TEXTILE FABRICS USED AS GROUNDS FOR EMBROIDERY.

LINENS.

There are many varieties of unglazed, half-bleached linens, from that thirty-six and forty inches wide, used for chair-back covers, to that ninety inches wide, used for large table-covers, curtains, &c. There are also endless varieties of fancy linens, both of hand and power-loom weaving, for summer dresses, for bed furniture, chair-back covers, table-cloths, &c.

Flax is the unbleached brown linen, often used for chair-back covers.

Twill is a thick linen suitable for coverings for furniture.

Kirriemuir Twill is a fine twilled linen made at Kirriemuir, and is good for tennis aprons, dresses, curtains, &c.

Sailcloth is a stout linen, of yellow colour, and is only suitable for screen panels.

Oatcake Linen, so called from its resemblance to Scotch oatcake, has been popular for screen panels or washstand backs. It is very coarse and rough.

Oatmeal Linen is finer and of a greyer tone. It is also used for screens, and for smaller articles.

Smock Linen is a strong even green cloth. It makes an excellent ground for working screens, and is also used for tennis aprons.

Crash. Properly speaking, the name “crash” is only applied to the coarse Russian home-spun linen, which has been such a favourite from the beauty of its tone of colour. It is, however, erroneously applied to all linens used for embroidery, whether woven by hand-loom or machinery; and this confusion of names frequently leads to mistakes. Crash is almost always very coarse, is never more than eighteen inches wide, and cannot be mistaken for a machine-made fabric. It is woven by the Russian peasants in their own homes, in lengths varying from five to ten yards, and, therefore, though sent over in large bales, it is very difficult to find two pieces among a hundred that in any way match each other.

Bolton, or Workhouse Sheeting, is a coarse twilled cotton fabric, seventy-two inches wide, of a beautiful soft creamy colour, which improves much in washing. It is inexpensive, and an excellent ground for embroidery, either for curtains, counterpanes, chair coverings, or for ladies’ dresses, or tennis aprons.

It resembles the twilled cotton on which so much of the old crewel embroidery was worked in the seventeenth century, and is one of the most satisfactory materials when of really good quality.

All descriptions of linen, except the “oatcake” and “sailcloth,” can be embroidered in the hand.

TEXTILE FABRICS.

SATINS AND SILKS.

Satins and Silks can only be embroidered in a frame. Furniture satins of stout make, with cotton backs, may be used without backing; but ordinary dress satins require to have a thin cotton or linen backing to bear the strains of the work and framing. Nothing is more beautiful than a rich white satin for a dress embroidered in coloured silks.

For fans, a very fine, closely woven satin is necessary, as it will not fold evenly unless the satin is thin; and yet it must be rich enough to sustain the fine embroidery, without pulling, or looking poor. A special kind of satin is made for the manufacture of fans, and none other is available.

“Silk Sheeting” of good quality, “Satin de Chine” and other silk-faced materials of the same class, may either be embroidered in the hand, or framed; but for large pieces of work a frame is essential. These materials are suitable for curtains, counterpanes, piano coverings, or panels, and indeed for almost any purpose. The finer qualities are very beautiful for dresses, as they take rich and graceful folds, and carry embroidery well.

Tussore and Corah Silks are charming for summer dresses, light chair-back covers, or embroidered window blinds. They will only bear light embroidering in silk or filoselle.

Within the last year successful experiments have been made in dyeing these Indian silks in England. The exact shades which we admire so much in the old Oriental embroideries have been reproduced, with the additional advantage of being perfectly fast in colour.

Nothing can be more charming as lining for table-covers, screens, curtains, &c.; and they are rather less expensive than other lining silks.

The fabrics known as Plain Tapestries are a mixture of silk and cotton, manufactured in imitation of the handworked backgrounds so frequent in ancient embroideries especially Venetian. Almost all the varieties of Opus Pulvinarium, or cushion stitch, have been reproduced in these woven fabrics.

Brocatine is a silk-faced material, woven to imitate couched embroidery. The silk is thrown to the surface and is tied with cotton threads from the back.

As ground for embroidery it has an excellent effect.

TEXTILE FABRICS.

COTTONS AND WOOLLENS.

Velveteen, if of good quality, makes an excellent ground for screen panels, chair-covers, portieres, curtains, borders, &c. It can be worked in the hand if the embroidery be not too heavy or large in style.

Utrecht Velvet is only suitable for coarse crewel or tapestry wool embroidery. It is fit for curtain dados or wide borderings.

Velvet Cloth is a rich plain cloth, finished without any gloss. It is a good ground for embroidery, either for curtains or altar-cloths. It is two yards wide.

Felt is sometimes used for the same purposes, but does not wear nearly so well, and is difficult to work.

Diagonal Cloth can be worked either in the hand or frame, although it is always much better in the latter. It is used for table-covers, curtains, chair-seats, &c.

Serge is usually made thirty-six inches wide. It has long been in favour for curtains, small table-covers, dresses, &c. It can now be obtained at the school fifty-four inches wide, in many shades.

Soft or Super Serge, also fifty-four inches wide, is an excellent material, much superior in appearance to diagonal cloth, or to the ordinary rough serge. It takes embroidery well.

Cricketing flannel is used for coverlets for cots, children’s dresses, and many other purposes. It is of a beautiful creamy colour, and is a good ground for fine crewel or silk embroidery. It need not be worked in a frame.

Genoa or Lyons Velvet makes a beautiful ground for embroidery; but it can only be worked in a frame, and requires to be “backed” with a thin cotton or linen lining, if it is to sustain any mass of embroidery. For small articles, such as sachets or casket-covers, when the work is fine and small, the backing is not necessary. Screen panels of velvet, worked wholly in crewels, or with crewel brightened with silk, are very effective. Three-piled velvet is the best for working upon, but is so expensive that it is seldom asked for.

Silk Velvet Plush (a new material) can only be used in frame work, and must be backed. It is useful in “applique” from the many beautiful tones of colour it takes. As a ground for silk or gold embroidery it is also very good.

TEXTILE FABRICS.

GOLD AND SILVER CLOTH.

Cloth of Gold or Silver is made of threads of silk woven with metal, which is thrown to the surface. In its best form it is extremely expensive, varying from L4 to L6 per yard, according to the weight of gold introduced. Cloth of silver is generally L3 the yard.

Inferior kinds of these cloths are made in which silk largely predominates, and shows plainly on the surface. They are frequently woven in patterns, such as diaper or diagonal lines, with a tie of red silk, in imitation of the diaper patterns of couched embroidery.

They are chiefly used in ecclesiastical or heraldic embroidery; their great expense preventing their general use.