It was a very hot summer, in
August, 1904; and Florence had already been taking
the baths for a month. I don’t know how
it feels to be a patient at one of those places.
I never was a patient anywhere. I daresay the
patients get a home feeling and some sort of anchorage
in the spot. They seem to like the bath attendants,
with their cheerful faces, their air of authority,
their white linen. But, for myself, to be at Nauheim
gave me a sense-what shall I say?-a
sense almost of nakedness-the nakedness
that one feels on the sea-shore or in any great open
space. I had no attachments, no accumulations.
In one’s own home it is as if little, innate
sympathies draw one to particular chairs that seem
to enfold one in an embrace, or take one along particular
streets that seem friendly when others may be hostile.
And, believe me, that feeling is a very important
part of life. I know it well, that have been for
so long a wanderer upon the face of public resorts.
And one is too polished up. Heaven knows I was
never an untidy man. But the feeling that I had
when, whilst poor Florence was taking her morning bath,
I stood upon the carefully swept steps of the Englischer
Hof, looking at the carefully arranged trees in tubs
upon the carefully arranged gravel whilst carefully
arranged people walked past in carefully calculated
gaiety, at the carefully calculated hour, the tall
trees of the public gardens, going up to the right;
the reddish stone of the baths-or were they
white half-timber chalets? Upon my word I
have forgotten, I who was there so often. That
will give you the measure of how much I was in the
landscape. I could find my way blindfolded to
the hot rooms, to the douche rooms, to the fountain
in the centre of the quadrangle where the rusty water
gushes out. Yes, I could find my way blindfolded.
I know the exact distances. From the Hotel Regina
you took one hundred and eighty-seven paces, then,
turning sharp, left-handed, four hundred and twenty
took you straight down to the fountain. From the
Englischer Hof, starting on the sidewalk, it was ninety-seven
paces and the same four hundred and twenty, but turning
lefthanded this time.
And now you understand that, having
nothing in the world to do-but nothing
whatever! I fell into the habit of counting my
footsteps. I would walk with Florence to the
baths. And, of course, she entertained me with
her conversation. It was, as I have said, wonderful
what she could make conversation out of. She
walked very lightly, and her hair was very nicely
done, and she dressed beautifully and very expensively.
Of course she had money of her own, but I shouldn’t
have minded. And yet you know I can’t remember
a single one of her dresses. Or I can remember
just one, a very simple one of blue figured silk-a
Chinese pattern-very full in the skirts
and broadening out over the shoulders. And her
hair was copper-coloured, and the heels of her shoes
were exceedingly high, so that she tripped upon the
points of her toes. And when she came to the
door of the bathing place, and when it opened to receive
her, she would look back at me with a little coquettish
smile, so that her cheek appeared to be caressing
her shoulder.
I seem to remember that, with that
dress, she wore an immensely broad Leghorn hat-like
the Chapeau de Paille of Rubens, only very white.
The hat would be tied with a lightly knotted scarf
of the same stuff as her dress. She knew how
to give value to her blue eyes. And round her
neck would be some simple pink, coral beads.
And her complexion had a perfect clearness, a perfect
smoothness...
Yes, that is how I most exactly remember
her, in that dress, in that hat, looking over her
shoulder at me so that the eyes flashed very blue-dark
pebble blue...
And, what the devil! For whose
benefit did she do it? For that of the bath attendant?
of the passers-by? I don’t know. Anyhow,
it can’t have been for me, for never, in all
the years of her life, never on any possible occasion,
or in any other place did she so smile to me, mockingly,
invitingly. Ah, she was a riddle; but then, all
other women are riddles. And it occurs to me
that some way back I began a sentence that I have
never finished... It was about the feeling that
I had when I stood on the steps of my hotel every
morning before starting out to fetch Florence back
from the bath. Natty, precise, well-brushed,
conscious of being rather small amongst the long English,
the lank Americans, the rotund Germans, and the obese
Russian Jewesses, I should stand there, tapping a
cigarette on the outside of my case, surveying for
a moment the world in the sunlight. But a day
was to come when I was never to do it again alone.
You can imagine, therefore, what the coming of the
Ashburnhams meant to me. I have forgotten the
aspect of many things, but I shall never forget the
aspect of the dining-room of the Hotel Excelsior on
that evening-and on so many other evenings.
Whole castles have vanished from my memory, whole
cities that I have never visited again, but that white
room, festooned with papier-mâche fruits
and flowers; the tall windows; the many tables; the
black screen round the door with three golden cranes
flying upward on each panel; the palm-tree in the
centre of the room; the swish of the waiter’s
feet; the cold expensive elegance; the mien of the
diners as they came in every evening-their
air of earnestness as if they must go through a meal
prescribed by the Kur authorities and their air of
sobriety as if they must seek not by any means to
enjoy their meals-those things I shall
not easily forget. And then, one evening, in the
twilight, I saw Edward Ashburnham lounge round the
screen into the room. The head waiter, a man
with a face all grey-in what subterranean
nooks or corners do people cultivate those absolutely
grey complexions?-went with the timorous
patronage of these creatures towards him and held out
a grey ear to be whispered into. It was generally
a disagreeable ordeal for newcomers but Edward Ashburnham
bore it like an Englishman and a gentleman. I
could see his lips form a word of three syllables-remember
I had nothing in the world to do but to notice these
niceties-and immediately I knew that he
must be Edward Ashburnham, Captain, Fourteenth Hussars,
of Branshaw House, Branshaw Teleragh. I knew
it because every evening just before dinner, whilst
I waited in the hall, I used, by the courtesy of Monsieur
Schontz, the proprietor, to inspect the little police
reports that each guest was expected to sign upon
taking a room.
The head waiter piloted him immediately
to a vacant table, three away from my own-the
table that the Grenfalls of Falls River, N.J., had
just vacated. It struck me that that was not a
very nice table for the newcomers, since the sunlight,
low though it was, shone straight down upon it, and
the same idea seemed to come at the same moment into
Captain Ashburnham’s head. His face hitherto
had, in the wonderful English fashion, expressed nothing
whatever. Nothing. There was in it neither
joy nor despair; neither hope nor fear; neither boredom
nor satisfaction. He seemed to perceive no soul
in that crowded room; he might have been walking in
a jungle. I never came across such a perfect
expression before and I never shall again. It
was insolence and not insolence; it was modesty and
not modesty. His hair was fair, extraordinarily
ordered in a wave, running from the left temple to
the right; his face was a light brick-red, perfectly
uniform in tint up to the roots of the hair itself;
his yellow moustache was as stiff as a toothbrush
and I verily believe that he had his black smoking
jacket thickened a little over the shoulder-blades
so as to give himself the air of the slightest possible
stoop. It would be like him to do that; that
was the sort of thing he thought about. Martingales,
Chiffney bits, boots; where you got the best soap,
the best brandy, the name of the chap who rode a plater
down the Khyber cliffs; the spreading power of number
three shot before a charge of number four powder...
by heavens, I hardly ever heard him talk of anything
else. Not in all the years that I knew him did
I hear him talk of anything but these subjects.
Oh, yes, once he told me that I could buy my special
shade of blue ties cheaper from a firm in Burlington
Arcade than from my own people in New York. And
I have bought my ties from that firm ever since.
Otherwise I should not remember the name of the Burlington
Arcade. I wonder what it looks like. I have
never seen it. I imagine it to be two immense
rows of pillars, like those of the Forum at Rome,
with Edward Ashburnham striding down between them.
But it probably isn’t-the least like
that. Once also he advised me to buy Caledonian
Deferred, since they were due to rise. And I
did buy them and they did rise. But of how he
got the knowledge I haven’t the faintest idea.
It seemed to drop out of the blue sky.
And that was absolutely all that I
knew of him until a month ago-that and
the profusion of his cases, all of pigskin and stamped
with his initials, E. F. A. There were gun cases,
and collar cases, and shirt cases, and letter cases
and cases each containing four bottles of medicine;
and hat cases and helmet cases. It must have needed
a whole herd of the Gadarene swine to make up his
outfit. And, if I ever penetrated into his private
room it would be to see him standing, with his coat
and waistcoat off and the immensely long line of his
perfectly elegant trousers from waist to boot heel.
And he would have a slightly reflective air and he
would be just opening one kind of case and just closing
another.
Good God, what did they all see in
him? for I swear there was all there was of him, inside
and out; though they said he was a good soldier.
Yet, Leonora adored him with a passion that was like
an agony, and hated him with an agony that was as
bitter as the sea. How could he arouse anything
like a sentiment, in anybody?
What did he even talk to them about-when
they were under four eyes?-Ah, well, suddenly,
as if by a flash of inspiration, I know. For
all good soldiers are sentimentalists-all
good soldiers of that type. Their profession,
for one thing, is full of the big words, courage,
loyalty, honour, constancy. And I have given a
wrong impression of Edward Ashburnham if I have made
you think that literally never in the course of our
nine years of intimacy did he discuss what he would
have called “the graver things.”
Even before his final outburst to me, at times, very
late at night, say, he has blurted out something that
gave an insight into the sentimental view of the cosmos
that was his. He would say how much the society
of a good woman could do towards redeeming you, and
he would say that constancy was the finest of the
virtues. He said it very stiffly, of course, but
still as if the statement admitted of no doubt.
Constancy! Isn’t that the
queer thought? And yet, I must add that poor
dear Edward was a great reader-he would
pass hours lost in novels of a sentimental type-novels
in which typewriter girls married Marquises and governesses
Earls. And in his books, as a rule, the course
of true love ran as smooth as buttered honey.
And he was fond of poetry, of a certain type-and
he could even read a perfectly sad love story.
I have seen his eyes filled with tears at reading
of a hopeless parting. And he loved, with a sentimental
yearning, all children, puppies, and the feeble generally...
.
So, you see, he would have plenty
to gurgle about to a woman-with that and
his sound common sense about martingales and his-still
sentimental-experiences as a county magistrate;
and with his intense, optimistic belief that the woman
he was making love to at the moment was the one he
was destined, at last, to be eternally constant to....
Well, I fancy he could put up a pretty good deal of
talk when there was no man around to make him feel
shy. And I was quite astonished, during his final
burst out to me-at the very end of things,
when the poor girl was on her way to that fatal Brindisi
and he was trying to persuade himself and me that
he had never really cared for her-I was
quite astonished to observe how literary and how just
his expressions were. He talked like quite a
good book-a book not in the least cheaply
sentimental. You see, I suppose he regarded me
not so much as a man. I had to be regarded as
a woman or a solicitor. Anyhow, it burst out of
him on that horrible night. And then, next morning,
he took me over to the Assizes and I saw how, in a
perfectly calm and business-like way, he set to work
to secure a verdict of not guilty for a poor girl,
the daughter of one of his tenants, who had been accused
of murdering her baby. He spent two hundred pounds
on her defence... Well, that was Edward Ashburnham.
I had forgotten about his eyes.
They were as blue as the sides of a certain type of
box of matches. When you looked at them carefully
you saw that they were perfectly honest, perfectly
straightforward, perfectly, perfectly stupid.
But the brick pink of his complexion, running perfectly
level to the brick pink of his inner eyelids, gave
them a curious, sinister expression-like
a mosaic of blue porcelain set in pink china.
And that chap, coming into a room, snapped up the gaze
of every woman in it, as dexterously as a conjurer
pockets billiard balls. It was most amazing.
You know the man on the stage who throws up sixteen
balls at once and they all drop into pockets all over
his person, on his shoulders, on his heels, on the
inner side of his sleeves; and he stands perfectly
still and does nothing. Well, it was like that.
He had rather a rough, hoarse voice.
And, there he was, standing by the
table. I was looking at him, with my back to
the screen. And suddenly, I saw two distinct expressions
flicker across his immobile eyes. How the deuce
did they do it, those unflinching blue eyes with the
direct gaze? For the eyes themselves never moved,
gazing over my shoulder towards the screen. And
the gaze was perfectly level and perfectly direct
and perfectly unchanging. I suppose that the
lids really must have rounded themselves a little and
perhaps the lips moved a little too, as if he should
be saying: “There you are, my dear.”
At any rate, the expression was that of pride, of
satisfaction, of the possessor. I saw him once
afterwards, for a moment, gaze upon the sunny fields
of Branshaw and say: “All this is my land!”
And then again, the gaze was perhaps
more direct, harder if possible-hardy too.
It was a measuring look; a challenging look. Once
when we were at Wiesbaden watching him play in a polo
match against the Bonner Hussaren I saw the same look
come into his eyes, balancing the possibilities, looking
over the ground. The German Captain, Count Baron
Idigon von Leloeffel, was right up by their goal posts,
coming with the ball in an easy canter in that tricky
German fashion. The rest of the field were just
anywhere. It was only a scratch sort of affair.
Ashburnham was quite close to the rails not five yards
from us and I heard him saying to himself: “Might
just be done!” And he did it. Goodness!
he swung that pony round with all its four legs spread
out, like a cat dropping off a roof....
Well, it was just that look that I
noticed in his eyes: “It might,” I
seem even now to hear him muttering to himself, “just
be done.”
I looked round over my shoulder and
saw, tall, smiling brilliantly and buoyant-Leonora.
And, little and fair, and as radiant as the track of
sunlight along the sea-my wife.
That poor wretch! to think that he
was at that moment in a perfect devil of a fix, and
there he was, saying at the back of his mind:
“It might just be done.” It was like
a chap in the middle of the eruption of a volcano,
saying that he might just manage to bolt into the tumult
and set fire to a haystack. Madness? Predestination?
Who the devil knows?
Mrs Ashburnham exhibited at that moment
more gaiety than I have ever since known her to show.
There are certain classes of English people-the
nicer ones when they have been to many spas, who seem
to make a point of becoming much more than usually
animated when they are introduced to my compatriots.
I have noticed this often. Of course, they must
first have accepted the Americans. But that once
done, they seem to say to themselves: “Hallo,
these women are so bright. We aren’t going
to be outdone in brightness.” And for the
time being they certainly aren’t. But it
wears off. So it was with Leonora-at
least until she noticed me. She began, Leonora
did-and perhaps it was that that gave me
the idea of a touch of insolence in her character,
for she never afterwards did any one single thing
like it-she began by saying in quite a loud
voice and from quite a distance:
“Don’t stop over by that
stuffy old table, Teddy. Come and sit by these
nice people!”
And that was an extraordinary thing
to say. Quite extraordinary. I couldn’t
for the life of me refer to total strangers as nice
people. But, of course, she was taking a line
of her own in which I at any rate-and no
one else in the room, for she too had taken the trouble
to read through the list of guests-counted
any more than so many clean, bull terriers. And
she sat down rather brilliantly at a vacant table,
beside ours-one that was reserved for the
Guggenheimers. And she just sat absolutely deaf
to the remonstrances of the head waiter with his face
like a grey ram’s. That poor chap was doing
his steadfast duty too. He knew that the Guggenheimers
of Chicago, after they had stayed there a month and
had worried the poor life out of him, would give him
two dollars fifty and grumble at the tipping system.
And he knew that Teddy Ashburnham and his wife would
give him no trouble whatever except what the smiles
of Leonora might cause in his apparently unimpressionable
bosom-though you never can tell what may
go on behind even a not quite spotless plastron!-And
every week Edward Ashburnham would give him a solid,
sound, golden English sovereign. Yet this stout
fellow was intent on saving that table for the Guggenheimers
of Chicago. It ended in Florence saying:
“Why shouldn’t we all
eat out of the same trough?-that’s
a nasty New York saying. But I’m sure we’re
all nice quiet people and there can be four seats
at our table. It’s round.”
Then came, as it were, an appreciative
gurgle from the Captain and I was perfectly aware
of a slight hesitation-a quick sharp motion
in Mrs Ashburnham, as if her horse had checked.
But she put it at the fence all right, rising from
the seat she had taken and sitting down opposite me,
as it were, all in one motion. I never thought
that Leonora looked her best in evening dress.
She seemed to get it too clearly cut, there was no
ruffling. She always affected black and her shoulders
were too classical. She seemed to stand out of
her corsage as a white marble bust might out of a
black Wedgwood vase. I don’t know.
I loved Leonora always and, today,
I would very cheerfully lay down my life, what is
left of it, in her service. But I am sure I never
had the beginnings of a trace of what is called the
sex instinct towards her. And I suppose-no
I am certain that she never had it towards me.
As far as I am concerned I think it was those white
shoulders that did it. I seemed to feel when
I looked at them that, if ever I should press my lips
upon them that they would be slightly cold-not
icily, not without a touch of human heat, but, as
they say of baths, with the chill off. I seemed
to feel chilled at the end of my lips when I looked
at her...
No, Leonora always appeared to me
at her best in a blue tailor-made. Then her glorious
hair wasn’t deadened by her white shoulders.
Certain women’s lines guide your eyes to their
necks, their eyelashes, their lips, their breasts.
But Leonora’s seemed to conduct your gaze always
to her wrist. And the wrist was at its best in
a black or a dog-skin glove and there was always a
gold circlet with a little chain supporting a very
small golden key to a dispatch box. Perhaps it
was that in which she locked up her heart and her
feelings.
Anyhow, she sat down opposite me and
then, for the first time, she paid any attention to
my existence. She gave me, suddenly, yet deliberately,
one long stare. Her eyes too were blue and dark
and the eyelids were so arched that they gave you
the whole round of the irises. And it was a most
remarkable, a most moving glance, as if for a moment
a lighthouse had looked at me. I seemed to perceive
the swift questions chasing each other through the
brain that was behind them. I seemed to hear the
brain ask and the eyes answer with all the simpleness
of a woman who was a good hand at taking in qualities
of a horse-as indeed she was. “Stands
well; has plenty of room for his oats behind the girth.
Not so much in the way of shoulders,” and so
on. And so her eyes asked: “Is this
man trustworthy in money matters; is he likely to
try to play the lover; is he likely to let his women
be troublesome? Is he, above all, likely to babble
about my affairs?”
And, suddenly, into those cold, slightly
defiant, almost defensive china blue orbs, there came
a warmth, a tenderness, a friendly recognition...
oh, it was very charming and very touching-and
quite mortifying. It was the look of a mother
to her son, of a sister to her brother. It implied
trust; it implied the want of any necessity for barriers.
By God, she looked at me as if I were an invalid-as
any kind woman may look at a poor chap in a bath chair.
And, yes, from that day forward she always treated
me and not Florence as if I were the invalid.
Why, she would run after me with a rug upon chilly
days. I suppose, therefore, that her eyes had
made a favourable answer. Or, perhaps, it wasn’t
a favourable answer. And then Florence said:
“And so the whole round table is begun.”
Again Edward Ashburnham gurgled slightly in his throat;
but Leonora shivered a little, as if a goose had walked
over her grave. And I was passing her the nickel-silver
basket of rolls. Avanti!...