FIRST IMPRESSIONS OF JAPAN AND THE LIFE OF THE JAPANESE
Yokohama looks very beautiful to the
traveler who has spent over two weeks on the long
sea voyage from Seattle; but it has little to commend
it to the tourist, for most of its native traits have
been Europeanized. It is noteworthy, however,
as the best place except Hongkong for the traveler
to purchase an oriental outfit and it is probably the
cheapest place in the world for trunks and bags and
all leather goods. Its bund, or water-front,
is spacious and its leading hotels are very comfortable.
Of Japan and the Japanese, all that
can be given are a few general impressions of the
result of two weeks of constant travel over the empire
and of talks with many people.
Of the country itself, the prevailing
impression of the tourist, who crosses it on the railroad
or who takes rides through the paddy fields in a rickshaw,
is of a perennial greenness. Instead of the tawny
yellow of California in October, one sees here miles
on miles of rice fields, some of vivid green, others
of green turning to gold. The foothills of the
mountains remind one of the foothills of the Sierra
Nevada, as they all bear evidences of the rounding
and smoothing of glacial action.
At a distance the rice fields look
like grain fields, but seen near at hand they are
found to be great swamps of water, with row on row
of rice, the dead furrows either serving as ditches
or as raised paths across the fields. Every bit
of hillside is terraced and planted to rice or vegetables
or fruit.
Often these little, terraced fields,
which look like the natural mesa of southern California,
will not be over fifty feet long by ten or fifteen
feet wide. Between the rows of fruit trees are
vegetables or corn or sorghum. The farmers live
in little villages and apparently go home every night
after tilling their fields. There are none of
the scattered farmhouses, with trees around them,
which are so characteristic a feature of any American
rural scene.
The towns as well as the cities show
a uniformity of architecture, as most of the shops
are one story or a story and one-half, while the residences
seem to be built on a uniform plan, with great variety
in gateways and decoration of grounds. Most of
the roofs are made of a black clay, corrugated so
that it looks like the Spanish-American tile, and
many of the walls that surround residences and temples
are of adobe, with a tiled covering, precisely as
one sees to-day the remains of adobe walls in old
Spanish-Californian towns.
The general impression of any Japanese
city when seen from a height is that of a great expanse
of low buildings with a liberal sprinkling of trees
and a few pagodas or roofs of Buddhist temples.
The strongest impression that the
unprejudiced observer receives in Japan is of the
small value set upon labor as well as upon time by
the great mass of the people. In Yokohama and
in Kobe, which show the most signs of foreign influence,
the same traits prevail.
It is one of the astonishing spectacles
of the world, this accomplishment of the business
of a great nation by man power alone. Only in
one city, Osaka, the Chicago of Japan, is there any
general evidence of the adoption of up-to-date methods
in manufacturing. Everywhere one sees all the
small industries of the country carried on in the
same way that they were conducted in Palestine in the
time of Christ.
Everywhere men, harnessed to heavy
push carts, are seen straining to haul loads that
are enough for a horse. The few horses in the
cities are used for heavy trucks, in common with bulls,
for the Japanese bull is a beast of burden and not
one of the lords of creation as in our own country.
The bull is harnessed with a short
neckyoke and a saddle on his back, which bears a close
resemblance to the riding saddle of the Cossack.
Some rope traces are hitched to crude, home-made whiffletrees.
The bull, as well as the horse, is guided by a rope
line. The carts are remarkably heavy, with wheels
of great weight, yet many of these carts are pulled
by two men.
In the big cities may be seen a few
victorias, or other carriages, and an occasional
motor car, but both these means of conveyance can be
used with safety only on the broadest avenues.
In the narrow streets of the native quarter, which
seldom exceed ten feet in width and which have no
sidewalks, the jinrikisha is the only carriage.
This is a light, two-wheeled gig, drawn by one man
and frequently on the steep grades pushed from the
back by a second man. The rickshaw man has a bell
gong on one shaft, which he rings when approaching
a sharp turn in the street or when he sees several
trucks or other rickshaws approaching. The bell
also serves to warn old people or children who may
be careless, for the rickshaw has the right of way
and the pedestrian must turn to either side to give
it the road. Americans, who are far more considerate
of the feelings of the Japanese than other foreigners,
frequently may be seen walking up the steep grades
in such hilly cities as Nikko, Nara and Kobe, but
long residence in Japan is said to make everyone callous
of the straining and the sweating of the rickshaw
man.
Purposely my itinerary included a
number of little towns, which practically have been
uninfluenced by foreign customs. In these places
may be seen the primitive Japanese life, unchanged
for hundreds of years. Yet everywhere one cannot
fail to be impressed by the tireless industry of the
people, and by their general good nature and courtesy.
In any other country in the world,
a party of Americans with their foreign dress would
have provoked some insulting remarks, some gestures
that could not be mistaken; but here in rural Japan
was seen the same perfect courtesy shown in the Europeanized
sections of the big cities. The people, to be
sure, made no change in their way of life. Mothers
suckled their infants in front of their little shops,
and children stood naked and unashamed, lost in wonder
over the strange spectacle of the party of foreign
people that dashed by in rickshaws.
Naked men, with only a G-string to
distinguish them from the costume of Adam before the
expulsion from Eden, labored at many tasks, and frequently
our little cavalcade swept by the great Government
schools where hundreds of little Japanese are being
educated to help out the manifest destiny of the empire.
This courtesy and good nature among
the poorest class of the Japanese people is not confined
to their treatment of foreigners; it extends to all
their daily relations with one another. A nearly
naked coolie pulling a heavy cart begs a light for
his cigarette with a bow that would do honor to a
Chesterfield.
A street blockade that in New York
or San Francisco would not be untangled without much
profanity and some police interference is cleared
here in a moment because everyone is willing to yield
and to recognize that the most heavily burdened has
the right of way.
In all my wanderings by day or night
in the large Japanese cities I never except once saw
a policeman lift his, hand to exercise his authority.
This exception was in Tokio, where a band of mischievous
schoolboys was following a party of gayly dressed ladies
in rickshaws and laughing and chattering. The
guardian of the peace admonished them with a few short,
crisp words, and they scuttled into the nearest alleys.
The industry of the people, whether
in city or country, is as amazing as their courtesy.
The Japanese work seven days in the week, and the year
is broken only by a few festivals that are generally
observed by the complete cessation of labor.
In the large cities work goes on in most of the shops
until ten or eleven o’clock at night, and it
is resumed at six o’clock the next morning.
The most impressive spectacle during
several night rides through miles of Tokio streets
was the number of young lads from twelve to sixteen
years of age who had fallen asleep at their tasks.
With head pillowed on arm they slumbered on the hard
benches, where they had been working since early morning,
while the older men labored alongside at their tasks.
From the train one saw the rice farmer
and his wife and children working in the paddy fields
as long as they could see. These people do not
work with the fierce energy of the American mechanic,
but their workday is from twelve to fourteen hours
and, considering these long hours, they show great
industry and conscientiousness.
In some places women were employed
at the hardest work, such as coaling ships by hand
and digging and carrying earth from canals and ditches.
Scarcely less impressive than the
tireless industry of the people is the enormous number
of children that may be seen both in city and country.
It was impossible to get statistics of births, but
any American traveling through Japan must be struck
with the fact that this is a land not threatened by
race suicide.
Women who looked far beyond the time
of motherhood were suckling infants, while all the
young women seemed well provided with children.
Girls of five or six were playing games with sleeping
infants strapped to their backs, and even boys were
impressed into this nursery work. The younger
children are clothed only in kimonos, so that
the passer-by witnesses many strange sights of naked
Japanese cherubs.
In all quarters of Tokio the children
were as numerous as in tenement streets of American
cities on a Sunday afternoon, and in small country
towns the number of children seemed even greater than
in the big cities.
Another feature of Japanese life that
made a profound impression on me was the pilgrimage
of school children to the various sacred shrines throughout
the empire. At Nikko and at Nara, two of the great
seats of Buddhist and Shinto shrines, these child
pilgrims were conspicuous. They were seen in
bands of fifty or seventy-five, attended by tutors.
The boys were dressed in blue or black jackets, white
or blue trousers and white leggings. Each carried
his few belongings in a small box or a handkerchief
and each had an umbrella to protect him from the frequent
showers.
The girls had dark red merino skirts,
with kimono waists of some dark stuff. Many were
without stockings, but all wore straw sandals or those
with wooden sole and heavy wooden clogs. School
children are admitted to temples and shrines at half
rates and in every place the guides pay special attention
to these young visitors.
Pilgrimages of soldiers and others
are also very common. Whenever a party of one
hundred is formed it receives the benefit of the half-rate
admission. No observant tourist can fail to see
that in the pilgrimages of these school children and
these soldiers the authorities of new Japan find the
best means of stimulating patriotism. Church and
State are so closely welded that the Mikado is regarded
as a god. Passionate devotion to country is the
great ruling power which separates Japan from all
other modern nations.
The number of young men who leave
their country to escape the three years’ conscription
is very small. The schoolboy in his most impressionable
years is brought to these sacred shrines; he listens
to the story of the Forty-seven Ronins and other tales
of Japanese chivalry; his soul is fired to imitate
their self-sacrificing patriotism. The bloody
slopes of Port Arthur witnessed the effect of such
training as this.
THE JAPANESE CAPITAL AND ITS PARKS AND TEMPLES
Tokio, the capital of Japan, is a
picturesque city of enormous extent and the tourist
who sees it in two or three days must expect to do
strenuous work. The city, which actually covers
one hundred square miles, is built on the low shore
of Tokio bay and is intersected by the Sumi river
and a network of narrow canals. The river and
these canals are crossed by frequent bridges.
At night the tourist may mark his approach to one
of these canals by the evil odors that poison the air.
Even in October the air is sultry in Tokio during the
day and far into the night, but toward morning a penetrating
damp wind arises.
Although Tokio’s main streets
have been widened to imposing avenues that run through
a series of great parks, the native life may be studied
on every hand for a block from the big
streets, with their clanging electric cars, one comes
upon narrow alleys lined with shops and teeming with
life. Here, for the first time, the tourist sees
Japanese city life, only slightly influenced by foreign
customs. The streets are not more than twelve
or fifteen feet wide, curbed on each side by flat
blocks of granite, seldom more than a foot or eighteen
inches wide. These furnish the only substitute
for a sidewalk in rainy weather, as most of the streets
are macadamized. A slight rainfall wets the surface
and makes walking for the foreigner very disagreeable.
The Japanese use in rainy weather the wooden sandal
with two transverse clogs about two inches high, which
lifts him out of the mud. All Japanese dignitaries
and nearly all foreigners use the jinrikisha, which
has the right of way in the narrow streets. The
most common sound in the streets is the bell of the
rickshaw man or his warning shout of “Hi!
Hi!”
My first day’s excursion included
a ride through Shiba and Hibiya parks to Uyeno Park,
the resting place of many of the shoguns.
This makes a trip which will consume the entire day.
Shiba Park is noteworthy for its temples (which contain
some of the most remarkable specimens of Japanese
art) and for the tombs of seven of the fifteen shoguns
or native rulers who preceded the Mikado in the government
of Japan. The first and third shoguns are
buried at Nikko, while the fourth, fifth, eighth, ninth,
eleventh and thirteenth lie in Uyeno Park, Tokio.
These mortuary chapels in Shiba Park are all similar
in general design, the only differences being in the
lavishness of the decoration. Out of regard for
the foreign visitor it is not necessary to remove
one’s shoes in entering these temples, as cloth
covers are provided. Each temple is divided into
three parts the outer oratory, a corridor
and the inner sanctum, where the shogun alone was
privileged to worship. The daimyos or nobles were
lined up in the corridor, while the smaller nobles
and chiefs filled the oratory. It would be tedious
to describe these temples, but one will serve as a
specimen of all. This is the temple of the second
shogun, which is noteworthy for the beauty of the
decoration of the sanctum and the tomb.
Two enormous gilded pillars support
the vaulted roof of the sanctum, which is formed of
beams in a very curious pattern. A frieze of
medallions of birds, gilded and painted, runs around
the top of the wall. The shrine dates back for
two and one-half centuries and is of rich gold lacquer.
The bronze incense burner, in the form of a lion,
bears the date of 1635. The great war drum of
Ieyasu, the first of the Tokugawa shoguns, lies
upon a richly decorated stand. Back of the temple
is the octagonal hall, which houses the tomb of the
second shogun. This tomb is the largest example
of gold lacquer in the world, and parts of it are
inlaid with enamel and crystal. Scenes from Liao-Ling,
China, and Lake Biwa, Japan, adorn the upper half,
while the lower half bears elaborate decoration of
the lion and the peony. The base of the tomb is
a solid block of stone in the shape of the lotus.
The hall is supported by eight pillars covered with
gilded copper, and the walls are covered with gilded
lacquer. The enormous amount of money expended
on these shrines will amaze any foreign visitor, as
well as the profound reverence shown by the Japanese
for these resting places of the shoguns.
Passing along a wide avenue traversed
by electric cars one soon reaches Hibiya Park, one
of the show places of Tokio. To the European tourist
or the visitor from our Eastern States the beauty
of the vegetation is a source of marvel, but San Francisco’s
Golden Gate Park can equal everything that grows here
in the way of ornamental shrubs, trees and flowers.
On the south side of the park are the Parliament buildings,
and near by the fine, new brick buildings of the Naval
and Judicial Departments and the courts. Near
by are grouped many of the foreign legations, the
palaces of princes and the mansions of the Japanese
officials and foreign embassadors. Here also is
the Museum of Arms, which is very interesting because
of the many specimens of ancient Japanese weapons
and the trophies of the wars with China and Russia.
In this museum one may see the profound interest which
the Japanese pilgrims from all parts of the empire
take in these memorials of conquest. To them
they rank with the sacred shrines as objects of veneration.
Not far away is the moat which surrounds
the massive walls of the imperial palace, open only
to those who have the honor of an imperial audience.
These walls are of granite laid up without mortar,
the corner stones being of unusual size. The
visitor may see the handsome roofs of the imperial
palaces. Those who have been admitted declare
that the decorations and the furniture are in the
highest style of Japanese art, although the simplicity
and the neutral colors that mark the Shinto temples
prevail in the private chambers of the Emperor.
In the throne chamber and the banquet hall, on the
other hand, gold and brilliant hues make a blaze of
color. Near the palace grounds are the Government
printing office and a number of schools.
Turning down into Yoken street, one
of the great avenues of traffic, you soon reach Uyeno
Park the most popular pleasure ground of
the capital, and famous in the spring for its long
lines of cherry trees in full blossom. In the
autumn it impressed me, as did all the other Japanese
parks, as rather damp and unwholesome. The ground
was saturated from recent rain; all the stonework
was covered with moss and lichen; the trees dripped
moisture, and the little lakes scattered here and there
were like those gloomy tarns that Poe loved to paint
in his poems. Near the entrance to this park
is a shallow lake covered with lotus plants, and a
short distance beyond from a little hill one may get
a good view of the buildings of the imperial university.
Here is a good foreign restaurant where one may enjoy
a palatable lunch. Near by on a slight eminence
stands a huge bronze image of Buddha, twenty-one and
one-half feet high, called the Daibutsu. It is
one of several such figures scattered over the empire.
Passing through a massive granite torii, or gate,
one reaches an avenue of stately cryptomeria, or cedar
trees that leads to a row of stone lanterns presented
in 1651 by daimyos as a memorial to the first shogun.
The temple beyond is famous for its beautiful lacquer.
Near at hand are the temples and tombs
of the six shoguns of the Tokugawa family,
buried in Uyeno Park. These temples are regarded
as among the finest remains of old Japanese art.
The mortuary temples bear a close resemblance to those
in Shiba Park. The second temple is the finer
and is celebrated for the gilding of the interior walls,
the gorgeous decoration of the shrines and the memorial
tablets in gold lacquer. Here, also, are eight
tablets erected to the memory of eight mothers of
shoguns, all of whom were concubines.
A short distance from Uyeno Park is
the great Buddhist temple known as Asakusa Kwannon,
dedicated to Kwannon, the goddess of mercy. The
approaches to this temple on any pleasant day look
like a country fair. The crowd is so dense that
jinrikishas can not approach within one hundred yards.
The shrine dates back to the sixth century and the
temple is the most popular resort of its kind in Tokio.
On each side of the entrance lane are shops, where
all kinds of curios, toys, cakes, et cetera, are sold.
The temple itself is crowded with votaries who offer
coins to the various idols, while below (near the stairs
that give entrance to the temple) are various side
booths that are patronized by worshipers. Some
of these gods promise long life; others give happiness,
and several insure big families to women who offer
money and say prayers.
One of the remarkable jinrikisha rides
in Japan is that from Uyeno to Shimbashi station through
the heart of Tokio by night. This takes about
a half hour and it gives a series of pictures of the
great Japanese city that can be gained in no other
way. Here may be seen miles of little shops lining
alleys not over ten or twelve feet wide, in most of
which work is going on busily as late as eleven o’clock.
In places the sleepy proprietors are putting up their
shutters, preparatory to going to bed, but in others
the work of artisan or baker or weaver goes on as though
the day had only fairly begun. Most of these shops
are lighted by electricity, but this light is the
only modern thing about them. The weaver sits
at the loom precisely as he sat two thousand years
ago, and the baker kneads his dough and bakes his
cakes precisely as he did before the days of the first
shogun. This ride gives a panorama of oriental
life which can be equaled in few cities in the world.
Occasionally the jinrikisha dashes up a little bank
and across a bridge that spans a canal and one catches
a glimpse of long lines of house boats, with dim lights,
nestling under overhanging balconies. Overall
is that penetrating odor of the Far East, mingled
with the smell of bilge water and the reek of thousands
of sweating human beings. These smells are of
the earth earthy and they led one to dream that night
of weird and terrible creatures such as De Quincey
paints in his Confessions of an English Opium Eater.
THE MOST FAMOUS CITY OF TEMPLES IN ALL JAPAN
The most magnificent temples in Japan
are at Nikko, in the mountains, five hours’
ride by train from Tokio. What makes this trip
the more enjoyable to the American tourist is that
the country reminds him of the Catskills, and that
he gets some glimpses of primitive Japanese life.
The Japanese have a proverb: “Do not use
the word ‘magnificent’ until you have
seen Nikko.” And anyone who goes through
the three splendid temples that serve as memorials
of the early shoguns will agree that the proverb
is true.
The railroad ride to Nikko is tedious,
although it furnishes greater variety than most of
the other trips by rail through the Mikado’s
empire. But as soon as one is landed at the little
station he recognizes that here is a place unlike
any that he has seen. The road runs up a steep
hill to the Kanaya Hotel, which is perched on a high
bank overlooking the Daiyagawa river. Tall cedar
trees clothe the banks, and across the river rise
mountains, with the roofs of temples showing through
the foliage at their base. This hotel is gratefully
remembered by all tourists because of the artistic
decoration of the rooms in Japanese style and the
beneficent care of the proprietor, which includes
a pretty kimono to wear to the morning bath, with straw
sandals for the feet, and charming waitresses in picturesque
costumes.
The first Buddhist temple at Nikko
dates back to the eighth century, but it was not until
the seventeenth century that the place was made a
national shrine by building here the mausoleum of the
first shogun, Ieyasu, and of his grandson, Iemitsu.
Hardly less noteworthy than these shrines and temples
is the great avenue of giant cryptomeria trees, which
stretches across the country for twenty miles, from
Nikko to Utsunomiya.
One of the chief objects of interest
in Nikko is the Sacred Red Bridge which spans a swift
stream about forty feet wide. This is a new bridge,
as the old one was carried away by a great flood nine
years ago. Originally built in 1638, it served
to commemorate the legendary and miraculous bridging
of the stream by Shodo Shonin, a saint. He arrived
at the river one day while on a pilgrimage and called
aloud for aid to cross. On the opposite bank
appeared a being of gigantic size, who promised to
help him, and at once flung across the stream two green
and blue dragons which formed a bridge. When
the saint was safely over the bridge, it vanished
with the mysterious being. Shodo at once built
a hut on the banks of the stream. For fourteen
years he dwelt there and gathered many disciples.
Then he established a monastery and a shrine at Lake
Chuzinji, about nine miles from Nikko. Nine hundred
years later the second shogun of the Tokugawa dynasty
sent two officials to Nikko to select a site for the
mausoleum of his father. They chose a site near
Nikko, on a hill called Hotoke-iwa, and in the spring
of 1617 the tomb was completed and the coffin was
deposited under it with appropriate Buddhist ceremonies.
The road to the mausoleum winds around
the river. The first object on the way is a pillar
erected in 1643 to ward off evil influences. It
is a cylindrical copper column forty-two feet high,
supported by short horizontal bars of the same material,
resting on four short columns. Small bells hung
from lotus-shaped cups crown the summit of the column.
Just beyond this column is a massive granite torii,
twenty-seven and one-half feet high, the gift of the
Daimiyo of Chikuzen. To the left is a five-story
pagoda, one hundred and four feet in height, which
is especially graceful. Inside a red wooden wall
are arranged a series of lacquered storehouses, a
holy water cistern cut out of a solid block of granite,
a finely decorated building in which rest a collection
of Buddhist writings. A second court is reached
by a flight of stairs. Here are gifts presented
by the kings of Luchu, Holland and Korea, these three
countries being regarded as vassal states of Japan.
On the left is the Temple of Yahushi, beautifully
decorated in red and gold lacquer, and just beyond
is a fine gate, called Yomei-mon, decorated with
medallions of birds. Passing through this gate,
one reaches a court bordered by several small buildings,
one of which contains the palanquins that are
carried in the annual procession on June 1st, when
the deified spirits of the first shogun, Hideyoshi
(the great conqueror), and Yoritomo occupy them.
Seventy-five men carry each of these palanquins.
The main shrines are reached through
the Chinese gate. The three chambers are magnificent
specimens of the finest work in lacquer, gold and
metal. The tomb of Ieyasu, the first shogun, is
reached by ascending two hundred stone steps.
The tomb is in the form of a small pagoda of bronze
of an unusually light color caused by the mixture of
gold. The body of the shogun is buried twenty
feet deep in a bed of charcoal. Beyond is the
mausoleum of Iemitsu, the third shogun. The oratory
and chapel are richly decorated, but they do not compare
with those of the first shogun’s tomb.
Back of these tombs, among the huge cedar trees that
clothe the sides of the mountain, is a small red shrine
where women offer little pieces of wood that they
may pass safely through the dangers of childbirth.
Near by is the tomb of Shodo, the saint, and three
of his disciples.
These mortuary temples and tombs are
genuinely impressive. They bear many signs of
age and it is evident that they are held in great
veneration by the Japanese, who make pilgrimages at
all seasons to offer up prayers at these sacred shrines.
More impressive than the tombs themselves are the
pilgrims. On the day that I visited this sacred
shrine several large bands of pilgrims were entertained.
One party was composed of over a hundred boys from
one of the big government military schools. These
lads were in uniform and each carried an umbrella and
a lunch tied up in a handkerchief. The priests
paid special attention to these young pilgrims and
described for their benefit the marvels of carving
and lacquer work. Services were held before the
shrines and the glorious conquest of the shoguns
and of Hideyoshi (popularly known as the Napoleon
of Japan) were described in glowing words. The
Russian cannon captured at Port Arthur, which stands
near the entrance to the tombs, was not forgotten
by these priests, who never fail to do their part
in stimulating the patriotism of the young pilgrims.
These boys were followed by an equal
number of public school girls, all dressed in dark
red merino skirts and kimonos of various colors.
Some were without stockings and none wore any head
covering, although each girl carried her lunch and
the inevitable umbrella.
After these children came several
parties of mature pilgrims, some finely dressed and
bearing every evidence of wealth and position, while
others were clothed in poor garments and showed great
deference to the priests and guides. All revealed
genuine veneration for the sacred relics and all contributed
according to their means to the various shrines.
Some idea of the revenue drawn by the priests from
tourists and pilgrims may be gained when it is said
that admission is seventy sen (or thirty-five cents
in American money) for each person, with half-rates
to priests, teachers and school children, and to members
of parties numbering one hundred.
The shops at Nikko will be found well
worth a visit, as this city is the market for many
kinds of furs that are scarce in America. Many
fine specimens of wood carving may also be seen in
the shops. The main street of the town runs from
the Kanaya Hotel to the railroad depot, a distance
of a mile and one-half, and it is lined for nearly
the whole distance with small shops.
On his return to the railroad the
tourist would do well to take a jinrikisha ride of
five miles down through the great avenue of old cryptomeria
trees to the little station of Imaichi. This is
one of the most beautiful rides in the world.
The road is bordered on each side by huge cedar trees
which are from one hundred and fifty to two hundred
feet in height. In many cases the roots of these
old trees have formed a natural embankment and the
road is thus forced below the level of the surrounding
rice fields. These trees were planted nearly three
hundred years ago and they are certainly in a remarkable
state of preservation. A few gaps there are,
due to the vandalism of the country people, but mile
after mile is passed with only an occasional break
in these stately columns, crowned by the deep green
masses of foliage. Another cryptomeria avenue
intersects this and runs for twenty-five miles across
the country. The two avenues were planted in order
that they might be used by the shogun’s messengers
when they bore important letters to him during his
summer residence in Nara.
IN KYOTO, THE ANCIENT CAPITAL OF JAPAN
Next to Nikko, one of the most interesting
cities in Japan is Kyoto, the old capital under the
shoguns, the seat of several fine palaces and
many beautiful temples, and the center of large manufacturing
works of satsuma and cloissone ware, damascene work
and art work on silk and velvet. Kyoto may be
reached by a short ride from Kobe, but from Tokio
it is an all-day trip of twelve hours by express train.
This ride, which would be comfortable in well appointed
cars, is made tedious by the Japanese preference for
cars with seats arranged along the side, like the
new American pay-as-you-enter street cars. For
a short ride the side seat may be endured, but for
hours of travel (especially when one is a tourist
and wishes to see the scenery on both sides of the
road) the cars are extremely tiresome.
By selecting the express train and
buying first-class tickets it was hoped to avoid any
crowd but, unfortunately, the day chosen saw many
other tourists on their way across Japan. The
result was that the first-class car was packed and
many who had paid first-class fares were forced to
ride in the second-class cars. In my car one side
was occupied almost wholly by Japanese. Two were
in American dress, one was an army officer in uniform,
another a clerk with many packages, and the remaining
two were an old couple, richly dressed. The Japanese,
in traveling first-class, generally brings a rug or
fur, which he spreads over the seat. On this
he sits with his feet drawn up under him in the national
style. Smoking is not prohibited even in the first-class
cars, so that the American ladies in the cars had
to endure the smell of various kinds of Japanese tobacco,
in addition to the heat, which was rendered more disagreeable
by the frequent closing of the windows as the train
dashed through many tunnels. The old couple carried
lunch in several hampers and they indulged in a very
elaborate luncheon, helped out by tea purchased in
little pots from a dealer at a station. The army
officer bought one of the small wooden lunch boxes
sold along all Japanese railways, which contain boiled
rice, fried fish and some boiled sweet potatoes.
This, with a pot of tea, made a good lunch. The
Japanese in European costume patronized the dining-car,
where an excellent lunch was served for one yen, or
fifty cents in American money.
The scenery along the line of the
railway varied. The road skirts the coast for
many miles, then cuts across several mountain ranges
to Nagoya, then along the shores of Owari bay (an
arm of the ocean), thence across the country to the
lower end of Lake Biwa, near which Kyoto is situated.
In the old days this journey consumed twelve days,
and the road twice every year furnished a picturesque
procession of the retinues of great nobles or daimiyos
traveling from Kyoto to Tokio to present their respects
to the shogun. The road was skirted by great cryptomeria,
and avenues of these fine trees may still be seen near
Nikko.
Kyoto was a great city in medieval
days, when it was the residence of the Mikado.
From 793 until 1868, when the court removed to Tokio,
Kyoto remained the capital. Its importance, however,
began to decline with the founding of Yedo, or Tokio,
in 1590, and to-day many miles of its former streets
are devoted to the growing of rice. In this way
several of the finest temples, which were once in
the heart of the old city, are now relegated to the
suburbs. Besides the Mikado’s palace and
Nijo castle, which may be visited only by special
permit, Kyoto boasts of an unusual number of richly
decorated temples, among which the most noteworthy
are the Shinto temple of Inari; the temple of the one
thousand images of Kwannon, the Deity of Mercy; the
great Buddhist temple of Nishi-Honguanji, celebrated
for its art work in paintings and decorated woods;
the great bronze Buddha, fifty-eight feet high; the
big bell near by, nearly fourteen feet high, and the
other in the Cheon-in temple here these
being two of the four largest bells in all Japan.
To describe the treasures in art and decoration, in
gold and lacquer, in these palaces, would be tiresome.
Unless one is a student of Japanese art the visiting
of temples soon becomes a great bore, for one temple
or one palace is a repetition of others already seen,
with merely minor differences in architecture and
decoration, which appeal only to the specialist.
Kyoto, however, is of great interest
for its many art shops since applied art,
as seen in satsuma and cloissone ware and in damascene,
have almost reached the level of pure art. A visit
to one of the satsuma factories is an interesting
experience, as it shows how little the art of Japan
has been influenced by the foreigner. Here one
sees the potter at his wheel, precisely as in the
days of the Bible. He does not avail himself
of electric power but whirls his wheel by hand and
foot, exactly as in the time of Christ. Passing
from the pottery to the art rooms, one finds a number
of Japanese men and girls painting elaborate designs
on bowls and vases and other articles. These
artists grind and mix their own oil colors, which
they proceed to lay on slowly upon the article they
are decorating. The patience of these artists
is indescribable. Infinite pains is taken with
a single flower or tree or figure of man or bird.
One vase exhibited here is covered with butterflies
which range from natural size down to figures so small
that they can be discerned only under a magnifying
glass. Yet, this vase, which represents such an
enormous outlay of labor and time, is sold at thirty
dollars in American money.
At the damascene works both men and
women are also employed, although the finest work
is done by the men. The art consists in beating
into bronze small particles of gold leaf until they
have become an actual part of the baser metal.
This gold is arranged in a great variety of design
and, after being beaten in, the article is subjected
to powerful heat, which oxidizes the metal and thus
prevents any change due to the weather. At this
Kyoto factory were turned out the most artistic jewelry,
boxes, cigarette cases and a great variety of small
articles, many of which sold at absurdly low prices,
considering the amount of labor and time expended
on them.
Kyoto will be found one of the best
cities in Japan for the purchase of the art work just
described, as well as embroidery, silks and other
stuffs. In many of these shops the work is done
on the premises and hence the prices are cheaper than
in any other city except Yokohama. It is worth
while to visit the shops that exhibit bronze work,
silks, velvets and carvings in ivory and wood, as
well as curios of many kinds. Most of these shopkeepers
demand more than they expect to receive, but in a
few shops the goods are plainly marked and no reduction
in price can be secured. At Kyoto the tourist
will find many traces of primitive Japanese life,
especially in the unfrequented streets and in the
suburbs. Here in the bed of the river, a portion
of which was being walled up for a canal, were employed
a dozen women digging up gravel and carrying it in
baskets to carts near by. They had their skirts
tied up and they were working in mud and water which
reached to their knees. It was not a pleasant
spectacle, but it excited no comment in this country,
where women labor in the rice fields by the side of
men.
A short ride from Kyoto brings the
visitor to Nara, the seat of the oldest temples in
Japan, and famous for the tame deer in the park.
A long avenue of stone lanterns leads to the principal
temples, in an ancient cedar grove. The main
temple gives an impression of great age by its heavy
thatched roof.
Next looms up the gigantic wooden
structure, which houses Daibutsa, the great bronze
image of Buddha. This statue, which dates back
to the eighth century, is fifty-three and one-quarter
feet high; the face is sixteen feet long and nine
and one-quarter feet wide. The god is in a sitting
position, with the legs crossed. The head, which
is darker than the remainder of the image, replaced
in the sixteenth century the original head destroyed
by fire. The expression of this Buddha is not
benignant, and the image is impressive only because
of its size. It has two images eighteen feet
in height on either hand, but these seemed dwarfed
by the huge central figure.
The park at Nara is very interesting,
because of the tame deer which have no fear of the
stranger in European dress, but will eat cakes from
his hand. One of the sources of revenue is to
sell these cakes to the tourist.
A visit was paid to an old temple
at Horyuji, about eight miles from Nara, which is
famous as the oldest Buddhist temple in Japan.
It contains a valuable collection of ancient Japanese
works of art. The rickshaw ride to this place
is of great interest, as the road passes through a
rich farming country and two small towns which seem
to have been little affected by European influence.
In the fertile valley below Nara rice is grown on
an extensive scale, these paddy fields being veritable
swamps which can be crossed only by high paths running
through them, at distances of thirty or forty feet.
Here also may be seen the curious method of trellising
orchards of pear trees with bamboo poles. The
trellis supports the upper branches and this prevents
them from breaking down under the weight of fruit,
while it also makes easy the picking of fruit.
Agriculture at its best is seen in this fertile Japanese
valley. One peculiarity of this country, as of
other parts of rural Japan, is that one sees none
of the scattered farmhouses which dot every American
farming section. Instead of building on his own
land the farmer lives in a village to which he returns
at night after his day’s work.
KOBE, OSAKA, THE INLAND SEA AND NAGASAKI
Kobe is regarded as a base for the
tourist who wishes to make short excursions to Kyoto,
Osaka and other cities. It was established as
a foreign settlement in 1868, and has grown so remarkably
during the last ten years that now it exceeds in imports
and exports any other city in Japan. Kobe is
one of the most attractive cities in the empire, being
built on a pretty harbor, with the land rising like
an amphitheater. Scores of handsome residences
are scattered over the foothills near the sea.
Those on the lower side of the streets that run parallel
to the harbor have gardens walled up on the rear,
while the houses on the upper side of the streets
have massive retaining walls. These give opportunity
for many ornamental gateways.
Kobe has many large government schools,
but the institutions which I found of greatest interest
were Kobe College for Women, conducted by Miss Searle,
and the Glory Kindergarten, under the management of
Miss Howe. Kobe College, which was founded over
thirty years ago, is maintained by the Women’s
Board of Missions of Chicago. It has two hundred
and twenty-five pupils, of whom all except about fifty
are lodged and boarded on the premises. I heard
several of the classes reciting in English. The
primary class in English read simple sentences from
a blackboard and answered questions put by the teacher.
A few spoke good English, but the great majority failed
to open their mouths, and the result was the indistinct
enunciation that is so trying to understand.
Another class was reading Hamlet, but the pupils
made sad work of Shakespeare’s verse. The
Japanese reading of English is always monotonous,
because their own language admits of no emphasis; so
their use of English is no more strange than our attempts
at Japanese, in which we employ emphasis that excites
the ridicule of the Mikado’s subjects.
Not far from this college is the kintergarten,
which Miss Howe has carried on for twenty-four years.
She takes little tots of three or four years of age
and trains them in Froebel’s methods. So
successful has she been in her work among these children
of the best Japanese families of Kobe that she has
a large waiting list. She has also trained many
Japanese girls in kintergarten work. All the children
at this school looked unusually bright, as they are
drawn from the educated classes. It sounded very
strange to hear American and English lullabies being
chanted by these tots in the unfamiliar Japanese words.
Osaka, the chief manufacturing city
of Japan, is only about three-quarters of an hour’s
ride from Kobe. It spreads over nine miles square
and lies on both sides of the Yodogawa river.
The most interesting thing in Osaka is the castle
built by Hideyoshi, the Napoleon of Japan, in 1583.
The strong wall was once surrounded by a deep moat
and an outer wall, which made it practically impregnable.
What will surprise anyone is the massive character
of the inner walls which remain. Here are blocks
of solid granite, many of them measuring forty feet
in length by ten feet in height. It must have
required a small army of men to place these stones
in position, but so well was this work done (without
the aid of any mortar) that the stones have remained
in place during all these years. From the summit
of the upper wall a superb view may be gained of the
surrounding country.
From Kobe the tourist makes the trip
through the Inland Sea by steamer. Its length
is about two hundred and forty miles and its greatest
width is forty miles. The trip through this sea,
which in some places narrows to a few hundred feet,
is deeply interesting. The hills remind a Californian
strongly of the Marin hills opposite San Francisco,
but here they are terraced nearly to their summits
and are green with rice and other crops. Many
of the hills are covered with a growth of small cedar
trees, and these trees lend rare beauty to the various
points of land that project into the sea. At
two places in the sea the steamer seems as though
she would surely go on the rocks in the narrow channel,
but the pilot swings her almost within her own length
and she turns again into a wider arm of the sea.
In these narrow channels the tide runs like a mill
race, and without a pilot (who knows every current)
any vessel would be in extreme danger. The steamer
leaves Kobe about ten o’clock at night and reaches
Nagasaki, the most western of Japanese cities, about
seven o’clock the following morning.
Nagasaki in some ways reminds one
of Kobe, but the hills are steeper and the most striking
feature of the town is the massive stone walls that
support the streets winding around the hills, and the
elaborate paving of many of these side-hill streets
with great blocks of granite. The rainfall is
heavy at Nagasaki, so we find here a good system of
gutters to carry off the water. The harbor is
pretty and on the opposite shore are large engine
works, three large docks and a big ship-building plant,
all belonging to the Mitsu Bishi Company. Here
some five thousand workmen are constantly employed.
One of the great industries of Nagasaki
is the coaling of Japanese and foreign steamships.
A very fair kind of steam coal is sold here at three
dollars a ton, which is less by one dollar and one-half
than a poorer grade of coal can be bought for in Seattle;
hence the steamer Minnesota coaled here. The
coaling of this huge ship proved to be one of the most
picturesque sights of her voyage. Early on the
morning of her arrival lighters containing about a
railway carload of coal began to arrive. These
were arranged in regular rows on both sides of the
ship. Then came out in big sampans an army
of Japanese numbering two thousand in all. The
leaders arranged ladders against the sides of the ship,
and up these swarmed this army of workers, three-quarters
of whom were young girls between fourteen and eighteen
years old. They were dressed in all colors, but
most of them wore a native bonnet tied about the ears.
They formed in line on the stairs and then the coal
was passed along from hand to hand until it reached
the bunkers. These baskets held a little over
a peck of coal, and the rapidity with which they moved
along this living line was startling.
Every few minutes the line was given
a breathing space, but the work went on with a deadly
regularity that made the observer tired to watch it.
Occasionally one of the young girls would flag in her
work and, after she dropped a few basketfuls, she
would be relieved and put at the lighter work of throwing
the empty baskets back into the lighters. Most
of these girls, however, remained ten hours at this
laborious work, and a few worked through from seven
o’clock in the morning until nearly midnight,
when the last basket of coal was put on board.
At work like this no such force of Europeans would
have shown the same self-control and constant courtesy
which these Japanese exhibited. Wranglings would
have been inevitable, and the strong workers would
have shown little regard for their weaker companions.
Another feature of this Japanese work
was the elimination of any strain or overexertion.
If a girl failed to catch a basket as it whirled along
the line she dropped it instantly. Never did I
see anyone reach over or strain to do her work.
The rest for lunch occupied only about
fifteen minutes, the begrimed workers sitting down
on the steps of the ladders and eating their simple
food with keen relish. At night when strong electric
lights cast their glare over these constantly moving
lines of figures the effect was almost grotesque,
reminding one of Gustave Dore’s terrible pictures
of the lost souls in torment, or of the scramble to
escape when the deluge came. The skill that comes
of long practice marked the movements of all these
workers, and it was rare that any basket was dropped
by an awkward or tired coal-passer.
In seventeen hours four thousand five
hundred tons of coal were loaded on the steamer.
About fifteen hundred people were working on the various
ladders, while another five hundred were employed in
trimming the coal in the hold and in managing the
various boats. The result was an exhibit of what
can be done by primitive methods when perfect co-operation
is secured.
Nagasaki itself has little that will
interest the tourist but a ride or walk to Mogi, on
an arm of the ocean, five miles away, may be taken
with profit. The road passes over a high divide
and, as it runs through a farming country, one is
able to see here (more perfectly than in any other
part of Japan) how carefully every acre of tillable
land is cultivated. On both sides of this road
from Nagasaki to the fishing village of Mogi were
fields enclosed by permanent walls of stone, such
as would be built in America only to sustain a house.
In many cases the ground protected by this wall was
not over half an acre in extent, and in some cases
the fields were of smaller size. Tier after tier
of these walls extended up the sides of the steep
hills. The effect at a little distance was startling,
as the whole landscape seemed artificial. The
result of this series of walls was to make a succession
of little mesas or benches such as may be seen
in southern California.
DEVELOPMENT OF THE JAPANESE SENSE OF BEAUTY
After a trip through Japan the question
that confronts the observant tourist is: What
has preserved the fine artistic sense of the Japanese
people of all classes, in the face of the materialist
influences that have come into their life with the
introduction of Western methods of thought and of
business? The most careless traveler has it thrust
upon him that here is a people artistic to the tips
of their fingers, and with childlike power of idealization,
although they have been forced to engage in the fierce
warfare of modern business competition. What is
it that has kept them unspotted from the world of
business? What secret source of spiritual force
have they been able to draw upon to keep fresh and
dewy this eager, artistic sense that must be developed
with so much labor among any Western people?
The answer to these questions is found,
by several shrewd observers, in the Japanese devotion
to their gardens. Every Japanese, no matter how
small and poor his house, has a garden to which he
may retire and “invite his soul.”
These Japanese gardens are unique and are found in
no other land. China has the nearest approach
to them, but the poor Chinese never dreams of spending
time and money in the development of a garden, such
as the Japanese in similar circumstances regards as
a necessity. And these Japanese gardens are always
made to conform to the house and its architecture.
The two never fail to fit and harmonize. A poor
man may have only a square of ground no larger than
a few feet, but he will so arrange it as to give it
an appearance of spaciousness, while the more elaborate
gardens are laid out so as to give the impression of
unlimited extent. The end of the garden appears
to melt into the horizon, and the owner has a background
that extends for miles into the country. By the
artistic use of stones and dwarf plants, a few square
feet of ground are made to give the effect of liberal
space and, with bridges, moss-covered stones, ponds,
gold fish and other features, a perfect illusion of
the country may be produced.
Into this garden the master of the
house retires after the work of the day. There
he takes none of his business or professional cares.
He gives himself wholly to the contemplation of Nature.
He becomes for the time as a little child, and his
soul is pleased with childish things. For him
this garden, with its pretty outlook on a larger world,
serves as the boundary of the universe. Here
he may dream of the legends of the Samurai, before
Japan fell under the evil influence of the new God
of Gain. Here he may indulge in the day-dreams
that have always been a part of the national consciousness.
Here, in fine, he may get closer to the real heart
of Nature than any Occidental can ever hope to reach.
It is this capacity to get close to
Nature that the Japanese possess beyond any other
Oriental people and this capacity is not
limited to those of means or leisure or education.
The poor man, who has a daily struggle to get enough
rice to satisfy his moderate wants, is as open to
these influences as the rich man who is not worried
by any material wants. There is no distinction
of classes in this universal worship of beauty this
passion for all that is lovely in nature. It was
not my good fortune to be in Japan at the time of
the cherry-blossom festival but these fêtes
merely serve to bring out this national passion for
beauty and color, which finds expression not only in
the gardens throughout the empire but in painting,
drawing and in working on silks and other fabrics.
The same instinctive art sense is seen in the work
of the cabinet-maker and even in the designs of gateways
and the doors of houses. The eye and the hand
of the common worker in wood and metal is as sure
as the hand of the great artist. Such is the influence
of this constant study of beauty in nature and art.
When you watch a busy Japanese artisan
you get a good idea of the spirit that animates his
work. He regards himself as an artist, and he
shows the same sureness of hand and the same sense
of form and color as the designer in colors or the
painter of portraits or landscapes. All the beautiful
gateways or torii, as they are called, are works of
art. They have one stereotyped form, but the
artists embellish these in many ways and the result
is that every entrance to a large estate or a public
ground is pleasing to the eye. As these gateways
are generally lacquered in black or red or gold, they
add much to the beauty and color of each scene.
The ornamental lattice over nearly every door also
adds enormously to the effectiveness of even a simple
interior.
Watch a worker on cloissone enamel
and you will be amazed at the rapidity and the accuracy
with which he paints designs on this beautiful ware.
Without any pattern he proceeds to sketch with his
brush an intricate design of flowers, birds or insects,
and he develops this with an unerring touch that is
little short of marvelous, when one considers that
he has never had any regular training in drawing but
has grown up in the shop and has gained all his skill
from watching and imitating the work of his master
on the bench at his side. One day in Kyoto I watched
a mere boy gradually develop a beautiful design of
several hundred butterflies gradually becoming smaller
and smaller until they vanished at the top of the
vase. What he proposed to make of this was shown
in a finished design that was exquisite in the gradation
of form and color. The same skill of hand and
eye was seen in the shops of Kyoto where damascene
ware is made. Gold and silver is hammered into
steel and other metals, so that the intricate designs
actually seem to become a part of the metal.
In carving in wood the Japanese excel, and in such
places as Nikko and Nara the tourist may pick up the
most elaborate carvings at absurdly low prices.
CONCLUSIONS ON JAPANESE LIFE AND CHARACTER
In summing up one’s observations
of Japanese life and character, after a brief trip
across the empire, it is necessary to exercise much
care and not to take the accidental for the ordinary
incidents of life. Generalizations from such
observations on a hurried journey are especially deadly.
To guard against such error I talked with many people,
and the conclusions given here are drawn from the radically
different views of missionaries, merchants, steamship
agents, bankers and others. Generous allowance
must be made for the prejudices of each class, but
even then the forming of any conclusions is difficult.
This is due largely to the fact that the Japanese
a half-century ago were mediaeval in life and thought,
and that the remarkable advances which they have made
in material and intellectual affairs have been crowded
into a little more than the life of two generations.
The most common charge made against
the Japanese as a race is that their standard of commercial
morality is low as compared with that of the Chinese.
The favorite instance, which is generally cited by
those who do not like the Japanese, is that all the
big banks in Japan employ Chinese shroffs or cashiers,
who handle all the money, as Japanese cashiers cannot
be trusted. This ancient fiction should have died
a natural death, but it seems as though it bears a
charmed life, although its untruth has been repeatedly
exposed by the best authorities on Japan.
The big foreign banks in all the large
Japanese cities do employ Chinese shroffs, because
these men are most expert in handling foreign money
and because they usually have a large acquaintance
all along the Chinese coast among the clients of the
banks. The large Japanese banks, on the other
hand, employ Japanese in all positions of trust and
authority, as do all the smaller banks throughout
the empire. Many of the cashiers of these smaller
banks understand English, particularly those that have
dealings with foreigners. At a native bank in
Kobe, which was Cook’s correspondent in that
city, I cashed several money orders, and the work
was done as speedily as it would have been done in
any American bank. The fittings of the bank were
very cheap; the office force was small, but the cashier
spoke excellent English and he transacted business
accurately and speedily.
In making any generalizations on the
lack of rigid commercial honesty among Japanese merchants
it may be well for me to quote the opinion of an eminent
American educator who has spent over forty years in
Japan. He said, in discussing this subject:
“We must always consider the training of the
Japanese before their country was thrown open to foreign
trade. For years the nation had been ruled by
men of the Samurai or military class, with a rigid
code of honor, but with a great contempt for trade
and tradesmen. Naturally business fell into the
hands of the lower classes who did not share the keen
sense of honor so general among their rulers.
Hence, there grew up lax ideas of commercial morality,
which were fostered by the carelessness in money matters
among the nobility and aristocracy. Much of the
prevalent Japanese inability to refrain from overcharging,
or delivering an inferior article to that shown to
the customer, dates back to these days of feudal life.
The years of contact with the foreigners have been
too few to change the habits of centuries. Another
thing which must always be considered is the relation
of master and vassal under feudal life. That relation
led to peculiar customs. Thus, if an artisan
engaged to build a house for his overlord he would
give a general estimate, but if the cost exceeded the
sum he named, he expected his master to make up the
deficit. This custom has been carried over into
the new regime, so that the Japanese merchant or mechanic
of to-day, although he may make a formal contract,
does not expect to be bound by it, or to lose money
should the price of raw material advance, or should
he find that any building operations have cost more
than his original estimate. In such case the man
who orders manufactured goods or signs a contract
for any building operations seems to recognize that
equity requires him to pay more than was stipulated
in the bond. When Japanese deal with Japanese
this custom is generally observed. It is only
the foreigner who expects the Japanese to fulfill
his contract to the letter, and it is the attempt to
enforce such contracts which gives the foreign merchant
his poor opinion of Japanese commercial honesty.
In time, when the Japanese have learned that they
must abide by written contracts, these complaints will
be heard no longer. The present slipshod methods
are due to faulty business customs, the outgrowth
of the old Samurai contempt for trade in any form.”
In dealing with small Japanese merchants
in various cities, it was my experience that they
are as honest as similar dealers in other countries.
Usually they demanded about one-half more than they
expected to receive. Then they made reductions
and finally a basis of value was agreed upon.
This chaffering seems to be a part of their system;
but the merchants and manufacturers who are brought
most often into contact with Europeans are coming
to have a fixed price for all their goods, on which
they will give from ten to twenty per cent. reduction,
according to the amount of purchases. One manufacturer
in Kyoto who sold his own goods would make no reduction,
except in the case of some samples that he was eager
to sell. His goods were all plainly marked and
he calmly allowed tourists to leave his store rather
than make any cut in his prices. The pains and
care which the Japanese dealer will take to please
his customer is something which might be imitated
with profit by foreign dealers.
A question that is very frequently
put is, “What has been the influence of Christianity
upon Japanese life and thought?” This is extremely
difficult to answer, because even those who are engaged
in missionary work are not always in accord in their
views. One missionary of thirty years’
experience said: “The most noteworthy feature
of religious work in Japan is the number of prominent
Japanese who have become converts to Christianity.
The new Premier, who is very familiar with life in
the United States, may be cited as one of these converts.
Such a man in his position of power will be able to
do much to help the missionaries. The usual charge
that Japanese embrace Christianity in order to learn
English without expense falls to the ground before
actual personal experience. The converts always
seemed to me to be as sincere as converts in China
or Corea, but it must be admitted that the strong
materialist bent of modern Japanese education and thought
is making it more difficult to appeal to the present
generation.”
An educator who has had much experience
with Japanese said: “It looks to me as
though Japan would soon reach a grave crisis in national
life. Hitherto Buddhism and Shintoism have been
the two forces that have preserved the religious faith
of the people and kept their patriotism at white heat.
Now the influences in the public schools are all antagonistic
to any religious belief. The young men and women
are growing up (both in the public schools and the
government colleges) to have a contempt for all the
old religious beliefs. They cannot accept the
Shinto creed that the Emperor is the son of God and
should be worshiped as a deity by all loyal Japanese.
They cannot accept the doctrines of Buddha, as they
see the New Japan giving the lie to these doctrines
every day in its home and international dealings.
Nothing is left but atheism, and the experience of
the world proves that there is nothing more dangerous
to a nation than the loss of its religious faith.
The women of Japan are slower to accept these new materialist
views than the men, but the general breaking down
of the old faith is something which no foreign resident
of Japan can fail to see. On the other side patriotism
is kept alive by the pilgrimages of school children
to the national shrines, but one is confronted with
the questions? Will the boys and girls of a few
years hence regard these shrines with any devotion
when they know that Buddhism and Shintoism are founded
on a faith that science declares has no foundation?
Will they offer up money and homage to wooden images
which their cultivated reason tells them are no more
worthy of worship than the telegraph poles along the
lines of the railway?’”
The Japanese way of doing things is
the exact reverse of the American way generally, but
if one studies the methods of this Oriental race it
will be found that their way is frequently most effective.
Thus, in addressing letters they always put the city
first, then the street address and finally the number,
while they never fail to put the writer’s name
and address on the reverse of the envelope, which saves
the postoffice employes much trouble and practically
eliminates the dead-letter office.
The Japanese sampan, as well as other
boats, is never painted, but it is always scrubbed
clean. The sampan has a sharp bow and a wide,
square stern, and navigators say it will live in a
sea which would swamp the ordinary Whitehall boat
of our water-front. The Japanese oar is long and
looks unwieldy, being spliced together in the middle.
It is balanced on a short wooden peg on the gunwale
and the oarsman works it like a sweep, standing up
and bending over it at each stroke. The result
is a sculling motion, which carries the boat forward
very rapidly. In no Japanese harbor do the big
steamships come up to the wharf. They drop anchor
in the harbor, and they are always surrounded by small
sampans, the owners of which are eager to take
passengers ashore for about twenty-five cents each.
All cargo is taken aboard by lighters or unloaded in
the same way. These lighters hold as much as
a railroad freight car.
The fishing boats of Japan add much
to the picturesqueness of all the harbors, as they
have sails arranged in narrow strips laced to bamboo
poles, and they may be drawn up and lowered like the
curtains in an American shop window. Whether
square or triangular, these sails have a graceful
appearance and they are handled far more easily than
ours.
The Japanese carpenter, who draws
his plane as well as his saw toward himself, appears
to work in an awkward and ungainly way, but he does
as fine work as the American cabinet-maker. The
beauty of the interior woodwork of even the houses
of the poorer classes is a constant marvel to the
tourist. Nothing is ever painted about the Japanese
house, so the fineness of the grain of the wood is
revealed as well as the exquisite polish. A specialty
of the Japanese carpenter is lattice-work for the
windows and grill-work for doors. These add very
much to the beauty of unpretentious houses.
In conclusion it may be said that
Japan offers the lover of the beautiful an unlimited
opportunity to gratify his aesthetic senses. In
city or country he cannot fail to find on every hand
artistic things that appeal powerfully to his sense
of beauty. Whether in an ancient temple or a
new home for a poor village artisan, he will see the
results of the same instinctive sense of the beautiful
and the harmonious. The lines are always lines
of grace, and the colors are always those which blend
and gratify the eye.
WILL THE JAPANESE RETAIN THEIR GOOD TRAITS?
Any thoughtful visitor to Japan must
be impressed with the problems that confront Japan
to-day, owing to the influence of foreign thought and
customs. This influence is the more to be dreaded
because the Japanese are so impressionable and so
prone to accept anything which they are convinced
is superior to their own. They have very little
of the Chinese passion for what has been made sacred
by long usage. They have high regard for their
ancestors, but very little reverence for their customs
and opinions. This lack of veneration is shown
in striking fashion by those Japanese students who
come to this country to gain an education. These
young men are as eager as the ancient Athenians for
any new thing, and when they return to their old homes
each is a center of Occidental influence. This
is frequently not for the best interests of their
countrymen, who have not had their own opportunities
of observation and comparison.
The qualities in which the Japanese
excel are the very qualities in which so many Americans
are deficient. Personal courage and loyalty are
the traits which Professor Scherer, a distinguished
expert, regards as the fundamental traits of the Japanese
character. That these qualities have not been
weakened materially was shown in the recent war with
Russia. In that tremendous struggle was demonstrated
the power of a small nation, in which everyone men,
women and children were united in a passionate
devotion to their country. No similar spectacle
was ever shown in modern history. The men who
went cheerfully to certain death before Port Arthur
revealed no higher loyalty than the wives at home
who committed suicide that their husbands might not
be called upon to choose between personal devotion
to their family and absolute loyalty to the nation.
The foreign correspondents, who were on two-hundred-and-three-metre
hill before Port Arthur, have told of the Japanese
soldiers in the ranks who tied ropes to their feet
in order that their comrades might pull their bodies
back into the trenches. All those who were drafted
to make the assaults on the Russian works in that
awful series of encounters (which make the charge of
the Light Brigade at Balaklava seem cheap and theatrical)
knew they were going to certain death. Yet these
foreign observers have left on record that the only
sentiment among those who remained in the trenches
was envy that they had not been so fortunate as to
be selected to show this supreme loyalty to their
country. General Nogi, who recently committed
suicide with his wife on the day of the funeral of
the late Emperor, had two sons dash to this certain
death on the bloodstained hill before Port Arthur.
As commander, he could have assigned them to less dangerous
positions, but it probably never entered his head to
shield his own flesh and blood. And the same
loyalty that is shown to country is also proved in
the relation of servant to master. The story of
the Forty-seven Ronins is too well known to need repetition,
but the loyalty of these retainers (who slew the man
that caused their lord’s death, although they
knew that this deed called for their immediate end
by their own hands) impresses one with new force when
he stands before the tombs of these men in the Japanese
capital and sees the profound reverence in which they
are still held by the people of Japan.
What puzzles the foreign observer
is: Will this passionate loyalty of servant to
master survive the spectacle of the ingratitude and
self-interest which the Japanese see in the relation
of master and servant in most Christian countries?
The whole tendency of life in other countries than
his own is against this loyalty, which has been bred
in his very marrow. How long, without the mainstay
of religion, will the Japanese cling to this outworn
but beautiful relic of his old life? And it must
be confessed that religion is rapidly losing its hold
on the men of Japan. Those who have been abroad
are apt to return home freethinkers, because the spectacle
of the practical working of Christianity is not conducive
to faith among so shrewd a people as the Japanese.
Even the example of the foreigners in Japan is an influence
that the missionaries regard as prejudicial to Christianity.
Another trait of the Japanese which
will not be improved by contact with foreigners, and
especially with Americans, is thoroughness. This
trait is seen on every hand in Japan. Nothing
is built in a slovenly way, whether for private use
or for the government. The artisan never scamps
his work. He seems to have retained the old mechanic’s
pride in doing everything well which he sets his hand
to do. This is seen in the carving of many works
of art, as well as in the building of the ornamental
gateways throughout the empire, that stand as monuments
to the aesthetic sense of the people. Yet the
whole influence of foreign teaching and example is
against this thoroughness that is ingrained in the
Japanese character. The young people cannot fail
to see that it does not pay their elders to expend
so much time and effort to gain perfection, when their
foreign rivals secure apparently equal if not superior
results by quick and careless work. It is upon
these Japanese children that the future of the empire
depends. They are sure to be infected by these
object lessons in the gospel of selfish and careless
work, which the labor union leaders in our country
have preached until it has been accepted by the great
mass of mechanics.
Another racial quality of the Japanese,
which is likely to suffer from contact with foreigners,
is his politeness. This is innate and not acquired;
it does not owe any of its force to selfish considerations.
The traveler in Japan is amazed to see this politeness
among all classes, just as he sees the artistic impulse
flowering among the children of rough toilers in the
fields. And again the question arises: Will
the Japanese retain this attractive trait when they
come into more intimate contact with the foreigner,
who believes in courtesy mainly as a business asset
rather than as a social virtue?
So, in summing up one’s impressions
of Japan, there comes this inevitable doubt of the
permanence of the fine qualities which make the Japanese
nation to-day so distinct from any other. The
Japanese may differ from all other races in their
power of resisting the corrupting influences of foreign
association, but it is to be feared that the visitor
to the Mikado’s land fifty years from now may
not only find no Mikado, but none of the peculiarly
gracious qualities in the Japanese people which to-day
set them apart from all other nations.