Oh, the little old red school-house
on the hill,
(2d bass: On the hill.)
Oh, the little old red school-house on the hill,
(2d bass: On the hi-hi-hi-yull)
And my heart with joy o’erflows,
Like the dew-drop in the rose,
Thinking of the old red school-house I
o-o-on the hill,
(2d tenor and 1st bass: The
hill, the hill.)
The male quartet’s
compendium.
If the audience will kindly come forward
and occupy the vacant seats in the front of the hall,
the entertainment will now begin. The male quartet
will first render an appropriate selection and then....
Can’t you see them from where you are?
Let me assist you in the visualization.
The first tenor, the gentleman on
the extreme left, is a stocky little man, with a large
chest and short legs conspicuously curving inward.
He has plenty of white teeth, ash-blonde hair, and
goes smooth-shaven for purely personal reasons.
His round, dough-colored face will never look older
(from a distance) than it did when he was nine.
The flight of years adds only deeper creases in the
multitude of fine wrinkles, and increasing difficulty
in hoisting his tiny, patent-leather foot up on his
plump knee.
The second tenor leans toward him
in a way to make another man anxious about his watch,
but the second tenor is as honest as the day.
He is only “blending the voices.”
He works in the bank. He is going to be married
in June sometime. Don’t look around right
away, but she’s the one in the pink shirt-waist,
the second one from the aisle, the one... two... three...
the sixth row back. See her? Say, they’ve
got it bad, those two. What d’ ye think?
She goes down by the bank every day at noon, so as
to walk up with him to luncheon. She lives across
the street, and as soon as ever she has finished her
luncheon, there she is, out on the front porch hallooing:
“Oo-hoo!” How about that? And if he
so much as looks at another girl m-M!
The first bass is one of these fellows
with a flutter in his voice. No, I don’t
mean a vibrato. It’s a flutter, like a goat’s
tail. It is considered real operatic.
The second bass has a great, big Adam’s
apple that slides up and down his throat like a toy-monkey
on a stick. He is tall, and has eyebrows like
clothes-brushes, and he scowls fit to make you run
and hide under the bed. He is really a good-hearted
fellow, though. Pity he has the dyspepsia so
bad. Oh, my, yes! Suffers everything with
it, poor man. He generally sings that song about
“Drink-ing! Drink-ang! Drink-awng!”
though he’s strictly temperate himself.
When he takes that last low note, you hold on to your
chair for fear you’ll fall in too.
But why bring in the male quartet?
Because “The Little Old Red
School-house” is more than a mere collocation
of words, accurately descriptive. It is what Mat
King would call a “symblem,” and as such
requires the music’s dying fall to lull and
enervate a too meticulous and stringent tendency to
recollect that it wasn’t little, or old, or
red, or on a hill. It might have been big and
new, and built of yellow brick, right next to the Second
Presbyterian, and hence close to the “branch,”
so that the spring freshets flooded the playground,
and the water lapped the base of the big rock on which
we played “King on the Castle,” the
big rock so pitifully dwindled of late years.
No matter what he facts are. Sing ’of “The
Little Old Red Schoolhouse On the Hill” and in
everybody’s heart a chord trembles in unison.
As we hear its witching strains, we are all lodge
brethren, from Maine to California and far across the
Western Sea; we are all lodge brethren, and the air
is “Auld Lang Syne,” and we are clasping
hands across, knitted together into one living solidarity;
and this, if we but sensed it, is the real Union, of
which the federal compact is but the outward seeming.
It is a Union in which they have neither art nor part
whose parents sent them to private schools, so as
not to have them associate with “that class of
people.” It is the true democracy which
batters down the walls that separate us from each
other the walls of caste distinction, and
color prejudice, and national hatred, and religious
contempt, all the petty, anti-social meannesses that
quarrel with
“The Union of
hearts, the Union of hands,
And the flag of our
Union forever.”
Old Glory has floated victoriously
on many a gallant fight by sea and land, but never
do its silver stars glitter more bravely or its blood-red
stripes curve more proudly on the fawning breeze than
when it floats above the school-house, over the daily
battle against ignorance and prejudice (which is ignorance
of our fellows), for freedom and for equal rights.
It is no mere pretty sentimentality that puts the flag
there, but the serious recognition of the bed-rock
principle of our Union: That we are all of one
blood, one bounden duty; that all these anti-social
prejudices are just as shameful as illiteracy, and
that they must disappear as soon as ever we shall
come to know each other well. Knowledge is power.
That is true. And it is also true: A house
divided against itself cannot stand.
“The Flag of our Union forever!”
is our prayer, our heart’s desire for us and
for our children after us. Heroes have died to
give us that, heroes that with glazing eyes beheld
the tattered ensign and spent their latest breath
to cheer it as it passed on to triumph. “We
who are about to die salute thee!” The heart
swells to think of it. But it swells, too, to
think that, day by day, thousands upon thousands of
little children stretch out their hands toward that
Flag and pledge allegiance to it. “We who
are about to live salute thee!”
It is no mere chance affair that all
our federal buildings should be so ugly and so begrudged,
and that our school-houses should be so beautiful
architecturally the one nearest my house
is built from plans that took the first prize at the
Paris Exposition, in competition with the whole world so
well-appointed, and so far from being grudged that
the complaint is, that there are not enough of them.
That So-and-so should be the President,
and such-and-such a party have control is but a game
we play at, amateurs and professionals; the serious
business is, that in this country no child, how poor
soever it may be, shall have the slightest let or
hindrance in the equal chance with every other child
to learn to read, and write, and cipher, and do raffia-work.
It is a new thing with us to have
splendid school-houses. After all, the norm,
as you might say, is still “The Old Red School-house.”
You must recollect how hard the struggle is for the
poor farmer, with wheat only a dollar a bushel, and
eggs only six for a quarter; with every year or so
taxes of three and sometimes four dollars on an eighty-acre
farm grinding him to earth. It were folly to
expect more in rural districts than a tight box, with
benches and a stove in it. Never-the-less, it
is the thing signified more than its outward seeming
that catches and holds the eye upon the country school-house
as you drive past it. You count yourself fortunate
if, mingled with the creaking of the buggy-springs,
you hear the hum of recitation; yet more fortunate
if it is recess time, and you can see the children
out at play, the little girls holding to one another’s
dress-tails as they solemnly circle to the chant:
“H-yar way gow rand
tha malbarry bosh,
Tha malbarry bosh, tha
malbarry bosh,
H-yar way gow rand tha
malbarry bosh
On a cay-um
and frasty marneng.”
The boys are at marbles, if it is
muddy enough, or one-old-cat, or pom-pom-peel-away,
with the normal percentage of them in reboant tears that
is to say, one in three.
But even this is not the moment of
illumination, when it comes upon you like a flood
how glorious is the land we live in, upon what sure
and certain footing are its institutions, when we
know by spiritual insight that whatsoever be the trial
that awaits us, the people of these United States,
we shall be able for it! Yes. We shall be
able for it.
If you would learn the secret of our
nation’s greatness, take your stand some winter’s
morning just before nine o’clock, where you can
overlook a circle of some two or three miles’
radius, the center being the Old Red School-house.
You will see little figures picking their way along
the miry roads, or ploughing through the deep drifts,
cutting across the fields, all drawing to the school-house,
Bub in his wammus and his cowhide boots, his cap with
ear-laps, a knitted comforter about his neck, and
his hands glowing in scarlet mittens; and little Sis,
in a thick shawl, trudging along behind him, stepping
in his tracks. They chirrup, “Good-morning,
sir!” As far as you can see them you have to
watch them, and something rises in your throat.
Lord love ’em! Lord love the children!
And then it comes to you, and it makes
you catch your breath to think of it, that every two
or three miles all over this land, wherever there are
children at all, there is the Old Red Schoolhouse.
At this very hour a living tide, upbearing the hopes
and prayers of God alone knows how many loving hearts,
the tide on which all of our longed-for ships are to
come in, is setting to the school-house. Oh,
what is martial glory, what is conquest of an empire,
what is state-craft alongside of this? Happy is
the people that is in such a case!
The city schools are now the pattern
for the country schools: but in my day, although
a little they were pouring the new wine of frothing
educational reform into the old bottles, they had not
quite attained the full distention of this present.
We still had some kind of a good time, but nothing
like the good times they had out at the school near
grandpap’s, where I sometimes visited. There
you could whisper! Yes, sir, you could whisper.
So long as you didn’t talk out loud, it was all
right. And there was no rising at the tap of the
bell, forming in line and walking in lock-step.
Seemingly it never entered the school-board’s
heads that anybody would ever be sent to state’s
prison. They left the scholars unprepared for
any such career. They have remedied all that in
city schools. Now, when a boy grows up and goes
to Sing Sing, he knows exactly what to do and how
to behave. It all comes back to him.
But what I call the finest part of
going to school in the country was, that you didn’t
go home to dinner. Grandma had a boy only a few
years older than I was, and when I went a-visiting,
she fixed us up a “piece.” They call
it “luncheon” now, I think a
foolish, hybrid mongrel of a word, made up of “lump,”
a piece of bread, and “noon,” and “shenk,”
a pouring or drink. But the right name is “piece.”
What made this particular “piece” taste
so wonderfully good was that it was in a round-bottomed
basket woven of splints dyed blue, and black and red,
and all in such a funny pattern. It was an Indian
basket. My grandma’s mother, when she was
a little girl, got that from the squaw of old Chief
Wiping-Stick.
The “piece” had bread-and-butter
(my grandma used to let me churn for her sometimes,
when I went out there), and some of the slices had
apple-butter on them. (One time she let me stir the
cider, when it was boiling down in the big kettle
over the chunk-fire out in the yard. The smoke
got in my eyes.) Sometimes there was honey from the
hives over by the gooseberry bushes the
gooseberries had stickers on them and we
had slices of cold, fried ham. (I was out at grandpap’s
one time when they butchered. They had a chunk-fire
then, too, to heat the water to scald the hogs.
And say! Did your grandma ever roast pig’s
tails in the ashes for you?) And there were crullers.
No, I don’t mean “doughnuts.”
I mean crullers, all twisted up. They go good
with cider. (Sometimes my grandma cut out thin, pallid
little men of cruller dough, and dropped them into
the hot lard for my Uncle Jimmy and me. And when
she fished them out, they were all swelled up and
“pussy,” and golden brown).
And there was pie. Neither at
the school nooning nor at the table did one put a
piece of pie upon a plate and haggle at it with a fork.
You took the piece of pie up in your hand and pointed
the sharp end toward you, and gently crowded it into
your face. It didn’t require much pressure
either.
And there were always apples, real
apples. I think they must make apples in factories
nowadays. They taste like it. These were
real ones, picked off the trees. Out at grandpap’s
they had bellflowers, and winesaps, and seek-no-furthers,
and, I think, sheep-noses, and one kind of apple that
I can’t find any more, though I have sought it
carefully. It was the finest apple I ever set
a tooth in. It was the juiciest and the spiciest
apple. It had sort of a rollicking flavor to it,
if you know what I mean. It certainly was the
ne plus ultra of an apple. And
the name of it was the rambo. Dear me, how good
it was! think I’d sooner have one right now
than great riches. And all these apples they kept
in the apple-hole. You went out and uncovered
the earth and there they were, all in a big nest of
straw; and such a gush of perfume distilled from that
pile of them that just to recollect it makes my mouth
all wet.
They had a big red apple in those
days that I forget the name of. Oh, it was a
whopper! You’d nibble at it and nibble at
it before you could get a purchase on it. Then,
after you got your teeth in, you’d pull and
pull, and all of a sudden the apple would go “tock!”
and your head would fly back from the recoil, and
you had a bite about the size of your hand. You
“chomped” on it, with your cheek all bulged
out, and blame near drowned yourself with the juice
of it.
Noon-time the girls used to count the seeds:
“One I love, two
I love, three my love I see;
Four I love with all
my heart, and five I cast away.
Six he loves; seven
she loves; eight... eight...”
I forget what eight is, and all that
follows after. And then the others would tease
her with, “Aw, Jennie!” knowing who it
was she had named the apple for, Wes. Rinehart,
or ’Lonzo Curl, or whoever. And you’d
be standing there by the stove, kind of grinning and
not thinking of anything in particular when somebody
would hit you a clout on your back that just about
broke you in two, and would tell you “to pass
it on,” and you’d pass it on, and the
next thing was you’d think the house was coming
down. Such a chasing around and over benches,
and upsetting the water-bucket, and tearing up Jack
generally that teacher would say, “Boys! boys!
If you can’t play quietly, you’ll have
to go out of doors!” Play quietly! Why,
the idea! What kind of play is it when you are
right still?
Outdoors in the country, you can whoop
and holler, and carry on, and nobody complains to
the board of health. And there are so many things
you can do. If there is just the least little
fall of snow you can make a big wheel, with spokes
in it, by your tracking. I remember that it was
called “fox and geese,” but that’s
all I can remember about it. If there was a little
more snow you tried to wash the girls’ faces
in it, and sometimes got yours washed. If there
was a good deal of wet snow you had a snowball fight,
which is great fun, unless you get one right smack
dab in your ear oh, but I can’t begin
to tell you all the fun there is at the noon hour
in the country school, that the town children don’t
know anything about. And when it was time for
school to “take up,” there wasn’t
any forming in line, with a monitor to run tell teacher
who snatched off Joseph Humphreys’ cap and flung
it far away, so he had to get out of the line, and
who did this, and who did that no penitentiary
business at all. Teacher tapped on the window
with a ruler, and the boys and girls came in, red-faced
and puffing, careering through the aisles, knocking
things off the desks with many a burlesque, “oh,
exCUSE me!” and falling into their seats, bursting
into sniggers, they didn’t know what at.
They had an hour and a half nooning. Counting
that it took five minutes to shovel down even grandma’s
beautiful “piece,” that left an hour and
twenty-five minutes for roaring, romping play.
If you want to know, I think that is fully as educational
and a far better preparation for life than sitting
still with your nose stuck in a book.
In the city schools they don’t
think so. Even the stingy fifteen minutes’
recess, morning and afternoon, has been stolen from
the children. Instead is given the inspiriting
physical culture, all making silly motions together
in a nice, warm room, full of second-hand air.
Is it any wonder that one in every three that die between
fifteen and twenty-five, dies of consumption?
You must have noticed that almost
everybody that amounts to anything spent his early
life in the country. The city schools have great
educational advantages; they have all the up-to-date
methods, but the output of the Old Red Schoolhouse
compares very favorably with that of the city schools
for all that. The two-mile walk, morning and evening,
had something to do with it, not only because it and
the long nooning were good exercise, but because it
impressed upon the mind that what cost so much effort
to get must surely be worth having. But I think
I know another reason.
If the city child goes through the
arithmetic once, it is as much as ever. In the
Old Red School-house those who hadn’t gone through
the arithmetic at least six times, were little thought
of. In town, the last subject in the book was
“Permutation,” to which you gave the mere
look its essentially frivolous nature deserved.
It was: “End of the line. All out!”
But in the country a very important department followed.
It was called “Problems.” They were
twisters, able to make “How old is Ann?”
look like a last year’s bird’s nest.
They make a big fuss about the psychology of the child’s
mind nowadays. Well, I tell you they couldn’t
teach the man that got up that arithmetic a thing about
the operation of the child’s mind. He knew
what was what. He didn’t put down the answers.
He knew that if he did, weak, erring human nature,
tortured by suspense, determined to have the agony
over, would multiply by four and divide by thirteen,
and subtract 127 didn’t, either.
I didn’t say “substract.” I
guess I know they’d get the answer somehow, it
didn’t matter much how.
In the country they ciphered through
this part, and handed in their sums to Teacher, who
said she’d take ’em home and look ’em
over; she didn’t have time just then. As
if that fooled anybody! She had a key! And
when you had done the very last one on the very last
page, and there wasn’t anything more except
the blank pages, where you had written, “Joe
Geiger loves Molly Meyers,” and, “If my
name you wish to see and
all such stuff, then you turned over to the beginning,
where it says, “Arithmetic is the science of
numbers, and the art of computing by them,”
and once more considered, “Ann had four apples
and her brother gave her two more. How many did
she then have?” There were the four apples in
a row, and the two apples, and you that had worried
over meadows so long and so wide, and men mowing them
in so many days and a half, had to think how many
apples Ann really did have. Some of the fellows
with forked hairs on their chins and uncertain voices the
big fellows in the back seats, where the apple-cores
and the spit-balls come from knew every example in
the book by heart.
And there is yet another reason why
the country school has brought forth men of whom we
do well to be proud. At the county-seat, every
so often, the school commissioners held an examination.
Thither resorted many, for the most part anxious to
determine if they really knew as much as they thought
they did. If you took that examination and got
a “stiff kit” for eighteen months, you
had good cause to hold your head up and step as high
as a blind horse. A “stiff kit” for
eighteen months is no small thing, let me tell you.
I don’t know if there is anything corresponding
to a doctor’s hood for such as win a certificate
to teach school for two years hand-running; but there
ought to be. A fellow ought not to be obliged
to resort to such tactics as taking out a folded paper
and perusing it in the hope that some one will ask
him: “What you got there, Calvin?”
so as to give you a chance to say, carelessly, “Oh,
jist a ‘stiff-kit’ for two years.”
(When you get as far along as that,
you simply have to take a term in the junior Prep.
Department at college, not because there is anything
left for you to learn, but for the sake of putting
a gloss on your education, finishing it off neatly.)
And then if you were going to read
law with Mr. Parker, or study medicine with old Doc.
Harbaugh, and you kind of run out of clothes, you
took that certificate and hunted up a school and taught
it. Sometimes they paid you as high as $20 a
month and board, lots of board, real buckwheat cakes
("riz” buckwheat, not the prepared kind),
and real maple syrup, and real sausage, the kind that
has sage in it; the kind that you can’t coax
your butcher to sell you. The pale, tasteless
stuff he gives you for sausage I wouldn’t throw
out to the chickens. Twenty dollars a month and
board! That’s $4 a month more than a hired
man gets.
But it wasn’t alone the demonstration
that, strange as it might seem, it was possible for
a man to get his living by his wits (though that has
done much to produce great men) as it was the actual
exercise of teaching. Remember the big boys on
the back seats, where the apple-cores and the spit-balls
come from. The school-director that hired you
gave you a searching look-over and said: “M-well-l-l,
I’m afraid you haint hardly qualified for our
school oh, that’s all right, sir;
that’s all right. Your ‘stiff-kit’
is first-rate, and you got good recommends, good recommends;
but I was thinkin’ well, I tell you.
Might’s well out with it first as last.
I d’ know’s I ort to say so, but this here
district N is a poot’ tol’able hard
school to teach. Ya-uss. A poot-ty tol’able
hard school to teach. Now, that’s jist the
plumb facts in the matter. We’ve had four
try it this winter a’ready. One of ’em
stuck it out four weeks I jimminy! he had
grit, that feller had. The balance of ’em
didn’t take so long to make up their minds.
Well, now, if you’re a mind to try it I
was goin’ to say you didn’t look to me
like you had the heft. Like to have you the worst
way. Now, if you want to back out.... Well,
all right. Monday mornin’, eh? Well,
you got my sympathies.”
I believe that some have tried to
figure out that St. Martin of Tours, ought to be the
patron saint of the United States. One of his
feast-days falls on July 4, and his colors are red,
white and blue. But I rather prefer, myself,
the Boanerges, the two sons of Zebedee. When asked:
“Are ye able to drink of this cup?” they
answered: “We are able.” They
didn’t in the least know what it was; but they
knew they were able for anything that anybody else
was, and, perhaps, able for a little more. At
any rate, they were willing to chance it. That’s
the United States of America, clear to the bone and
back again to the skin.
You ask any really great man:
“Have you ever taught a winter term in a country
school?” If he says he hasn’t, then depend
upon it he isn’t a really great man. People
only think he is. The winter term breeds Boanerges sons
of thunder. Yes, and of lightning, too. Something
struck the big boys in the back seats, as sure as
you’re a foot high; and if it wasn’t lightning,
what was it? Brute strength for brute strength,
they were more than a match for Teacher. It was
up to him. It was either prove himself the superior
power, or slink off home and crawl under the porch.
The curriculum of the Old Red School-house,
which was, until lately, the universal curriculum,
consisted in reading, writing, and arithmetic or ciphering.
I like the word “ciphering,” because it
makes me think of slates slates that were
always falling on the floor with a rousing clatter,
so that almost always at least one corner was cracked.
Some mitigation of the noise was gained by binding
the frame with strips of red flannel, thus adding
warmth and brightness to the color scheme. Just
as some fertile brain conceived the notion of applying
a knob of rubber to each corner, slates went out,
and I suppose only doctors buy them nowadays to hang
on the doors of their offices. Maybe the teacher’s
nerves were too highly strung to endure the squeaking
of gritty pencils, but I think the real reason for
their banishment is, that slates invited too strongly
the game of noughts and crosses, or tit-tat-toe, three
in a row, the champion of indoor sports, and one entirely
inimical to the study of the joggerfy lesson.
But if slates favored tit-tat-toe, they also favored
ciphering, and nothing but good can come from that.
Paper is now so cheap that you need not rub out mistakes,
but paper and pencil can never surely ground one in
“the science of numbers and the art of computing
by them.” What is written is written, and
returns to plague the memory, but if you made a mistake
on the slate, you could spit on it and rub it out
with your sleeve and leave no trace of the error, either
on the writing surface or the tables of the memory.
What does the hymn say?
“Forget
the steps already trod,
And onward urge
thy way.”
The girls used to keep a little sponge
and some water in a discarded patchouli bottle with
a glass stopper, to wash their slates with; but it
always seemed to me that the human and whole-hearted
way was otherwise.
Reading, writing, and arithmetic, these
three; and the greatest of these three is arithmetic.
Over against it stands grammar, which may be said
to be derived from reading and writing. Show me
a man that, as a boy at school, excelled in arithmetic
and I will show you a useful citizen, a boss in his
own business, a leader of men; show me the boy that
preferred grammar, that read expressively, that wrote
a beautiful hand and curled his capital S’s
till their tails looked like mainsprings, and I will
show you a dreamer and a sentimentalist a
man that works for other people. While I have
breath in me, I will maintain the supereminence of
arithmetic. There is no room for disputation in
arithmetic, no exceptions to the rule. Twice two
is four, and that’s all there is about it:
but whether there be pronunciations, they shall cease;
whether there be rules of grammar, they shall vanish
away. Why, look here. It’s a rule
of grammar, isn’t it, that the subject of a
sentence must be put in the nominative case? Let
it kick and bite, and hang on to the desks all it
wants to, in it goes and the door is slammed on it.
You think so? What is the word “you?”
Second person, plural number, objective case.
Oh, no; the nominative form is “ye.”
Don’t you remember it says:
“Woe unto you, ye lawyers”? Those
who fight against: “Him and me went down
town,” fight against the stars in their courses,
for the objective case in every language is bound and
determined to be The Whole Thing. Arithmetic alone
is founded on a rock. All else is fleeting, all
else is futile, chaotic a waste of time.
What is reading but a rival of morphine? There
are probably as many men in prison, sent there by
Reading, as by Rum.
“Oh, not good Reading!” says the publisher.
“Not good Rum, either,” says the publican.
Fight it out. It’s an even
thing between the two of you; Literature and Liquor,
Books and Booze, which can take a man’s mind
off his business most effectually.
Still, merely as a matter of taste,
I will defend the quality of McGuffey’s School
Readers against all comers. I don’t know
who McGuffey was; but certainly he formed the greatest
intellects of our age, present company not excepted.
The true test of literature is its eternal modernity.
A thing of beauty is a joy forever. It always
seems of the age in which it is read. Now, almost
the earliest lection in McGuffey’s First Reader
goes directly to the heart of one of the greatest of
modern problems. It does not palter or beat about
the bush. It asks right out, plump and plain:
“Ann, how old are you?”
Year by year, until we reached the
dizzy height of the Sixth Reader, were presented to
us samples of the best English ever written. If
you can find, up in the garret, a worn and frayed
old Reader, take it down and turn its pages over.
See if anything in these degenerate days compares
in vital strength and beauty with the story of the
boy that climbed the Natural Bridge, carving his steps
in the soft limestone with his pocket knife.
You cannot read it without a thrill. The same
inspired hand wrote “The Blind Preacher,”
and who that ever can read it can forget the climax
reached in that sublime line: “Socrates
died like a philosopher, but Jesus Christ like a god!”
Not long ago I walked among the graves
in that spot opposite where Wall Street slants away
from Broadway, and my feet trod on ground worth, in
the market, more than the twenty-dollar gold pieces
that would cover it. My eye lighted upon a flaking
brownstone slab, that told me Captain Michael Cresap
rested there. Captain Michael Cresap! The
intervening years all fled away before me, and once
again my boyish heart thrilled with that incomparable
oration in McGuffey’s Reader, “Who is there
to mourn for Logan? Not one.” Captain
Cresap was the man that led the massacre of Logan’s
family.
And there was more than good literature
in those Readers. There was one piece that told
about a little boy alone upon a country road at night.
The black trees groaned and waved their skinny arms
at him. The wind-torn clouds fitfully let a pale
and watery moonlight stream a little through.
It was very lonely. Over his shoulder the boy
saw indistinct shapes that followed after, and hid
themselves whenever he looked squarely at them.
Then, suddenly, he saw before him in the gloom, a
gaunt white specter waiting for him waiting
to get him, its arms spread wide out in menace.
He was of our breed, though, this boy. He did
not turn and run. With God knows what terror knocking
at his ribs, he trudged ahead to meet his fate, and
lo! the grisly specter proved to be a friendly guide-post
to show the way that he should walk in. Brother
(for you are my kin that went with me to public school),
in the life that you have lived since you first read
the story of Harry and the Guide-post, has it been
an idle tale, or have you, too, found that what we
dreaded most, what seemed to us so terrible in the
future has, after all, been a friendly guide-post,
showing us the way that we should walk in?
McGuffey had a Speller, too.
It began with simple words in common use, like a-b
ab, and e-b eb, and i-b, ib, proceeding by gradual,
if not by easy stages to honorificatudinibility and
disproportionableness, with a department at the back
devoted to twisters like phthisic, and mullein-stalk,
and diphtheria, and gneiss. We used to have a
fine old sport on Friday afternoons, called “choose-up-and-spell-down.”
I don’t know if you ever played it. It
was a survival, pure and simple, from the Old Red
School-house. There was where it really lived.
There was where it flourished as a gladiatorial spectacle.
The crack spellers of District Number 34 would challenge
the crack spellers of the Sinking Spring School.
The whole countryside came to the school-house in wagons
at early candle-lighting time, and watched them fight
it out. The interest grew as the contest narrowed
down, until at last there were the two captains left big
John Rice for District Number 34, and that wiry, nervous,
black-haired girl of ’Lias Hoover’s, Polly
Ann. She married a man by the name of Brubaker.
I guess you didn’t know him. His folks
moved here from Clarke County. Polly Ann’s
eyes glittered like a snake’s, and she kept
putting her knuckles up to the red spots in her cheeks
that burned like fire. Old John, he didn’t
seem to care a cent. And what do you think Polly
Ann missed on? “Feoffment.” A
simple little word like “feoffment!” She
hadn’t got further than “pheph ”
when she knew that she was wrong, but Teacher had
said “Next!” and big John took it and
spelled it right. She had a fit of nervous crying,
and some were for giving her the victory, after all,
because she was a lady. But big John said:
“She missed, didn’t she? Well.
And I spelled it right, didn’t I? Well.
She took her chances same as the rest of us. ’Taint
me you got to consider, it’s District Number
34. And furthermore. And furthermore.
Next time somebuddy asts her to go home with him from
singin’-school, mebby she won’t snigger
right in his face, and say ’No! ‘s’
loud ’at everybuddy kin hear it.”
Its quite a thing to be a good speller, but there are people who can spell
any word that ever was, and yet if you should ask them right quick how much is
seven times eight, theyd hem and haw and say: Seven tums eight?
Why ah, lemme see now. Seven
tums what was it you said? Oh, seven
tums eight. Why ah, seven tums eight
is sixty-three fifty-six I mean.”
There’s nothing really to spelling. It’s
just an idiosyncrasy. If there was really anything
useful in it, you could do it by machinery just
the same as you can add by machinery, or write with
a typewriter, or play the piano with one of these
things with cut paper in it. Spelling is an old-fashioned,
hand-powered process, and as such doomed to disappear
with the march of improvement.
One Friday afternoon we chose up and
spelled down, and the next Friday afternoon we spoke
pieces. Doubtless this accounts for our being
a nation of orators. I am far from implying or
seeming to imply that this is anything to brag of.
Anybody that can be influenced by a man with a big
mouth, a loud voice, and a rush of words to the face well,
I’ve got my opinion of all such.
Oratory and poetry all
foolishness, I say. Better far are drawing-lessons,
and raffia-work, and clay-modeling than: “I
come not here to talk,” and “A soldier
of the Legion lay dying at Algiers,” and “Old
Ironsides at anchor lay.” (I observe that these
lines are more or less familiar to you, and that you
are eager to add selections to the list, all of them
known to me as well as you.) That children, especially
boys, loathe to speak a piece is a fact profoundly
significant. They know it is nothing in the world
but foolishness; and if there is one thing above another
that a child hates, it is to be made a fool in public.
That’s what makes them work their fingers so,
and gulp, and stammer, and tremble at the knees.
That is what sends them to their seats, after all
is over, mad as hornets. This is something that
I know about. It happened that, instead of getting
funny pieces to recite as I wanted to, discerning
that one silly turn deserves another, my parents,
well-meaning in their way, taught me solemn things
about: “O man immortal, live for something!”
and all such, and I had to humiliate myself by disgorging
them in public. The consequence was, that not
only on Friday afternoons but whenever anybody came
to visit the school, I was butchered to make a Roman
holiday. Teacher was so proud of me, and the
visitors let on that they were tickled half to death,
but I knew better. I could see the other scholars
look at one another, as much as to say: “Well,
if you’ll tell me why!” Even in my shame
and anger I could see that. But there is one
happy memory of a Friday afternoon. Determined
to show my friends and fellow-citizens that I, too,
was born in Arcadia, and was a living, human boy,
I announced to Teacher: “I got another
piece.”
“Oh, have you?” cried
she, sure of an extra O-man-immortal intellectual
treat. “Let us hear it, by all means.”
Whereupon I marched up to the platform
and declaimed that deathless lyric:
“When I was a boy, I was a bold
one. My mammy made me a new shirt out o’
dad’s old one.”
All of it? Certainly. Isn’t
that enough? That was the only distinctly popular
platform effort I ever made. I am proud of it
now. I was proud of it then. But the news
of my triumph was coldly received at home.
I don’t know whether it has
since gone out of date, but in my day and time a very
telling feature of school exhibitions was reading in
concert. The room was packed as full of everybody’s
ma as it could be, and yet not mash the children out
of shape, and a whole lot of young ones would read
a piece together. Fine? Finest thing you
ever heard. I remember one time teacher must
have calculated a leetle mite too close, or else one
girl more was in the class than she had reckoned on;
but on the day, the two end girls just managed to
stand upon the platform and that was all. They
recited together:
“There was a sound
of revelry by night
And Belgium’s
capital....”
I forget the rest of it. Well,
anyhow, they were supposed to make gestures all together.
Teacher had rehearsed the gestures, and they all did
it simultaneously, just as if they had been wound up
with a spring. But, as I said, the two end girls
had all they could do to keep on the platform, and
it takes elbow room for: “’T is but
the car rattling over the stony street,” and
one girl well, she said she stepped off
on purpose, but I didn’t believe her then and
I don’t now. We had our laugh about it,
whichever way it was.
We had our laugh.... Ah, life
was all laughter then. That was before care came
to be the shadow at our heel. That was before
black Sorrow met us in the way, and would not let
us pass unless we gave to her our dearest treasure.
That was before we learned that what we covet most
is, when we get it, but a poor thing after all, that
whatsoever chalice Fortune presses to our lips, a
tear is in the bottom of the cup. In those happy
days gone by if the rain fell, ’t was only for
a little while, and presently the sky was bright again,
and the birds whistled merrily among the wet and shining
leaves. Now “the clouds return after the
rain.”
It can never be with us again as once
it was. For us the bell upon the Old Red School-house
calls in vain. We heed it not, we that hearkened
for it years ago. The living tide of youth flows
toward the school-house, and we are not of it.
Never again shall we sit at those old desks, whittled
and carved with rude initials, and snap our fingers,
eager to tell the answer. Never again shall we
experience the thrill of pride when teacher praised
us openly. Never again shall we sit trembling
while the principal, reads the note, and then scowls
at us fiercely with: “Take off your coat,
sir!” Ah, me! Never again, never again.
Well, who wants it to be that way
again? We’re men and women now. We’ve
duties and responsibilities. Who wants to be a
child again? Not I. Let me stick just at my present
age for about a hundred years, and I’ll never
utter a word of complaint.