CANTO I : The Trystyng.
One winter night, at half-past nine,
Cold, tired, and
cross, and muddy,
I had come home, too late to dine,
And supper, with cigars and wine,
Was waiting in
the study.
There was a strangeness in the room,
And Something
white and wavy
Was standing near me in the gloom
I took it for the carpet-broom
Left by that careless
slavey.
But presently the Thing began
To shiver and
to sneeze:
On which I said “Come, come, my
man!
That’s a most inconsiderate plan.
Less noise there,
if you please!”
“I’ve caught a cold,”
the Thing replies,
“Out there
upon the landing.”
I turned to look in some surprise,
And there, before my very eyes,
A little Ghost
was standing!
He trembled when he caught my eye,
And got behind
a chair.
“How came you here,” I said,
“and why?
I never saw a thing so shy.
Come out!
Don’t shiver there!”
He said “I’d gladly tell you
how,
And also tell
you why;
But” (here he gave a little bow)
“You’re in so bad a temper
now,
You’d think
it all a lie.
“And as to being in a fright,
Allow me to remark
That Ghosts have just as good a right,
In every way, to fear the light,
As Men to fear
the dark.”
“No plea,” said I, “can
well excuse
Such cowardice
in you:
For Ghosts can visit when they choose,
Whereas we Humans ca’n’t refuse
To grant the interview.”
He said “A flutter of alarm
Is not unnatural,
is it?
I really feared you meant some harm:
But, now I see that you are calm,
Let me explain
my visit.
“Houses are classed, I beg to state,
According to the
number
Of Ghosts that they accommodate:
(The Tenant merely counts as weight,
With Coals and
other lumber).
“This is a ‘one-ghost’
house, and you
When you arrived
last summer,
May have remarked a Spectre who
Was doing all that Ghosts can do
To welcome the
new-comer.
“In Villas this is always done
However cheaply
rented:
For, though of course there’s less
of fun
When there is only room for one,
Ghosts have to
be contented.
“That Spectre left you on the Third
Since then you’ve
not been haunted:
For, as he never sent us word,
’Twas quite by accident we heard
That any one was
wanted.
“A Spectre has first choice, by
right,
In filling up
a vacancy;
Then Phantom, Goblin, Elf, and Sprite
If all these fail them, they invite
The nicest Ghoul
that they can see.
“The Spectres said the place was
low,
And that you kept
bad wine:
So, as a Phantom had to go,
And I was first, of course, you know,
I couldn’t
well decline.”
“No doubt,” said I, “they
settled who
Was fittest to
be sent:
Yet still to choose a brat like you,
To haunt a man of forty-two,
Was no great compliment!”
“I’m not so young, Sir,”
he replied,
“As you
might think. The fact is,
In caverns by the water-side,
And other places that I’ve tried,
I’ve had
a lot of practice:
“But I have never taken yet
A strict domestic
part,
And in my flurry I forget
The Five Good Rules of Etiquette
We have to know
by heart.”
My sympathies were warming fast
Towards the little
fellow:
He was so utterly aghast
At having found a Man at last,
And looked so
scared and yellow.
“At least,” I said, “I’m
glad to find
A Ghost is not
a dumb thing!
But pray sit down: you’ll feel
inclined
(If, like myself, you have not dined)
To take a snack
of something:
“Though, certainly, you don’t
appear
A thing to offer
food to!
And then I shall be glad to hear
If you will say them loud and clear
The Rules that
you allude to.”
“Thanks! You shall hear them
by and by
This is
a piece of luck!”
“What may I offer you?” said
I.
“Well, since you are so kind,
I’ll try
A little bit of
duck.
“One slice! And may
I ask you for
Another drop of
gravy?”
I sat and looked at him in awe,
For certainly I never saw
A thing so white
and wavy.
And still he seemed to grow more white,
More vapoury,
and wavier
Seen in the dim and flickering light,
As he proceeded to recite
His “Maxims
of Behaviour.”
CANTO II : Hys Fyve Rules.
“My First but don’t
suppose,” he said,
“I’m
setting you a riddle
Is if your Victim be in bed,
Don’t touch the curtains at his
head,
But take them
in the middle,
“And wave them slowly in and out,
While drawing
them asunder;
And in a minute’s time, no doubt,
He’ll raise his head and look about
With eyes of wrath
and wonder.
“And here you must on no pretence
Make the first
observation.
Wait for the Victim to commence:
No Ghost of any common sense
Begins a conversation.
“If he should say ‘How
came you here?’
(The way that
you began, Sir,)
In such a case your course is clear
‘On the bat’s back, my
little dear!’
Is the appropriate
answer.
“If after this he says no more,
You’d best
perhaps curtail your
Exertions go and shake the
door,
And then, if he begins to snore,
You’ll know
the thing’s a failure.
“By day, if he should be alone
At home or on
a walk
You merely give a hollow groan,
To indicate the kind of tone
In which you mean
to talk.
“But if you find him with his friends,
The thing is rather
harder.
In such a case success depends
On picking up some candle-ends,
Or butter, in
the larder.
“With this you make a kind of slide
(It answers best
with suet),
On which you must contrive to glide,
And swing yourself from side to side
One soon learns
how to do it.
“The Second tells us what is right
In ceremonious
calls:
‘First burn a blue or crimson
light’
(A thing I quite forgot to-night),
‘Then
scratch the door or walls.’”
I said “You’ll visit here
no more,
If you attempt
the Guy.
I’ll have no bonfires on my
floor
And, as for scratching at the door,
I’d like
to see you try!”
“The Third was written to protect
The interests
of the Victim,
And tells us, as I recollect,
To treat him with a grave respect,
And not to contradict
him.”
“That’s plain,” said
I, “as Tare and Tret,
To any comprehension:
I only wish some Ghosts I’ve
met
Would not so constantly forget
The maxim that
you mention!”
“Perhaps,” he said, “you
first transgressed
The laws of hospitality:
All Ghosts instinctively detest
The Man that fails to treat his guest
With proper cordiality.
“If you address a Ghost as ‘Thing!’
Or strike him
with a hatchet,
He is permitted by the King
To drop all formal parleying
And then you’re
sure to catch it!
“The Fourth prohibits trespassing
Where other Ghosts
are quartered:
And those convicted of the thing
(Unless when pardoned by the King)
Must instantly
be slaughtered.
“That simply means ‘be cut
up small’:
Ghosts soon unite
anew:
The process scarcely hurts at all
Not more than when you’re
what you call
‘Cut up’
by a Review.
“The Fifth is one you may prefer
That I should
quote entire:
The King must be addressed as ‘Sir.’
This, from a simple courtier,
Is all the Laws
require:
“But, should you wish to do the
thing
With out-and-out
politeness,
Accost him as ‘My Goblin King!’
And always use, in answering,
The phrase ’Your
Royal Whiteness!’
“I’m getting rather hoarse,
I fear,
After so much
reciting:
So, if you don’t object, my dear,
We’ll try a glass of bitter beer
I think it looks
inviting.”
CANTO III : Scarmoges.
“And did you really walk,”
said I,
“On such
a wretched night?
I always fancied Ghosts could fly
If not exactly in the sky,
Yet at a fairish
height.”
“It’s very well,” said
he, “for Kings
To soar above
the earth:
But Phantoms often find that wings
Like many other pleasant things
Cost more than
they are worth.
“Spectres of course are rich, and
so
Can buy them from
the Elves:
But we prefer to keep below
They’re stupid company, you know.
For any but themselves:
“For, though they claim to be exempt
From pride, they
treat a Phantom
As something quite beneath contempt
Just as no Turkey ever dreamt
Of noticing a
Bantam.”
“They seem too proud,” said
I, “to go
To houses such
as mine.
Pray, how did they contrive to know
So quickly that ‘the place was low,’
And that I ’kept
bad wine’?”
“Inspector Kobold came to you ”
The little Ghost
began.
Here I broke in “Inspector
who?
Inspecting Ghosts is something new!
Explain yourself
my man!”
“His name is Kobold,” said
my guest:
“One of
the Spectre order:
You’ll very often see him dressed
In a yellow gown, a crimson vest,
And a night-cap
with a border.
“He tried the Brocken business first,
But caught a sort
of chill;
So came to England to be nursed,
And here it took the form of thirst,
Which he complains
of still.
“Port-wine, he says, when rich and
sound,
Warms his old
bones like nectar:
And as the inns, where it is found,
Are his especial hunting-ground,
We call him the
Inn-Spectre.”
I bore it bore it like a man
This agonizing
witticism!
And nothing could be sweeter than
My temper, till the Ghost began
Some most provoking
criticism.
“Cooks need not be indulged in waste;
Yet still you’d
better teach them
Dishes should have some sort of
taste.
Pray, why are all the cruets placed
Where nobody can
reach them?
“That man of yours will never earn
His living as
a waiter!
Is that queer thing supposed to
burn?
(It’s far too dismal a concern
To call a Moderator).
“The duck was tender, but the peas
Were very much
too old:
And just remember, if you please,
The next time you have toasted
cheese,
Don’t let
them send it cold.
“You’d find the bread improved,
I think,
By getting better
flour:
And have you anything to drink
That looks a little less like ink,
And isn’t
quite so sour?”
Then, peering round with curious eyes,
He muttered “Goodness
gracious!”
And so went on to criticise
“Your room’s an inconvenient
size:
It’s neither
snug nor spacious.
“That narrow window, I expect,
Serves but to
let the dusk in ”
“But please,” said I, “to
recollect
’Twas fashioned by an architect
Who pinned his
faith on Ruskin!”
“I don’t care who he was,
Sir, or
On whom he pinned
his faith!
Constructed by whatever law,
So poor a job I never saw,
As I’m a
living Wraith!
“What a re-markable cigar!
How much are they
a dozen?”
I growled “No matter what they are!
You’re getting as familiar
As if you were
my cousin!
“Now that’s a thing I will
not stand,
And so I tell
you flat.”
“Aha,” said he, “we’re
getting grand!”
(Taking a bottle in his hand)
“I’ll
soon arrange for that!”
And here he took a careful aim,
And gaily cried
“Here goes!”
I tried to dodge it as it came,
But somehow caught it, all the same,
Exactly on my
nose.
And I remember nothing more
That I can clearly
fix,
Till I was sitting on the floor,
Repeating “Two and five are four,
But five and
two are six.”
What really passed I never learned,
Nor guessed:
I only know
That, when at last my sense returned,
The lamp, neglected, dimly burned
The fire was getting
low
Through driving mists I seemed to see
A Thing that smirked
and smiled:
And found that he was giving me
A lesson in Biography,
As if I were a
child.
CANTO IV : Hys Nouryture.
“Oh, when I was a little Ghost,
A merry time had
we!
Each seated on his favourite post,
We chumped and chawed the buttered toast
They gave us for
our tea.”
“That story is in print!”
I cried.
“Don’t
say it’s not, because
It’s known as well as Bradshaw’s
Guide!”
(The Ghost uneasily replied
He hardly thought
it was).
“It’s not in Nursery Rhymes?
And yet
I almost think
it is
‘Three little Ghosteses’ were
set
‘On posteses,’ you know, and
ate
Their ‘buttered
toasteses.’
“I have the book; so, if you doubt
it ”
I turned to search
the shelf.
“Don’t stir!” he cried.
“We’ll do without it;
I now remember all about it;
I wrote the thing
myself.
“It came out in a ‘Monthly,’
or
At least my agent
said it did:
Some literary swell, who saw
It, thought it seemed adapted for
The Magazine he
edited.
“My father was a Brownie, Sir;
My mother was
a Fairy.
The notion had occurred to her,
The children would be happier,
If they were taught
to vary.
“The notion soon became a craze;
And, when it once
began, she
Brought us all out in different ways
One was a Pixy, two were Fays,
Another was a
Banshee;
“The Fetch and Kelpie went to school,
And gave a lot
of trouble;
Next came a Poltergeist and Ghoul,
And then two Trolls (which broke the rule),
A Goblin, and
a Double
“(If that’s a snuff-box on
the shelf,”
He added with
a yawn,
“I’ll take a pinch) next
came an Elf,
And then a Phantom (that’s myself),
And last, a Leprechaun.
“One day, some Spectres chanced
to call,
Dressed in the
usual white:
I stood and watched them in the hall,
And couldn’t make them out at all,
They seemed so
strange a sight.
“I wondered what on earth they were,
That looked all
head and sack;
But Mother told me not to stare,
And then she twitched me by the hair,
And punched me
in the back.
“Since then I’ve often wished
that I
Had been a Spectre
born.
But what’s the use?” (He heaved
a sigh).
“They are the ghost-nobility,
And look on us
with scorn.
“My phantom-life was soon begun:
When I was barely
six,
I went out with an older one
And just at first I thought it fun,
And learned a
lot of tricks.
“I’ve haunted dungeons, castles,
towers
Wherever I was
sent:
I’ve often sat and howled for hours,
Drenched to the skin with driving showers,
Upon a battlement.
“It’s quite old-fashioned
now to groan
When you begin
to speak:
This is the newest thing in tone ”
And here (it chilled me to the bone)
He gave an awful
squeak.
“Perhaps,” he added, “to
your ear
That sounds an
easy thing?
Try it yourself, my little dear!
It took me something like a year,
With constant
practising.
“And when you’ve learned to
squeak, my man
And caught the
double sob,
You’re pretty much where you began:
Just try and gibber if you can!
That’s something
like a job!
“I’ve tried it, and
can only say
I’m sure
you couldn’t do it, e-
ven if you practised night and day,
Unless you have a turn that way,
And natural ingenuity.
“Shakspeare I think it is who treats
Of Ghosts, in
days of old,
Who ‘gibbered in the Roman streets,’
Dressed, if you recollect, in sheets
They must have
found it cold.
“I’ve often spent ten pounds
on stuff,
In dressing as
a Double;
But, though it answers as a puff,
It never has effect enough
To make it worth
the trouble.
“Long bills soon quenched the little
thirst
I had for being
funny.
The setting-up is always worst:
Such heaps of things you want at first,
One must be made
of money!
“For instance, take a Haunted Tower,
With skull, cross-bones,
and sheet;
Blue lights to burn (say) two an hour,
Condensing lens of extra power,
And set of chains
complete:
“What with the things you have to
hire
The fitting on
the robe
And testing all the coloured fire
The outfit of itself would tire
The patience of
a Job!
“And then they’re so fastidious,
The Haunted-House
Committee:
I’ve often known them make a fuss
Because a Ghost was French, or Russ,
Or even from the
City!
“Some dialects are objected to
For one, the Irish
brogue is:
And then, for all you have to do,
One pound a week they offer you,
And find yourself
in Bogies!”
CANTO V : Byckerment.
“Don’t they consult the ‘Victims,’
though?”
I said. “They
should, by rights,
Give them a chance because,
you know,
The tastes of people differ so,
Especially in
Sprites.”
The Phantom shook his head and smiled.
“Consult
them? Not a bit!
’Twould be a job to drive one wild,
To satisfy one single child
There’d
be no end to it!”
“Of course you can’t leave
children free,”
Said I, “to
pick and choose:
But, in the case of men like me,
I think ‘Mine Host’ might
fairly be
Allowed to state
his views.”
He said “It really wouldn’t
pay
Folk are so full
of fancies.
We visit for a single day,
And whether then we go, or stay,
Depends on circumstances.
“And, though we don’t consult
‘Mine Host’
Before the thing’s
arranged,
Still, if he often quits his post,
Or is not a well-mannered Ghost,
Then you can have
him changed.
“But if the host’s a man like
you
I mean a man of
sense;
And if the house is not too new ”
“Why, what has that,”
said I, “to do
With Ghost’s
convenience?”
“A new house does not suit, you
know
It’s such
a job to trim it:
But, after twenty years or so,
The wainscotings begin to go,
So twenty is the
limit.”
“To trim” was not a phrase
I could
Remember having
heard:
“Perhaps,” I said, “you’ll
be so good
As tell me what is understood
Exactly by that
word?”
“It means the loosening all the
doors,”
The Ghost replied,
and laughed:
“It means the drilling holes by
scores
In all the skirting-boards and floors,
To make a thorough
draught.
“You’ll sometimes find that
one or two
Are all you really
need
To let the wind come whistling through
But here there’ll be a lot
to do!”
I faintly gasped
“Indeed!
“If I’d been rather later,
I’ll
Be bound,”
I added, trying
(Most unsuccessfully) to smile,
“You’d have been busy all
this while,
Trimming and beautifying?”
“Why, no,” said he; “perhaps
I should
Have stayed another
minute
But still no Ghost, that’s any good,
Without an introduction would
Have ventured
to begin it.
“The proper thing, as you were late,
Was certainly
to go:
But, with the roads in such a state,
I got the Knight-Mayor’s leave to
wait
For half an hour
or so.”
“Who’s the Knight-Mayor?”
I cried. Instead
Of answering my
question,
“Well! If you don’t know
that,” he said,
“Either you never go to bed,
Or you’ve
a grand digestion!
“He goes about and sits on folk
That eat too much
at night:
His duties are to pinch, and poke,
And squeeze them till they nearly choke.”
(I said “It
serves them right!”)
“And folk that sup on things like
these ”
He muttered, “eggs
and bacon
Lobster and duck and
toasted cheese
If they don’t get an awful squeeze,
I’m very
much mistaken!
“He is immensely fat, and so
Well suits the
occupation:
In point of fact, if you must know,
We used to call him, years ago,
The Mayor and
Corporation!
“The day he was elected Mayor
I know
that every Sprite meant
To vote for me, but did not dare
He was so frantic with despair
And furious with
excitement.
“When it was over, for a whim,
He ran to tell
the King;
And being the reverse of slim,
A two-mile trot was not for him
A very easy thing.
“So, to reward him for his run
(As it was baking
hot,
And he was over twenty stone),
The King proceeded, half in fun,
To knight him
on the spot.”
“’Twas a great liberty to
take!”
(I fired up like
a rocket).
“He did it just for punning’s
sake:
‘The man,’ says Johnson, ’that
would make
A pun, would pick
a pocket!’”
“A man,” said he, “is
not a King.”
I argued for a
while,
And did my best to prove the thing
The Phantom merely listening
With a contemptuous
smile.
At last, when, breath and patience spent,
I had recourse
to smoking
“Your aim,” he said,
“is excellent:
But when you call it argument
Of course you’re
only joking?”
Stung by his cold and snaky eye,
I roused myself
at length
To say “At least I do defy
The veriest sceptic to deny
That union is
strength!”
“That’s true enough,”
said he, “yet stay ”
I listened in
all meekness
“Union is strength, I’m
bound to say;
In fact, the thing’s as clear as
day;
But onions are
a weakness.”
CANTO VI : Dyscomfyture.
As one who strives a hill to climb,
Who never climbed
before:
Who finds it, in a little time,
Grow every moment less sublime,
And votes the
thing a bore:
Yet, having once begun to try,
Dares not desert
his quest,
But, climbing, ever keeps his eye
On one small hut against the sky,
Wherein he hopes
to rest:
Who climbs till nerve and force are spent,
With many a puff
and pant:
Who still, as rises the ascent,
In language grows more violent,
Although in breath
more scant:
Who, climbing, gains at length the place
That crowns the
upward track;
And, entering with unsteady pace,
Receives a buffet in the face
That lands him
on his back:
And feels himself, like one in sleep,
Glide swiftly
down again,
A helpless weight, from steep to steep,
Till, with a headlong giddy sweep,
He drops upon
the plain
So I, that had resolved to bring
Conviction to
a ghost,
And found it quite a different thing
From any human arguing,
Yet dared not
quit my post
But, keeping still the end in view
To which I hoped
to come,
I strove to prove the matter true
By putting everything I knew
Into an axiom:
Commencing every single phrase
With ‘therefore’
or ‘because,’
I blindly reeled, a hundred ways,
About the syllogistic maze,
Unconscious where
I was.
Quoth he “That’s regular clap-trap:
Don’t bluster
any more.
Now do be cool and take a nap!
Such a ridiculous old chap
Was never seen
before!
“You’re like a man I used
to meet,
Who got one day
so furious
In arguing, the simple heat
Scorched both his slippers off his feet!”
I said “That’s
very curious!”
“Well, it is curious, I agree,
And sounds perhaps
like fibs:
But still it’s true as true can
be
As sure as your name’s Tibbs,”
said he.
I said “My
name’s not Tibbs.”
“Not Tibbs!” he cried his
tone became
A shade or two
less hearty
“Why, no,” said I. “My
proper name
Is Tibbets ” “Tibbets?”
“Aye, the same.”
“Why, then
YOU’RE NOT THE PARTY!”
With that he struck the board a blow
That shivered
half the glasses.
“Why couldn’t you have told
me so
Three quarters of an hour ago,
You prince of
all the asses?
“To walk four miles through mud
and rain,
To spend the night
in smoking,
And then to find that it’s in vain
And I’ve to do it all again
It’s really
too provoking!
“Don’t talk!” he cried,
as I began
To mutter some
excuse.
“Who can have patience with a man
That’s got no more discretion than
An idiotic goose?
“To keep me waiting here, instead
Of telling me
at once
That this was not the house!” he
said.
“There, that’ll do be
off to bed!
Don’t gape
like that, you dunce!”
“It’s very fine to throw the
blame
On me in
such a fashion!
Why didn’t you enquire my name
The very minute that you came?”
I answered in
a passion.
“Of course it worries you a bit
To come so far
on foot
But how was I to blame for it?”
“Well, well!” said he.
“I must admit
That isn’t
badly put.
“And certainly you’ve given
me
The best of wine
and victual
Excuse my violence,” said he,
“But accidents like this, you see,
They put one out
a little.
“’Twas my fault after
all, I find
Shake hands, old
Turnip-top!”
The name was hardly to my mind,
But, as no doubt he meant it kind,
I let the matter
drop.
“Good-night, old Turnip-top, good-night!
When I am gone,
perhaps
They’ll send you some inferior Sprite,
Who’ll keep you in a constant fright
And spoil your
soundest naps.
“Tell him you’ll stand no
sort of trick;
Then, if he leers
and chuckles,
You just be handy with a stick
(Mind that it’s pretty hard and
thick)
And rap him on
the knuckles!
“Then carelessly remark ’Old
coon!
Perhaps you’re
not aware
That, if you don’t behave, you’ll
soon
Be chuckling to another tune
And so you’d
best take care!’
“That’s the right way to cure
a Sprite
Of such-like goings-on
But gracious me! It’s getting
light!
Good-night, old Turnip-top, good-night!”
A nod, and he
was gone.
CANTO VII : Sad Souvenaunce.
“What’s this?” I pondered.
“Have I slept?
Or can I have
been drinking?”
But soon a gentler feeling crept
Upon me, and I sat and wept
An hour or so,
like winking.
“No need for Bones to hurry so!”
I sobbed.
“In fact, I doubt
If it was worth his while to go
And who is Tibbs, I’d like to know,
To make such work
about?
“If Tibbs is anything like me,
It’s possible,”
I said,
“He won’t be over-pleased
to be
Dropped in upon at half-past three,
After he’s
snug in bed.
“And if Bones plagues him anyhow
Squeaking and
all the rest of it,
As he was doing here just now
I prophesy there’ll be a
row,
And Tibbs will
have the best of it!”
Then, as my tears could never bring
The friendly Phantom
back,
It seemed to me the proper thing
To mix another glass, and sing
The following
Coronach.
’And art thou gone, beloved Ghost?
Best of Familiars!
Nay then, farewell, my duckling roast,
Farewell, farewell, my tea and toast,
My meerschaum
and cigars!
’The hues of life are dull and
gray,
The sweets of
life insipid,
When thou, my charmer, art away
Old Brick, or rather, let me say,
Old Parallelepiped!’
Instead of singing Verse the Third,
I ceased abruptly,
rather:
But, after such a splendid word,
I felt that it would be absurd
To try it any
farther.
So with a yawn I went my way
To seek the welcome
downy,
And slept, and dreamed till break of day
Of Poltergeist and Fetch and Fay
And Leprechaun
and Brownie!
For years I’ve not been visited
By any kind of
Sprite;
Yet still they echo in my head,
Those parting words, so kindly said,
“Old Turnip-top,
good-night!”