After several years of wedded life,
your love has become so placid, that Caroline sometimes
tries, in the evening, to wake you up by various little
coquettish phrases. There is about you a certain
calmness and tranquillity which always exasperates
a lawful wife. Women see in it a sort of insolence:
they look upon the indifference of happiness as the
fatuity of confidence, for of course they never imagine
their inestimable equalities can be regarded with disdain:
their virtue is therefore enraged at being so cordially
trusted in.
In this situation, which is what every
couple must come to, and which both husband and wife
must expect, no husband dares confess that the constant
repetition of the same dish has become wearisome; but
his appetite certainly requires the condiments of
dress, the ideas excited by absence, the stimulus
of an imaginary rivalry.
In short, at this period, you walk
very comfortably with your wife on your arm, without
pressing hers against your heart with the solicitous
and watchful cohesion of a miser grasping his treasure.
You gaze carelessly round upon the curiosities in
the street, leading your wife in a loose and distracted
way, as if you were towing a Norman scow. Come
now, be frank! If, on passing your wife, an admirer
were gently to press her, accidentally or purposely,
would you have the slightest desire to discover his
motives? Besides, you say, no woman would seek
to bring about a quarrel for such a trifle. Confess
this, too, that the expression “such a trifle”
is exceedingly flattering to both of you.
You are in this position, but you
have as yet proceeded no farther. Still, you
have a horrible thought which you bury in the depths
of your heart and conscience: Caroline has not
come up to your expectations. Caroline has imperfections,
which, during the high tides of the honey-moon, were
concealed under the water, but which the ebb of the
gall-moon has laid bare. You have several times
run against these breakers, your hopes have been often
shipwrecked upon them, more than once your desires those
of a young marrying man (where, alas, is
that time!) have seen their richly laden gondolas go
to pieces there: the flower of the cargo went
to the bottom, the ballast of the marriage remained.
In short, to make use of a colloquial expression,
as you talk over your marriage with yourself you say,
as you look at Caroline, “She is not what
I took her to be!”
Some evening, at a ball, in society,
at a friend’s house, no matter where, you meet
a sublime young woman, beautiful, intellectual and
kind: with a soul, oh! a soul of celestial purity,
and of miraculous beauty! Yes, there is that
unchangeable oval cut of face, those features which
time will never impair, that graceful and thoughtful
brow. The unknown is rich, well-educated, of noble
birth: she will always be what she should be,
she knows when to shine, when to remain in the background:
she appears in all her glory and power, the being
you have dreamed of, your wife that should have been,
she whom you feel you could love forever. She
would always have flattered your little vanities,
she would understand and admirably serve your interests.
She is tender and gay, too, this young lady who reawakens
all your better feelings, who rekindles your slumbering
desires.
You look at Caroline with gloomy despair,
and here are the phantom-like thoughts which tap,
with wings of a bat, the beak of a vulture, the body
of a death’s-head moth, upon the walls of the
palace in which, enkindled by desire, glows your brain
like a lamp of gold:
FIRST STANZA. Ah, dear me, why
did I get married? Fatal idea! I allowed
myself to be caught by a small amount of cash.
And is it really over? Cannot I have another
wife? Ah, the Turks manage things better!
It is plain enough that the author of the Koran lived
in the desert!
SECOND STANZA. My wife is sick,
she sometimes coughs in the morning. If it is
the design of Providence to remove her from the world,
let it be speedily done for her sake and for mine.
The angel has lived long enough.
THIRD STANZA. I am a monster!
Caroline is the mother of my children!
You go home, that night, in a carriage
with your wife: you think her perfectly horrible:
she speaks to you, but you answer in monosyllables.
She says, “What is the matter?” and you
answer, “Nothing.” She coughs, you
advise her to see the doctor in the morning.
Medicine has its hazards.
FOURTH STANZA. I have been told
that a physician, poorly paid by the heirs of his
deceased patient, imprudently exclaimed, “What!
they cut down my bill, when they owe me forty thousand
a year.” I would not haggle over fees!
“Caroline,” you say to
her aloud, “you must take care of yourself;
cross your shawl, be prudent, my darling angel.”
Your wife is delighted with you since
you seem to take such an interest in her. While
she is preparing to retire, you lie stretched out
upon the sofa. You contemplate the divine apparition
which opens to you the ivory portals of your castles
in the air. Delicious ecstasy! ’Tis
the sublime young woman that you see before you!
She is as white as the sail of the treasure-laden
galleon as it enters the harbor of Cadiz. Your
wife, happy in your admiration, now understands your
former taciturnity. You still see, with closed
eyes, the sublime young woman; she is the burden of
your thoughts, and you say aloud:
FIFTH AND LAST STANZA. Divine!
Adorable! Can there be another woman like her?
Rose of Night! Column of ivory! Celestial
maiden! Morning and Evening Star!
Everyone says his prayers; you have said four.
The next morning, your wife is delightful,
she coughs no more, she has no need of a doctor; if
she dies, it will be of good health; you launched
four malédictions upon her, in the name of
your sublime young woman, and four times she blessed
you for it. Caroline does not know that in the
depths of your heart there wriggles a little red fish
like a crocodile, concealed beneath conjugal love
like the other would be hid in a basin.
A few days before, your wife had spoken
of you in rather equivocal terms to Madame de Fischtaminel:
your fair friend comes to visit her, and Caroline
compromises you by a long and humid gaze; she praises
you and says she never was happier.
You rush out in a rage, you are beside
yourself, and are glad to meet a friend, that you
may work off your bile.
“Don’t you ever marry,
George; it’s better to see your heirs carrying
away your furniture while the death-rattle is in your
throat, better to go through an agony of two hours
without a drop to cool your tongue, better to be assassinated
by inquiries about your will by a nurse like the one
in Henry Monnier’s terrible picture of a ‘Bachelor’s
Last Moments!’ Never marry under any pretext!”
Fortunately you see the sublime young
woman no more. You are saved from the tortures
to which a criminal passion was leading you. You
fall back again into the purgatory of your married
bliss; but you begin to be attentive to Madame de
Fischtaminel, with whom you were dreadfully in love,
without being able to get near her, while you were
a bachelor.