CONTAINING SAMPLES BOTH OF EARTHLY AND HEAVENLY LOVE
Katherine stood in the central space
of the great, state bedroom. It was just upon
midnight, yet she still wore her jewels and her handsome,
trailing, black, velvet dress. She was very tired.
But that tiredness proceeded less from physical than
mental weariness. This she recognised, and foresaw
that weariness of this character was not likely to
find relief and extinction within the shelter of the
curtains of the stately bed, whereon the ancient Persian
legend of the flight of the Hart through the tangled
Forest of This Life was so deftly and quaintly embroidered.
For, unhappily to-night, the leopard, Care, followed
very close behind. And Katherine, taking the
ancient legend as very literally descriptive of her
existing state of mind feared that, should she undress
and seek the shelter of the rose-lined curtains the
leopard would seek it also, and, crouching at her
feet, his evil yellow eyes would gaze into her own,
wide open, all through that which remained of the
night. The night, moreover, was very wild.
A westerly gale, with now and again tumultuous violence
of rain, rattled the many panes of the windows, wailed
in every crevice of door and casement, roared through
the mile-long elm avenue below, and roared in the chimneys
above. The Prince of the Power of the Air was
let loose, and announced his presence as with the
shout of battle. Sleep was out of the question
under present conditions and in her present humour.
Therefore Lady Calmady had dismissed Clara now
promoted to the dignified office of lady’s-maid and
that bright-eyed and devoted waiting-woman had departed
reluctant, almost in tears, protesting that: “it
was quite too bad, for her ladyship was being regularly
worn out with all the talking and company. And
she, for her part, should be heartily glad when the
entertaining was over and they were all comfortably
to themselves again.”
Nor could Katherine honestly assert
that she would be altogether sorry when the hour struck,
to-morrow, for the departure of her guests. For
it appeared to her that, notwithstanding the courtesy
and affection of her brother and the triumphant charm
of her niece, a spirit of unrest had entered Brockhurst
along with their entry. Would that same spirit
depart along with their departing? She questioned
it. She was oppressed by a fear that that spirit
of unrest had come to stay. And so it was that
as she walked the length and breadth of the lofty,
white-paneled room, for all the rage and fury of the
storm without, she still heard the soft padding of
Care, the leopard, close behind.
Then a singular desolation and sense
of homelessness came upon Katherine. Turn where
she would there seemed no comfort, no escape, no sure
promise of eventual rest. Things human and material
were emptied not of joy only, but of invitation to
effort. For something had happened from which
there was no going back. A fair woman from a far
country had come and looked upon her son, with the
inevitable result, that youth had called to youth.
And though the fair woman in question, being already
wedded wife, Katherine was rather pathetically
pure-minded, could not in any dangerously
practical manner steal away her son’s heart,
yet she would, only too probably, prepare that heart
and awaken in it desires of subsequent stealing away
on the part of some other fair woman, as yet unknown,
whose heart Dickie would do his utmost to steal in
exchange. And this filled her with anxiety and
far-reaching fears, not only because it was bitter
to have some woman other than herself hold the chief
place in her son’s affections, but because she as
John Knott, even as Ludovic Quayle, though from quite
other causes could not but apprehend possibilities
of danger, even of disaster, surrounding all question
of love and marriage in the strange and unusual case
of Richard Calmady.
And thinking of these things, her
sensibilities heightened and intensified by fatigue
and circumstances of time and place, a certain feverishness
possessed her. That bedchamber of many memories exquisite
and tragic became intolerable to her.
She opened the double doors and passed into the Chapel-Room
beyond, the light thrown by the tall wax candles set
in silver branches upon her toilet-table, passing with
her through the widely open doors and faintly illuminating
the near end of the great room. There was other
subdued light in the room as well. For a glowing
mass of coal and wood still remained in the brass basket
upon the hearth, and the ruddy brightness of it touched
the mouldings of the ceiling, glowed on the polished
corners and carvings of tables, what-nots, and upon
the mahogany frames of solid, Georgian sofas and chairs.
At first sight, notwithstanding the
roaring of wind and ripping of rain without, there
seemed offer of comfort in this calm and spacious place,
the atmosphere of it sweet with bowls of autumn violets
and greenhouse-grown roses. Katherine sat down
in Richard’s low armchair and gazed into the
crimson heart of the fire. She made a valiant
effort to put away haunting fears, to resume her accustomed
attitude of stoicism, of tranquil, if slightly defiant,
courage. But Care, the leopard, refused to be
driven away. Surely, stealthily he had followed
her out of her bedchamber and now crouched at her side,
making his presence felt so that all illusion of comfort
speedily fled. She knew that she was alone, consciously
and bitterly alone, waking in the midst of the sleeping
house. No footstep would echo up the stairs, hot
to find her. No voice would call her name, in
anxiety for her well-being or in desire. It seemed
to Katherine that a desert lay outstretched about
her on every hand, while she sat desolate with Care
for her sole companion. She recognised that her
existing isolation was, in a measure at all events,
the natural consequence of her own fortitude and ability.
She had ruled with so strong and discreet a hand that
the order she had established, the machinery she had
set agoing, could now keep going without her.
Hence her loneliness. And that loneliness as
she sat by the dying fire, while the wind raved without,
was dreadful to her, peopled with phantoms she dared
not look upon. For, not only the accustomed burden
of her motherhood was upon her, but that other unaccustomed
burden of admitted middle-age. And this other
burden, which it is appointed a woman shall bear while
her heart often is still all too sadly young, dragged
her down. The conviction pressed home on her
that for her the splendid game was indeed over, and
that, for very pride’s sake, she must voluntarily
stand aside and submit to rank herself with things
grown obsolete, with fashions past and out of date.
Katherine rose to her feet, filled,
for the moment, by an immense compassion for her own
womanhood, by an overmastering longing for sympathy.
She was so tired of the long struggle with sorrow,
so tired of her own attitude of sustained courage.
And now, when surely a little respite and repose might
have been granted her, it seemed that a new order
of courage was demanded of her, a courage passive rather
than active, a courage of relinquishment and self-effacement.
That was a little too much. For all her valiant
spirit, she shrank away. She grew weak.
She could not face it.
And so it happened that to-night as
once long ago, when poor Richard suffered his hour
of mental and physical torment at the skilful, yet
relentless hands of Dr. Knott, in the bedchamber near
by Katherine’s anguish and revolt
found expression in restless pacings, and those pacings
brought her to the chapel door. It stood ajar.
Before the altar the three hanging lamps showed each
its tongue of crimson flame. A whiteness of flowers,
set in golden vases upon the re-table, was just distinguishable.
But the delicately carved spires and canopies of stalls,
the fair pictured saints, and figure of the risen Christ His
wounded feet shining like pearls upon the azure floor
of heaven in the east window, were lost
in soft, thick, all-pervading gloom. The place
was curiously still, as though waiting silently, in
solemn and strained expectation for the accomplishment
of some mysterious visitation. And, all the while
without, the gale flung itself wailing against the
angles of the masonry, and the rain beat upon the
glass of the high, narrow windows as with a passion
of despairing tears.
For some time Katherine waited in
the doorway, a sombre figure in her trailing, velvet
dress. The hushed stillness of the chapel, the
confusion and clamour of the tempest, taken thus in
connection, were very telling. They exercised
a strong influence over her already somewhat exalted
imagination. Could it be, she asked herself, that
these typified the rest of the religious, and the unrest
of the secular life? Julius March would interpret
the contrast they afforded in some such manner no
doubt. And what if Julius, after all, were right?
What if, shutting God out of the heart, you also shut
that heart out from all peaceful dwelling-places,
leaving it homeless, at the mercy of every passing
storm? Katherine was bruised in spirit. The
longing for some sure refuge, some abiding city was
dominant in her. The needs of her soul, so long
ignored and repudiated, asserted themselves. Yes,
what if Julius were right, and if content and happiness the
only happiness which has in it the grace of continuance consisted
in submission to, and glad acquiescence in, the will
of God?
Thus did she muse, gazing questioningly
at the whiteness of the altar flowers and those steady
tongues of flame, hearing the silence, as of reverent
waiting, which dwelt in the place. But, on the
other hand, to give, in this her hour of weakness,
that which she had refused in the hours of clear-seeing
strength; to let go, because she was alone
and the unloveliness of age claimed her, that sense
of bitter injury and injustice which she had hugged
to her breast when young and still aware of her empire, would
not such action be contemptibly poor spirited?
She was no child to be humbled into confession by the
rod, frightened into submission by the dark.
To abase herself, in the hope of receiving spiritual
consolation, appeared to her as an act of disloyalty
to her dead love and her maimed and crippled son.
She turned away with a rather superb lift of her beautiful
head, and went back to her own bedchamber again.
She hardened herself in opposition, putting the invitations
of grace from her as she might have put those of temptation.
She would yield to weakness, to feverish agitations
and aimless longings, no more. Whether sleep
elected to visit her or not, she would undress and
seek her bed.
But hardly had she closed the door
and, standing before her toilet-table, began to unclasp
the pearls from her throat and bracelets from her
wrists, than a sound, quite other than agreeable or
reassuring, saluted her ears from close by. It
proceeded from the room next door, now unoccupied,
since Richard, some five or six years ago, jealous
of the dignity of his youth, had petitioned to be permitted
to remove himself and his possessions to the suite
of rooms immediately below. This comprised the
Gun-Room, a bed and dressing-room, and a fourth room
connecting with the offices, which came in handy for
his valet. Since his decline upon this more commodious
apartment, the old nursery had stood vacant.
Katherine could not find it in her heart to touch
it. It was furnished now as in Dickie’s
childish days, when, night and morning, she had visited
it to make sure of her darling’s health and
safety.
And it was in this shrine of tender
recollections that disquieting sounds now arose.
Hard claws rattled upon the boarded spaces of the
floor. Some creature snored and panted against
the bottom of the door, pushed it with so heavy a
weight that the panels creaked, flung itself down
uneasily, then moved to and fro again, with that harsh
rattling of claws. The image of Care, the leopard,
as embroidered upon the curtains of her bed, was so
present to Katherine’s imagination to-night that,
for a moment, she lost her hold on probability and
common sense. It appeared to her that the anxieties
and perturbations which oppressed her had taken on
bodily form, and, in the shape of a devouring beast,
besieged her chamber door. The conception was
grisly. Both mind and body being rather overstrained,
it filled her with something approaching panic.
No one was within call. To rouse her brother,
or Julius, she must make a tour of half the house.
Again the creature pushed against the creaking panels,
and, then, panting and snoring, began ripping away
the matting from the door-sill.
The terror of the unknown is, after
all, greater than that of the known. It was improbable,
though the hour was late and the night wild, that
savage beasts or cares incarnate should actually be
in possession of Dickie’s disused nursery.
Katherine braced herself and turned the handle.
Still the vision disclosed by the opening door was
at first sight monstrous enough. A moving mass
of dirty white, low down against the encircling darkness,
bandy legs, and great grinning mouth. The bull-dog
stood up, whining, fawning upon her, thrusting his
heavy head into her hand.
“Why Camp, good old friend,
what brings you here? Are you, too, homeless
to-night? But why have you deserted your master?”
And then Lady Calmady’s panic
fears took on another aspect. Far from being
allayed they were increased. An apprehension of
something actively evil abroad in the great, sleeping
house assailed her. She trembled from head to
foot. And yet, even while she shrank and trembled,
her courage reawoke. For she perceived that as
yet she need not rank herself wholly among fashions
passed and things grown obsolete. She had her
place and value still. She was wanted, she was
called for that she knew though
by whom wanted and for what purpose she, as yet, knew
not.
The bull-dog, meanwhile, his heavy
head carried low, his crooked tail drooping, trotted
slowly away into the darkness and then trotted back.
He squatted upon his haunches, looking up with anxious,
bloodshot eyes. He trotted away again, and again
returned and stood waiting, his whole aspect eloquent
in its dumb appeal. He implored her to follow,
and Katherine, fetching one of the silver candlesticks
from her dressing-table, obeyed.
She followed her ugly, faithful guide
across the vacant disused nursery, and on down the
uncarpeted turning staircase which opens into the
square lobby outside the Gun-Room. The diamond
panes of the staircase windows chattered in their
leaded frames, and the wind shrieked in the spouts,
and angles, and carved stonework, of the inner courtyard
as she passed. The gale was at its height, loud
and insistent. Yet the many-toned violence of
it seemed to bear strange and intimate relation as
that of a great orchestra to a single dominant human
voice to the subtle, evil influence which
she felt to be at large within the sleeping house.
And so, without pausing to consider the wisdom of
her action, pushed by the conviction that something
of profound import was taking place, and that some
one, or something, must be saved by her from threatening
danger, Katherine threw open the Gun-Room door.
The shout of the storm seemed far
away. This place was quick with stillness too,
with the hush of waiting for the accomplishment of
some mysterious event or visitation, even as the dark
chapel up-stairs had been. Only here moving effect
of soft, brilliant light, of caressing warmth, of
vague, insidious fragrance met her. Katherine
Calmady had only known passion in its purest and most
legitimate form. It had been for her, innocent
of all grossness, or suggestion of degradation, fair
and lovely and natural, revelation of highest and most
enchanting secrets. But having once known it
in its fulness, she could not fail to recognise its
presence, even though it wore a diabolic, rather than
angelic face. That passion met her now, exultant,
effulgent, along with that light and heat and fragrance,
she did not for an instant doubt. And the splendour
of its near neighbourhood turned her faint with dread
and with poignant memories. She paused upon the
threshold, steadying herself with one hand against
the cold, stone jamb of the arched doorway, while
in the other she held the massive candlestick and its
flickering, draught-driven lights.
A mist was before her eyes, a singing
in her ears, so that she had much ado to see clearly
and reckon justly with that which she did see.
Helen de Vallorbes, clothed in a flowing, yet clinging,
silken garment of turquoise, shot with blue purple
and shimmering glaucous green a garment
in colour such as that with which the waves of Adriatic
might have clothed the rosy limbs of new-born Aphrodite,
as she rose from the cool, translucent sea-deeps knelt
upon the tiger-skin before the dancing fire.
Her hands grasped the two arms of Richard’s chair.
She leaned down right across it, the lines and curves
of her beautiful body discernible under her delicate
draperies. The long, open sleeves of her dress
fell away from her outstretched arms, showing them
in their completeness from wrist to shoulder.
Her head was thrown back, so that her rounded throat
stood out, and the pure line of her lower jaw was
salient. Her eyes were half closed, while all
the mass of her honey-coloured hair was gathered low
down on the nape of her neck into a net of golden
thread. A golden, netted girdle was knotted loosely
about her loins, the tasseled ends of it dragging upon
the floor. She wore no jewels, nor were they
needed, for the loveliness of her person, discovered
rather than concealed by those changeful sea-blue draperies,
was already dangerously potent.
All this Katherine saw a
radiant vision of youth, an incarnation, not of care
and haunting fears, but of pleasure and haunting delights.
And she saw more than this. For in the depths
of that long, low armchair Richard sat, stiffly erect,
his face dead white, thin, and strained Richard,
as she had never beheld him before, though she knew
the face well enough. It was his father’s
face as she had seen it on her marriage night, and
on his death night too, when his fingers had been
clasped about her throat to the point of strangulation.
Katherine dared look no longer. Her heart stood
still. Shame and anger took her, and along with
these an immense nostalgia for that which had once
been and was not. Her instinct was of flight.
But Camp trotted forward, growling, and squatted between
the pedestals of the library-table, his red eyes blinking
sullenly in the square shadow. Involuntarily
Katherine followed him part way across the room.
Richard looked full at his cousin,
absorbed, rigid, an amazement of question in his eyes.
Not a muscle of his face moved. But Madame de
Vallorbes’ absorption was less complete.
She started slightly and half turned her head.
“Ah! there is that dog again,”
she said. “What has brought him back?
He hates me.”
“Damn the dog!” Richard
exclaimed, hoarsely under his breath. Then he
said: “Helen, Helen, you know ”
But Madame de Vallorbes had turned
her head yet further, and her arched eyelids opened
quite wide for once, while she smiled a little, her
lips parting and revealing her pretty teeth tightly
set.
“Ah! the advent of the bull-dog
explains itself,” she exclaimed. “Here
is Aunt Katherine herself!”
Slowly, and with an inimitable grace,
she rose to her feet. Her long, winged sleeves
floated back into place, covering her bare arms.
Her composure was astonishing, even to herself.
Yet her breath came a trifle quick as she contemplated
Lady Calmady with the same enigmatic smile, her chin
carried high the finest suggestion of challenge
and insolence in it her eyes still unusually
wide open and startlingly bright.
“Richard holds a little court
to-night,” she continued airily, “thanks
to the storm. You also have come to seek the protection
of his presence it appears, Aunt Katherine. Indeed,
I am not surprised, for you certainly brew very wild
weather at Brockhurst, at times.”
Something in the young lady’s
bearing had restored Katherine’s self-control.
“The wind is going down,”
she replied calmly. “The storm need not
alarm you, or keep you watching any longer, Helen.”
“Ah! pardon me you
know you are accustomed to these tempests,” the
younger woman rejoined. “To me it still
sounds more than sufficiently violent.”
“Yes, but merely on this side
of the house, where Richard’s and my rooms are
situated. The wind has shifted, and I believe
on your side you will suffer no further disturbance.
You will find it quite quiet. Then, moreover,
you have to rise early to-morrow or rather
to-day. You have a long journey before you and
should secure all the rest you can.”
Madame de Vallorbes gathered her silken
draperies about her absently. For a moment she
looked down at the tiger-skin, then back at Lady Calmady.
“Ah yes!” she said, “it
is thoughtful of you to remind me of that. To-day
I start on my homeward journey. It should give
me very much pleasure, should it not? But do
not be shocked, Aunt Katherine I confess
I am not altogether enraptured at the prospect.
I have been too happy, too kindly treated, here at
Brockhurst, for it to be other than a sorrow to me
to depart.”
She turned to Richard, her expression
serious, intimate, appealing. Then she shook
back her fair head, and as though in obedience to an
irresistible movement of tenderness, stooped down swiftly
over him seeming to drown him in the shimmering
waves of some azure, and thin, clear green, and royal,
blue-purple sea while she kissed him full
and daringly upon the mouth.
“Good-night, good-bye, dear
Dickie,” she said. “Yes, good-bye for
I almost hope I may not see you in the morning.
It would be a little chilly and inadequate, any other
farewell after this. I am grateful to you. And
remember, I too am among those who, to their sorrow,
never forget.”
She approached Lady Calmady, her manner
natural, unabashed, playful even, and gay.
“See, I am ready to go to bed
like a good child, Aunt Katherine,” she said,
“supported by your assurance that my side of
the house is no longer rendered terrific by wind and
rain. But I am so distressed to trouble
you but all the lamps are out, and I am
none too sure of my way. It would be a rather
tragic ending to my happy visit if I incontinently
lost myself and wandered till dawn, disconsolate, up
and down the passages and stairways of Richard’s
magnificent house. I might even wander in here
by mistake again, and that would be unpardonably indiscreet,
wouldn’t it? So, will you light me to my
own quarters, Aunt Katherine? Thank you how
charmingly kind and sweet you are!”
As she spoke Madame de Vallorbes moved
lightly away and passed on to the lobby, the heels
of her pretty, cloth-of-gold slippers ringing quite
sharply on the gray, stone quarries without. And,
even as a little while back she had followed the heavy-headed
and ungainly bull-dog, so now Lady Calmady, in her
trailing, black, velvet dress, silver candlestick
in hand, followed this radiant, fleet-footed creature,
whose every movement was eloquent of youth and health
and an almost prodigal joy of living. Neither
woman spoke as they crossed the lobby, and passed
the pierced and arcaded stone screen which divides
the outer from the inner hall. Now and again the
flickering candle-light glinted on the younger woman’s
girdle or the net which controlled the soft masses
of her honey-coloured hair. Now and again a draught
taking the folds of her silken raiment blew it hither
and thither, disclosing her beautiful arms or quick-moving
slippered feet. She was clothed with splendour
of the sea, crowned, and shod, and girt about the
loins, with gold. And she fled on silently, till
the wide, shallow-stepped stairway, leading up to
the rooms she occupied, was reached. There, for
a moment, she paused.
“Pray come no further,”
she said, and went on rapidly up the flight. On
the landing she stopped, a dimly discerned figure,
blue and gold against the dim whiteness of high paneled
walls, moulded ceiling, stairway, and long descending
balustrade.
“I have arrived!” she
cried, and her clear voice took strange inflections
of mockery and laughter. “I have arrived!
I am perfectly secure now and safe. Let us hope
all other inmates of Brockhurst are equally so this
stormy night. A thousand thanks, dear Aunt Katherine,
for your guidance, and a thousand apologies for bringing
you so far. Now let me trouble you no longer.”
The Gun-Room Katherine found just
as she had left it, save that Camp stood on the tiger-skin
before the fire, his fore-paws and his great, grinning
muzzle resting on the arm of Richard’s chair.
Camp whined a little. Mechanically the young
man raised his hand and pulled the dog’s long,
drooping ears. His face was still dead white,
and there were lines under his eyes and about the
corners of his mouth, as of one who tries to subdue
expression of physical pain. He looked straight
at Lady Calmady.
“Ah!” he said, “so
you have come back! You observe I have changed
partners!”
And again he pulled the dog’s
ears, while it appeared to his listener that his voice
curiously echoed that other voice which had so lately
addressed and dismissed her, taking on inflections
of mockery. But as she nerved herself to answer,
he continued, hastily:
“I want nothing, dear mother,
nothing in the world. Pray don’t concern
yourself any more about me to-night. Haven’t
I Camp for company? Lamps? Oh! I can
put them out perfectly well myself. You were right,
of course, perfectly right, to come if you were anxious
about me. But now surely you are satisfied?”
Suddenly Richard bowed his head, putting
both hands over his eyes.
“Only now, mother, if you love
me, go,” he said, with a great sob in his voice.
“For God’s sake go, and leave me to myself.”
But after sleepless hours, in the
melancholy, blear dawn of the November day, Katherine
lying, face downwards, within the shelter of the embroidered
curtains of the state bed, made her submission at last
and prayed.
“I am helpless, oh, Father Almighty!
I have neither wit nor understanding, nor strength.
Have mercy, lest my reason depart from me. I
have sinned, for years I have sinned, setting my will,
my judgment, my righteousness against Thine.
Take me, forgive me, teach me. I bring nothing.
I ask everything. I am empty. Fill me with
Thyself, even as with water one fills an empty cup.
Give me the courage of patience instead of the courage
of battle. Give me the courage of meekness in
place of the courage of pride.”