THE SCIENTIFIC BASIS OF CHARACTER ANALYSIS
A few years ago we were content to
guess, to follow tradition, and to charge up to the
caprices of fate or an all-wise Providence the
failures we experienced as a result of our ignorance.
Then someone, less bound by tradition than the average,
discovered that exact knowledge was obtainable about
most subjects. Scientific research took the place
of guess-work or mere haphazard leaps in the dark.
We began to observe, classify, measure, weigh, test,
and record, instead of guess. Thus science was
born.
As far back as human records go men
have made observations upon others, have formed certain
conclusions as a result of these observations, and
have recorded them. Some were accurate and valuable;
others merely ludicrous and misleading. Tens
of thousands of men and women have attempted to analyze
human character, but most of them became lost in a
maze of apparent contradictions and gave up in despair,
content to follow impression and intuition. Though
they became discouraged and abandoned the field, each
of these workers contributed something of value to
the subject, and to-day we have a science of character
analysis exact enough to add very greatly to our wisdom
in dealing with humanity and its problems.
LIMITATIONS OF THE SCIENCE
We do not wish you to misunderstand
our claims for the science. Character analysis
is not a science in the mathematical sense. As
we said in our introduction, we cannot place a man
on the scales and determine that he has so many milligrams
of industry, or apply measurements and prove that
he has so many centimeters of talent for salesmanship.
Nor can we, using the method of the chemist, apply
the litmus to his stream of consciousness and get
his psychical reaction in a demonstrable way.
We are glad we cannot, else humanity might lose the
fine arts of coquetry and conquest. Perhaps we
never shall be able to do these things, but that is
small cause for discouragement. What we do claim
for the science of character analysis is that it is
classified knowledge based upon sound principles; that
it is as accurate as the science of medicine; that
it can be imparted to others; and, best of all, that
anyone can test it for himself beyond any question
of doubt.
TESTS SHOW UNTRAINED JUDGMENT UNRELIABLE
“Oh, I’m a pretty good
judge of men,” people say to us. We have
heard this declaration thousands of times in the last
seventeen years. Occasionally it was, no doubt,
true, but more often not, even when the statement was
made in the greatest sincerity. So we determined
to test the ability of the public to analyze men.
The first test appeared in a number of magazines,
giving a profile and full-face view, showing the hands
of a young man. A few simple questions were asked
concerning him, such as these:
“Would you employ this man?
“If so, would you employ him
as salesman, executive, cashier, clerk, chemist, mechanic?
“Is he healthy, honest, industrious, aggressive?
“Would you choose him as a friend?”
Of 5,000 replies but 4.1 per cent
were right or nearly right. Some of the replies
were astounding. One manager of a big business
wrote: “This man would be an exceptionally
honest and trustworthy cashier or treasurer.”
One sales manager replied: “I would like
to have this man on my sales force. He would
make a hummer of a salesman, if I am any judge of men.
His hands are identical with my own,” etc.,
etc. But the climax was reached with this
letter from a young lady: “He would be a
devoted husband and father. I would like him
as a friend.”
Our own analysis of this man, from photographs on
a test, was as follows:
“We would not employ this man.
“He is not healthy.
“He is intelligent.
“He is not honest.
“He is not industrious.
“He is aggressive in a disagreeable way.
“We would not choose him as a friend.
“John Doe is a natural mechanic
who has had very little training in that line of work.
Being exceedingly keen and intelligent, without right
moral principles, he has used his natural mechanical
ability in illegitimate lines.”
Here is a brief sketch of John Doe,
furnished by a gentleman who befriended him and has
followed his career for years:
“John is thirty-one years of
age and has just been released from a term in Sing
Sing Prison. The crime for which he served sentence
was burglary. He made a skeleton key with which
he gained access to a loft where were stored valuable
goods. He stole three thousand dollars worth of
these from his employer. He admits that he has
committed other crimes of forgery and theft.
Perhaps the cleverest of these was forgery which was
never discovered. He is exceedingly friendly
and makes friends easily. He is, however, very
erratic and irritable in disposition and often quarrelsome.
He is a fair example of a common type which has intelligence
and skill but has not learned to direct his activities
along constructive lines.”
A more complicated advertisement followed
this first one, giving the portraits of nine men,
each successful in his chosen work because well fitted
for it by natural aptitude as well as by training.
People were asked to state the vocation of each.
Out of 4,876 replies but three were correct.
SOME FUNDAMENTAL TRUTHS
Surely, when the untrained judgment
of intelligent people goes so wide of the mark, it
is worth while to inquire whether or not science can
come to the rescue. Perhaps a brief examination
of some well-established truths about human beings
will aid in finding an answer to our query.
The science of character analysis
by the observational method is based upon three very
simple scientific truths:
First, man’s body is the product
of evolution through countless ages, and is what it
is to-day as the result of the combined effect upon
it of heredity and environment.
Second, man’s mind is also the
product of evolution through countless ages, and is
what it is to-day as the result of the effect upon
it of the same heredity and the same environment as
have affected his body.
Third, man’s body and man’s
mind profoundly affect each other in all of their
actions and reactions and have affected each other
through all the centuries of their simultaneous evolution.
EVOLUTION OF BLONDES AND BRUNETTES
Men’s bodies differ from one
another in many ways. A little scientific investigation
soon proves to us that these differences are the result
of differences in heredity and environment. Men’s
minds differ from one another in countless ways.
Scientific investigation also proves that these mental
differences, or differences in character, are also
the result of differences in heredity and environment.
For example, people whose ancestors,
through countless ages, lived in the bright sunlight
and tropical luxuriance of the warmer climes, have
dark eyes, dark hair, and dark skin because nature
found it necessary to supply an abundance of pigmentation
in order to protect the delicate tissues of the body
from injury by the actinic rays of the sun. The
same soft luxuriance of their environment has made
these people slow, easy-going, hateful of change,
introspective, philosophical and religious. On
the other hand, people whose ancestors dwelt for centuries
in the cold, dark, cloudy and foggy climate of Northwestern
Europe have less need for pigmentation and are, therefore,
flaxen-haired, blue-eyed and white-skinned.
The hardships and rigors of this Northern
climate made these people aggressive, active, restless,
fond of variety, and, because of their fierce struggle
for existence, exceedingly practical, matter-of-fact,
and material.
WHY NOSES DIFFER IN SIZE AND SHAPE
Another example illustrates this truth
clearly: The type of human nose evolved in warm,
humid climates is low and flat, with large, short
passageways directly to the lungs. People living
in such a climate have little need for great energy
and activity, since there is food in abundance all
around them. On the other hand, the type of nose
evolved in a cold, dry climate is high in the bridge,
with thin nostrils, so that the air may be both warmed
and moistened before reaching the lungs. People
living in such a climate have great need for activity,
both in order to secure the means of subsistence and
in order to keep themselves warm. Thus we find
that the low, flat nose is everywhere the nose of indolence
and passivity, while the large nose, high in the bridge,
is everywhere an indication of energy and aggressiveness.
WHY SOME HEADS ARE HARD, OTHERS SOFT
In brief, then, darkness of color
is not the cause of deliberation and conservatism,
but both darkness of color and conservatism are results
of the same causes, namely, a heredity and environment
which produce these characteristics. Blonde coloring
is not a cause of restless activity, but both the
color and the activity are the result of evolution
in a cold, dark, rigorous climate.
A striking example of the working
out of the three truths which we have given is seen
in the consistency of the body. Hard hands, hard
muscles, and, in general, a dense, compact, unyielding
consistency of fiber, are both inherited and acquired
as the result of hard physical labor and the enduring
of hardships. As is well known, those who spend
their lives in grinding toil in the midst of hard
conditions care little for the finer sentiments and
sympathies of life. They have no time for them,
no energy left for them. By the very necessities
of their lot they are compelled to be hostile to change,
free from all extravagance, and largely impervious
to new ideas. Therefore, wherever we find hardness
of consistency we find a tendency to narrowness, parsimony,
conservatism, and lack of sympathy. Looking at
this fact from a little different angle, we see that,
since the body affects the mind and the mind the body
so profoundly, the body of hard fiber, being impervious
to physical impressions, will yield but slowly and
meagerly to those molecular changes which naturally
accompany emotional response and intellectual receptivity.
These are but a few examples of the
truths upon which the science of character analysis
by the observational method is based. Many others
may occur to you. Many others have been observed,
traced and verified in our work upon this science.
A BRIEF RECAPITULATION
Briefly recapitulating, we see that
for every physical difference between men there is
a corresponding mental difference, because both the
physical differences and the mental differences are
the result of the same heredity and environment.
We see, further, that these physical and mental differences
are not only results of the same environment affecting
the individual through his remote ancestry, but that
they are tied together by cause and effect in the
individual as he stands to-day.
BASIS OF CLASSIFICATION
We have told you that the science
of character analysis is classified knowledge.
It is clear to you by this time that the knowledge
which lies at the basis of this science is knowledge
concerning physical and mental differences and their
correspondences. In this science, therefore, since
we are to observe physical differences and from them
to determine differences in intellect, in disposition,
in natural talents, in character in general, our first
classification must deal with these physical differences.
Men differ from one another in nine
fundamental ways These ways are: color, form,
size, structure, texture, consistency, proportion,
expression, and condition. Let us consider each
of them briefly.
COLOR
Color is, perhaps, the most striking
variable. You instantly observe whether a person
is white or black, brown or yellow. Indeed, so
striking are these variations that they were formerly
the basis upon which humanity was divided into races.
We have already briefly touched upon
the cause for pigmentation and the indications of
differences in color. For many years anthropologists
were at a loss to understand exactly why some men
were black and others white. About twenty years
ago, however, Von Schmaedel propounded the theory that
pigmentation in the hair, eyes and skin was Nature’s
way of protecting the tissues from injury by the actinic
or ultra-violet rays of the sun, which destroy protoplasm.
Following the enunciation of Von Schmaedel’s
theory, prolonged experimentation was made by many
anthropologists, chief among whom was our own late
Major Charles E. Woodruff, of the U.S. Army.
In Major Woodruff’s book, “The Effects
of Tropical Light Upon White Men,” are to be
found, set forth in a most fascinating way, evidences
amounting almost to proof of the correctness of Von
Schmaedel’s theory.
Since Major Woodruff’s book
appeared, many other anthropologists have declared
their acceptance of the theory, so that to-day we may
assert with confidence that the black man is black
because of the excessive sunlight of his environment,
and that the white man is white because he and his
ancestors did not need protection from the sun.
Mountain climbers cover their faces and hands with
a mixture of grease and lamp-black in order to prevent
sunburn. When in India we wore actinic underwear,
dark glasses, and solar topees to protect us from
the excessive light.
DIFFERENCES BETWEEN BLONDES AND BRUNETTES
Now, in regard to differences in character
between the dark races and the white races, you have
only to consider the languorous air of the tropics
and sub-tropics, the abundance of food, the small need
for fuel, clothing and shelter in general,
everything in the environment which tends to make
man indolent and to give him plenty of time for introspection,
philosophy, theology, and the occult.
The dweller in Northern climes has
had to wrestle with rapid changes, demands for food,
clothing, shelter and fuel, relative scarcity of all
these and difficulty of securing them in
short, nearly every possible element in his surroundings
which would compel him to get out and hustle, to take
an active interest in material things, to be constantly
on the alert both mentally and physically in
a word, to master and conquer his environment.
These are some of the differences
between the dark and the white races. We find
the same differences in proportion between blondes
and brunettes in the white races.
HAVELOCK ELLIS ON BLONDES AND BRUNETTES
The noted anthropologist Havelock
Ellis says, in regard to this:
“It is clear that a high index
of pigmentation, or an excess of fairness, prevails
among the men of restless and ambitious temperament;
the sanguine, energetic men; the men who easily dominate
their fellows and who get on in life, and the men
who recruit the aristocracy and who doubtless largely
form the plutocracy. It is significant that the
group of low-class men artisans and peasants and
the men of religion, whose mission in life it is to
preach resignation to a higher will, are both notably
of dark complexion; while the men of action thus tend
to be fair, men of thought, it seems to me, show some
tendency to be dark.”
The practical application of this
truth is seen in the fact that the white races of
the earth seem to have a genius for government, for
conquest, for exploration, and for progress; while
the dark races of the earth seem to have a genius
for art, for literature, for religion, and for conservatism.
Not long ago we read the conclusions of several anthropologists
on this subject. One declared that the first
men were undoubtedly brunette, and that the blonde
was an abnormality and rapidly becoming extinct.
Another was equally sure that the pure white blonde
was a special creation but little lower than the angels,
and that all the dark races were so colored by their
sins. This is a matter upon which we hesitate
to speculate. It would, however, be of some interest
to know the respective coloring of these two investigators.
PRACTICAL APPLICATION OF LAW OF COLOR
Color has its commercial application.
The active, restless, aggressive, variety-loving blonde
is found in large proportions amongst speculators,
promoters, organizers, advertising men, traveling salesmen;
while the more stable and constant brunette predominates
amongst the plodders, the planners, the scientists,
the administrators, and the conservators. Even
the poets bring out the difference. They sing
of the fickle, light-hearted coquette with golden
hair and azure eyes, and of the faithful, constant,
true, undying affection of the lady with soft, brown
eyes.
FORM
The second variable Form refers
to form of face and features as seen in profile.
The sharp face, with the long, pointed nose, prominent
eyes, retreating forehead, prominent teeth and retreating
chin, is the extreme convex form. The hammock-shaped
face, with high, prominent forehead, flat brows, deep-set
eyes, small snubbed or sway-back nose, retreating teeth
and long, prominent chin, is the extreme concave in
form of profile.
It would involve much dry, technical
writing to explain in detail the scientific reasons
why the extreme convex in profile indicates extreme
energy, quickness, impatience, impulsiveness, keenness
and alertness of intellect, and great rapidity in
action. The large nose, high in the bridge, however,
indicating, as you have already seen, great energy,
is one of the scientific reasons for this. In
a similar way it would take me too long to tell in
detail why the extreme concave of profile indicates
just the opposite qualities.
It is a scientific fact that that
which is sharp is penetrating and moves quickly; that
which is blunt is non-penetrating and of necessity
moves slowly. The needle darts through the cloth
more quickly than the bodkin. The greyhound is
swifter than the bulldog. The stiletto does quicker
work than the bludgeon. This, of course, is only
a symbolism which may make vivid the truth that the
convex man works more rapidly than the concave.
In commercial work, the man who is
successful in positions requiring quick decision and
quick action has a convex profile, while the man whose
duties call for patience, deliberation, reflection,
and the ability to plod should have some modification
of the concave form of profile.
SIZE
It is an old saying that large bodies
move slowly. It would be more scientifically
correct to say that large bodies get under way slowly.
Difference in physical size between men is important
in many ways. If, as William James says, “the
causes of emotion are indubitably physiological,”
then the smaller the physical bulk which must be affected
in order to have an intense emotion, the more quickly
and easily is that intense emotion aroused.
Other things being equal, the small
man is more excitable and becomes angry more easily
than the large man. He also cools down more quickly.
When the huge bulk of the big man becomes thoroughly
aroused, thoroughly wrought up, it is time to get
out of the way and stand from under.
STRUCTURE
Hall Caine, the novelist, has an immense
head, a slender jaw, and a small, fragile body.
James J. Jeffries, the pugilist, has a comparatively
small head, a large jaw, and huge bones and muscles.
Ex-President Taft has a comparatively small head,
round face, round body, round arms and legs.
These are differences in structure.
Hall Caine is of the mental type.
He is by nature unfitted to be either a pugilist,
a hammer-thrower, an explorer, a banker, or a judge.
He is, however, pre-eminently fitted to dream dreams
of truth and beauty, to construct those dreams into
stories and plays. James J. Jeffries is by nature
and physique fitted for the trade of boiler-maker,
for the sport of pugilism, and for physical and manual
accomplishment in general. Ex-President Taft
is by nature and physique fitted to sit quietly in
a big chair and direct the work of others, to administer
affairs, to sit upon the bench and weigh impartially
causes of dispute between his fellow men. As
you see, these three are our old friends, the physically
frail, the man of bone and muscle, and the fat man.
The assignment of vocation according
to structure is but common sense. The dreamer
has too slender a body for manual labor and is both
too nervous and too impatient of confinement to sit
in an easy chair or on the bench. The big, corpulent
man enjoys the good things of life. He is well
nourished and free from anxiety. He is, therefore,
especially well fitted to judge calmly, deliberately
and impartially. The man of bone and muscle is
too busy with his physical activities for dreams and
too impatient of confinement to sit in an easy chair
or on the bench.
TEXTURE
Men also differ from one another very
markedly in texture. This is easily observable
in the texture of hair, skin, features, general body
build, hands and feet. According to Prof.
Ernst Haeckel, the skin is the first and oldest sense
organ. Indeed, all the other sense organs and
the nervous system and brain which have evolved in
the use of them, are simply inturned and specialized
skin cells. This being true, the texture of the
entire organism, and especially the brain and nervous
system, is accurately indicated by the texture of
the skin and its appendages, the hair and nails.
Even the most casual observer notes
the differences between the man with coarse hair,
coarse skin, rugged features, large, loosely-built
limbs, hands and feet, and the man with fine skin,
silky hair, delicate, regular features, slender limbs,
and finely moulded hands and feet. The individual
of fine texture is sensitive and naturally refined.
He loves beauty. He does his best work when he
is creating something or handling something which
is fine and beautiful. The coarse-textured individual
is strong, vigorous, virile, and enduring. He
can do hard, unpleasant work, can go through hardships,
and can remain cheerful even in the midst of grimy,
unpleasant and unlovely surroundings. For these
reasons, fine-textured people do their best work in
such lines as art, literature, music, jewelry, dry
goods, millinery, and fine, delicate tools, machinery
and materials; while we must rely upon coarse-textured
people to do the heavy, hard, rough, pioneering and
constructive work of the world. Even in art and
literature coarse-textured people produce that which
is either vigorous and virile or gruesome and horrible.
Because of their refined sensibilities,
fine-textured people usually sympathize with the classes,
the aristocracy; the coarse-textured people with the
masses. It is a remarkable fact that practically
all of our great liberators, radicals and revolutionists
have been and are men of coarse texture. There
is a great scientific truth underlying the saying amongst
the people that certain ideas or books are “too
fine-haired” for them.
PROPORTION
One of the most important of all the
nine fundamental variables is proportion. This
refers to proportion of one part of the body to another,
of one part of the head to another. Each part
of the body and of the head has its own particular
function. Nature is orderly and systematic in
all her work. She does not, therefore, try to
digest food with the feet or pump blood with the hands.
She does not try to use our stomachs as means of locomotion.
Neither does she try to make us think with the backs
of our heads.
No one needs to be told that the long,
slender, wiry legs of the deer were made for swiftness,
or that the huge, square, powerful jaw of the bulldog
was made to shut down with a vise-like grip that death
itself can scarcely relax. These are crude examples
of proportion. In our study and research we have
learned to associate many fine gradations of differences
in proportion with their corresponding differences
in mental aptitudes and character.
EXPRESSION
Everything about a man indicates his
character. Color, form, size, structure, texture,
consistency, and proportion indicate almost entirely
the man’s inherent qualities. It is important
for us to determine, however, in sizing up men, what
they have done with their natural qualifications.
This we do by observing Expression and Condition.
The cruder, simpler emotions are so
frankly expressed that even a child or an animal can
tell instantly whether a man is happy or loving, grieved
or angry. These emotions show themselves in the
voice, in the eyes, in the expression of the mouth,
in the very way the man stands or sits or walks, in
his gestures in fact, in everything he does.
In the same way, all of the finer and more elusive
thoughts and emotions express themselves in everything
a man says or does. Even when he does his best
to mask his feelings, he finds that, while he is controlling
his eyes and his voice, his posture, gestures, and
even handwriting are giving him away. No living
man can give attention to all of the modes of expression
at once, and the trained observer quickly learns to
discriminate between those which are assumed for the
purpose of deception and those which are perfectly
natural.
Transient emotions have transient
expression, but the prevailing modes of thought and
feeling leave their unmistakable impress just as surely
as does a prevailing wind mould the form of all the
trees growing in its path. The man who is sly,
furtive, secretive, and fundamentally dishonest need
not deceive you with his carefully manufactured expression
of open-eyed frankness and honesty. If you have
ever been “taken in” by a confidence man
or a swindler, you either gave very slight attention
to his expression or, what is more likely, suspected
him but hoped to “beat him at his own game.”
CONDITION
Discriminating employers long ago
learned to observe carefully the condition of every
applicant. It is now a pretty well accepted fact
that the accountant who neglects his finger nails
will probably also neglect his entries; that the clerk
who is slovenly about his clothes will also be slovenly
about his desk and his papers; that the man who cannot
be relied upon to keep his shoes shined and his collar
clean is a very weak and broken reed upon which to
lean for anything requiring accuracy and dependability.
HOW THE SCIENCE IS VERIFIED
We have presented to you, in a brief
way, the fundamental principles of the science of
character analysis and the nine fundamental variables
in man to which those principles apply. Are we
not justified in saying that a body of knowledge which
has been so classified and organized that the main
fundamental facts of it can be presented in a few pages,
is, indeed, a science? Add to this the fact that
every conclusion is not only based upon these fundamental
scientific principles, but has been carefully verified
by investigation and observation in not only hundreds
but thousands of cases, and has been used daily for
years under the trying conditions of actual commercial
practice, and this science has passed out of the merely
experimental stage.