Anna-[Wildly.] Look out, I tell you!
Burke-[Who has come
so close that the revolver is almost touching his
chest.] Let you shoot, then! [Then with sudden wild
grief.] Let you shoot, I’m saying, and be done
with it! Let you end me with a shot and I’ll
be thanking you, for it’s a rotten dog’s
life I’ve lived the past two days since I’ve
known what you are, ’til I’m after wishing
I was never born at all!
Anna-[Overcome-letting
the revolver drop to the floor, as if her fingers
had no strength to hold it-hysterically.]
What d’you want coming here? Why don’t
you beat it? Go on! [She passes him and sinks
down in the rocking-chair.]
Burke-[Following her-mournfully.]
’Tis right you’d be asking why did I come.
[Then angrily.] ’Tis because ’tis a great
weak fool of the world I am, and me tormented with
the wickedness you’d told of yourself, and drinking
oceans of booze that’d make me forget. Forget?
Divil a word I’d forget, and your face grinning
always in front of my eyes, awake or asleep, ’til
I do be thinking a madhouse is the proper place for
me.
Anna-[Glancing at
his hands and-face-scornfully]
You look like you ought to be put away some place.
Wonder you wasn’t pulled in. You been scrapping,
too, ain’t you?
Burke-I have-with
every scut would take off his coat to me! [Fiercely.]
And each time I’d be hitting one a clout in the
mug, it wasn’t his face I’d be seeing
at all, but yours, and me wanting to drive you a blow
would knock you out of this world where I wouldn’t
be seeing or thinking more of you.
Anna-[Her lips trembling pitifully]
Thanks!
Burke-[Walking up
and down-distractedly.] That’s right,
make game of me! Oh, I’m a great coward
surely, to be coming back to speak with you at all.
You’ve a right to laugh at me.
Anna-I ain’t laughing at you,
Mat.
Burke-[Unheeding.]
You to be what you are, and me to be Mat Burke, and
me to be drove back to look at you again! ’Tis
black shame is on me!
Anna-[Resentfully.] Then get out.
No one’s holding you!
Burke-[Bewilderedly]
And me to listen to that talk from a woman like you
and be frightened to close her mouth with a slap!
Oh, God help me, I’m a yellow coward for all
men to spit at! [Then furiously] But I’ll not
be getting out of this ’till I’ve had me
word. [Raising his fist threateningly] And let you
look out how you’d drive me! [Letting his fist
fall helplessly] Don’t be angry now! I’m
raving like a real lunatic, I’m thinking, and
the sorrow you put on me has my brains drownded in
grief. [Suddenly bending down to her and grasping her
arm intensely] Tell me it’s a lie, I’m
saying! That’s what I’m after coming
to hear you say.
Anna-[Dully] A lie? What?
Burke-[With passionate
entreaty] All the badness you told me two days back.
Sure it must be a lie! You was only making game
of me, wasn’t you? Tell me ’twas
a lie, Anna, and I’ll be saying prayers of thanks
on my two knees to the Almighty God!
Anna-[Terribly shaken-faintly.]
I can’t. Mat. [As he turns away-imploringly.]
Oh, Mat, won’t you see that no matter what I
was I ain’t that any more? Why, listen!
I packed up my bag this afternoon and went ashore.
I’d been waiting here all alone for two days,
thinking maybe you’d come back-thinking
maybe you’d think over all I’d said-and
maybe-oh, I don’t know what I was
hoping! But I was afraid to even go out of the
cabin for a second, honest-afraid you might come and not find me here.
Then I gave up hope when you didnt show up and I went to the railroad station.
I was going to New York. I was going back-
Burke-[Hoarsely.] God’s curse
on you!
Anna-Listen, Mat!
You hadn’t come, and I’d gave up hope.
But-in the station-I couldn’t
go. I’d bought my ticket and everything.
[She takes the ticket from her dress and tries to
hold it before his eyes.] But I got to thinking about
you-and I couldn’t take the train-I
couldn’t! So I come back here-to
wait some more. Oh, Mat, don’t you see I’ve
changed? Can’t you forgive what’s
dead and gone-and forget it?
Burke-[Turning on
her-overcome by rage again.] Forget, is
it? I’ll not forget ’til my dying
day, I’m telling you, and me tormented with
thoughts. [In a frenzy.] Oh, I’m wishing I had
wan of them fornenst me this minute and I’d
beat him with my fists ’till he’d be a
bloody corpse! I’m wishing the whole lot
of them will roast in hell ’til the Judgment
Day-and yourself along with them, for you’re
as bad as they are.
Anna-[Shuddering.]
Mat! [Then after a pause-in a voice of dead,
stony calm.] Well, you’ve had your say.
Now you better beat it.
Burke-[Starts slowly
for the door-hesitates-then after
a pause.] And what’ll you be doing?
Anna-What difference does it make
to you?
Burke-I’m asking you!
Anna-[In the same
tone.] My bag’s packed and I got my ticket.
I’ll go to New York to-morrow.
Burke-[Helplessly.] You mean-you’ll
be doing the same again?
Anna-[Stonily.] Yes.
Burke-[In anguish.]
You’ll not! Don’t torment me with
that talk! ’Tis a she-divil you are sent
to drive me mad entirely!
Anna-[Her voice breaking.] Oh, for
Gawd’s sake, Mat, leave me alone!
Go away! Don’t you see I’m licked?
Why d’you want to keep on kicking me?
Burke-[Indignantly.]
And don’t you deserve the worst I’d say,
God forgive you?
Anna-All right.
Maybe I do. But don’t rub it in. Why
ain’t you done what you said you was going to?
Why ain’t you got that ship was going to take
you to the other side of the earth where you’d
never see me again?
Burke-I have.
Anna-[Startled.] What-then
you’re going-honest?
Burke-I signed on
to-day at noon, drunk as I was-and she’s
sailing to-morrow.
Anna-And where’s she going to?
Burke-Cape Town.
Anna-[The memory of
having heard that name a little while before coming
to her-with a start, confusedly.] Cape Town?
Where’s that. Far away?
Burke-’Tis at the end of Africa.
That’s far for you.
Anna-[Forcing a laugh.]
You’re keeping your word all right, ain’t
you? [After a slight pause-curiously.]
What’s the boat’s name?
Burke-The Londonderry.
Anna-[It suddenly
comes to her that this is the same ship her father
is sailing on.] The Londonderry! It’s the
same-Oh, this is too much! [With wild,
ironical laughter.] Ha-ha-ha!
Burke-What’s up with you now?
Anna-Ha-ha-ha! It’s funny,
funny! I’ll die laughing!
Burke-[Irritated.] Laughing at what?
Anna-It’s a
secret. You’ll know soon enough. It’s
funny. [Controlling herself-after a pause-cynically.]
What kind of a place is this Cape Town? Plenty
of dames there, I suppose?
Burke-To hell with
them! That I may never see another woman to my
dying hour!
Anna-That’s
what you say now, but I’ll bet by the time you
get there you’ll have forgot all about me and
start in talking the same old bull you talked to me
to the first one you meet.
Burke-[Offended.]
I’ll not, then! God mend you, is it making
me out to be the like of yourself you are, and you
taking up with this one and that all the years of
your life?
Anna-[Angrily assertive.]
Yes, that’s yust what I do mean! You been
doing the same thing all your life, picking up a new
girl in every port. How’re you any better
than I was?
Burke-[Thoroughly
exasperated.] Is it no shame you have at all?
I’m a fool to be wasting talk on you and you
hardened in badness. I’ll go out of this
and lave you alone forever. [He starts for the door-then
stops to turn on her furiously] And I suppose ’tis
the same lies you told them all before that you told
to me?
Anna-[Indignantly.] That’s a
lie! I never did!
Burke-[Miserably.] You’d be
saying that, anyway.
Anna-[Forcibly, with
growing intensity.] Are you trying to accuse me-of
being in love-really in love-with
them?
Burke-I’m thinking you were,
surely.
Anna-[Furiously, as
if this were the last insult-advancing on
him threateningly] You mutt, you! I’ve
stood enough from you. Don’t you dare.
[With scornful bitterness.] Love ’em! Oh,
my Gawd! You damn thick-head! Love ’em?
[Savagely.] I hated ’em, I tell you! Hated
’em, hated ’em, hated ’em!
And may Gawd strike me dead this minute and my mother,
too, if she was alive, if I ain’t telling you
the honest truth!
Burke-[Immensely pleased
by her vehemence-a light beginning to break
over his face-but still uncertain, torn
between doubt and the desire to believe-helplessly.]
If I could only be believing you now!
Anna-[Distractedly.]
Oh, what’s the use? What’s the use
of me talking? What’s the use of anything?
[Pleadingly.] Oh, Mat, you mustn’t think that
for a second! You mustn’t! Think all
the other bad about me you want to, and I won’t
kick, ’cause you’ve a right to. But
don’t think that! [On the point of tears.] I
couldn’t bear it! It’d be yust too
much to know you was going away where I’d never
see you again-thinking that about me!
Burke-[After an inward
struggle-tensely-forcing out
the words with difficulty.] If I was believing-that
you’d never had love for any other man in the
world but me-I could be forgetting the rest,
maybe.
Anna-[With a cry of joy.] Mat!
Burke-[Slowly.] If
’tis truth you’re after telling, I’d
have a right, maybe, to believe you’d changed-and
that I’d changed you myself ’til the thing
you’d been all your life wouldn’t be you
any more at all.
Anna-[Hanging on his
words-breathlessly.] Oh, Mat! That’s
what I been trying to tell you all along!
Burke-[Simply.] For
I’ve a power of strength in me to lead men the
way I want, and women, too, maybe, and I’m thinking
I’d change you to a new woman entirely, so I’d
never know, or you either, what kind of woman you’d
been in the past at all.
Anna-Yes, you could, Mat! I know
you could!
Burke-And Im thinking twasnt your fault, maybe, but
having that old ape for a father that left you to grow up alone, made you what
you was. And if I could be believing tis only me you-
Anna-[Distractedly.]
You got to believe it. Mat! What can I do?
I’ll do anything, anything you want to prove
I’m not lying!
Burke-[Suddenly seems
to have a solution. He feels in the pocket of
his coat and grasps something-solemnly.]
Would you be willing to swear an oath, now-a
terrible, fearful oath would send your soul to the
divils in hell if you was lying?
Anna-[Eagerly.] Sure, I’ll swear,
Mat-on anything!
Burke-[Takes a small,
cheap old crucifix from his pocket and holds it up
for her to see.] Will you swear on this?
Anna-[Reaching out
for it.] Yes. Sure I will. Give it to me.
Burke-[Holding it
away.] ’Tis a cross was given me by my mother,
God rest her soul. [He makes the sign of the cross
mechanically.] I was a lad only, and she told me to
keep it by me if I’d be waking or sleeping and
never lose it, and it’d bring me luck. She
died soon after. But I’m after keeping
it with me from that day to this, and I’m telling
you there’s great power in it, and ’tis
great bad luck it’s saved me from and me roaming
the seas, and I having it tied round my neck when my
last ship sunk, and it bringing me safe to land when
the others went to their death. [Very earnestly.]
And I’m warning you now, if you’d swear
an oath on this, ’tis my old woman herself will
be looking down from Hivin above, and praying Almighty
God and the Saints to put a great curse on you if
she’d hear you swearing a lie!
Anna-[Awed by his
manner-superstitiously] I wouldn’t
have the nerve-honest-if it
was a lie. But it’s the truth and I ain’t
scared to swear. Give it to me.
Burke-[Handing it
to her-almost frightenedly, as if he feared
for her safety.] Be careful what you’d swear,
I’m saying.
Anna-[Holding the
cross gingerly.] Well-what do you want me
to swear? You say it.
Burke-Swear I’m
the only man in the world ivir you felt love for.
Anna-[Looking into his eyes steadily]
I swear it.
Burke-And that you’ll
be forgetting from this day all the badness you’ve
done and never do the like of it again.
Anna-[Forcibly.] I swear it!
I swear it by God!
Burke-And may the blackest curse of
God strike you if you’re lying.
Say it now!
Anna-And may the blackest curse of
God strike me if I’m lying!
Burke-[With a stupendous
sigh.] Oh, glory be to God, I’m after believing
you now! [He takes the cross from her hand, his face
beaming with joy, and puts it back in his pocket.
He puts his arm about her waist and is about to kiss
her when he stops, appalled by some terrible doubt.]
Anna-[Alarmed.] What’s the matter
with you?
Burke-[With sudden fierce questioning.]
Is it Catholic ye are?
Anna-[Confused.] No. Why?
Burke-[Filled with
a sort of bewildered foreboding.] Oh, God, help me!
[With a dark glance of suspicion at her.] There’s
some divil’s trickery in it, to be swearing
an oath on a Catholic cross and you wan of the others.
Anna-[Distractedly.] Oh, Mat, don’t
you believe me?
Burke-[Miserably.] If it isnt a Catholic you are-
Anna-I ain’t nothing. What’s
the difference? Didn’t you hear me swear?
Burke-[Passionately.]
Oh, I’d a right to stay away from you-but
I couldn’t! I was loving you in spite of
it all and wanting to be with you, God forgive me,
no matter what you are. I’d go mad if I’d
not have you! I’d be killing the world-[He
seizes her in his arms and kisses her fiercely.]
Anna-[With a gasp of joy.] Mat!
Burke-[Suddenly holding
her away from him and staring into her eyes as if
to probe into her soul-slowly.] If your
oath is no proper oath at all, I’ll have to
be taking your naked word for it and have you anyway,
I’m thinking-I’m needing you
that bad!
Anna-[Hurt-reproachfully.]
Mat! I swore, didn’t I?
Burke-[Defiantly,
as if challenging fate.] Oath or no oath, ’tis
no matter. We’ll be wedded in the morning,
with the help of God. [Still more defiantly.] We’ll
be happy now, the two of us, in spite of the divil!
[He crushes her to him and kisses her again. The
door on the left is pushed open and Chris appears
in the doorway. He stands blinking at them.
At first the old expression of hatred of Burke
comes into his eyes instinctively. Then a look
of resignation and relief takes its place. His
face lights up with a sudden happy thought. He
turns back into the bedroom-reappears immediately
with the tin can of beer in his hand grinning.]
Chris-Me have drink
on this, py golly! [They break away from each other
with startled exclamations.]
Burke-[Explosively.]
God stiffen it! [He takes a step toward Chris
threateningly.]
Anna-[Happily-to
her father.] That’s the way to talk! [With a
laugh.] And say, it’s about time for you and
Mat to kiss and make up. You’re going to
be shipmates on the Londonderry, did you know it?
Burke-[Astounded.] Shipmates-Has himself-
Chris-[Equally astounded.] Ay vas
bo’sun on her.
Burke-The divil! [Then
angrily.] You’d be going back to sea and leaving
her alone, would you?
Anna-[Quickly.] It’s
all right, Mat. That’s where he belongs,
and I want him to go. You got to go, too; we’ll
need the money. [With a laugh, as she gets the glasses.]
And as for me being alone, that runs in the family,
and I’ll get used to it. [Pouring out their glasses.]
I’ll get a little house somewhere and I’ll
make a regular place for you two to come back to,-wait
and see. And now you drink up and be friends.
Burke-[Happily-but
still a bit resentful against the old man.] Sure!
[Clinking his glass against Chris’.] Here’s
luck to you! [He drinks.]
Chris-[Subdued-his
face melancholy.] Skoal. [He drinks.]
Burke-[To Anna, with
a wink.] You’ll not be lonesome long. I’ll
see to that, with the help of God. ’Tis
himself here will be having a grandchild to ride on
his foot, I’m telling you!
Anna-[Turning away
in embarrassment.] Quit the kidding, now. [She picks
up her bag and goes into the room on left. As
soon as she is gone Burke relapses into an attitude
of gloomy thought. Chris stares at his beer
absent-mindedly. Finally Burke turns on him.]
Burke-Is it any religion
at all you have, you and your Anna?
Chris-[Surprised.]
Vhy yes. Ve vas Lutheran in olé country.
Burke-[Horrified.]
Luthers, is it? [Then with a grim resignation,
slowly, aloud to himself.] Well, damned then surely.
Yerra, what’s the difference? ’Tis
the will of God, anyway.
Chris-[Moodily preoccupied
with his own thoughts-speaks with somber
premonition as Anna re-enters from the left.]
It’s funny. It’s queer, yes-you
and me shipping on same boat dat vay. It ain’t
right. Ay don’t know-it’s
dat funny vay olé davil sea do her vorst dirty
tricks, yes. It’s so. [He gets up and goes
back and, opening the door, stares out into the darkness.]
Burke-[Nodding his
head in gloomy acquiescence-with a great
sigh.] I’m fearing maybe you have the right
of it for once, divil take you.
Anna-[Forcing a laugh.]
Gee, Mat, you ain’t agreeing with him, are you?
[She comes forward and puts her arm about his shoulder-with
a determined gaiety.] Aw say, what’s the matter?
Cut out the gloom. We’re all fixed now,
ain’t we, me and you? [Pours out more beer into
his glass and fills one for herself-slaps
him on the back.] Come on! Here’s to the
sea, no matter what! Be a game sport and drink
to that! Come on! [She gulps down her glass.
Burke banishes his superstitious premonitions with
a defiant jerk of his head, grins up at her, and drinks
to her toast.]
Chris-[Looking out
into the night-lost in his somber preoccupation-shakes
his head and mutters.] Fog, fog, fog, all bloody time.
You can’t see vhere you vas going, no. Only
dat olé davil, sea-she knows! [The
two stare at him. From the harbor comes the muffled,
mournful wail of steamers’ whistles.]
[The Curtain Falls]