Bret Harte and his sister arrived at San Francisco in March, 1854, stayed there one night, and went the next morning to Oakland, across the Bay, where their mother and her second husband, Colonel Andrew Williams, were living. In this house the boy remained about a year, teaching for a while, and afterward serving as clerk in an apothecary’s shop. During this year he began his career as a professional writer, contributing some stories and poems to Eastern magazines.

Bret Harte, like Thackeray, was fortunate in his stepfather, and if, according to the accepted story, Thackeray’s stepfather was the prototype of Colonel Newcome, the two men must have had much in common. Colonel Williams was born at Cherry Valley in the State of New York, and was graduated at Union College with the Class of 1819. Henry Hart’s class was that of 1820, but the two young men were friends in college. Colonel Williams had seen much of the world, having travelled extensively in Europe early in the century, and he was a cultivated, well-read man. But he was chiefly remarkable for his high standard of honor, and his amiable, chivalrous nature. He was a gentleman of the old school in the best sense, grave but sympathetic, courtly but kind. His generosity was unbounded. Such a man might appear to have been somewhat out of place in bustling California, but his qualities were appreciated there. He was the first Mayor of Oakland, in the year 1857, and was re-elected the following year. Colonel Williams built a comfortable house in Oakland, one of the first, if not the very first in that city in which laths and plaster were used; but land titles in California were extremely uncertain, and after a long and stubborn contest in the courts, Colonel Williams was dispossessed, and lost the house upon which he had expended much time and money. He then took up his residence in San Francisco, where he lived until his return to the East in the year 1871. His wife, Bret Harte’s mother, died at Morristown, New Jersey, April 4, 1875, and was buried in the family lot at Greenwood, New York. The following year he went back to California for a visit to Bret Harte’s sister, Mrs. Wyman, but soon after his arrival died of pneumonia at the age of seventy-six.

The San Francisco and Oakland papers spoke very highly of Colonel Williams after his death, and one of them closed an account of his life with the following words: “Colonel Williams had that indefinable sweetness of manner which indicates innate refinement and nobility of soul. There was a touch of the antique about him. He seemed a little out of time and place in this hurried age of ours. He belonged to and typified the calmer temper of a former generation. A gentler spirit never walked the earth. He personified all the sweet charities of life. His heart was great, warm and tender, and he died leaving no man in the world his enemy. Colonel Williams was the stepfather of Bret Harte, between whom and himself there existed the most affectionate relations.”

It was during his first year in California that Bret Harte had that gambling experience which he has related in his Bohemian Days in San Francisco, and which throws so much light on his character that it should be quoted here in part at least:

“I was watching roulette one evening, intensely absorbed in the mere movement of the players. Either they were so preoccupied with the game, or I was really older looking than my actual years, but a bystander laid his hand familiarly on my shoulder, and said, as to an ordinary habitue, ’Ef you’re not chippin’ in yourself, pardner, s’pose you give me a show.’ Now, I honestly believe that up to that moment I had no intention, nor even a desire, to try my own fortune. But in the embarrassment of the sudden address I put my hand in my pocket, drew out a coin and laid it, with an attempt at carelessness, but a vivid consciousness that I was blushing, upon a vacant number. To my horror I saw that I had put down a large coin the bulk of my possessions! I did not flinch, however; I think any boy who reads this will understand my feeling; it was not only my coin but my manhood at stake.... I even affected to be listening to the music. The wheel spun again; the game was declared, the rake was busy, but I did not move. At last the man I had displaced touched me on the arm and whispered, ‘Better make a straddle and divide your stake this time.’ I did not understand him, but as I saw he was looking at the board, I was obliged to look, too. I drew back dazed and bewildered! Where my coin had lain a moment before was a glittering heap of gold.

“... ‘Make your game, gentlemen,’ said the croupier monotonously. I thought he looked at me indeed, everybody seemed to be looking at me and my companion repeated his warning. But here I must again appeal to the boyish reader in defence of my idiotic obstinacy. To have taken advice would have shown my youth. I shook my head I could not trust my voice. I smiled, but with a sinking heart, and let my stake remain. The ball again sped round the wheel, and stopped. There was a pause. The croupier indolently advanced his rake and swept my whole pile with others into the bank! I had lost it all. Perhaps it may be difficult for me to explain why I actually felt relieved, and even to some extent triumphant, but I seemed to have asserted my grown-up independence possibly at the cost of reducing the number of my meals for days; but what of that!... The man who had spoken to me, I think, suddenly realized, at the moment of my disastrous coup, the fact of my extreme youth. He moved toward the banker, and leaning over him whispered a few words. The banker looked up, half impatiently, half kindly, his hand straying tentatively toward the pile of coin. I instinctively knew what he meant, and, summoning my determination, met his eyes with all the indifference I could assume, and walked away.”

In 1856, being then twenty years old, young Harte left Colonel Williams’s house, and thenceforth shifted for himself. His first engagement was as tutor in a private family at Alamo in the San Ramon Valley. There were several sons in the family, and one or two of them were older than their tutor. The next year he went to Humboldt Bay in Humboldt County, on the upper coast of California, about two hundred and fifty miles north of San Francisco. Thence he made numerous trips as express messenger on stages running eastward to Trinity County, and northward to Del Norte, which, as the name implies, is the extreme upper county in the State. The experience was a valuable one, and it was concerning this period of Bret Harte’s career that his friend, Charles Warren Stoddard, wrote: “He bore a charmed life. Probably his youth was his salvation, for he ran a thousand risks, yet seemed only to gain in health and spirits.”

The post of express messenger was especially dangerous. Bret Harte’s predecessor was shot through the arm by a highwayman; his successor was killed. The safe containing the treasure carried by Wells, Fargo and Company, who did practically all the express business in California, was always heavily chained to the box of the coach, and sometimes, when a particularly large amount of gold had to be conveyed, armed guards were carried inside of the coach. For the stage to be “held up” by highwaymen was a common occurrence, and the danger from breakdowns and floods was not small. In the course of a few months between the towns of Visalia and Kern River the overland stage broke the legs of three several drivers. It was a frequent thing for the stage to cross a stream, suddenly become a river, with the horses swimming, a strong current running through the coach itself, and the passengers perched on the seats to escape being swept away.

With these dangers of flood and field to encounter, with precipices to skirt, with six half-broken horses to control, and with the ever-present possibility of serving as a target for “road-agents,” it may be imagined that the California stage-driver was no common man, and the type is preserved in the character of Yuba Bill. He can be compared only with Colonel Starbottle and Jack Hamlin, and Jack Hamlin was one of the few men whom Yuba Bill condescended to treat as an equal. Their meeting in Gabriel Convoy is historic: “’Barkeep hist that pizen over to Jack. Here’s to ye agin, olé man. But I’m glad to see ye!’ The crowd hung breathless over the two men awestruck and respectful. It was a meeting of the gods. None dared speak.”

“Yuba Bill,” writes Mr. Chesterton, “is not convivial; it might almost be said that he is too great even to be sociable. A circle of quiescence and solitude, such as that which might ring a saint or a hermit, rings this majestic and profound humorist. His jokes do not flow from him, like those of Mr. Weller, sparkling and continual like the play of a fountain in a pleasure garden; they fall suddenly and capriciously, like a crash of avalanche from a great mountain. Tony Weller has the noisy humor of London. Yuba Bill has the silent humor of the earth.” Then the critic quotes Yuba Bill’s rebuke to the passenger who has expressed a too-confident opinion as to the absence of the expected highwaymen: “’You ain’t puttin’ any price on that opinion, air ye?’ inquired Bill politely.

“‘No.’

“’Cos thar’s a comic paper in ’Frisco pays for them things, and I’ve seen worse things in it.’”

Even better, perhaps, is Yuba Bill’s reply to Judge Beeswinger, who rashly betrayed some over-consciousness of his importance as a member of the State Assembly. “‘Any political news from below, Bill?’ he asked, as the latter slowly descended from his lofty perch, without, however, any perceptible coming down of mien or manner. ‘Not much,’ said Bill, with deliberate gravity. ‘The President o’ the United States hezn’t bin hisself sens you refoosed that seat in the Cabinet. The gin’ral feelin’ in perlitical circles is one o’ regret.’”

“To be rebuked thus,” Mr. Chesterton continues, “is like being rebuked by the pyramids or by the starry heavens. There is about Yuba Bill this air of a pugnacious calm, a stepping back to get his distance for a shattering blow, which is like that of Dr. Johnson at his best. And the effect is inexpressibly increased by the background and the whole picture which Bret Harte paints so powerfully, the stormy skies, the sombre gorge, the rocking and spinning coach, and high above the feverish passengers the huge, dark form of Yuba Bill, a silent mountain of humor.”

After his service as expressman, Bret Harte went to a town called Union, about three hundred miles north of San Francisco, where he learned the printer’s trade in the office of the “Humboldt Times.” He also taught school again in Union, and for the second time acted as clerk in a drug store. Speaking of his experience in this capacity, Mr. Pemberton, his English biographer, gravely says, “I have heard English physicians express wonder at his grasp of the subject.” One wonders, in turn, if Bret Harte did not do a little hoaxing in this line. “To the end of his days,” writes Mr. Pemberton, “he could speak with authority as to the virtues and properties of medicines.” Young Harte had a wonderful faculty of picking up information, and no doubt his two short terms of service as a compounder of medicines were not thrown away upon him. But Bret Harte was the last person in the world to pose as an expert, and it seems probable that the extent of his knowledge was fairly described in the story How Reuben Allen Saw Life in San Francisco. That part of this story which deals with the drug clerk is so plainly autobiographical, and so characteristic of the author, that a quotation from it will not be out of place:

“It was near midnight, the hour of closing, and the junior partner was alone in the shop. He felt drowsy; the mysterious incense of the shop, that combined essence of drugs, spice, scented soap, and orris root which always reminded him of the Arabian nights was affecting him. He yawned, and then, turning away, passed behind the counter, took down a jar labelled ‘Glycyrr. Glabra,’ selected a piece of Spanish licorice, and meditatively sucked it....

“He was just nineteen, he had early joined the emigration to California, and after one or two previous light-hearted essays at other occupations, for which he was singularly unfitted, he had saved enough to embark on his present venture, still less suited to his temperament.... A slight knowledge of Latin as a written language, an American schoolboy’s acquaintance with chemistry and natural philosophy, were deemed sufficient by his partner, a regular physician, for practical cooperation in the vending of drugs and putting up of prescriptions. He knew the difference between acids and alkalis and the peculiar results which attended their incautious combination. But he was excessively deliberate, painstaking and cautious. There was no danger of his poisoning anybody through haste or carelessness, but it was possible that an urgent ‘case’ might have succumbed to the disease while he was putting up the remedy.... In those days the ‘heroic’ practice of medicine was in keeping with the abnormal development of the country; there were ‘record’ doses of calomel and quinine, and he had once or twice incurred the fury of local practitioners by sending back their prescriptions with a modest query.”

It was doubtless Bret Harte’s experience in the drug store which suggested the story of Liberty Jones, whose discovery of an arsenical spring in the forest was the means of transforming that well-made, but bony and sallow Missouri girl into a beautiful woman, with well-rounded limbs, rosy cheeks, lustrous eyes and glossy hair.

It has been a matter of some discussion whether Bret Harte ever worked as a miner or not; and the evidence upon the point is not conclusive. But it is hard to believe that he did not try his luck at gold-seeking, when everybody else was trying, and his narrative How I Went to the Mines seems to have the ear-marks of an autobiographical sketch. It is regarded as such by his sisters; and the modest, deprecating manner in which the storyteller’s adventures are related, serves to confirm that impression.

Of all his experiences in California, those which gave him the most pleasure seem to have been his several short but fruitful terms of service as schoolmaster and tutor. His knowledge of children, being based upon sympathy, became both acute and profound. How many thousand million times have children gone to school of a morning and found the master awaiting them, and yet who but Bret Harte has ever described the exact manner of their approach!

“They came in their usual desultory fashion the fashion of country school-children the world over irregularly, spasmodically, and always as if accidentally; a few hand-in-hand, others driven ahead of or dragged behind their elders; some in straggling groups more or less coherent and at times only connected by far-off intermediate voices scattered over a space of half a mile, but never quite alone; always preoccupied by something else than the actual business in hand; appearing suddenly from ditches, behind trunks, and between fence-rails; cropping up in unexpected places along the road after vague and purposeless detours seemingly going anywhere and everywhere but to school!"

Bret Harte realized the essential truth that children are not little, immature men and women, but rather infantile barbarians, creatures of an archaic type, representing a period in the development of the human race which does not survive in adult life. Hence the reserve, the aloofness of children, their remoteness from grown people. There are certain things which the boy most deeply feels that he must not do, and certain other things that he must do; as, for example, to bear without telling any pains that may be inflicted upon him by his mates or by older boys. For a thousand years or more fathers and mothers have held a different code upon these points, but with how little effect upon their children! Johnny Filgee illustrated upon a truly Californian scale these boyish qualities of reticence and endurance. When he had accidentally been shot in the duel between the Master and Cressy’s father (the child being perched in a tree), he refrained from making the least sound, although a word or an outcry would have brought the men to his assistance. “A certain respect to himself and his brother kept him from uttering even a whimper of weakness.” Left alone in the dark woods, unable to move, Johnny became convinced that his end was near, and he pleased himself by thinking that “they would all feel exceedingly sorry and alarmed, and would regret having made him wash himself on Saturday night.” And so, having composed himself, “he turned on his side to die, as became the scion of an heroic race!”

Then follows a sentence in which the artist, with one bold sweep of his brush, paints in Nature herself as a witness of the scene; and yet her material immensity does not dwarf or belittle the spiritual superiority of the wounded youngster in the foreground: “The free woods, touched by an upspringing wind, waved their dark arms above him, and higher yet a few patient stars silently ranged themselves around his pillow.”

That other Johnny, for whom Santa Claus Came to Simpson’s Bar, Richelieu Sharpe in A Phyllis of the Sierras, John Milton Harcourt in the First Family of Tasajara, Leonidas Boone, the Mercury of the Foot-Hills, and John Bunyan Medliker, the Youngest Prospector in Calaveras, all illustrate the same type, with many individual variations.

Another phase of the archaic nature of children is their extreme sensitiveness to impressions. Just as a squirrel hears more acutely than a man, and the dog’s sense of smell is keener, so a child, within the comparatively small range of his mental activity, is more open to subtle indications. Bret Harte often touches upon this quality of childhood, as in the following passage: “It was not strange, therefore, that the little people of the Indian Spring School knew perhaps more of the real relations of Cressy McKinstry to her admirers than the admirers themselves. Not that the knowledge was outspoken for children rarely gossip in the grown-up sense, or even communicate by words intelligent to the matured intellect. A whisper, a laugh that often seemed vague and unmeaning, conveyed to each other a world of secret significance, and an apparently senseless burst of merriment in which the whole class joined and that the adult critic set down to ’animal spirits’ a quality much more rare with children than is generally supposed was only a sympathetic expression of some discovery happily oblivious to older perceptions.”

This acuteness of perception, seen also in some men of a simple, archaic type, puts children in close relationship with the lower animals, unless, indeed, it is counteracted by that cruelty which is also a quality of childhood. When Richelieu Sharpe retired to rest, it was in company with a whole retinue of dependents. “On the pillow near him an indistinguishable mass of golden fur the helpless bulk of a squirrel chained to the leg of his cot; at his feet a wall-eyed cat, who had followed his tyrannous caprices with the long-suffering devotion of her sex; on the shelf above him a loathsome collection of flies and tarantulas in dull green bottles, a slab of gingerbread for light nocturnal refreshment, and his sister’s pot of bear’s grease.... The sleeper stirred slightly and awoke. At the same moment, by some mysterious sympathy, a pair of beady bright eyes appeared in the bulk of fur near his curls, the cat stretched herself, and even a vague agitation was heard in the bottles on the shelf."

That last touch, intimating some community of feeling between Richelieu and his insects, is, as the Reader will grant, the touch of genius. Bridging the gulf impassable for an ordinary mind, it assumes a fact which, like the shape of Donatello’s ears, is true to the imagination, and not so manifestly impossible as to shock the reason.

It is sometimes said that California in the Fifties represented the American character in its most extreme form, the quintessence, as it were, of energy and democracy. This statement would certainly apply to the California children, in whom the ordinary forwardness of the American child became a sort of elfish precocity. Such a boy was Richelieu Sharpe. His gallantries, his independence, his self-reliance, his adult ambitions, these qualities, oddly assorted with the primeval, imaginative nature of the true child, made Richelieu such a youngster as was never seen outside of the United States, and perhaps never seen outside of California.

The English child of the upper classes, as Bret Harte knew him in after years, made a strange contrast to the Richelieu Sharpes and John Bunyan Medlikers that he had learned to love in California. In a letter to his wife written from the house of James Anthony Froude, in 1878, he said: “The eldest girl is not unlike a highly-educated Boston girl, and the conversation sometimes reminds me of Boston. The youngest daughter, only ten years old, told her sister, in reference to some conversation Froude and I had, that ‘she feared’ (this child) ’that Mr. Bret Harte was inclined to be sceptical!’ Doesn’t this exceed any English story of the precocity of American children? The boy, scarcely fourteen, acts like a boy of eight (an American boy of eight) and talks like a man of thirty, so far as pure English and facility of expression go. His manners are perfect, yet he is perfectly simple and boy-like. The culture and breeding of some English children are really marvellous. But somehow and here comes one of my ’buts’ there’s always a suggestion of some repression, some discipline that I don’t like."

Bret Harte’s last employment during this wandering life was that of compositor, printer’s devil, and assistant editor of the “Northern California,” published at Eureka, a seacoast town in Humboldt County. Here he met Mr. Charles A. Murdock, who gives this interesting account of him: “He was fond of whist, genial, witty, but quiet and reserved, something of a ‘tease’” (the Reader will remember that Mr. Howells speaks of this trait) “and a practical joker; not especially popular, as he was thought to be fastidious, and to hold himself aloof from ‘the general’; but he was simply a self-respecting, gentlemanly fellow, with quiet tastes, and a keen insight into character. He was no roisterer, and his habits were clean. He was too independent and indifferent to curry favor, or to counterfeit a liking.”

During a temporary absence of the editor Bret Harte was entrusted with the conduct of the paper, and about that time a cowardly massacre of Indians was perpetrated by some Americans in the vicinity. This was no uncommon event, and the usual attitude of the Pioneers toward the Indians may be gathered from the following passage in a letter written to a newspaper in August, 1851, from Rogue River: “During this period we have been searching about in the mountains, disturbing villages, destroying all the males we could find, and capturing women and children. We have killed about thirty altogether, and have about twenty-eight now in camp.” At the Stanislaus Diggings, in 1851, a miner called to an Indian boy to help him catch a loose horse. The boy, not understanding English, and being frightened by the man’s gestures, ran away, whereupon the miner raised his gun and shot the boy dead.

Nobody hated injustice or cruelty more than Bret Harte, and in his editorial capacity he scathingly condemned the murder of Indians which occurred in the neighborhood of Eureka. The article excited the anger of the community, and a mob was collected for the avowed purpose of wrecking the newspaper office and hanging or otherwise maltreating the youthful writer. Bret Harte, armed with two pistols, awaited their coming during an evening which was probably the longest of his life. But the timely arrival of a few United States cavalrymen, sent for by some peace-lovers in the town, averted the danger; and the young journalist suffered no harm beyond an abrupt dismissal upon the hasty return of the editor.

This event ended his life as a wanderer, and he went back to San Francisco. There is not the slightest reason to think that during this period Bret Harte had any notion of describing California life in fiction or otherwise; and yet, if that had been his object, he could not have ordered his movements more wisely. He had lived on the seacoast and in the interior; he had seen cities, ranches, villages, and mines; he had been tutor, school-teacher, drug clerk, express messenger, printer, and editor. The period was less than two years, and yet he had accumulated a store of facts, impressions and images sufficient to last him a lifetime. He was of a most receptive nature; he was at a receptive age; the world was new to him, and he lived in it and observed it with all the zest of youth, of inexperience, of health and genius.