An Inquiry into the Nature of a
Voice, and in what respect it differs from the
Breath.
Let no Man presume, that he shall
ever attain to this noble Art, if he remain Ignorant
in what it is that the nature of the Letters, as well
in general, as special, doth consist; for it was this
very thing which gave occasion to the composing of
this small Treatise: Wherefore, before I treat
of the manner of instructing Deaf Persons, I
shall bring into examination, First, the material
part of the Letters, viz. Voice
and Breath; Secondly, the Letters themselves,
and their Differences: Thirdly, and Lastly, I
will teach the Practise of the Art.
I have oftentimes heard from some
Persons, that it was little beneath a Miracle, that
God should give Men, to express the Thoughts of the
Mind, rather by Motions, which are effected by the
Lips, the Tongue, the Teeth, &c. than otherwise, and
that so universally, that there is no Nation so Barbarous,
no not excepting the Hottentots, which cannot
speak in a Language. But let (I pray) these Men
consider, what it is that Men rightly Instituted would
have, whilst they mutually talk one with another;
for they desire to open the most inward Recesses of
the Heart, yea, and to transfuse their own proper Life
into others, which thing cannot be more commodiously
done, than by Speaking; for there is nothing which
floweth forth from us, which carrieth with it a more
vivid Character of the Life, than our Voice
doth; yea, in the Voice is the Breath
of Life, part of which passeth into the Voice;
for indeed the Voice is the Child of the Heart,
which is the Seat of the Affections, and of Desire.
Hence it is, that sometimes we are not able to keep
back the impetuous Motions of the Affections; but
out of the abundance of the Heart, the Mouth speaketh.
Thus, when we desire something in our selves, and yet
are afraid to express it, the Heart labours like a
Woman with Child, and becomes Anxious; but if we can
pour it forth into the Bosom of a Friend, there presently
ariseth great Tranquility, and we say, that we have
emptied our Hearts: Yea, so full is the Voice
of the Life, which immediately flows from the Heart,
that to talk long, extreamly wearieth us; but especially
the Sick, who oftentimes can scarce utter three or
four words, but they faint away. Therefore, to
comprehend much in a few words, the Voice is
an Emanation from that very Spirit, which God breathed
inth Man’s Nostrils, when he Created him a living
Soul. Hence also, The Word of God, the Son
of God, the Omnipotence of God, &c. are in Holy
Scripture oftentimes homonymous, or of the like, and
same import.
It is no wonder therefore, if Voice
be natural to a Man, though he be Deaf, because
Deaf Men Laugh, Cry out, Hollow, Weep, Sigh,
and Waile, and express the chief Motions of the Mind,
by the Voice which is to an Observant Hearer,
various, yea, they hardly ever signifie any thing
by Signs, but they mix with it some Sound or
Voice. Thus the Exclamations of almost
all Nations are alike; [a] is the Sound
of him chiefly, who rejoyceth; [i] of him who
is in Indignation, and Angry; [o] of one in
Commiseration, or Exclamation; not to mention many
such other-like.
Now I shall briefly declare, wherein
the nature of the Voice consisteth, where it
is formed, and how it is formed: I shall also
discover, together therewith, wherein is the difference
betwixt Voice and Breath simply, as
what is in truth, of so much weight, that if it be
unknown, some Deaf Persons cannot learn to speak, as
shall be taught in the Third Chapter. Men ordinarily
speak after two manner of ways, viz. either when
they may be heard by any one, who is not too far distant
from them, and that is properly call’d Voice;
or else, when they speak privately in another’s
Ear, and then they pronounce a Breath which is
simple, but not Sonorous. Deaf Men also do
know a Voice to be different from a Simple
Breath; for they can speak both ways, and I also
have learned this Distinction partly from them.
The Humane Voice is Air, impregnated,
and made Sonorous by the impressed Character of the
Life, or is such, as whilst it is in breathing forth,
doth smite upon the Organs of the Voice, so,
as they tremble thereupon; for indeed, without
this tremulous Motion, no Voice is made:
Yea, not only the Larynx, or Wind-pipe, doth
thereupon tremble, but the whole Skull also; yea, and
sometimes all the Bones of the whole Body,
which any one may easily find in himself, by his applying
his Hand to his Throat, and laying it on the top of
his Head. This trembling is very perceptible in
most sounding Bodies, and is (if I mistake not) owing
for the most part to the Springiness of the
Air; which, did I not study to be brief, I could more
fully explicate. Now the Simple Breath
is Air, breathed forth by the opening of the Mouth
or Nostrils, simply, and without any smiting on the
parts, which rather exciteth a whispering than a sound.
Hence is it, that Animals, whose Wind-pipe is cut beneath
the Throat, do indeed render a Breathing, but
no Voice; for the Tube of the Wind-pipe is
too large, and too smooth, than that the Air can strike
upon it any where; and being thus reflected on its
self, it can also imprint a tremulous Motion on its
neighbouring Bodies: This the Physicians Pupils
do know; who being about to dissect live Dogs, they
cut their Throats, that they may not be troubled with
their barking: For Voice differs as much
from a Simple Breath, as doth that hoarse Sound,
which we excite, by rubbing the tops of our Fingers
hard upon some Glass or Table, which is quite differing
from that same soft whistling Sound, which
is heard when we lightly rub with the Hand the same
Glass or Table.
The Voice therefore, as it
is the Voice, is generated in the Cartilages
of the Wind-pipe, then afterwards is formed into
such or such Letters; but that it may become
a lovely Voice, it’s requisite, that
those Cartilages be smooth, and lined
with no mucous Matter, else the Voice will
become Hoarse, and sometimes be utterly lost, viz.
when they have lost their Springy power.
For Pipes; and other Wind-Instruments
do most notably explain to us the nature of the Voice;
for in them we see a certain Voice or Sound
to be generated out of Simple Air, whilst it is as
it were, rent in pieces, and forced into a tremulous
Motion: Now, that in these Instruments there
is a little Tongue; or which is instead of a Tongue,
the same in a Man is the Epiglott, or Cover
of the Wind-pipe, and the Uvula, or
Pallate of the Mouth; but the rest of the Cartilages
of the Throat, besides that, they contribute
much to the making of the Voice, yet are they
chiefly serviceable to it, in rendering it to be more
flat, and more sharp, and that especially by the Bone
of the Tongue, and the adjoyning Muscles:
But I am unwilling to put from this Office the Muscles
which are proper to the Wind-pipe; for they
all unanimously conspire to make the Cleft of the
Throat either wider, or narrower. But above
all, here is that wonderful Faculty of modifying the
Voice, according to Will and Pleasure; which,
even as Speech also, is not natural to us,
but a Habite, contracted by long Use or Custom.
Hence it is, that the Unskilful are not only Ignorant
how to Sing, but also cannot so much as imitate others
who are Singing; so also such as are ignorant of any
Language, do not only not understand others who are
speaking that Language, but also do not know how presently
to repeat that Voice which they received by
their Ears.
Things principally requisite to the
Voice, are, that the Wind-pipe, the
former thereof be solid, dry, and of the nature of
Resounding Bodies. By this Hypothesis,
two of the most Eminent Phaenomena’s of the
Voice are discovered; why the Voice should
then at length become firm and ripe, when the Bones
have attained unto their full Strength, and due Hardness,
which cometh to pass much about the Years of ripe
age, when the vital Heat, doth in a greater degree
exert itself: The other Phaenomenon is Hoarsness
or an utter loss of the Voice, which is, when
the Cartilages, or Gristles of the Throat,
especially the Epiglott, or Coverlid of the
Wind-pipe, is lined or besmeared all over with
a slimy Viscosity, whereby they lose their Elasticity,
or Springiness. Now these Symptoms of the Voice
are also common to other Wind-instruments, when
they become too much moistned by any vapourous wetting
Air. The same reason also is to be assigned why
the Voice doth at last quite cease in those
who have made too long Harrangues, in speaking, and
whose Jaws are quite dried with an immoderate Heat;
for in both these cases the top of the Wind-pipe
is covered over with a clammy Tenacious Phlegm.
There remains yet two other Symptoms
of the Voice, which I have undertaken to explicate,
viz. why the Voice sometimes leaps from
one Eighth to another; and, as it is rightly
said by the Vulgar Expression, that it is broken:
and why, when we strive to make our Voice either
too sharp, or too flat, it at last plainly faileth
us. As to the first, let us consider when and
how it cometh to pass; and first, it’s what
principally happeneth to Orators, when they
endeavour to lift up their Voice too high, or
strongly; but how this cometh to be, Organ-pipes,
and the Monochorde, do teach us, viz.
when some Impediment interposing, doth divide the ordinary
Sound into two; if therefore those parts are equal,
either of them is by one Eighth more sharp
than the former Sound, neither are they distinguished
from one another; but if they prove to be unequally
divided, then two distinct Sounds are made at
the same time, whereof one is flatter than the ether,
and this is commonly called a broken Voice:
But why our Voice should fail us, when we endeavour
to make it more sharp, or more flat than it ought
to be, the reason is, because we strive either so
to contract the Cleft of the Wind-pipe,
and to press the Spout-like Cartilage, by help
of the Bone of Tongue, towards the Epiglott,
that the going forth of the Voice, and of the
Breath, may be precluded, or else, on the contrary,
because that the said Cleft, through the drawing
down of the Cartilages, is so much widened,
that the departing out of the Breath, finds
no hinderance.
But here I had almost forgot to compare
the more dry, the more moist, the more
solid, and the more thin Constitution of
the Larynx, or Wind-pipe, which also
make very much to the rendering the Voice,
to be either sharp, or flat. That same humming
Noise, which many flying Insects make, not
so much by the Wings, (for when they are cut off,
the humming still remains) as by a most swift and
brisk Motion of certain Muscles, hid in the Cavity
of their Breasts, seems to have somewhat of an affinity
to the Voice; wherefore I desire the Learned
to examine, whether those small Muscles, which are
proper to the Cartilages of the Wind-pipe, cannot
perform somewhat like to that.
Many more Particulars concerning the
Voice might yet further be inquired into, such
as, how it is, that every one may be known by his
Voice? How that Sound, which in
Singing is called Quavering, or Trilling,
by a peculiarity, is excited, &c, But seeing that these
things do not properly respect the nature of the Voice,
I, for Brevities sake, do omit them.