When Myra, having recovered herself,
went from her state-room into the saloon a little
later, it was to find that Don Carlos had, so to speak,
“spiked her guns,” had she intended to
denounce him as being responsible for the “accident”
to Tony.
The captain of the Killarney,
it appeared, had held an inquiry as to who was responsible
for having left the rail unfastened and charged two
members of the crew with neglect. On learning
this, Don Carlos had at once interviewed the captain
and taken the blame upon himself, explaining that
he remembered fingering the bolt while he was talking,
and doubtless unfastened it.
He had told his fellow guests the
same thing when they praised and complimented him
for his gallant rescue.
“Don Carlos is a true sportsman,”
said one of the men of the party to Myra. “My
own opinion is that he has made up the yarn about
unfastening the bolt, just to prevent us making too
much of a hero of him and to save any of the crew
from getting into trouble. He has been in to
see Tony, I hear, told him it was all his fault and
asked him to accept his apologies. Of course,
his idea is to try to prevent Tony from thanking him.
But I guess you will thank him, Miss Rostrevor!”
“Perhaps it would please him
better if I reproached him,” responded Myra,
whereat her companion laughed.
Don Carlos was seated opposite her
at lunch, but Myra did not attempt either to thank
or blame him, deciding to wait until he himself referred
to the “accident,” and discover, if possible,
what was in his mind.
After lunch, most of the other members
of the party settled down to spend the afternoon playing
bridge, but Myra went on deck and ensconced herself
in a comfortable chair in a sheltered spot to read
and think.
She had not been there more than a
few minutes when Don Carlos appeared beside her chair
with a cushion in his hand. Without a word he
tossed the cushion down on the boat-deck at Myra’s
feet, sat down on it, and rested his dark head against
Myra’s knees. He did it all so deliberately
and with such calm assurance that Myra was somehow
amused in spite of herself and laughed involuntarily.
“Evidently the poor man is so
overcome by sea-sickness that he doesn’t know
what he is doing and needs a nurse!” she exclaimed.
“Shall I call for a steward?”
She slewed her chair round as she
spoke, and laughed again as Don Carlos, suddenly deprived
of the support of her knees, fell backward. He
did not seem in the least disconcerted, however, and
merely rolled over on his side, supported his head
on one hand, and gazed up at Myra quizzically.
“That was rather the equivalent
of unfastening the bolt of the rail, was it not, Myra?”
he drawled. “I hope you will now proceed
to rescue me from the slough of despond by telling
me that you love me and will marry me?”
“You said once that I would
be a suitable mate for El er what’s
his name? El Cojuelo Diablo, isn’t
it? your pet brigand, I mean,” retorted
Myra. “Now you are presumably suggesting
that I am a fit mate for a man guilty of attempted
murder!”
Don Carlos smiled enigmatically.
“El Diablo Cojuelo is the correct
name, Myra,” he said in the same lazy, unmoved
tone. “If I fail to conquer you and teach
you the meaning of love, perhaps El Diablo Cojuelo
will. Beloved, I should love to rest my head
against your knees and feel your fingers caressing
my hair.”
“Don’t be so utterly ridiculous!”
exclaimed Myra.
“In novels, as you know,”
went on Don Carlos, paying no heed to her protest,
“the fair heroine usually marries the gallant
who rescues her, or her half-witted brother, or her
aged parent, from drowning. You can give the
plot a new turn by marrying me for saving your lover
from drowning. Mr. Standish was good enough
to say that it was ’demmed sporty of me’
to rescue him and that he owes me his life. Why
not suggest to him, Myra, that he can best show his
gratitude by surrendering to me his greatest pride
and treasure you?”
“Your audacity is only equalled
by your conceit,” Myra commented. “Let
me warn you ”
“Let me warn you, you siren,
that I shall go to any lengths to win you,”
interrupted Don Carlos with sudden passion. “This
morning’s incident was a warning to prove to
you I am in earnest. Dios! why do you torture
me so? At times you make me hate you almost as
much as I love you!”
He sprang to his feet, picked up the
cushion on which he had been reclining and hurled
it overboard, then strode away without another word,
leaving Myra thrilled and more than a little scared.
“It rather looks as if I shall
have to take him seriously after all!” she soliloquised.
“I wonder what I should do?”
She was left wondering and sorely
perplexed, for within an hour she found Don Carlos
obviously carrying on a violent flirtation with another
girl, and at dinner, at which Tony Standish appeared
looking little the worse for his adventure, he was
the life and soul of the party.
After dinner he delighted the company
by singing some Spanish songs, accompanying himself
on the guitar, and he was enthusiastically applauded.
“Why, old chap, you ought to
be the star baritone in Grand Opera!” cried
Tony. “Sing us another, please.”
“Sorry, but I promised to sing
to the crew in the fo’c’sle and
I always keep my promises,” responded Don Carlos,
and flashed a smiling glance at Myra as he went out.
He became as popular with the crew
as with his fellow-guests during the days that followed,
and seemed to enjoy himself hugely, a fact which somehow
piqued Myra, who felt he had been, and was still, making
mock of her. She was forced to the conclusion
that his passionate outburst had been merely a clever
piece of acting, for he made no further attempt to
make love to her during the cruise, and at times seemed
to shun her.
“Now that we are in Spain, dear
people, you must permit me to try to repay you in
some small measure for the wonderful hospitality extended
to me in England,” he said to Tony and his guests,
when at last they disembarked at Cadiz. “You
are my guests from now onward.”
That evening he entertained the whole
party royally at the premier hotel of the city, and
next morning they found a fleet of luxurious Hispano
cars waiting to convey them through some of the most
picturesque parts of Spain to El Castillo de Ruiz,
his ancestral home, situated in a fertile valley amid
the heights of the Sierra Morena.
It was a mediaeval-looking place,
part of which had been built by the Moors, and used
as a fortress.
“It is still, to some extent,
a fortress,” Don Carlos had told his guests
in advance, “for always I have to be on the alert
lest that rascal El Diablo Cojuelo should raid the
place again, and I employ an armed guard. Let
me warn you, dear people, that if El Diablo learns
I am entertaining a party of wealthy English people
he may attempt another raid.”
The others had laughed, assuming that
he was jesting. Most of them had decided that
Don Carlos had “invented” El Diablo Cojuelo
and his brigand gang, with the object of adding a
spice of adventure to their visit.
El Castillo de Ruiz was a place of
surprises. It looked massive and strong enough
to resist an artillery siege, let alone the attack
of a few bandits, and its outward appearance immediately
gave the impression that a guest would have to expect
to endure at least some of the discomforts of the
Middle Ages.
Several of the party exchanged glances
of dismay as they alighted from their cars in the
great cobbled courtyard or patio, to find themselves
stared at by a motley crew of men, women and children,
and to see pigs, dogs, asses and fowls wandering about.
“Looks as if we’ll have
to rough it!” whispered Tony to Myra. “I
didn’t expect this sort of thing what?”
Myra made a moue, but did not
answer. She was wondering if Don Carlos’s
invitation had been by way of an elaborate practical
joke, wondering if he intended to subject her to intense
discomfort under the guise of hospitality, or if he
had some surprise in store.
The first surprise came when she followed
Don Carlos into the great hall of the castle to find
a retinue of servants in livery, headed by a gorgeously-attired
major-domo carrying a silver wand of office, waiting
to greet their master and his guests. The hall
itself was panelled with polished Spanish mahogany,
black with age, and softly illuminated by cunningly-concealed
electric lights around the painted roof. There
were beautiful Persian and Moorish rugs on the floor,
and here and there along the walls there hung paintings
by Old Masters between stands of ancient armour.
“Magnificent!” cried Myra
in her impulsive way, after a gasp of amazement.
“Magnificent! This is the sort of hall
one can imagine Velasquez delighting to paint, the
fit setting and background for a Spanish Grandee in
all his glory.”
“I thank you, senorita,”
said Don Carlos, with a low bow. “El Castillo
de Ruiz is but a poor background for the most beautiful
of women, but you honour it by your presence, and
all it contains is yours and at your service.
I give you welcome!”
He gave quick orders to the major-domo,
who in turn issued orders to the small army of servants men
in livery and comely maids in neat black dresses with
perky caps and wisps of aprons to escort
the guests to their various apartments.
The magnificence of the hall might
have prepared Myra for something equally luxurious
in other parts of the castle, yet she gasped again
in astonishment when she found herself ushered into
a bedroom beautifully decorated in dove grey and rose
pink, a room in which everything harmonised delightfully.
The small casement window, set in a wall three or
four feet thick, admitted little light, but that fault
was remedied by the fact that the room, like the great
hall below, was softly lighted by electricity.
“The senorita would like a bath?”
inquired the trim maid in English, opening another
door, to reveal a beautifully-appointed little bathroom.
“Why, this is wonderful!”
exclaimed Myra, with an involuntary laugh. “I
never expected such luxuries in such a grim-looking,
old-world place. Tell me, are all the rooms
like this?”
“This, senorita, is the most
beautiful of all, but all the guests’ rooms
are lovely,” the maid answered. “The
master himself designed and planned them all.
He is wonderful.”
“He certainly is, and I must
congratulate him,” said Myra. “Is
it true, by the way, that there is a daring brigand
lurking about in the mountains around here?”
“You mean El Diablo Cojuelo,
senorita?” the maid responded, and instinctively
crossed herself. “He has not been seen
for months, but his very name still terrifies.
He is daring beyond belief, senorita, and no woman
is safe from him. The saints forbid that El Diablo
Cojuelo should come back while you are here!”
Myra had mentally discounted Don Carlos’s
tales about the bandit, just as she had discounted
his passionate avowals of love, and she began to feel
that she had been doing him an injustice at
least as far as El Diablo Cojuelo was concerned.
“Well, he promised me romance,
and he certainly seems to have provided the right
setting,” she reflected, as she leisurely bathed
and changed. “A sort of Aladdin’s
palace among the hills of Spain, but fitted up in
a way more wonderful than any genii could have contrived.
Pigs and fowls and people who look like barbarians
outside; all the luxuries of civilisation inside,
including an English-speaking maid. And a real
live daring brigand apparently lurking about in the
mountains. I feel that anything might happen
at any minute. This is more like a romantic
novel than real life.”
Myra went down to the great hall to
find the rest of the guests as enthusiastic as herself
about the appointments of the castle.
“You should see my room, my
dear,” exclaimed Lady Fermanagh. “It
is an exquisite harmony in primrose and pale green
that gives one the impression of sunlight and Spring.”
“Mine is decorated in Japanese
style,” chimed in Tony. “There are
some priceless lacquers on the walls, some exquisite
old Japanese prints, and some of the fittings of the
dressing-table are of old jade. Actually, I believe
Don Carlos must have had the place specially fitted
up for me, knowing how keen I am on Japanese things.”
Congratulations were showered on Don
Carlos, who shrugged his shoulders and smilingly tried
to make light of the whole matter.
“One must have comforts even
in the wilds,” he said. “I had the
whole place modernised inside as far as possible,
without altering its grim exterior, and it amused
me to plan the furnishings and colour schemes to suit
the tastes of the guests I might be likely to have
the honour of entertaining.”
A gong sounded, and the magnificent
major-domo appeared to announce that dinner was
served, and to lead the guests to the dining-table,
the very sight of which evoked rapturous expressions
of admiration.
The table was of highly-polished black
mahogany, and instead of a fillet of lace there was
a slab of pure crystal at every place set for a guest.
All the appointments of the table were of crystal
and silver, and in its centre there was a great crystal
bowl filled with Spring flowers. The effect
was strikingly artistic and wholly delightful.
The overhead lights reflected the table appointments
and the flowers in the surface of the table itself,
much in the way that sunlight and shadow reflect the
surrounding trees in a dark pool.
“Don Carlos, you are an artist!”
exclaimed Myra, who loved beauty. “Your
castle is full of surprises.”
“And who knows, dear lady, that
I may not have still more surprises in store for you,”
responded Don Carlos, with a cryptic smile. “Remember
that I always keep my promises.”