THE KULTUR OF KAISERDOM THE GERMAN SOUL
The older I grow the more it seems
to me that all men are alike and that they have been
alike at all periods of history, capable of the same
development and differing only because of environment.
I do not believe, for example, that
any mystery is concealed behind the faces of the peoples
of the East. Once I asked Soughimoura, my colleague
in Berlin, Ambassador of Japan, whether the Japanese
were as much subject to nerves as western peoples.
He answered in the affirmative but said they were taught
from infancy to control their nerves. I asked
him how, and he said the principle of the system was
deep abdominal breathing with a slow release of the
breath as soon as nervousness came on. Japanese
wrestlers practised this, he added, and when a man
took deep breaths it was almost impossible to throw
him.
Of course, social life and customs
change with climate. But education is the most
powerful factor of all. The Aztecs of Mexico
offered human sacrifices, but the letter of the Aztec
mother to her daughter, giving advice and counsel,
mentioned by Prescott in his history, might have been
written by a New England mother to-day. Somewhere
in the world is a savage eating human flesh, persuaded
that in so doing he is acting in accordance with the
tenets of his religion.
These are the extremes.
But the German or rather the Prussian,
has been moulded into the extraordinary person that
he is to-day by a slow process of education extending
through several generations. At Marienburg, on
the Baltic shore of Germany, stands the ancient castle
of the Teutonic Knights recently restored by the German
Kaiser. The Knights at one time conquered and
occupied much of the territory that is now modern
Prussia. A military religious order, they attracted
adventurers from all lands and their descendants constitute
many of the noble families of Prussia. It is this
tradition of conquest for gain that still animates
the ruling class of Prussia and therefore all Germany.
Later through the middle ages and
as the central power of the Emperor grew weaker and
weaker, what is to-day Germany became a nest of dukedoms
and principalities. Before the French Revolution
these numbered hundreds. After the Thirty Years’
War which ravaged Germany from 1615 to 1645 extreme
poverty was often conspicuous at these petty courts.
War was an industry and the poor German peasants were
frequently bartered as slaves to the war-god, as the
Hessians were sold by their ruler to the British in
our War of the Revolution. The Germans were then
the mercenaries of Europe, savages skilled in war,
without mercy towards the towns unfortunate enough
to be given to their pillage. There is no more
horrible event in all history than that of the sack
of Rome by the German mercenaries in the year 1527.
Under General George von Frundsberg, who joined forces
with the recreant constable Bourbon of France and
the Spaniards, these lawless Germans invaded the fertile
plains of Italy and took Rome by assault.
The most awful outrages were perpetrated.
Prelates were tortured after being paraded through
the streets of the Eternal City, dressed in their
sacred pontificals and mounted on donkeys. Altars
were defiled, sacred images broken, vestments and services
and works of art taken from the plundered churches
and sacred relics insulted, broken and scattered.
For nine months the orgy continued, the inhabitants
being tortured by these German soldiers in their effort
to find hidden treasure. In fact conditions in
Belgium to-day had their counterpart centuries ago
in the treatment of Roman Catholic Priests and the
people of Rome.
The great change in the feeling of
the country towards Prussia since the latter’s
conquest of the rest of Germany in 1866, is still
exemplified by one quotation from Goethe. He said,
“The Prussian was born a brute and civilisation
will make him ferocious.” We all have seen
how prophetic was this sentence. Skilled in chemistry,
in science, well educated, made rich by manufacturing
and foreign commerce, the Prussians of to-day have
shown themselves far more bloody, far more cruel than
the German lansquenet of the middle ages who sold
himself, his two handed sword, his military experience
and his long lance to the highest bidder.
Tacitus tells of how the ancient Germans
when drawn up in battle array used to sing a sort
of war song to terrify their enemies.
It was Goethe incidentally who remarked
“Amerika, du hast es besser.”
(America, you are better off.) The poet who died in
1832 foresaw, indeed, the coming power of the free
democracy across the seas.
It was interesting to note the psychological
development of the Germans during the war. For
the very short time while war hung in the balance
there was a period almost of rejoicing, among the
singing crowds in the streets a universal
release of tension after forty years’ preparation
for war.
Next came the busy period of mobilisation
and then, as the German armies swept through Belgium
and France, stronghold and fortress falling before
them, there came a period of intense exaltation, a
period when the most reasonable Germans, the light
of success and conquest in their eyes, declared German
Kultur would now be imposed on the whole world.
The battle of the Marne ended this
period of rejoicing and, through the winter of 1914-1915,
when it became apparent that Germany would not win
by a sudden assault, the temper of the people began
to change to an attitude of depression.
It has been at all times the policy
of the German autocracy to keep the people of Germany
from amusing themselves. I know of no class in
Germany which really enjoys life. The Counts and
Junkers have their country estates. Life on these
estates, which are administered solely for profit,
is not like country life in England or America.
The houses are plain and, for the most part, without
the conveniences of bath rooms and heating to which
we are accustomed in America. Very few automobiles
are owned in Germany. There are practically no
small country houses or bungalows, although at a few
of the sea places rich Jews have villas.
The wealthy merchant takes his vacation
in summer at Carlsbad or Kissingen or in some other
resort where his physical constitution, disorganised
by over-eating and over-drinking, can be regulated
somewhat. Many Germans take their families to
Switzerland where the German of all ages with knapsack
and Alpine stick is a familiar sight.
Earnestness is the watchword.
For should the people once get a taste of pleasure
they might decide that the earth offered fairer possibilities
than life in the barracks or the admiring contemplation
of fat and complacent grand dukes and princes.
Much of this sycophancy is due to
the poverty of the educated classes. Salaries
paid to officials are ridiculously small. The
German workingmen both in wages and living are on a
lower scale than those of other western nations with
the possible exception of Russia, Italy and the Balkan
States. The professional and business classes
earn very little. The reason for the superiority
of the German in the chemical industry is because a
chemist, a graduate of the university, can be hired
for less than the salary of an American chauffeur.
And this earnestness of life was insisted
upon even to a greater degree by the autocracy with
the opening of war. The playing of dance music
brought a visit from the police. The theatres
at first were closed but later opened. Only plays
of a serious or patriotic nature were originally permitted.
Dancing was tabooed, but in the winter of 1915-16
Reinhardt was allowed to produce a ballet of a severely
classical nature and at the opera performances the
ponderous ballet girls were permitted to cavort as
usual.
I saw no signs of any great religious
revival, no greater attendance at the churches.
Perhaps this was because I was in the Protestant part
of Germany where the church is under the direct control
of the government and where the people feel that in
attending church they are only attending an extra drill,
a drill where they will be told of the glories of
the autocracy and the necessity of obedience.
In fact, religion may be said to have failed in Germany
and many state-paid preachers launched sermons of
hate from their state-owned pulpits.
Always fond of the drama and opera
I was a constant attendant at theatres in Berlin.
The best known manager in Berlin is Reinhardt, who
has under his control the Deutsches Theatre with its
annex, the Kammerspiel and also the People’s
Theatre on the Buelow Platz. I made the acquaintance
of Mr. Reinhardt and his charming wife who takes part
in many of his productions. I dined with them
in their picturesque house on the Kupfer Graben.
In the Deutsches Theatre the great revolving stage
makes change of scene easy so that Reinhardt is enabled
to present Shakespeare, a great favourite in Germany,
in a most picturesque manner. He manages to lend
even to the most solemn tragedy little touches that
add greatly to the interest and keep the attention
fixed.
For instance in his production of
“Macbeth,” when Lady Macbeth comes in,
in the sleep-walking scene, rubbing her hands and
saying, “What, will these hands ne’er be
clean?” the actress taking this part in Berlin
gave a very distinct and loud snore between every
three or four words: thus most effectively reminding
the audience that she was asleep.
As the war continued the taste of
the Germans turned to sombre, tragical and almost
sinister plays. Only a death on the stage seemed
to bring a ray of animation to the stolid bovine faces
of the audience. In my last winter in Berlin
the hit of the season was “Erdgeist,”
a play by Wedekind, whose “Spring’s Awakening,”
given in New York in the spring of 1917, horrified
and disgusted the most hardened Broadway theatregoers.
The principal female rôle was played by a Servian
actress, Maria Orska very much on the type
of Nazimova. In this play, presented to crowded
audiences, only one of the four acts was without a
death.
Another favourite during war-time,
played at Reinhardt’s theatre, was “Maria
Magdalena.” The characters were the father,
mother, son and daughter of a German family in a small
town and two young men in love with the daughter.
In the first act the police arrest the son for theft,
giving the mother such a shock that she dies of apoplexy
on the stage. In the second act, the two lovers
have a duel and one is killed. In the third act,
the surviving lover commits suicide, and, in the fourth
act, the daughter jumps down the well. The curtain
descends leaving only the old man and the cat alive
and the impression is given that if the curtain were
ten seconds later either the cat would get the old
man or the old man would get the cat!
The mysterious play of Peer Gynt was
given in two theatres during each winter of the war.
All of Ibsen’s dramas played to crowded houses.
Reinhardt, during the last winter I was in Berlin,
produced Strindberg’s “Ghost Sonata,”
in quite a wonderful way. The play was horrible
and grewsome enough, but as produced by him, it gave
a strong man nightmare for days afterwards.
The German soul, indeed, seems to
turn not towards light and gay and graceful things,
but towards bloodshed and grewsomeness, ghosts and
mystery effect doubtless of the long, dark,
bitter nights and gray days that overshadow these
northern lands.
I think the only time I lost my temper
in Germany was when a seemingly reasonable and polite
gentleman from the Foreign Office sitting by my desk
one day, in 1916, remarked how splendid it was that
Germany had nearly two million prisoners of war and
that these would go back to their homes imbued with
an intense admiration of German Kultur.
I said that I believed that the two
million prisoners of war who had been insulted and
underfed and beaten and forced to work as slaves in
factories and mines and on farms would go back to their
homes with such a hatred of all things German that
it would not be safe for Germans to travel in countries
from which these prisoners came, that other nations
had their own Kultur with which they were perfectly
satisfied and which they did not wish to change for
any made-in-Germany brand!
Certain Germans have prated much of
German “Kultur,” have boasted of imposing
this “Kultur” on the world by force of
arms. What is this German “Kultur”?
A certain efficiency of government obtained by keeping
the majority of the people out of all voice in governmental
affairs, a certain low cost of manufactured products
or of carrying charges in the shipping trades made
possible by enslaving the workmen who toil long hours
for small wages a certain superiority in
chemical production because trained chemists, willing
to work at one semi-mechanical task, can be hired
for less than a Fifth Avenue butler is paid in America,
and a certain pre-eminence in military affairs reached
by subjecting the mass of the people to the brutal,
boorish, non-commissioned officers and the galling
yoke of a militaristic system.
Subtract the German Jews and in the
lines of real culture there would be little of the
real thing left in Germany. Gutmann, Bleichroeder,
von Swabach, Friedlander-Fuld, Rathenau, Simon, Warburg
in finance; Borchardt and others in surgery, and almost
the whole medical profession; the Meyers, the Ehrlichs,
Bamberger, Hugo Schiff, Newburger, Bertheim, Paul Jacobson,
in chemistry and research; Mendelssohn, and others,
in music; Harden, Theodor Wolf, Georg
Bernhard and Professor Stein in journalism.
But why continue about
the only men not Jews prominent in the intellectual,
artistic, financial, or commercial life of Germany
are the pastors of the Lutheran Churches. And
the Jews have won their way to the front in almost
a generation. Still refused commissions in the
standing army (except for about 114 since the war),
still compelled to renounce their religion before being
eligible for nobility or a court function, still practically
excluded from university professorships, considered
socially inferior, the Jews of Germany until a few
years ago lived under disabilities that had survived
from the Middle Ages. They were not allowed to
bear Christian names. The marriages of Jews and
Christians were forbidden. Jews could not own
houses and lands. They were not permitted to
engage in agriculture and could not become members
of the guilds or unions of handicraftsmen. When
a Jew travelled he was compelled to pay a tax in each
province through which he passed. Jews attending
the fair at Frankfort on the Oder were compelled to
pay a head tax, and were admitted to Leipzig and Dresden
on condition that they might be expelled at any time.
Berlin Jews were compelled to buy annually a certain
quantity of porcelain, derisively called “Jew’s
porcelain” from the Royal manufactory and to
sell it abroad. When a Jew married he had to
get permission and an annual impost was paid on each
member of the family, while only one son could remain
at home, and the others were forced to seek their
fortune abroad. The Jews could worship in their
own way, in some states, provided they used only two
small rooms and made no noise.
The reproach that the Jew is not a
producer, but is a mere middleman, taking a profit
as goods pass from hand to hand, is handed down from
the time when Jews were forbidden by law to become
producers and, therefore, were compelled to become
traders and middlemen, barred from the guilds and
from engaging in the cultivation of the soil.
The German newspaper in size is much
smaller than ours. If you take an ordinary American
newspaper and fold it in half, the fold appearing
horizontally across the middle of the page and then
turn it so that the longer sides are upright, you get
an idea of the size. There are no editorials
in German newspapers, but articles, usually only one
a day, on some political or scientific subject, one
contributed by a professor or some one else supposedly
not connected with the newspaper.
The editor of the German newspaper
in his desire to poison and colour the news to suit
his own views does not rely upon an editorial, but
inserts little paragraphs and sentences in the news
columns. For instance, a note of President Wilson’s
might be printed and after a paragraph of that, a
statement something like this will be inserted in
parentheses. “This statement comes well
from the old hyprocrite whose country has been supplying
arms and ammunition to the enemies of Germany.
The Editor.” A few sentences more or a
paragraph of the note and another interlineation of
this kind. Small newspapers have a news service
furnished free by the government, thus enabling the
latter to colour the news to suit itself. It
is characteristic of Germany and shows how void of
amusement the life of an average citizen is and how
the country is divided into castes, that there is
no so-called society or personal news in the columns
of the daily newspaper.
You never see in a German newspaper
accounts common even to our small town newspapers,
of how Mrs. Snooks gave a tea or how Mrs. Jones, of
Toledo, is visiting Mrs. Judge Bascom for Thanksgiving.
If a prince or duke comes to a German town a simple
statement is printed that he is staying at such and
such a hotel.
German newspapers, as a rule, are
very pronounced in their views, either distinctly
Conservative or Liberal or Socialist or Roman Catholic.
The Berliner Tageblatt is nearest our idea of
a great independent, metropolitan, daily newspaper.
Other newspapers represent a class and many of them
are owned by particular interests such as the Krupps
and other manufacturers or munition makers.
There is little that is sensational
in the German newspaper. I remember on one occasion
that two women murderers were beheaded in accordance
with German law. Imagine how such an occurrence
would have been “played up” in the American
newspapers, with pictures, perhaps, of the executioner
and his sword, with articles from poets and women’s
organisations, with appeals for pardon and talk of
brainstorms and the other hysterical concomitants
of murder trials in the United States. But in
the German newspapers a little paragraph, not exceeding
ten lines, simply related the fact that these two
women, condemned for murdering such and such a person,
had been executed in the strangely medieval manner their
heads cut off on the scaffold by a public executioner.
The German newspapers in reporting
police court and other judicial proceedings often
omit names and it is possible in Berlin for a man
to prosecute a blackmailer without having his own
name in print.
When a German victory was announced
flags were displayed, but as the war progressed so
many victories announced turned out to be nothing
wonderful or decisive that little attention was paid
to the vain-glorious flaunting of German triumphs.
Following an old custom ten or fifteen trumpeters
climbed the tower of Rathhaus or City Hall and there
quite characteristically blew to the four quarters
of Heaven; but again as these official and brazen
blowings were not always followed by the confirmation
in fact, trumpetings were gradually discontinued.
The Germans cleverly kept back the
announcement of certain successes in order to offset
reverses. For instance, on a day when it was
necessary to tell the people of a German retreat the
newspapers would have great headlines across the front
of the first page announcing the sinking of a British
cruiser (sunk, perhaps, a month before) and then hidden
in a corner would be a minimised announcement of a
German defeat.
To us in Germany there was at the
time no battle of the Marne. So gradually was
the news of the retreat of the German forces broken
to the people that to-day the masses do not realise
that the fate of the world was settled at the Marne!