The phrases of the street are
not only forcible but subtle: for a figure of
speech can often get into a crack too small for a
definition. Phrases like “put out”
or “off colour” might have been coined
by Mr. Henry James in an agony of verbal precision.
And there is no more subtle truth than that of the
everyday phrase about a man having “his heart
in the right place.” It involves the idea
of normal proportion; not only does a certain function
exist, but it is rightly related to other functions.
Indeed, the negation of this phrase would describe
with peculiar accuracy the somewhat morbid mercy and
perverse tenderness of the most representative moderns.
If, for instance, I had to describe with fairness the
character of Mr. Bernard Shaw, I could not express
myself more exactly than by saying that he has a heroically
large and generous heart; but not a heart in the right
place. And this is so of the typical society
of our time.
The modern world is not evil;
in some ways the modern world is far too good.
It is full of wild and wasted virtues. When
a religious scheme is shattered (as Christianity was
shattered at the Reformation), it is not merely the
vices that are let loose. The vices are, indeed,
let loose, and they wander and do damage. But
the virtues are let loose also; and the virtues wander
more wildly, and the virtues do more terrible damage.
The modern world is full of the old Christian virtues
gone mad. The virtues have gone mad because
they have been isolated from each other and are wandering
alone. Thus some scientists care for truth;
and their truth is pitiless. Thus some humanitarians
only care for pity; and their pity (I am sorry to
say) is often untruthful. For example, Mr. Blatchford
attacks Christianity because he is mad on one Christian
virtue: the merely mystical and almost irrational
virtue of charity. He has a strange idea that
he will make it easier to forgive sins by saying that
there are no sins to forgive. Mr. Blatchford
is not only an early Christian, he is the only early
Christian who ought really to have been eaten by lions.
For in his case the pagan accusation is really true:
his mercy would mean mere anarchy. He really
is the enemy of the human race- because
he is so human. As the other extreme, we may
take the acrid realist, who has deliberately killed
in himself all human pleasure in happy tales or in
the healing of the heart. Torquemada tortured
people physically for the sake of moral truth.
Zola tortured people morally for the sake of physical
truth. But in Torquemada’s time there was
at least a system that could to some extent make righteousness
and peace kiss each other. Now they do not even
bow. But a much stronger case than these two
of truth and pity can be found in the remarkable case
of the dislocation of humility.
It is only with one aspect of
humility that we are here concerned. Humility
was largely meant as a restraint upon the arrogance
and infinity of the appetite of man. He was always
outstripping his mercies with his own newly invented
needs. His very power of enjoyment destroyed
half his joys. By asking for pleasure, he lost
the chief pleasure; for the chief pleasure is surprise.
Hence it became evident that if a man would make his
world large, he must be always making himself small.
Even the haughty visions, the tall cities, and the
toppling pinnacles are the creations of humility.
Giants that tread down forests like grass are the
creations of humility. Towers that vanish upwards
above the loneliest star are the creations of humility.
For towers are not tall unless we look up at them;
and giants are not giants unless they are larger than
we. All this gigantesque imagination, which
is, perhaps, the mightiest of the pleasures of man,
is at bottom entirely humble. It is impossible
without humility to enjoy anything- even
pride.
But what we suffer from to-day
is humility in the wrong place. Modesty has moved
from the organ of ambition. Modesty has settled
upon the organ of conviction; where it was never meant
to be. A man was meant to be doubtful about himself,
but undoubting about the truth; this has been exactly
reversed. Nowadays the part of a man that a
man does assert is exactly the part he ought not to
assert-himself. The part he doubts
is exactly the part he ought not to doubt-the
Divine Reason. Huxley preached a humility content
to learn from Nature. But the new sceptic is
so humble that he doubts if he can even learn.
Thus we should be wrong if we had said hastily that
there is no humility typical of our time. The
truth is that there is a real humility typical of our
time; but it so happens that it is practically a more
poisonous humility than the wildest prostrations
of the ascetic. The old humility was a spur
that prevented a man from stopping; not a nail in his
boot that prevented him from going on. For the
old humility made a man doubtful about his efforts,
which might make him work harder. But the new
humility makes a man doubtful about his aims, which
will make him stop working altogether.
At any street corner we may meet
a man who utters the frantic and blasphemous statement
that he may be wrong. Every day one comes across
somebody who says that of course his view may not
be the right one. Of course his view must be
the right one, or it is not his view. We are
on the road to producing a race of men too mentally
modest to believe in the multiplication table.
We are in danger of seeing philosophers who doubt the
law of gravity as being a mere fancy of their own.
Scoffers of old time were too proud to be convinced;
but these are too humble to be convinced. The
meek do inherit the earth; but the modern sceptics
are too meek even to claim their inheritance.
It is exactly this intellectual helplessness which
is our second problem.
The last chapter has been concerned
only with a fact of observation: that what peril
of morbidity there is for man comes rather from his
reason than his imagination. It was not meant
to attack the authority of reason; rather it is the
ultimate purpose to defend it. For it needs defence.
The whole modern world is at war with reason; and
the tower already reels.
The sages, it is often said,
can see no answer to the riddle of religion.
But the trouble with our sages is not that they cannot
see the answer; it is that they cannot even see the
riddle. They are like children so stupid as to
notice nothing paradoxical in the playful assertion
that a door is not a door. The modern latitudinarians
speak, for instance, about authority in religion not
only as if there were no reason in it, but as if there
had never been any reason for it. Apart from
seeing its philosophical basis, they cannot even see
its historical cause. Religious authority has
often, doubtless, been oppressive or unreasonable;
just as every legal system (and especially our present
one) has been callous and full of a cruel apathy.
It is rational to attack the police; nay, it is glorious.
But the modern critics of religious authority are
like men who should attack the police without ever
having heard of burglars. For there is a great
and possible peril to the human mind: a peril
as practical as burglary. Against it religious
authority was reared, rightly or wrongly, as a barrier.
And against it something certainly must be reared as
a barrier, if our race is to avoid ruin.
That peril is that the human
intellect is free to destroy itself. Just as
one generation could prevent the very existence of
the next generation, by all entering a monastery or
jumping into the sea, so one set of thinkers can in
some degree prevent further thinking by teaching the
next generation that there is no validity in any human
thought. It is idle to talk always of the alternative
of reason and faith. Reason is itself a matter
of faith. It is an act of faith to assert that
our thoughts have any relation to reality at all.
If you are merely a sceptic, you must sooner or later
ask yourself the question, “Why should anything
go right; even observation and deduction? Why
should not good logic be as misleading as bad logic?
They are both movements in the brain of a bewildered
ape?” The young sceptic says, “I have
a right to think for myself.” But the old
sceptic, the complete sceptic, says, “I have
no right to think for myself. I have no right
to think at all.”
There is a thought that stops
thought. That is the only thought that ought
to be stopped. That is the ultimate evil against
which all religious authority was aimed. It
only appears at the end of decadent ages like our
own: and already Mr. H.G.Wells has raised its
ruinous banner; he has written a delicate piece of
scepticism called “Doubts of the Instrument.”
In this he questions the brain itself, and endeavours
to remove all reality from all his own assertions,
past, present, and to come. But it was against
this remote ruin that all the military systems in
religion were originally ranked and ruled. The
creeds and the crusades, the hierarchies and the horrible
persécutions were not organized, as is ignorantly
said, for the suppression of reason. They were
organized for the difficult defence of reason.
Man, by a blind instinct, knew that if once things
were wildly questioned, reason could be questioned
first. The authority of priests to absolve, the
authority of popes to define the authority, even of
inquisitors to terrify: these were all only dark
defences erected round one central authority, more
undemonstrable, more supernatural than all-the
authority of a man to think. We know now that
this is so; we have no excuse for not knowing it.
For we can hear scepticism crashing through the old
ring of authorities, and at the same moment we can
see reason swaying upon her throne. In so far
as religion is gone, reason is going. For they
are both of the same primary and authoritative kind.
They are both methods of proof which cannot themselves
be proved. And in the act of destroying the
idea of Divine authority we have largely destroyed
the idea of that human authority by which we do a long-division
sum. With a long and sustained tug we have attempted
to pull the mitre off pontifical man; and his head
has come off with it.
Lest this should be called loose
assertion, it is perhaps desirable, though dull, to
run rapidly through the chief modern fashions of thought
which have this effect of stopping thought itself.
Materialism and the view of everything as a personal
illusion have some such effect; for if the mind is
mechanical, thought cannot be very exciting, and if
the cosmos is unreal, there is nothing to think about.
But in these cases the effect is indirect and doubtful.
In some cases it is direct and clear; notably in
the case of what is generally called evolution.
Evolution is a good example of
that modern intelligence which, if it destroys anything,
destroys itself. Evolution is either an innocent
scientific description of how certain earthly things
came about; or, if it is anything more than this, it
is an attack upon thought itself. If evolution
destroys anything, it does not destroy religion but
rationalism. If evolution simply means that
a positive thing called an ape turned very slowly into
a positive thing called a man, then it is stingless
for the most orthodox; for a personal God might just
as well do things slowly as quickly, especially if,
like the Christian God, he were outside time.
But if it means anything more, it means that there
is no such thing as an ape to change, and no such
thing as a man for him to change into. It means
that there is no such thing as a thing. At best,
there is only one thing, and that is a flux of everything
and anything. This is an attack not upon the
faith, but upon the mind; you cannot think if there
are no things to think about. You cannot think
if you are not separate from the subject of thought.
Descartes said, “I think; therefore I am.”
The philosophic evolutionist reverses and negatives
the epigram. He says, “I am not; therefore
I cannot think.”
Then there is the opposite attack
on thought: that urged by Mr. H.G.Wells when
he insists that every separate thing is “unique,”
and there are no categories at all. This also
is merely destructive. Thinking means connecting
things, and stops if they cannot be connected.
It need hardly be said that this scepticism forbidding
thought necessarily forbids speech; a man cannot open
his mouth without contradicting it. Thus when
Mr. Wells says (as he did somewhere), “All chairs
are quite different,” he utters not merely a
misstatement, but a contradiction in terms.
If all chairs were quite different, you could not
call them “all chairs.”
Akin to these is the false theory
of progress, which maintains that we alter the test
instead of trying to pass the test. We often
hear it said, for instance, “What is right in
one age is wrong in another.” This is
quite reasonable, if it means that there is a fixed
aim, and that certain methods attain at certain times
and not at other times. If women, say, desire
to be elegant, it may be that they are improved at
one time by growing fatter and at another time by
growing thinner. But you cannot say that they
are improved by ceasing to wish to be elegant and beginning
to wish to be oblong. If the standard changes,
how can there be improvement, which implies a standard?
Nietzsche started a nonsensical idea that men had
once sought as good what we now call evil; if it were
so, we could not talk of surpassing or even falling
short of them. How can you overtake Jones if
you walk in the other direction? You cannot discuss
whether one people has succeeded more in being miserable
than another succeeded in being happy. It would
be like discussing whether Milton was more puritanical
than a pig is fat.
It is true that a man (a silly
man) might make change itself his object or ideal.
But as an ideal, change itself becomes unchangeable.
If the change-worshipper wishes to estimate his own
progress, he must be sternly loyal to the ideal of
change; he must not begin to flirt gaily with the
ideal of monotony. Progress itself cannot progress.
It is worth remark, in passing, that when Tennyson,
in a wild and rather weak manner, welcomed the idea
of infinite alteration in society, he instinctively
took a metaphor which suggests an imprisoned tedium.
He wrote-
“Let the great world spin
for ever down the ringing grooves of change.”
He thought of change itself as an
unchangeable groove; and so it is. Change is
about the narrowest and hardest groove that a man can
get into.
The main point here, however,
is that this idea of a fundamental alteration in the
standard is one of the things that make thought about
the past or future simply impossible. The theory
of a complete change of standards in human history
does not merely deprive us of the pleasure of honouring
our fathers; it deprives us even of the more modern
and aristocratic pleasure of despising them.
This bald summary of the thought-destroying
forces of our time would not be complete without some
reference to pragmatism; for though I have here used
and should everywhere defend the pragmatist method
as a preliminary guide to truth, there is an extreme
application of it which involves the absence of all
truth whatever. My meaning can be put shortly
thus. I agree with the pragmatists that apparent
objective truth is not the whole matter; that there
is an authoritative need to believe the things that
are necessary to the human mind. But I say that
one of those necessities precisely is a belief in
objective truth. The pragmatist tells a man
to think what he must think and never mind the Absolute.
But precisely one of the things that he must think
is the Absolute. This philosophy, indeed, is
a kind of verbal paradox. Pragmatism is a matter
of human needs; and one of the first of human needs
is to be something more than a pragmatist. Extreme
pragmatism is just as inhuman as the determinism it
so powerfully attacks. The determinist (who,
to do him justice, does not pretend to be a human
being) makes nonsense of the human sense of actual
choice. The pragmatist, who professes to be specially
human, makes nonsense of the human sense of actual
fact.
To sum up our contention so far,
we may say that the most characteristic current philosophies
have not only a touch of mania, but a touch of suicidal
mania. The mere questioner has knocked his head
against the limits of human thought; and cracked it.
This is what makes so futile the warnings of the orthodox
and the boasts of the advanced about the dangerous
boyhood of free thought. What we are looking
at is not the boyhood of free thought; it is the old
age and ultimate dissolution of free thought.
It is vain for bishops and pious bigwigs to discuss
what dreadful things will happen if wild scepticism
runs its course. It has run its course.
It is vain for eloquent atheists to talk of the great
truths that will be revealed if once we see free thought
begin. We have seen it end. It has no
more questions to ask; it has questioned itself.
You cannot call up any wilder vision than a city in
which men ask themselves if they have any selves.
You cannot fancy a more sceptical world than that
in which men doubt if there is a world. It might
certainly have reached its bankruptcy more quickly
and cleanly if it had not been feebly hampered by the
application of indefensible laws of blasphemy or by
the absurd pretence that modern England is Christian.
But it would have reached the bankruptcy anyhow.
Militant atheists are still unjustly persecuted;
but rather because they are an old minority than because
they are a new one. Free thought has exhausted
its own freedom. It is weary of its own success.
If any eager freethinker now hails philosophic freedom
as the dawn, he is only like the man in Mark Twain
who came out wrapped in blankets to see the sun rise
and was just in time to see it set. If any frightened
curate still says that it will be awful if the darkness
of free thought should spread, we can only answer
him in the high and powerful words of Mr. Belloc,
“Do not, I beseech you, be troubled about the
increase of forces already in dissolution. You
have mistaken the hour of the night: it is already
morning.” We have no more questions left
to ask. We have looked for questions in the darkest
corners and on the wildest peaks. We have found
all the questions that can be found. It is time
we gave up looking for questions and began looking
for answers.
But one more word must be added.
At the beginning of this preliminary negative sketch
I said that our mental ruin has been wrought by wild
reason, not by wild imagination. A man does
not go mad because he makes a statue a mile high, but
he may go mad by thinking it out in square inches.
Now, one school of thinkers has seen this and jumped
at it as a way of renewing the pagan health of the
world. They see that reason destroys; but Will,
they say, creates. The ultimate authority, they
say, is in will, not in reason. The supreme
point is not why a man demands a thing, but the fact
that he does demand it. I have no space to trace
or expound this philosophy of Will. It came,
I suppose, through Nietzsche, who preached something
that is called egoism. That, indeed, was simpleminded
enough; for Nietzsche denied egoism simply by preaching
it. To preach anything is to give it away.
First, the egoist calls life a war without mercy,
and then he takes the greatest possible trouble to
drill his enemies in war. To preach egoism is
to practise altruism. But however it began, the
view is common enough in current literature.
The main defence of these thinkers is that they are
not thinkers; they are makers. They say that
choice is itself the divine thing. Thus Mr. Bernard
Shaw has attacked the old idea that men’s acts
are to be judged by the standard of the desire of happiness.
He says that a man does not act for his happiness,
but from his will. He does not say, “Jam
will make me happy,” but “I want jam.”
And in all this others follow him with yet greater
enthusiasm. Mr. John Davidson, a remarkable poet,
is so passionately excited about it that he is obliged
to write prose. He publishes a short play with
several long prefaces. This is natural enough
in Mr. Shaw, for all his plays are prefaces:
Mr. Shaw is (I suspect) the only man on earth who
has never written any poetry. But that Mr. Davidson
(who can write excellent poetry) should write instead
laborious metaphysics in defence of this doctrine
of will, does show that the doctrine of will has taken
hold of men. Even Mr. H.G.Wells has half spoken
in its language; saying that one should test acts not
like a thinker, but like an artist, saying, “I
feel this curve is right,” or “that
line shall go thus.” They are all
excited; and well they may be. For by this doctrine
of the divine authority of will, they think they can
break out of the doomed fortress of rationalism.
They think they can escape.
But they cannot escape.
This pure praise of volition ends in the same break
up and blank as the mere pursuit of logic. Exactly
as complete free thought involves the doubting of thought
itself, so the acceptation of mere “willing”
really paralyzes the will. Mr. Bernard Shaw has
not perceived the real difference between the old
utilitarian test of pleasure (clumsy, of course, and
easily misstated) and that which he propounds.
The real difference between the test of happiness
and the test of will is simply that the test of happiness
is a test and the other isn’t. You can discuss
whether a man’s act in jumping over a cliff
was directed towards happiness; you cannot discuss
whether it was derived from will. Of course
it was. You can praise an action by saying that
it is calculated to bring pleasure or pain to discover
truth or to save the soul. But you cannot praise
an action because it shows will; for to say that is
merely to say that it is an action. By this praise
of will you cannot really choose one course as better
than another. And yet choosing one course as
better than another is the very definition of the
will you are praising.
The worship of will is the negation
of will. To admire mere choice is to refuse
to choose. If Mr. Bernard Shaw comes up to me
and says, “Will something,” that is tantamount
to saying, “I do not mind what you will,”
and that is tantamount to saying, “I have no
will in the matter.” You cannot admire
will in general, because the essence of will is that
it is particular. A brilliant anarchist like Mr.
John Davidson feels an irritation against ordinary
morality, and therefore he invokes will-will
to anything. He only wants humanity to want
something. But humanity does want something.
It wants ordinary morality. He rebels against
the law and tells us to will something or anything.
But we have willed something. We have willed
the law against which he rebels.
All the will-worshippers, from
Nietzsche to Mr. Davidson, are really quite empty
of volition. They cannot will, they can hardly
wish. And if any one wants a proof of this, it
can be found quite easily. It can be found in
this fact: that they always talk of will as
something that expands and breaks out. But it
is quite the opposite. Every act of will is
an act of self-limitation. To desire action is
to desire limitation. In that sense every act
is an act of self-sacrifice. When you choose anything,
you reject everything else. That objection,
which men of this school used to make to the act of
marriage, is really an objection to every act.
Every act is an irrevocable selection and exclusion.
Just as when you marry one woman you give up all
the others, so when you take one course of action
you give up all the other courses. If you become
King of England, you give up the post of Beadle in
Brompton. If you go to Rome, you sacrifice a
rich suggestive life in Wimbledon. It is the
existence of this negative or limiting side of will
that makes most of the talk of the anarchic will-worshippers
little better than nonsense. For instance, Mr.
John Davidson tells us to have nothing to do with
“Thou shalt not”; but it is surely obvious
that “Thou shalt not” is only one of the
necessary corollaries of “I will.”
“I will go to the Lord Mayor’s Show, and
thou shalt not stop me.” Anarchism adjures
us to be bold creative artists, and care for no laws
or limits. But it is impossible to be an artist
and not care for laws and limits. Art is limitation;
the essence of every picture is the frame. If
you draw a giraffe, you must draw him with a long
neck. If, in your bold creative way, you hold
yourself free to draw a giraffe with a short neck,
you will really find that you are not free to draw
a giraffe. The moment you step into the world
of facts, you step into a world of limits. You
can free things from alien or accidental laws, but
not from the laws of their own nature. You may,
if you like, free a tiger from his bars; but do not
free him from his stripes. Do not free a camel
of the burden of his hump: you may be freeing
him from being a camel. Do not go about as a
demagogue, encouraging triangles to break out of the
prison of their three sides. If a triangle breaks
out of its three sides, its life comes to a lamentable
end. Somebody wrote a work called “The
Loves of the Triangles”; I never read it, but
I am sure that if triangles ever were loved, they
were loved for being triangular. This is certainly
the case with all artistic creation, which is in some
ways the most decisive example of pure will.
The artist loves his limitations: they constitute
the thing he is doing. The painter is glad
that the canvas is flat. The sculptor is glad
that the clay is colourless.
In case the point is not clear,
an historic example may illustrate it. The French
Revolution was really an heroic and decisive thing,
because the Jacobins willed something definite and
limited. They desired the freedoms of democracy,
but also all the vetoes of democracy. They wished
to have votes and not to have titles. Republicanism
had an ascetic side in Franklin or Robespierre as
well as an expansive side in Danton or Wilkes.
Therefore they have created something with a solid
substance and shape, the square social equality and
peasant wealth of France. But since then the
revolutionary or speculative mind of Europe has been
weakened by shrinking from any proposal because of
the limits of that proposal. Liberalism has been
degraded into liberality. Men have tried to
turn “revolutionise” from a transitive
to an intransitive verb. The Jacobin could tell
you not only the system he would rebel against, but
(what was more important) the system he would not
rebel against, the system he would trust. But
the new rebel is a Sceptic, and will not entirely
trust anything. He has no loyalty; therefore
he can never be really a revolutionist. And
the fact that he doubts everything really gets in
his way when he wants to denounce anything. For
all denunciation implies a moral doctrine of some kind;
and the modern revolutionist doubts not only the institution
he denounces, but the doctrine by which he denounces
it. Thus he writes one book complaining that
imperial oppression insults the purity of women, and
then he writes another book (about the sex problem)
in which he insults it himself. He curses the
Sultan because Christian girls lose their virginity,
and then curses Mrs. Grundy because they keep it.
As a politician, he will cry out that war is a waste
of life, and then, as a philosopher, that all life
is waste of time. A Russian pessimist will denounce
a policeman for killing a peasant, and then prove
by the highest philosophical principles that the peasant
ought to have killed himself. A man denounces
marriage as a lie, and then denounces aristocratic
profligates for treating it as a lie. He calls
a flag a bauble, and then blames the oppressors of
Poland or Ireland because they take away that bauble.
The man of this school goes first to a political meeting,
where he complains that savages are treated as if
they were beasts; then he takes his hat and umbrella
and goes on to a scientific meeting, where he proves
that they practically are beasts. In short,
the modern revolutionist, being an infinite sceptic,
is always engaged in undermining his own mines.
In his book on politics he attacks men for trampling
on morality; in his book on ethics he attacks morality
for trampling on men. Therefore the modern man
in revolt has become practically useless for all purposes
of revolt. By rebelling against everything he
has lost his right to rebel against anything.
It may be added that the same
blank and bankruptcy can be observed in all fierce
and terrible types of literature, especially in satire.
Satire may be mad and anarchic, but it presupposes
an admitted superiority in certain things over others;
it presupposes a standard. When little boys in
the street laugh at the fatness of some distinguished
journalist, they are unconsciously assuming a standard
of Greek sculpture. They are appealing to the
marble Apollo. And the curious disappearance
of satire from our literature is an instance of the
fierce things fading for want of any principle to
be fierce about. Nietzsche had some natural talent
for sarcasm: he could sneer, though he could
not laugh; but there is always something bodiless
and without weight in his satire, simply because it
has not any mass of common morality behind it.
He is himself more preposterous than anything he
denounces. But, indeed, Nietzsche will stand
very well as the type of the whole of this failure
of abstract violence. The softening of the brain
which ultimately overtook him was not a physical accident.
If Nietzsche had not ended in imbecility, Nietzscheism
would end in imbecility. Thinking in isolation
and with pride ends in being an idiot. Every
man who will not have softening of the heart must
at last have softening of the brain.
This last attempt to evade intellectualism
ends in intellectualism, and therefore in death.
The sortie has failed. The wild worship of
lawlessness and the materialist worship of law end
in the same void. Nietzsche scales staggering
mountains, but he turns up ultimately in Tibet.
He sits down beside Tolstoy in the land of nothing
and Nirvana. They are both helpless-one
because he must not grasp anything, and the other
because he must not let go of anything. The Tolstoyan’s
will is frozen by a Buddhist instinct that all special
actions are evil. But the Nietzscheite’s
will is quite equally frozen by his view that all
special actions are good; for if all special actions
are good, none of them are special. They stand
at the crossroads, and one hates all the roads and
the other likes all the roads. The result is-well,
some things are not hard to calculate. They
stand at the cross-roads.
Here I end (thank God) the first
and dullest business of this book-the rough
review of recent thought. After this I begin
to sketch a view of life which may not interest my
reader, but which, at any rate, interests me.
In front of me, as I close this page, is a pile of
modern books that I have been turning over for the
purpose-a pile of ingenuity, a pile of futility.
By the accident of my present detachment, I can see
the inevitable smash of the philosophies of Schopenhauer
and Tolstoy, Nietzsche and Shaw, as clearly as an
inevitable railway smash could be seen from a balloon.
They are all on the road to the emptiness of the asylum.
For madness may be defined as using mental activity
so as to reach mental helplessness; and they have
nearly reached it. He who thinks he is made
of glass, thinks to the destruction of thought; for
glass cannot think. So he who wills to reject
nothing, wills the destruction of will; for will is
not only the choice of something, but the rejection
of almost everything. And as I turn and tumble
over the clever, wonderful, tiresome, and useless
modern books, the title of one of them rivets my eye.
It is called “Jeanne d’Arc,” by
Anatole France. I have only glanced at it, but
a glance was enough to remind me of Renan’s “Vie
de Jesus.” It has the same strange method
of the reverent sceptic. It discredits supernatural
stories that have some foundation, simply by telling
natural stories that have no foundation. Because
we cannot believe in what a saint did, we are to pretend
that we know exactly what he felt. But I do
not mention either book in order to criticise it,
but because the accidental combination of the names
called up two startling images of Sanity which blasted
all the books before me. Joan of Arc was not
stuck at the cross-roads, either by rejecting all
the paths like Tolstoy, or by accepting them all like
Nietzsche. She chose a path, and went down it
like a thunderbolt. Yet Joan, when I came to
think of her, had in her all that was true either in
Tolstoy or Nietzsche, all that was even tolerable in
either of them. I thought of all that is noble
in Tolstoy, the pleasure in plain things, especially
in plain pity, the actualities of the earth, the reverence
for the poor, the dignity of the bowed back.
Joan of Arc had all that and with this great addition,
that she endured poverty as well as admiring it; whereas
Tolstoy is only a typical aristocrat trying to find
out its secret. And then I thought of all that
was brave and proud and pathetic in poor Nietzsche,
and his mutiny against the emptiness and timidity of
our time. I thought of his cry for the ecstatic
equilibrium of danger, his hunger for the rush of
great horses, his cry to arms. Well, Joan of
Arc had all that, and again with this difference,
that she did not praise fighting, but fought.
We know that she was not afraid of an army,
while Nietzsche, for all we know, was afraid of a cow.
Tolstoy only praised the peasant; she was the peasant.
Nietzsche only praised the warrior; she was the warrior.
She beat them both at their own antagonistic ideals;
she was more gentle than the one, more violent than
the other. Yet she was a perfectly practical
person who did something, while they are wild speculators
who do nothing. It was impossible that the thought
should not cross my mind that she and her faith had
perhaps some secret of moral unity and utility that
has been lost. And with that thought came a larger
one, and the colossal figure of her Master had also
crossed the theatre of my thoughts. The same
modern difficulty which darkened the subject-matter
of Anatole France also darkened that of Ernest Renan.
Renan also divided his hero’s pity from his hero’s
pugnacity. Renan even represented the righteous
anger at Jerusalem as a mere nervous breakdown after
the idyllic expectations of Galilee. As if there
were any inconsistency between having a love for humanity
and having a hatred for inhumanity! Altruists,
with thin, weak voices, denounce Christ as an egoist.
Egoists (with even thinner and weaker voices) denounce
Him as an altruist. In our present atmosphere
such cavils are comprehensible enough. The love
of a hero is more terrible than the hatred of a tyrant.
The hatred of a hero is more generous than the love
of a philanthropist. There is a huge and heroic
sanity of which moderns can only collect the fragments.
There is a giant of whom we see only the lopped arms
and legs walking about. They have torn the soul
of Christ into silly strips, labelled egoism and altruism,
and they are equally puzzled by His insane magnificence
and His insane meekness. They have parted His
garments among them, and for His vesture they have
cast lots; though the coat was without seam woven from
the top throughout.