“Well, what do you think of
it, my dear?” Mrs. Dillon questioned eagerly.
“Beautiful!” the guest
praised, stepping back a pace that she might view
the painting to better advantage. “How
fortunate you are to own such a picture.”
“I’ve always craved to
possess a genuine masterpiece,” Mrs. Dillon
declared enthusiastically. “It gives one
prestige.”
“And you say this is a Rembrandt,
Mrs. Dillon?” the other asked. “It
must have cost you a pretty penny.”
“It did, but at that I consider
the painting a great bargain. The dealer assured
me that if I wished to dispose of it at any time he
would promise to find an immediate purchaser.”
“Undoubtedly, you made a fine
deal,” Mrs. Dillon’s friend acknowledged.
“From whom did you buy the picture?”
“I can’t tell you that.
I pledged myself not to reveal his identity.”
“Oh, I see. But you are
quite sure you can depend upon the dealer’s
word?”
“Yes, indeed. I hope you
don’t think I’d allow myself to be taken
in ”
“Oh, no, certainly not.
Only I’ve heard it said that unscrupulous dealers
sometimes resort to tricks.”
“I pride myself upon having
a streak of Yankee shrewdness,” Mrs. Dillon
said, “and I do know art. When I saw this
picture I recognized it instantly as one I had seen
at the Gage Galleries. Of course, the dealer
didn’t claim it was the genuine Rembrandt quite
the contrary.”
“Then aren’t you afraid ?”
“Not in the least,” Mrs.
Dillon interrupted. “Naturally, the dealer
wouldn’t subject himself to arrest by acknowledging
that he was selling stolen property.”
“The painting is a very fine
one,” the other woman declared, “but I
can’t say I should care to own it myself.
You’ll never be able to display it openly.”
“Perhaps not, but I can show
it privately to my friends and I’ll derive satisfaction
just from knowing I own it.”
“But if the police should suspect ”
“They won’t, unless someone
reports me. So far you are the only person who
knows that I have the painting.”
“Oh, you may trust me, Mrs.
Dillon. I’ll never give you away.”
“If the picture should ever
be traced to me I can always claim that I was an innocent
purchaser,” Mrs. Dillon chuckled. “In
fact, I don’t know that this is the same picture
that was taken from the Gage Galleries. The
dealer didn’t tell me that it was an original.”
“You’re very shrewd,” the other
woman praised.
Mrs. Dillon carefully drew the velvet
curtain over the painting and closed the panel.
As the two women moved toward the door they passed
close to Penny’s chair. The girl held her
breath, fearing detection.
She had not meant to be an eavesdropper,
but the nature of Mrs. Dillon’s conversation
had made it impossible to reveal her presence in the
room without creating a difficult scene. However,
should she be discovered now, crouching behind the
back of the chair, the situation would prove even
more embarrassing.
“We must return to the others
before we’re missed,” Mrs. Dillon said,
unlocking the door.
The two women went out, and Penny
heard a slight metallic click which at the moment
did not strike her as having any significance.
As the door closed she quickly arose from her chair.
Penny was dismayed at what she had
seen and heard. It was difficult for her to
believe that Mrs. Dillon owned the painting which had
been stolen from the Gage Galleries. From the
conversation she felt quite sure that the society
woman had purchased the picture from a dishonest dealer
who undoubtedly had received it from the original thief.
Yet Mrs. Dillon had knowingly purchased stolen property
and so in effect was an accessory to the crime.
“She must be crazy to involve
herself in a deal like that,” Penny thought.
“If the police learn she has the painting they’ll
confiscate it and arrest her.”
Penny realized that she had it within
her power to expose Mrs. Dillon. Even though
she were a guest in the society woman’s home,
it was really her duty to reveal her findings to the
police.
From her hiding place behind the chair,
Penny had not been able to secure a very good view
of the painting. She was eager to examine it
at close range.
Did she dare open the panel?
She decided to take the chance. Jerking at
the long silken rope as she had seen Mrs. Dillon do,
the girl was gratified to observe the sham picture
above the mantel swing slowly back to reveal the hidden
panel.
Penny quickly drew aside the velvet
curtain which protected the stolen Rembrandt.
The painting was one of the lesser
known works of the famous artist, a picture of a child.
Penny snapped on the electric light that she might
view it to better advantage.
At first glance the painting was very
impressive, but as the girl studied it more critically,
she was assailed with doubt. The picture did
not seem to have the character or strength commonly
associated with great works of art. The draftmanship
seemed mechanical, the color lacked depth.
“I wonder if it really is a
genuine Rembrandt?” Penny thought.
The longer she gazed at it the more
convinced she became that the picture was merely a
clever imitation. She wished that Amy Coulter
were there to offer an opinion. Penny did not
trust her own judgment. Her knowledge of art
was so slight that she might be mistaken in considering
the Rembrandt a fraud.
Closing the panel, Penny sat down
for an instant to think. She knew she had made
an important discovery, one which easily could cause
Mrs. Dillon serious trouble should she report her
findings to the police. Upon the other hand,
the society woman was an important personage of Belton
City with many influential friends, and should she
be falsely arrested the trouble would descend like
an avalanche upon the head of Penny Nichols.
“I’ll have to move cautiously,”
the girl reflected. “It’s no crime
to own a copy of a stolen painting. If this
picture is a fake, the police would have no case against
Mrs. Dillon.”
The problem was too deep for Penny.
She decided to reveal to no one the discovery she
had made until after she had discussed the matter
with her father. Quickly, she arose and went
to the door.
To her surprise it did not open when
she turned the knob. It took an instant for
the truth to dawn upon her. The door was locked!
“Mrs. Dillon must have turned
the key when she went out,” Penny thought, recalling
that she had heard a slight metallic click. “Now
I am in it!”
She considered calling for help but
immediately abandoned the idea. It would be
difficult to explain how she had been locked in the
library without revealing the true details.
And Mrs. Dillon would instantly suspect that she had
seen the hidden painting.
The room had two windows looking out
upon the front lawn. Directly beneath was a
cultivated bed of flowers which Penny decided must
be sacrificed if necessary to the occasion.
She switched out the electric lights, and raising
one of the windows peered in both directions to see
that the coast was clear.
Quickly she climbed over the sill,
hung by her fingers tips for an instant, then dropped
lightly down to the ground, crushing several choice
plants underfoot.
Before she could turn she felt her
arms pinioned behind her back in a grasp of steel.
“Not so fast, young lady!” said a gruff
voice.
Penny whirled around to face the man
who had captured her. She began to laugh.
“Dad!”
“Penny! I thought I had
caught a young lady burglar. What are you trying
to do?”
“Escape from the library.”
“So I observe. But have
you any objection to using a door? In polite
society I believe that’s the accepted method
of leaving a house.”
“The library door was locked,”
Penny explained hastily. “And I have good
reason for wanting to get away without being seen by
anyone.”
“In that case, always close
the window after you,” Mr. Nichols chuckled.
“Here, I’ll boost you up and you can pull
it down.”
After Penny had lowered the sash,
they hurriedly moved away from the window.
“Now tell me all about it,”
the detective invited. “Did you lose your
bag of loot?”
“You know very well I wasn’t
doing anything I shouldn’t,” Penny countered,
“but you nearly frightened me to death when you
nabbed me.”
“I just happened to see you
climbing out of the window as I came up the path,”
the detective smiled. “I thought perhaps
someone was escaping with the family jewels.”
“Speaking of jewelry, there’s
plenty of it around tonight. The ballroom is
fairly ablaze with it.”
“Never mind the jewelry,”
Mr. Nichols said. “What were you doing
in the library?”
Leading her father to a secluded stone
bench in the garden, Penny related all that she had
seen and heard.
“I wish you could see the picture,”
she ended. “I’m almost certain it’s
a fake. If I can smuggle you into the library,
will you look at it?”
“No, Penny, I will not.
You seem to forget that we’re guests of Mrs.
Dillon.”
“Yes, but if she has the stolen
Rembrandt in her possession, isn’t it our duty
to notify the police?”
“Do you know that she has the stolen painting?”
“No, in fact I rather suspect she’s been
cheated by a dishonest dealer.”
“In that event, you’d
only stir up a hornet’s nest without doing a
particle of good. In fact, exposing Mrs. Dillon
might give the real thief a warning to lie low.”
“How do you mean, Dad?”
“Why, the moment Mrs. Dillon
is arrested, the dealer from whom she purchased the
picture will disappear. Then there will be no
way to trace the real thief.”
“You’re assuming that
the dealer and the thief worked together even though
the painting which Mrs. Dillon bought may have been
a fake.”
“It’s quite possible,
Penny. Some day when the time is more opportune,
I’ll explain to you how picture thieves work
their racket. For the moment I wish you’d
accept my opinion that this case is packed with dynamite.
My advice to you is to be very sure of what you’re
doing before you start any action.”
“I guess you’re right,”
Penny agreed. “I’ll not do anything
rash.”
“The case may shake down in
a few days,” Mr. Nichols went on. “In
the meantime, Mrs. Dillon isn’t going to dispose
of her picture. She’ll not find it as
easy to sell as she anticipates.”
The detective arose from the bench
after glancing at his watch.
“We’ll have to go inside
now,” he said, “or the party will be over.”
They entered the house and after wandering
about for a few minutes encountered Mrs. Dillon.
She greeted the detective cordially and the smile
she bestowed upon Penny disclosed that she had not
even noticed the girl’s long absence from the
ballroom.
“How do you like her?”
Penny whispered to her father as they sought the refreshment
table.
The detective shrugged. “She serves very
good punch.”
Mr. Nichols knew nearly all of the
guests, either personally or by reputation.
Penny noticed that as he appeared to talk casually
with one person after another, actually he was surveying
the throng somewhat critically.
“You were right about the jewelry,”
he said in an undertone to his daughter. “That
necklace Mrs. Dillon is wearing must be worth at least
a cool ten thousand dollars.”
“I should think she’d
be afraid of losing it,” Penny commented.
“Oh, it’s probably insured
for all it’s worth,” Mr. Nichols returned
casually.
The orchestra had struck up again
and as other couples went out on the floor, Penny
tugged at her father’s sleeve.
“Come on, Dad. Let’s dance.”
“You know I hate it, Penny.”
“Just one,” she pleaded. “I’ve
had no fun at all this evening.”
“Oh, all right,” he gave in. “But
remember, one dance is the limit.”
“That depends upon how many times you step on
my feet,” Penny laughed.
Actually, Christopher Nichols was
a far better dancer than he imagined himself to be.
His steps were introduced in a mechanical routine
which sometimes annoyed Penny, but otherwise he made
an excellent partner, gliding smoothly over the floor
with the ease and grace of a young man.
“How am I doing?” he mumbled
in his daughter’s ear as he whirled her deftly
about to avoid striking another couple.
“Not bad at all,” Penny
responded, smiling. “Consider yourself
engaged for the next dance.”
“Only one I said. I don’t
want to be laid up with rheumatism tomorrow.”
“Rheumatism!” Penny scoffed.
She had spoken the word in an ordinary
tone but it sounded as if she had shouted it for the
music ended unexpectedly in the middle of a strain,
trailing off into discordant tones. The amazed
dancers halted, looking toward the orchestra to see
what was wrong.
Penny felt the arm which her father
held about her waist stiffen. A scream of terror
rippled over the room.
Two men with white handkerchiefs pulled
over their faces, had entered the ballroom through
the double French doors opening into the garden.
They trained their revolvers upon the dancers.
“This is a stick-up!”
one announced grimly. “Put up your hands
and stand against the north wall!”