DAFFODILS.
I WANDERED lonely as a cloud
That floats
on high o’er vales and hills,
When all at once I saw a crowd,
A host of
golden Daffodils;
Beside the lake, beneath the
trees,
Fluttering and dancing in
the breeze.
Continuous as the stars that
shine
And twinkle
in the milky way,
They stretched in never-ending
line
Along the
margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly
dance.
The waves beside them danced;
but they
Outdid the
sparkling waves in glee;
A poet could not but be gay,
In such
a jocund company;
I gazed and gazed, but little
thought
What wealth the show to me
had brought!
For oft when on my couch I
lie,
In vacant
or in pensive mood,
They flash upon that inward
eye
Which is
the bliss of solitude;
And then my heart with pleasure
fills,
And dances with the Daffodils.
WORDSWORTH.
THE ROSE.
Go, lovely
Rose!
Tell her that wastes her time
on me,
That now
she knows,
When I resemble her to thee,
How sweet and fair she seems
to be.
Tell her
that’s young.
And shuns to have her graces
spied,
That hadst
thou sprung
In deserts where no men abide,
Thou must have uncommended
died.
Small is
the worth
Of beauty from the light retired;
Bid her
come forth,
Suffer herself to be desired,
And not blush so to be admired.
Then die, that she
The common fate of all things
rare
May read
in thee;
How small a part of time they
share
That are so wondrous sweet
and fair,
Yet, though
thou fade,
From thy dead leaves let fragrance
rise
And teach
the maid
That goodness Time’s
rude hand defies;
That virtue lives when beauty
dies.
WALLER.
THE SENSITIVE PLANT.
A SENSITIVE Plant in a garden
grew,
And the young winds fed it
with silver dew,
And it opened its fan-like
leaves to the light,
And closed them beneath the
kisses of Night.
But none ever trembled and
panted with bliss
In the garden, the field,
or the wilderness,
Like doe in the noontide with
love’s sweet want,
As the companionless Sensitive
Plant.
The snowdrop, and then the
violet,
Arose from the ground with
warm rain wet,
And their breath was mixed
with fresh odour, sent,
From the turf, like the voice
and the instrument.
Then the pied wind-flowers
and the tulip tall,
And narcissi, the fairest
among them all,
Who gaze on their eyes in
the stream’s recess,
Till they die of their own
dear loveliness.
And the naiad-like lily of
the vale.
Whom youth makes so fair and
passion so pale,
That the light of its tremulous
bells is seen
Through their pavilions of
tender green;
And the hyacinth purple, and
white, and blue,
Which flung from its bells
a sweet peal anew
Of music so delicate, soft
and intense,
It was felt like an odour
within the sense!
And the rose like a nymph
to the bath addrest,
Which unveiled the depth of
her glowing breast,
Till, fold after fold, to
the fainting air
The soul of her beauty and
love lay bare;
And the wand-like lily, which
lifted up,
As a Maenad, its moonlight-coloured
cup,
Till the fiery star, which
is its eye,
Gazed through the clear dew
on the tender sky;
And the jessamine faint, and
the sweet tuberose,
The sweetest flower for scent
that blows;
And all rare blossoms from
every clime
Grew in that garden in perfect
prime.
The Sensitive Plant, which
could give small fruit
Of the love which it felt
from the leaf to the root,
Received more than all [flowers],
it loved more than ever,
Where none wanted but it,
could belong to the giver
For the Sensitive Plant has
no bright flower;
Radiance and odour are not
its dower;
It loves, even like Love its
deep heart is full,
It desires what it has not,
the beautiful!
Each and all like ministering
angels were
For the Sensitive Plant sweet
joy to bear.
Whilst the lagging hours of
the day went by
Like windless clouds o’er
a tender sky.
And when evening descended
from heaven above,
And the earth was all rest,
and the air was all love,
And delight, though less bright,
was far more deep,
And the day’s veil fell
from the world of sleep,
The Sensitive Plant was the
earliest
Up-gathered into the bosom
of rest;
A sweet child weary of its
delight,
The feeblest, and yet the
favourite,
Cradled within the embrace
of night.
SHELLEY.
O LUVE WILL VENTURE IN,
&c.
TUNE "The Posie."
O LUVE will venture in, where
it daur na weel be seen,
O luve will venture in, where
wisdom ance has been;
But I will down yon river
rove, amang the wood sae green,
And a’
to pu’ a posie to my ain dear May.
The primrose I will pu’,
the firstling o’ the year,
And I will pu’
the pink, the emblem o’ my dear,
For she’s the pink o’
womankind, and blooms without a peer;
And a’
to be a posie to my ain dear May.
I’ll pu’
the budding rose, when Phoebus peeps in view,
For it’s like a baumy
kiss o’ her sweet bonnie mou;
The hyacinth’s for constancy
w’ its unchanging blue,
And a’
to be a posie to my ain dear May.
The lily it is pure, and the
lily it is fair.
And in her lovely bosom I’ll
place the lily there;
The daisy’s for simplicity
and unaffected air,
And a’
to be a posie to my ain dear May.
The hawthorn I will pu’,
wi’ its locks o’ siller grey,
Where, like an aged man, it
stands at break o’ day,
But the songster’s nest
within the bush I winna tak away;
And a’
to be a posie to my ain dear May.
The woodbine I will pu’
when the e’ening star is near,
And the diamond-drops o’
dew shall be her e’en sae clear:
The violet’s for modesty
which weel she fa’s to wear,
And a’
to be a posie to my ain dear May.
I’ll tie the posie round
w’ the silken band o’ luve,
And I’ll place it in
her breast, and I’ll swear by a’ above,
That to my latest draught
o’ life the band shall ne’er remuve.
And this will be a posie to
my ain dear May.
BURNS.
MY NANNIE’S AWA.
TUNE "There’ll
never be peace” &c.
Now in her green mantle blithe
Nature arrays.
And listens the lambkins that
bleat o’er the braes,
While birds warble welcome
in ilka green shaw;
But to me it’s delightless my
Nannie’s awa.
The snaw-drap and primrose
our woodlands adorn,
And violets bathe in the weet
o’ the morn;
They pain my sad bosom, sae
sweetly they blaw,
They mind me o’ Nannie and
Nannie’s awa.
Thou lav’rock that springs
frae the dews of the lawn,
The shepherd to warn o’
the grey-breaking dawn,
And thou mellow mavis that
hails the night-fa’,
Give over for pity my
Nannie ’s awa.
Come, autumn, sae pensive,
in yellow and grey,
And sooth me wi’ tidings
o’ Nature’s decay;
The dark, dreary winter, and
wild-driving snaw,
Alane can delight me now
Nannie’s awa,
BURNS.
THEIR GROVES, &c.
TUNE "Humours
of Glen."
THEIR groves o’ sweet
myrtle let foreign lands reckon,
Where bright-beaming
summers exalt the perfume;
Far dearer to me yon lone
glen o’ green breckan,
Wi’
the burn stealing under the lang yellow broom.
Far dearer to me are yon humble
broom bowers,
Where the
blue-bell and gowan lurk lowly unseen;
For there, lightly tripping
amang the wild flowers,
A listening
the linnet, aft wanders my Jean.
BURNS.
TO A MOUNTAIN DAISY,
On turning one down with a plough,
in April 1786.
WEE, modest, crimson-tipped flow’r,
Thou’s met me in an evil hour;
For I maun crush amang-the stoure
Thy slender stem;
To spare ihee now is past my po’w’r,
Thou bonnie gem.
Alas! it’s no thy neebor
sweet,
The bonnie Lark, companion meet!
Bending thee ’mang the dewy weet!
Wi’ spreckled breast,
When upward-springing, blythe, to greet
The purpling east.
Could blew the bitter-biting north
Upon thy early, humble birth;
Yet cheerfully thou glinted forth
Amid the storm,
Scarce rear’d above the parent earth
Thy tender form.
The flaunting flow’rs our
gardens yield.
High shell’ring woods and wa’s maun
shield,
But thou beneath the random bield
O’ clod or stane,
Adorns the histie stibbte-Jleld,
Unseen, alane.
There, in thy scanty mantle clad,
Thy snawy bosom sun-ward spread,
Thou lifts thy unassuming head
In humble guise;
But now the share uptears thy bed,
And low thou lies!
Such is the fate of artless Maid,
Sweety flow’ret of the rural shade!
By love’s simplicity betray’d.
And guileless trust,
Till she, like thee, all soil’d, is laid
Low i’ the dust.
Such is the fate of simple Bard,
On life’s rough ocean luckless starr’d!
Unskilful he to note the card
Of prudent lore,
Till billows rage, and gales blow hard.
And whelm him o’er!
Such fate to suffering worth
is giv’n,
Who long with wants and woes has striv’n,
By human pride or cunning driv’n,
To mis’ry’s brink.
Till wrench’d of ev’ry stay but Heav’n,
He, ruin’d, sink!
Ev’n thou who mourn’st
the Daisy’s fate,
That fate is thine no distant
date;
Stern Ruin’s plough-share drives,
elate.
Full on thy bloom,
Till crush’d beneath the furrow’s
weight,
Shall be thy doom!
BURNS.
LAMENT OF MARY, QUEEN OF SCOTS.
On the Approach of Spring.
Now Nature hangs her mantle
green
On every
blooming tree,
And spreads her sheets c’
daisies white
Out o’er
the grassy lea;
Now Phoebus cheers the crystal
streams,
And glads
the azure skies;
But nought can glad the weary
wight
That fast
in durance lies.
Now lav’rocks wake the
merry morn,
Aloft on
dewy wing;
The merle, in his noontide
bow’r,
Makes woodland
echoes ring;
The mavis mild wi’ many
a note,
Sings drowsy
day to rest:
In love and freedom they rejoice,
Wi’
care nor thrall opprest.
Now blooms the lily by the
bank,
The primrose
down the brae;
The hawthorn’s budding
in the glen,
And milk-white
is the slae;
The meanest hind in fair Scotland
May rove
their sweets amang;
But I, the Queen of a’
Scotland,
Maun lie in prison strang.
I was the Queen o’ bonnie
France,
Where happy
I hae been;
Fu’ lightly rase I in
the morn,
As blythe
lay down at e’en;
And I’m the sov’reign
of Scotland,
And mony
a traitor there;
Yet here I lie in foreign
Lands,
And never
ending care.
But as for thee, thou false
woman,
My sister
and my fae,
Grim vengeance, yet, shall
whet a sword
That thro
thy soul shall gae:
The weeping blood in woman’s
breast
Was never
known to thee;
Nor th’ balm that draps
on wounds of woe
Frae woman’s
pitying e’e.
My son! my son! may kinder
stars
Upon thy
fortune shine;
And may those pleasures gild
thy reign.
That ne’er
wad blink on mine!
God keep thee frae thy mother’s
faes,
Or turn
their hearts to thee:
And where thou meet’st
thy mother’s friend,
Remember
him for me!
Oh! soon, to me, may summer-suns
Nae mair
light up the morn!
Nae mair, to me, the autumn
winds
Wave o’er
the yellow corn!
And in the narrow house o’
death
Let winter
round me rave;
And the next flow’rs
that deck the spring,
Bloom on
my peaceful grave!
BURNS.
RED AND WHITE ROSES.
READ in these Roses the sad
story
Of my hard fate, and your
own glory;
In the white you may discover
The paleness of a fainting
lover;
In the red the flames still
feeding
On my heart with fresh wounds
bleeding.
The white will tell you how
I languish,
And the red express my anguish.
The white my innocence displaying,
The red my martyrdom betraying;
The frowns that on your brow
resided,
Have those roses thus divided.
Oh! let your smiles but clear
the weather,
And then they both shall grow
together.
CAKEW.
SONNET.
SWEET is the rose, but growes
upon a brere;
Sweet is the Juniper, but
sharpe his bough;
Sweet is the Eglantine, but
pricketh nere;
Sweet is the Firbloom, but
his branches rough;
Sweet is the Cypress, but
his rind is tough,
Sweet is the Nut, but bitter
is his pill;
Sweet is the Broome-flowere,
but yet sowre enough;
And sweet is Moly, but his
roote is ill.
So every sweet with sowre
is tempred still,
That maketh it be coveted
the more:
For easie things that may
be got at will,
Most sorts of men doe set
but little store.
Why then should I account
of little pain,
That endless pleasure shall
unto me gaine?
SPENSER
TO PRIMROSES
FILLED WITH MORNING DEW.
WHY do ye weep, sweet babes?
Can tears
Speak grief in you,
Who were but born
Just as the modest morn
Teemed her refreshing dew?
Alas! ye have not known that shower
That mars a flower;
Nor felt the unkind
Breath of a blasting wind;
Nor are ye worn with years;
Or warped as we,
Who think it strange to see
Such pretty flowers, like to orphans young.
Speaking by tears before ye have a tongue.
Speak, whimpering younglings, and
make known
The reason why
Ye droop and weep,
Is it for want of sleep,
Or childish lullaby
Or that ye have not seen as yet
The violet
Or brought a kiss
From that sweetheart to this?
No, no; this sorrow shown
By your tears shed,
Would have this lecture read:
That things of greatest, so of meanest worth.
Conceived with grief are, and with tears brought
forth.
HERRICK.
A RED, RED ROSE.
TUNE “Wishaw’s
favourite."
O, MY luve’s like a
red, red rose,
That’s
newly sprung in June:
O, my luve’s like the
mélodie
That’s
sweetly play’d in tune.
As fair art thou, my bonnie
lass.
So deep
in hive am I;
And I will luve thee still,
my dear,
Till a’
the seas gang dry.
Till a’ the seas gang
dry, my dear,
And the
rocks melt w’ the sun;
I will luve thee still, my
dear,
While the
sands o’ life shall run.
And fare thee weel, my only
luve!
And fare
thee weel a while;
And I will come again, my
luve,
Tho’
it were ten thousand mile.
BURNS.
VIRGINS promised when I died,
That they would each primrose-tide
Duly, morn and evening, come,
And with flowers dress my
tomb.
Having promised,
pay your debts,
Maids, and here strew violets.
ROBERT HERRICK.
MUSIC, when soft voices die,
Vibrates in the memory;
Odours when sweet violets
sicken,
Love within the sense they
quicken.
Rose leaves, when the rose
is dead,
Are heaped for the beloved’s
bed;
And so thy thoughts when thou
art gone.
Love itself shall slumber
on.
SHELLEY.
RADIANT sister of the day
Awake! arise! and come away!
To the wild woods and the
plains,
To the pools where winter
rains
Image all their roof of leaves,
Where the pine its garland
weaves
Of sapless green, and ivy
dun,
Round stems that never kiss
the sun.
Where the lawns and pastures
be
And the sandhills of the sea,
Where the melting hoar-frost
wets
The daisy star that never
sets,
And wind-flowers and violets
Which yet join not scent to
hue
Crown the pale year weak and
new:
When the night is left behind
In the deep east, dim and
blind,
And the blue moon is over
us,
And the multitudinous
Billows murmur at our feet,
Where the earth and ocean
meet
And all things seem only one
In the universal sun.
P. B. SHELLEY.
TO DAFFODILS.
FAIR Daffodils, we weep to
see
You haste
away so soon;
As yet, the early-rising sun
Has not
attained its noon.
Stay,
stay,
Until the
hastening day
Has
run
But to the
even song;
And having prayed together,
we
Will go
with you along.
We have short time to stay
as you,
We have
as short a spring;
As quick a growth to meet
decay,
As you or
any thing.
We
die,
As your
hours do, and dry
Away,
Like to
the summer’s rain,
Or as the pearls of morning’s
dew,
Ne’er
to be found again.
ROBERT HERRICK.
CONSTANCY.
LAY a garland on my hearse
Of the dismal yew;
Maidens willow branches bear;
Say, I died true.
My love was false, but I was
firm
From my hour of birth.
Upon my buried body lie
Lightly, gentle earth!
SAMUEL FLETCHER.
MOURN, ilka grove the cushat kens!
Ye haz’lly shaws and briery dens!
Ye burnies, wimplin down your glens,
Wi’ toddlin din,
Or foaming strang, wi’ hasty stens,
Frae lin to lin.
Mourn little harebells o’er
the lee;
Ye stately foxgloves fair to see;
Ye woodbines hanging bonnilie,
In scented bow’rs;
Ye roses on your thorny tree.
The first o’ flow’rs.
At dawn, when ev’ry grassy
blade
Droops with a diamond at his head,
At ev’n, when beans their fragrance shed,
I’ th’ rustling gale,
Ye maukins whiddin thro’ the glade,
Come join my wail.
Mourn, spring, thou darling of
the year;
Ilk cowslip cup shall kep a tear:
Thou, simmer, while each corny spear
Shoots up its head,
Thy gay, green, flow’ry tresses shear,
For him that’s dead!
Thou, autumn, wi’ thy yellow
hair,
In grief thy sallow mantle tear!
Thou, winter, hurling thro’ the air
The roaring blast,
Wide o’er the naked world declare
The worth we’ve lost!
BURNS.
TO THE SMALL CELANDINE.
PPANSIES, Lilies, King-cups, Daisies,
Let them live upon their praises;
Long as there’s a sun that sets,
Primroses will have their glory;
Long as there are Violets,
They will have a place in story;
There’s a flower that shall be mine,
’Tis the little Celandine.
Ere a leaf is on the bush,
In the time before the thrush
Has a thought about her nest,
Thou wilt
come with half a call,
Spreading out thy glossy breast
Like a careless
prodigal;
Telling tales about the sun,
When we’ve little warmth,
or none.
Comfort have thou of thy merit,
Kindly unassuming spirit!
Careless of thy neighbourhood,
Thou dost
show thy pleasant face
On the moor, and in the wood,
In the lane there’s
not a place,
Howsoever mean it be,
But ’tis good enough
for thee.
Ill befall the yellow flowers,
Children of the flaring hours!
Buttercups that will be seen,
Whether
we will see or no;
Others, too, of lofty mien,
They have
done as worldlings do,
Taken praise that should be
thine,
Little, humble Celandine!
Prophet of delight and mirth,
Ill requited upon earth;
Herald of a mighty band,
Of a joyous
train ensuing,
Serving at my heart’s
command,
Tasks that
are no tasks renewing;
I will sing, as doth behove,
Hymns in praise of what I
love!
WORDSWORTH.
TO BLOSSOMS.
FFAIR pledges of a fruitful
tree,
Why do ye
fall so fast?
Your date
is not so past,
But you may stay yet here
awhile
To blush
and gently smile.
And
go at last.
What, were you born to be,
An hour
or half’s delight,
And so to
bid good-night?
’Twas pity Nature brought
ye forth,
Merely to
show your worth
And
lose you quite.
But you are lovely leaves,
where we
May read,
how soon things have
Their end,
though ne’er so brave:
And after they have shown
their pride,
Like you,
awhile, they glide
Into
the grave.
HERRICK.
THE LILY AND THE ROSE.
THE nymph must lose her female
friend,
If more
admired than she
But where will fierce contention
end,
If flowers
can disagree.
Within the garden’s
peaceful scene
Appear’d
two lovely foes,
Aspiring to the rank of queen,
The Lily
and the Rose.
The Rose soon redden’d
into rage,
And, swelling
with disdain,
Appeal’d to many a poet’s
page
To prove
her right to reign.
The Lily’s height bespoke
command,
A fair imperial
flower;
She seem’d designed
for Flora’s hand,
The sceptre
of her power.
This civil bick’ring
and debate
The goddess
chanced to hear,
And flew to save, ere yet
too late,
The pride
of the parterre.
Yours is, she said, the nobler
hue,
And yours
the statelier mien;
And, till a third surpasses
you,
Let each
be deemed a queen.
Thus, soothed and reconciled,
each seeks
The fairest
British fair:
The seat of empire is her
cheeks,
They reign
united there.
COWPER.
THE WALL-FLOWER.
WHY this flower is now called
so,
List, sweet maids, and you
shall know.
Understand this firstling
was
Once a brisk and bonny lass,
Kept as close as Danae was,
Who a sprightly springald
loved;
And to have it fully proved,
Up she got upon a wall,
’Tempting down to slide
withal;
But the silken twist untied,
So she fell, and, bruised,
she died.
Jove, in pity of the deed,
And her loving, luckless speed,
Turn’d her to this plant
we call
Now “the flower of the
wall.”
HERRICK.
THE PRIMROSE.
ASK me why I send you here,
This firstling of the infant
year;
Ask me why I send to you
This Primrose all bepearled
with dew;
I straight will whisper in
your ears,
The sweets of love are washed
with tears.
Ask me why this flower doth
show
So yellow, green, and sickly
too;
Ask me why the stalk is weak
And bending, yet it doth not
break;
I must tell you, these discover
What doubts and fears are
in a lover.
CAREW.
ADONIS SLEEPING,
IN midst of all, there lay
a sleeping youth
Of fondest beauty. Sideway
his face reposed
On one white arm, and tenderly
unclosed,
By tenderest pressure, a faint
damask mouth
To slumbery pout; just as
the morning south
Disparts a dew-lipp’d
rose. Above his head,
Four lily stalks did their
white honours wed
To make a coronal; and round
him grew
All tendrils green, of every
bloom and hue,
Together intertwined and trammel’d
fresh:
The vine of glossy sprout;
the ivy mesh,
Shading its Ethiop berries;
and woodbine,
Of velvet leaves, and bugle
blooms divine.
Hard
by,
Stood serene Cupids watching
silently.
One, kneeling to a lyre, touch’d
the strings,
Muffling to death the pathos
with his wings;
And, ever and anon, uprose
to look
At the youth’s slumber;
while another took
A willow bough, distilling
odorous dew,
And shook it on his hair;
another flew
In through the woven roof,
and fluttering-wise,
Rain’d violets upon
his sleeping eyes.
KEATS.
MODONNA, wherefore hast thou sent
to me
Sweet Basil and Mignonette,
Embleming love and health, which never yet
In the same wreath might be.
Alas, and they are wet!
Is it with thy kisses or thy tears?
For never rain or dew
Such fragrance drew
From plant or flower; the very doubt endears
My sadness ever new,
The sighs I breathe, the tears I shed, for thee.
P. B. SHELLEY.
THERE grew pied Wind-flowers and Violets,
Daisies, those pearl’d Arcturi of the
earth,
The constellated flowers that never set;
Faint Oxlips; tender Blue-bells, at whose birth
The sod scarce heaved; and that tall flower that
wets
Its mother’s face with Heaven-collected
tears,
When the low wind, its playmate’s voice,
it hears.
And in the warm hedge grew
lush Eglantine,
Green Cow-bind and the moonlight-colour’d
May
And cherry blossoms, and white
cups, whose wine
Was the bright dew yet drained
not by the day;
And Wild Roses, and Ivy serpentine
With its dark buds and leaves,
wandering astray,
And flowers azure, black,
and streaked with gold,
Fairer than any wakened eyes
behold.
And nearer to the river’s
trembling edge
There grew broad flag-flowers,
purple prankt with white,
And starry river buds among
the sedge.
And floating Water-lilies,
broad and bright,
Which lit the oak that overhung
the hedge
With moonlight beams of their
own watery light;
And bulrushes, and reeds of
such deep green
As soothed the dazzled eye
with sober sheen.
P. B. SHELLEY.
FADE, Flow’rs! fade,
Nature will have it so;
’Tis but what we must
in our autumn do!
And as your leaves lie quiet
on the ground,
The loss alone by those that
lov’d them found;
So in the grave shall we as
quiet lie,
Miss’d by some few that
lov’d our company;
But some so like to thorns
and nettles live,
That none for them can, when
they perish, grieve.
WALLER.
ARRANGEMENT OF A BOUQUET.
HERE damask Roses, white and
red,
Out of my
lap first take I,
Which still shall run along
the thread,
My chiefest
flower this make I.
Amongst these Roses in a row,
Next place
I Pinks in plenty,
These double Pansies then
for show;
And will
not this be dainty
The pretty Pansy then I’ll
tie,
Like stones
some chain inchasing;
And next to them, their near
ally,
The purple
Violet placing.
The curious choice clove July
flower,
Whose kind
hight the Carnation,
For sweetnest of most sovereign
power,
Shall help
my wreath to fashion;
Whose sundry colours of one
kind,
First from
one root derived,
Them in their several suits
I’ll bind:
My garland
so contrived.
A course of Cowslips then
I’ll stick,
And here
and there (though sparely)
The pleasant Primrose down
I’ll prick.
Like pearls
that will show rarely;
Then with these Marigolds
I’ll make
My garland
somewhat swelling,
These Honeysuckles then I’ll
take,
Whose sweets
shall help their smelling.
The Lily and the Fleur-de-lis.
For colour
much contending;
For that I them do only prize,
They are
but poor in scenting.
The Daffodil most dainty is,
To match
with these in meetness;
The Columbine compared to
this,
All much
alike for sweetness.
These in their natures only
are
Fit to emboss
the border.
Therefore I’ll take
especial care
To place
them in their order:
Sweet-williams, Campions,
Sops-in-wine,
One by another
neatly;
Thus have I made this wreath
of mine,
And finished
it featly.
NICHOLAS DRAYTON.
THE CHERRY.
THERE is a garden in her face,
Where roses
and white lilies grow;
A heavenly paradise is that
place.
Wherein
all pleasant fruits do grow;
There cherries grow that none
may buy
Till cherry
ripe themselves do cry.
Those cherries fairly do enclose
Of orient
pearl a double row,
Which, when her lovely laughter
shows,
They look
like rosebuds fill’d with snow;
Yet them no peer nor prince
may buy
Till cherry ripe themselves
do cry.
Her eyes like angels watch
them still,
Her brows
like bended bows do stand,
Threatening with piercing
frowns to kill
All that
approach with eye or hand
These sacred cherries to come
nigh.
Till cherry ripe themselves
do cry.
RICHARD ALLISON
THE GARLAND.
THE pride of every grove I
chose,
The violet
sweet and lily fair,
The dappled pink and blushing
rose,
To deck
my charming Cloe’s hair.
At morn the nymph vouchaf’d
to place
Upon her
brow the various wreath;
The flowers less blooming
than her face,
The scent
less fragrant than her breath.
The flowers she wore along
the day;
And every
nymph and shepherd said,
That in her hair they look’d
more gay
Than glowing
in their native bed.
Undrest, at ev’ning,
when she found
Their odours
lost, their colours past;
She chang’d her look,
and on the ground
Her garland
and her eye she cast.
That eye dropt sense distinct
and clear,
As any muse’s
tongue could speak,
When from its lid a pearly
tear
Ran trickling
down her beauteous cheek.
Dissembling what I knew too
well;
My love!
my life! said I, explain
This change of humour; pray
thee tell:
That falling
tear. What does it mean
She sigh’d, she smil’d;
and to the flowers
Pointing,
the lovely moralist said:
See! friend, in some few fleeting
hours,
See yonder, what a change
is made!
Ah me! the blooming pride
of May,
And that
of beauty are but one:
At morn both flourish bright
and gay,
Both fade
at ev’ning, pale, and gone!
At dawn poor Stella danc’d
and sung;
The am’rous
youth around her bow’d:
At night her fatal knell was
rung!
I saw and
kiss’d her in her shroud;
Such as she is, who dy’d
to-day,
Such I,
alas! may be to-morrow:
Go, Damon, bid thy muse display
The justice
of thy Cloe’s sorrow.
PRIOR.
TO THE VIRGINS, TO MAKE,
MUCH OF TIME,_
GATHER ye rose-buds while
ye may:
Old Time
is still a-flying;
And this same flower that
smiles to-day,
To-morrow
will be dying.
The glorious lamp of heaven,
the sun,
The higher
he’s a-getting,
The sooner will his race be
run,
And nearer
he’s to setting.
That age is best, which is
the first,
When youth
and blood are warmer;
But being spent, the worse
and worst
Times will
succeed the former.
Then be not coy,
but use your time,
And while
ye may, go marry;
For having lost but once your
prime,
You may
for ever tarry.
ROBERT HERRICK.
SONG OF MAY MORNING.
NOW the bright morning-star,
day’s harbinger,
Comes dancing from the east,
and leads with her
The flowery May, who from
her green lap throws
The yellow cowslip, and the
pale primrose.
Hail, bounteous
May, that dost inspire
Mirth, and
youth, and warm desire;
Woods and
groves are of thy dressing,
Hill and
dale doth boast thy blessing.
Thus we salute thee with our
early song,
And welcome
thee, and wish thee long.
MILTON.
AMONG the myrtles as I walk’d,
Love and my Sight thus intertalk’d:
Tell me, said I, in deep distress,
Where I may find my Shepherdess?
Thou Fool, said
Love, know’st thou not this?
In everything that’s
sweet she is.
In yon’d Carnation go
and seek,
There thou shalt find her
lips and cheek;
In that enamell’d Pansy
by,
There thou shalt have her
curious eye;
In bloom of Peach and Rose’s
bud
There waves the streamer of
her blood.
’Tis true,
said I; and thereupon
I went to pluck them one by
one,
To make of parts an union;
But on a sudden all were gone.
At which I stopp’d;
said Love, these be
The true resemblance of Thee;
For as these Flowers, thy
joys must die;
And in the turning of an eye;
And all thy hopes of her must
wither,
Like those short sweets here
knit together.
ROBERT HERRICK.
FRAGMENT, IN WITHERSPOON’S
COLLECTION OF SCOTCH SONGS.
TUNE “Hughie
Graham"
“O GIN my love were
yon red rose,
“That
grows upon the castle wa’;
“And I mysel’
a drap o’ dew,
“Into
her bonnie breast to fa’!
“Oh, there beyond expression
blest,
“I’d
feast on beauty a’ the night;
“Seal’d on her
silk-waft faulds to rest,
“Till
fley’d awa by Phoebus’ light.”
O were my love yon lilac fair,
Wi’
purple blossoms to the spring;
And I, a bird to shelter there,
When wearied
on my little wing;
How I wad mourn, when it was
torn
By autumn
wild, and winter rude!
But I wad sing on wanton wing,
When youthfu’
May its bloom renew’d.
THE DAISY.
OF all the
floures in the mède
Than love I most these floures
white and rede
Soch that men callen Daisies
in our town,
To hem I have so great affection,
As I sayd erst, when comen
is the Maie.
That in my bedde there daweth
me no daie,
That I n’am up and walking
in the mède
To see this floure ayenst
the Sunne sprede;
Whan it up riseth early by
the morrow,
That blissful sight softeneth
all my sorrow.
CHAUCER.