“The Uncles and Nephews.”

Ring up the curtain! Room there for the Boston Players. Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets. Room, I say!

There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor. The press and the stage are, in a measure, dependent on each other. The newspaper looks to the theatre for light, racy and readable items, with which to adorn its columns, like festoons of flowers gracefully hung around columns of marble. The theatre looks to the newspaper for impartial criticisms and laudatory notices. Show me a convivial party of actors, and I will swear there are at least two or three professional writers among them. I know many actors who are practical printers, fellows who can wield a composing-stick as deftly as a fighting sword. Long life and prosperity to the whole of them, say I; and bless them for a careless, happy, pleasure-loving, bill-hating and beer-imbibing race of men. Amen.

There is one point of resemblance between the hero of the sock and buskin and the Knight of the quill. The former dresses up his person and adopts the language of another, in order to represent a certain character; the latter clothes his ideas in an appropriate garb of words, and puts sentiments in the mouths of his characters which are not always his own. But I was speaking of the Boston Players.

Admitting the foregoing argument to be correct, it is not to be wondered at that I became extensively acquainted among the members of the theatrical profession. My name was upon the free list of every theatre in the city; and every night I visited one or more of the houses not to see the play, but to chat in the saloons with the actors and literary people who in those places most did congregate. After the play was over, we all used to assemble in an ale-house near the principal theatre; and daylight would often surprise us in the midst of our “devotions.” A curious mixed-up set we were to be sure! I will try to recollect the most prominent members of our club. First of all there was the argumentative and positive Jim Prior, who might properly be regarded as President of the club. Then came H.W. Fenno, Esq., the gentlemanly Treasurer of the National. He, however, seldom tarried after having once “put the party through.” The eccentric “Old Spear” was generally present, seated in an obscure corner smoking a solitary cigar. Comical S.D. Johnson and his hopeful son George were usually on hand to enliven the scene; and so was Jim Ring, alias J. Henry, the best negro performer, next to Daddy Rice, in the United States. Chunkey Monroe, who did the villains at the National; and, towering above him might be seen his cousin, Lengthy Monroe, who enacted the hard old codgers at the same establishment. That fine fellow, Ned Sandford, must not be forgotten; neither must Sam Lake, the clever little dancer. Rube Meer was invariably to be found in company with a pot of malt; and he was usually assisted by P. Jones, a personage who never allowed himself to be funny until he had consumed four pints. Charley Saunders, the comedian and dramatist, the author of “Rosina Meadows” and many other popular plays kept the “table in a roar,” by his wit and also by his excruciatingly bad puns. Bird, of “Pea-nut Palace” notoriety, held forth in nasal accents to Bill Colwell, the husband of the pretty and accomplished Anna Cruise. Big Sam Johnson, a heavy actor, a gallant Hibernian and a splendid fellow, discussed old Jamaica with his friend and boon companion, Sam Palmer, alias “Chucks.” The mysterious Frank Whitman captures his brother-actor at the Museum, Jack Adams, and imprisoning him in a corner from which there was no escape, imparts to him the most tremendous secrets. Ned Wilkings one of the best reporters in the city tells the last “funny thing” to John Young; while Joe Bradley, proprietor of the Mail, touches glasses with Jim McKinney. Meanwhile, the two waiters, Handiboe and Abbott, circulate around with the greatest activity, fetching on the liquors and removing the dirty glasses, from which they slyly contrive to drain a few drops now and then, for their bodily refreshment. As an instance of the “base uses” to which genius may “come at last,” I will state that Handiboe, whom we now find in such a menial position, was once quite a literary character; while poor Abbott, to whom I now throw a few small coins in charity, was a setter of type. The rest of the party is made up of Pete Cunningham, Sam Glenn, Bill Dimond, Jim Brand, Bill Donaldson, Dan Townsend, Jack Weaver, Cal Smith, and a host of others whom it would puzzle the very devil himself to remember.

Such was the “Uncle and Nephew Club,” of which I had the honor to be a prominent member. Almost every man belonging to it was a wit, a punster or a humorist of some kind; and I will venture to say, that had some industrious individual taken the pains to preserve and publish one-half the good things that were said at our meetings, a large volume might be formed that would be no contemptible specimen of genius. Whenever a member had the audacity to perpetrate some shocking bad pun, and such enormities were frequent, the offender was sentenced to undergo some ludicrous punishment; and the utmost good-humor and hilarity always prevailed.

I will now relate a rather amusing adventure in which I participated with others of the “Uncles and Nephews.”

One night we were assembled, as usual, at our head-quarters. The Fourth of July was to “come off” the next day, and we determined to have some fun. Accordingly, a couple of stout messengers were despatched to the theatre, armed with the necessary authority and keys, and they soon returned laden with dresses from the wardrobe. These garments the party proceeded to assume; and we were quickly transformed into as picturesque-looking a crowd as any that ever figured at a masquerade ball. As for myself, I made a very tolerable representation of Falstaff; while Richard, Othello, Macbeth, Hamlet, Shylock, and other gentlemen of Shakespeare’s creation, gave variety to the procession. Then there was a clown in full circus costume, accompanied by Harlequin in his glittering shape-dress. We sadly longed for a sprightly Columbine; but then we consoled ourselves with Pantaloon, admirably rendered by P. Jones.

Our “music” consisted of a bass-drum, which was tortured by the clown; a fish-horn beautifully played upon by Sam Palmer; a dinner-bell whose din was extracted by Jack Adams. Having formed the procession on the side-walk, the music struck up, and we marched.

Our first halting-place was at the saloon of Peter Brigham, at the head of Hanover street. Here we filed in, and great excitement did our extraordinary appearance create. A mob soon collected before the door, attracted by our grotesque costumes as well as by the infernal noise of our “musical” instruments, upon which we continued to perform with undiminished vigor. Peter Brigham was in agonies, and rushed about the saloon like an insane fly in a tar barrel. The frightened waiters abandoned their posts and fled. The mob outside cheered vociferously; and Harlequin began to belabor poor Pantaloon with his gilded lath to the immense amusement of the spectators.

Peter Brigham at length mounted a chair, and said

“Gentlemen, will you hear me? (Hoarse growl from the bass-drum.) I cannot suffer this noise and racket to go on in my house. (Blast of defiance from the fish-horn.) You know I have always tried to keep a decent and respectable place. (Peal of sarcastic laughter from the dinner bell.) I have a proposition to make. (Hear! hear!) If you will promise to leave the house quietly, I will treat you all to as much champagne as you can drink.” (Yell of acceptance from the bass-drum, fish-horn and dinner-bell! Great excitement generally.)

The wine was produced, and the facility with which it was disposed of, caused Mr. Brigham to stare. He endured its consumption, however, with the most philosophical fortitude, until we began to drink toasts, make speeches, and exhibit other indications of a design on our part to “tarry yet awhile.” Peter then reminded us of our promise; and, as gentlemen of honor, we fulfilled the same by immediately falling into procession and marching out of the saloon. Away we went down Hanover street, followed by the admiring and hooting crowd. We entered the establishment of Theodore Johnson, and were hospitably received by the prince of good fellows, who, assisted by Chris Anderson, “did the honors” with the utmost liberality. Sam Palmer and P. Jones, here favored the company with a broad-sword combat; after which I, as Falstaff, gave a few recitations the performances concluded with Abbott as Jocks, the Brazilian ape. Our next visit was to the Pemberton House, then under the control of Uriah W. Carr, a very small man, both physically and morally. Uriah received us very churlishly, and peremptorily refused to come down with the hospitality of the season. He was particularly down on me for having once written and published some verses concerning him. The following is all that I can recollect of that interesting production:

“Tis comical, indeed it is
To see him mix a punch
He puts two drops of liquor in,
And then he eyes the lunch;
He struts about most pompously,
Then stands before the fire,
Just like a little bantam-cock,
This comical Uriah!”

Inasmuch as Uriah refused to bring on the “bush” for either love or money, we determined to help ourselves. Therefore, every man appointed himself a bar-keeper pro tem. Wines, liquors and cigars were disposed of with marvelous celerity, and poor little Uriah danced about and tore his hair in the agony of his spirits. Meanwhile, a large number of actors and others, boarding at the Pemberton, joined us, being ushered in by Charles Dibden Pitt, a performer of great elegance and power, then playing a brilliant star engagement at the Museum. This gentleman is decidedly “one of the boys,” and goes in for a “good time.” At his suggestion, a committee was appointed to descend to the kitchen and bring up provisions. Ned Abbot and Bill Ball performed this duty in the most admirable and satisfactory manner. They departed for the lower regions, and soon returned laden both with substantials and delicacies. Then, such a feast! or, rather, such a banquet! Champagne flowed like water, for we had discovered a closet filled with baskets of the foaming beverage. The whole company was of course soon in a state of glorious elevation. The song and jest went round unceasingly, and peals of jovial laughter trooped away like merry elves upon the midnight air. We were in excellent humor to adopt the prayer of the following who said

“Oh, let us linger late to-night,
Nor part while wit and song are bright;
And, Joshua, make the sun stand still,
That we of joy may have our fill!”

There was one gentleman who refused to participate in the festivities of the occasion. This was little Uriah, the landlord, who gazed upon the progress of the banquet with a troubled brow; yet he did not dare to openly remonstrate, through fear of offending Mr. Pitt, and other valuable boarders.

Unfortunately for the harmony of the festival, a party of drunken students from Cambridge dropped in, and I instantly saw that a row was inevitable. After unceremoniously helping themselves to drink, the students gazed at our strange-looking company superciliously, and one of them remarked with a sneer

“What fools are these, dressed up in this absurd manner? Oh, they must be monkies, the property of some enterprising organ-grinder. Let them dance before me, for my soul is heavy, and I would be gay!”

Here little Billy Eaton, the writer, who was one of our party, fired up and obligingly offered to fight and whip the man with the heavy soul, for and in consideration of the trifling sum of one cent. This handsome offer was accepted; but, before the gentlemen could strip for the combat, a general collision took place between all the hostile parties. Chairs were brandished, canes were flourished and decanters were hurled, to the great destruction of mirrors and other fragile property. The bar was overturned, and the din of battle was awful to hear. Notwithstanding the uproar and confusion that prevailed, I could not help noticing poor Uriah, who, in the dimly-lighted hall, was quietly dancing an insane polka, accompanying his movements by low howls of despair. The little man had temporarily lost his few wits, that was plain. The combat raged with undiminished fury. Our clown attacked a student with his bass-drum, one end of which burst in, imprisoning the representative of the seat of learning, who found it impossible to extricate himself from his musical predicament. Sam Palmer, with his fish-horn, did tremendous execution; while Jack Adams was equally effective with his dinner-bell which, at every blow, sounded forth a note of warning. The heroic P. Jones performed prodigies of valor, and covered himself with glory. This wonderful young man, having planted himself behind a rampart of chairs, placed himself in the position of a pugilistic frog, and boldly defied his enemies to “come on and be punched.” At the commencement of the fight, Abbott coiled himself up under the table, and was seen no more; while Handiboe fled for safety to the cole-hole. The battle was at its height, and the bird of victory seemed about to perch upon the banner of the “Uncles and Nephews,” when some reckless, hardened individual turned off the gas, thus producing total darkness. This made matters ten times worse than ever, for it was impossible to distinguish friends from foes. Suddenly, in rushed a posse of watchmen, headed by the renowned Marshal Tukey, and bearing torches. Many of the combatants were arrested, and but few contrived to make their escape. I had the honor of figuring among the unlucky ones; and, with my companions passed the night in durance vile. In the morning, when day light feebly penetrated our gloomy dungeon, what a strange-looking spectacle presented itself! Stretched upon the floor in every imaginable picturesque attitude, were about a score of men, the majority of them arrayed in the soiled and torn theatrical dresses. These unhappy individuals afforded a most melancholy sight, as many of them had black eyes, bruised noses and battered visages.

D d pretty fools we’ve made of ourselves,” said Macbeth, one of whose optics had been highly discolored.

“Yes,” groaned Othello, whose black eyes were only partially concealed by the yellow color which he had smeared over his face “and here we are in the jug, where we shall be compelled to remain all day, and lose all the fun of the Fourth of July.”

“That isn’t the worst of it,” sighed Hamlet, whose royal frontispiece had received severe damage “I am on the bills to play twice this afternoon and once this evening, and my being absent will cause me to be forfeited, if not discharged. D n those college students! What the devil became of them? They all got clear, I suppose.”

“No,” said I “they are in a separate apartment. Of course the officers would not put them in with us, for that would be encouraging a renewal of the fight.”

“My head aches horribly,” remarked Richard, Duke of Gloster “I would give my kingdom for a drink!”

“And I,” observed Shylock “would like a pound of flesh, providing it were beefsteak, for I am almost famished.”

“Hah! what a hog!” growled Cardinal Richelieu, one side of whose face had been “cove in” most dreadfully “to think of eating at such a time as this!”

“Hark,” said Claude Melnott, whose handsome countenance had been knocked completely out of shape, and who looked as if he had just returned from the wars rather the worse for wear; “hark! Don’t you hear the sound of artillery, and of music? The ceremonies and festivities of the glorious day have commenced. Would to Heaven that I were with Pauline, in our palace on the lake of Como!”

“Dry up, you fool!” angrily exclaimed the aged and venerable King Lear, whose nasal organ exhibited signs of its having sustained a violent contusion “I haven’t closed an eye during the whole night, and now you keep me awake with your infernal jabbering. Shut up, I say!”

“Oh, shut up be blowed!” said P. Jones “how can a man shut up when he thinks of the good budge (rum) he loses by being shut up here? Rube Meer, isn’t this too bad?”

“Worse than the time when I sent on a fishing excursion with Jim Morse,” groaned poor Rube, as he fumbled in his pocket for a match with which to light his pipe, “has anybody got a rope with which a fellow could contrive to hang himself?”

“I say, Jack Adams,” said Sam Palmer, who was dressed as Don Cæsar de Bezas, “what will Harry Smith and old Kimball say, when we don’t make our appearance to-day, the busiest day in the whole year?”

“I care not,” replied Jack, as he fondly pressed the portrait of his Katy to his lips, “so long as this blessed consolation is left me, the world may do its worst! Frown on, ye fiends of misfortune! I defy ye all, so long as my Katy Darling remains but true!”

“That’s the one!” shouted the bold Dick Brown, as “usher” at the National Theatre, “let us have the song of Katy Darling, and all join in the chorus.”

This was done; and from the depths of that gloomy dungeon rolled forth the words, in tones of thunder

“Did they tell thee I was false, Katy Darling?”

Suddenly, to our great joy, the ponderous iron door of the dungeon was unlocked and thrown open, and an officer announced that he had orders to release us all, provided that we would engage to satisfy the landlord of the Pemberton House for the damage he had sustained. This we of course agreed to do, it being understood that the college students should be compelled to pay one-half the amount, which was certainly no more than right, as they had perpetrated half the damage, and had commenced the row in the first place. The landlord having received sufficient security that his damages would be made whole, we were all set at liberty, to our most intense delight, for we had anticipated being imprisoned during the whole of that glorious day.

We left the house of bondage, and, as we passed through the already crowded streets, our fantastic dresses and strange appearance generally, collected a mob at our heels, which, in broad daylight, was certainly rather annoying. However, we soon reached the theatre, and resumed our own proper habiliments.

It was announced upon the bills of the theatre that a certain actor would that evening deliver an original Fourth of July poem. That poem I had engaged to write, yet not a single line had I committed to paper. The actor was in a terrible quandary, and swore that his failure to recite the poem, as announced, would render him unpopular with the public and ruin him forever. Telling him to keep cool and call again in two hours, I sat down to my writing-desk and dashed off a poem of considerable length. My pen flew with the rapidity of lightning, words and ideas crowded upon me in overwhelming numbers, and in three-quarters of an hour my work was done! I sent for the actor who was astonished at the brief space of time in which I had performed the task. Having heard me read the poem, he declared himself to be delighted with it; and, with all due humility and modesty, I must say that the production did possess considerable merit. I had avoided the usual stereotyped allusions to the “star spangled banner,” to the “Ameri-eagle,” to the “blood of our forefathers,” &c.; and had dwelt principally upon the sublime moral spectacle afforded by an oppressed people arising in their might to throw off the yoke of bondage and assert their independence as a nation. The actor soon committed the poem to memory; and, having rehearsed it over to me and found himself perfect, he departed. That night he recited it from the stage to a dense audience; and, during its delivery and at its conclusion, I had the satisfaction of listening to the most delicious music that an author’s ears can ever know, the clapping of hands, and deafening peals of applause.