AN EVENING CONVERSATION
As they climbed slowly up the zigzag
path, neither of them troubled to make conversation.
All in a moment it had come back mysteriously,
unaccountably the sense of understanding,
the quiet kinship of minds for her, the
sudden utter content at his nearness. While he
was there beside her, by his own seeking, what did
the future matter? the future might wait.
It is generally so with women. In the “afterwards,”
the deepest pain is usually theirs, because it is not
given them to break away and drown the ache and the
longing in action and change; but in the present,
if he, the loved, is with her, she can forget so much
in that blessed sense of nearness. The man’s
ache, perhaps, spreads more uniformly over both presence
and absence, for in each, for him, there is the very
human craving to possess.
So they reached the summit, and stood
a moment gazing at the prospect outspread. A
sunset in a novel has become too banal for repetition;
it seems, indeed, almost the last word in literary
mediocrity; and yet at the evening hour in Rhodesia,
in September, when the rains are nearly due, and great
masses of cloud begin to gather on the horizon, there
is again and again a pageant of wonder and colouring
to steep man’s senses afresh at every renewal,
as if it was the first time of beholding. Nothing
banal, nothing mediocre in the actual phenomenon just
a riot of colouring, a riot of splendour, a riot of
revelation. It is not a glory in the west spreading
a little way overhead. It is an all around, north,
south, east, and west, colouring beyond all telling something
aloof, overpowering, incomprehensible, with the remote
majestic splendour of the Rockies, or the Sahara, or
the Victoria Falls.
Neither Carew nor Meryl spoke.
They were of those who know that the highest appreciation
of all is in silence. But to herself Meryl whispered:
“Lord, Thy glory
fills the heavens.”
At last he turned and glanced at the
little book in her hand.
“You read Omar?”
“Yes. And you?”
“I like Adam Lindsay Gordon
better. Omar is apt to undermine a strong purpose.
Gordon inspires one.”
“Doesn’t Omar help one
to see things as they are, and dare to be strong
in spite of it, while Gordon avoids many essentials,
and writes chiefly of how we would have things be?”
“But surely the inspiration
is the chief thing. The man who inspires is better
than the man who reveals, and in revealing unnerves.”
She was silent, and he added, “I suppose it
is the difference between the aesthetic and the practical,
and so they appeal to the aesthetic or the practical
side of man.”
She wondered if it were possible such
as he should have an aesthetic side, and presently
said:
“You are all practical, I should imagine.”
He glanced at her half humorously. “I wonder
why you say that?”
“I don’t know, except
that one does not usually associate aestheticism and
strength.” Another man might have asked
her if she was satisfied he was strong, but
Carew only looked to the horizon. He was asking
it of himself instead.
And he asked it, because he was leaning
there beside her, alone on the kopje top. Suddenly
yielding to an impulse he did not seek to analyse,
he said quietly, “I have never been a great reader
of poetry, but long ago I was engaged to be married,
to some one who cared very much for it. Omar
was one of her favourites, and sixteen years ago he
was very little known compared with to-day.”
Meryl felt the colour ebbing from
her face, and averted her eyes. Without any telling,
she knew that this woman he had loved sixteen years
ago was the cause of that mysterious shadow on his
life to-day. When she felt she had complete control
of her voice, she asked, “And you were never
able to be married?”
“She died.” There
was a pause, before he added, “You remind me
of her more than anyone I have ever known.”
And for both their sakes he finished, “That
is one reason why I have been glad to talk to you one
day, and found it perhaps too painful the next.”
Meryl felt suddenly as if an icy hand
had closed on her heart. His meaning to her was
so obvious. But she managed to say naturally,
“I am afraid it has been a great sorrow to you.
Was she ill for long?”
“She died suddenly. There
was a tragedy. Afterwards I came out here.”
“And you have never been back?”
“No, I have never been back.”
“But you will go?”
“I think not. When I came
away it was like closing a book and writing ‘Finis.’
I do not want to reopen the book for many reasons.”
“But your people?” she
ventured, longing to hear more, yet fearful of staying
his unexpected confidence.
“I have no people,” and his voice was
suddenly stern.
“But your home?...” bravely; “your
country?...”
“My home is here. My country is here.
I am a Rhodesian.”
Still with her face averted, she looked
to the far kopjes lost in thought. She seemed
to be realising slowly all that his words meant; feeling
throughout her consciousness the utter exclusion of
herself from any plan of life he might formulate.
It was as she had seen before. His work, the
country were everything to him would continue
to be everything. Any unusual softness he had
shown to her, any unexpected pleasure in her company,
was just for the sake of a certain memory he held
very precious, for the sake of what the book contained,
upon which he had written “Finis.”
Of course, she might have known.
What should such a man as he be drawn to except in
friendly intercourse in a girl as young and simple
and undeveloped as herself? What a madness it
had been, what a foolishness! and yet how it hurt,
how it hurt!
With a sudden blind sense of ineradicable
pain, she breathed over to herself one verse of the
“Immortal Persian” that is not contained
in many editions:
“Better, oh better,
cancel from the scroll
Of universe one luckless
human soul,
Than drop by drop enlarge
the flood that rolls
Hoarser with anguish
as the ages roll.”
What pain there had evidently been
for him! What pain for her now and
to what end....
“Tis all a chequer-board
of nights and days
Where Destiny with men
for pieces plays;
Hither and thither moves,
and mates and slays,
And one by one back
and closet lays.”
She stood up suddenly and brushed
her hands across her eyes. This was a weakness,
and she knew it. He must not know, he must not
guess.
But he saw enough to cause him to
say suddenly, with quick concern, “You are not
well. Something is troubling you.”
“O no,” and she gave a
little laugh that he could not but know was forced.
“I’ve been rather bothered with a headache
to-day. Shall we go back?” She had been
carrying the large grey hat slung over her arm, but
now she tied it on, pulling it down over her face,
so that he could see nothing but the small, firm chin
and sensitive mobile mouth. And neither could
she see that, under or through the rigidity, his face
wore now a troubled aspect, and his eyes looked to
the horizon seeing nothing. Why had he come back?
he was asking. Why was he hovering in the grip
of it again, that strong need of the human, however
resolute, for sympathy, for companionship, for understanding?
For now, as they stood together alone on the kopje,
all the ache of the last sixteen years seemed to be
merged into one great longing for her. And then
in his heart he laughed harshly. He, the British
South African policeman, not even a regular soldier;
and she, the only child, and sole heiress, of a millionaire
father who adored her. He, with his tragedy in
the background, that he could not speak of, in his
forty-third year. She young, beautiful, fresh,
with all the world at her feet. Ah, of course,
he had been a fool to run any risk of another encounter;
and he was sore with the fate that had led him thither
in ignorance.
And Meryl, walking a little stumblingly
over the rough pathway, was glad of the big shady
hat that hid her eyes and gave her time to pull herself
together. Of course, that other woman he had loved
sixteen years ago had been one of his own people one
of those whom the great Fourtenay family of Devon
regarded as an equal. Whereas she was just Meryl
Pym, and though many needy peers chose rich wives from
across the sea, anyone might know Peter Carew was
not of these, and would sooner shun such riches than
seek them.
So they walked back, mostly in silence,
only no longer the silence of quiet, contented understanding,
but rather a silence which she showed no inclination
to break, and he felt baffled, and worried, and anxious.
And at dinner, though Meryl made one of her spasmodic
efforts and contrived to be gay, he remained somewhat
preoccupied and taciturn. And Ailsa looked from
one to the other secretly, and wondered what had been
said before they reached the Mission Station; and
felt again that womanlike desire to shake the man for
the very resoluteness she most admired in him.
When she said good night to Meryl
she could not refrain, from just one little delve
into the perplexing situation. “If you and
Major Carew met at six o’clock and did not get
back until seven, you must have had quite a long chat
together. Such a new thing for him! I don’t
think even I, his trusted friend, can boast of such
an incident.”
“We just stayed to watch the
sunset,” and Meryl turned away on some slight
pretext. “He certainly was a little more
communicative than usual. Did you know he was
once engaged to someone who died?”
“No,” in slow surprise,
“I had never heard of it. But then, he never
speaks of himself, and I did not know his branch of
the family at all. We lived near London about
that time, and seldom went into Devonshire. Still,
I wonder Billy did not know. Probably he heard
it, and took no notice. That would be so like
Billy. He was perhaps scheming some new move
for his boys, as he used to call his parishioners.”
“Perhaps he would rather I had
not mentioned it,” Meryl said.
“It will be safe with me, dear.
I shall only speak of it to Billy. How terrible
it must have been! It is impossible not to feel
it has shadowed all his life. And for her! he
must have been a very striking, attractive man in
those days. One hears rumours without attaching
much interest to them at the time, but looking back
now, I remember my father alluding once or twice to
the two brothers as if they were very well-known men.
But that would be when I was but a schoolgirl, and
soon afterwards I went abroad for a year with an aunt.”
She lingered a moment longer. “I am glad
he told you. It was nice of him. And he
tells so little. It was a great compliment.
Good night, dearie. Sleep well.”
Meryl sat on the little bed, in the
round wattle and daub hut, and pressed her fingers
against her eyes to still their throbbing. Then
she looked round at her surroundings, and a little
wry smile twisted her lips. A rough floor of
ant-heap composition and cow-dung hardened to cement,
with some native reed matting laid down; a small stretcher
bed; a packing-case for a washhand-stand, and enamel
ware. Another packing-case for a dressing-table,
and a little cheap glass nailed to the wall.
Walls of baked mud, which had fallen in places, laying
bare the wattle stems, and a door made from packing-cases
which fitted badly, and was fastened only by a string
and a nail. For ceiling long, thin wattle stems
converging upwards, and outside a thatch of dried
grass. And against this in her mind she placed
the Johannesburg bedroom, with its costly appointments,
its beautiful windows opening to a wide, flower-decked
verandah, which commanded a lovely view of distant
hills; its lavish display of wealth and luxury.
And she smiled that little wry smile, because for
the sake of just one man, a mere soldier-policeman,
this room might have been a paradise, and the other
a grave. In truth she had learnt much from her
sojourn in the wilderness much beyond the
life and aspect of a far country.
Then she crept to bed feeling tired
and disheartened, but finding a little comfort in
the thought that she would see him in the morning.
But at sunrise Carew aroused Grenville
and said good-bye, and rode away before breakfast.