Read GOING TO THE PLANTATION of Plantation Sketches , free online book, by Margaret Devereux, on ReadCentral.com.

Summer is over; the nights grow chill, and the autumnal tints, beginning to glow upon the hillsides, tell the low-country folk that the time draws near for the yearly flitting to their plantation homes. The planter, who passes the hot season amid the breezy uplands, begins to think of his whitening cotton fields, and grows impatient for the frost, which must fall ere the family may venture into the land of swamps and agues. He looks out upon the flower-beds, glowing with life and quivering in the sunshine, and listens to the incessant shrill-voiced cicada piping from the tree-tops, while the insect-drone, in the heated, languid air, seems to speak of an unending summer; but as “all things come to him who waits,” so at length come the frosts to the planter.

The week preceding the departure is a busy one, embracing, along with the numberless good-byes, many important afterthoughts in the way of providing the necessities required in the isolated home, where shops are unknown. At length, however, the great boxes are closed, and stand ready for the daylight start of the wagon; the bird-cage, the basket of kittens, and the puppy are also committed by the children to “Ung Jack,” the teamster, who, with the broadest of smiles, promises “little missis” and the “little masters” to take the best of care of them.

Giving the baggage a day’s start, the family’s departure takes place on the day following. After an early breakfast, Mammy and the younger children bundle into the big carriage, mother and the rest of the little mob follow in the barouche, while papa, who abhors the confinement of a carriage, follows on horseback. Although the animal which he bestrides is a noble specimen of his kind, still it must be confessed that papa does not present a jaunty appearance as he jogs soberly along; and yet, as he sits easily swaying in the saddle, there is about him a careless grace which marks the natural horseman.

Three days are consumed upon the journey. It might be made in less time; but the party prefer to take it easily, and at midday make a halt by a running stream, where, seated upon a fallen log or mossy bank, they open their well-stored baskets, and dine. The horses utter impatient whinnies as their drivers dip their buckets into the sparkling water of the little stream, and, when these are lifted to their heads, thirstily thrust their muzzles into the cool depths, and drink long and deeply of the refreshing draughts.

At sunset, the tired little ones begin to look out for the white chimneys of old John Tayler’s wayside inn, where they are to pass the night. This house has, for generations, been the halting-place for planters’ families. Tayler’s grandfather and his father have entertained bygone generations; and so it is not strange that when the little cortege draw up before the old piazza, and the red light from the pine blaze streams out from the open door, not only old John, but his wife and two elderly daughters stand with beaming faces to give the travelers a hearty greeting, kindly to usher them into the carpetless room and seat them upon the stiff “split-bottomed” chairs. While the women busy themselves in getting supper, old John talks crops and politics to his guests, who, on their part, calmly accept the discomforts of the little inn as one of the unalterable laws of nature, without any idea of the possibility of improvement, swallow without complaint the nauseous coffee, and rest philosophically under the home-made sheets and blankets, feebly wondering that so much weight should contain so little warmth.

When supper is over, the women throw a fresh torch upon the fire, and, as it crackles up the wide chimney, and sends its red light and sweet odors over the room, they set themselves to their tasks of picking the seeds from the “raw cotton,” for, being famous spinners and weavers, they disdain that which has had its staples torn by the teeth of the gin.

Upon the second day, the party leave the hills, now gorgeous in their autumnal brilliancy, the rocky roads, and the swiftly running streams of the up-country, and enter the lonely region where the great turpentine trees rear their lofty crests, and interminable sandy roads stretch away into dimness between columns of stately pines whose lofty tops make solemn music to the sighing wind.

The third day finds them in “The Slashes,” a desolate region inhabited by squatters. As they jolt over corduroy roads between pools of stagnant waters, the travelers look out wearily upon a sparse growth of gallberry and scrub-pine. Now and then they pass the solitary hut of a charcoal-burner, surrounded by its little patch of meagre corn; a pack of cur dogs rush out and bark fiercely, within the safe limits of the wattle fence surrounding the premises; white-headed children gaze from the doorways at the passing carriages.

At the last settlement which they pass, a woman and a small, pale-faced boy are gathering in their corn crop. They are the wife and son of Bolin Brazle, an idle but good-natured vagabond, who spends his days scraping upon his fiddle up at the store, or occasionally, upon the promise of a drink, lending a hand in rafting tar-barrels. In consequence of the presentation of a worn-out mule, Bolin swears by the planter, wants to run him for the presidency, and obstinately refuses to receive pay for his charcoal. The matter is finally arranged by a barrel of corn being sent as a present whenever a load of charcoal is needed.

Soon after leaving the “Slashes,” a huddle of houses standing irregularly in a grove of magnificent oaks comes into view. In passing the one which does double duty as store and post-office, the travellers look at it with the realization that it is the connecting link with the outside world, as from it the bi-weekly mail is dispensed. Inside, some one (Brazle, no doubt) is scraping a lively jig upon his fiddle; on the long piazza men, lounging in chairs tilted against the wall, take off their hats to the carriages as they roll by. The planter draws his rein for a little friendly greeting, and the men, squirting tobacco juice, stand around and lazily report the country-side news as to the opening of the cotton, the state of the river, etc. Even the screech of the fiddle has died away.

The long descents of the ferry hill commence, and the carriages roll pleasantly between deeply wooded banks. The approach to the river is marked by long rows of tar-barrels awaiting shipment, or rather rafting. From this point the road has become a sort of concrete from years of leakage from the tar-barrels. The children shriek with joy as the carriages come to a stop, and, craning their heads out, they behold the great tawny river in all its majesty. The repeated hallooings for the ferryman are at length responded to from far upstream. The old scamp is off fishing, and the party seek the shade, where a spring of clear water bubbles from a bank. While the children are drinking copious draughts, the parents stroll off and take a woodland path, which, after many a twist and turn amid thickets of sweet myrtle and purple-berried Bermuda Shrub, brings them to the summit of “The Bluff.”

Standing there, they look down upon the river, two hundred feet below. Upon the further side lie fields, all brown and golden in the sunshine, level and limitless; they stretch into the purple dimness where cypress trees loom upon the horizon, their flat tops mingling dreamily with the soft autumnal hazes. Far away, amid the sun-bathed fields, stand the trees which shelter the plantation home, whose chimneys and white gables are scarce visible save where a stray sunbeam falls upon them.

“So to the Jews fair Canaan stood,
While Jordan rolled between,”

murmured the mother, as she glanced at her husband, to whom she knew the lands spread before them were, by inheritance and long association, far dearer than could be measured by the mere money value.

Descending again to the ferry, they find the carriage already in the flat, and the children scarce restrained by Mammy from crossing without their elders. They draw deep breaths of delight as they watch old Bartley, with active limp, loosen the chain, and, planting his iron-shod pole deep into the grating sands, send the flat upstream; then, at a given point, they watch with intense admiration his skill in taking the sweeps and shooting swiftly to the other side.

The horses know that they are near home, and prick up their ears, and go briskly onward. Scarcely a quarter of a mile is gone before the buildings of the “lower plantation” come into view, a row of cabins built irregularly upon the highest points straggle along the river banks. Each cabin has its little garden with its row of coleworts and its beehives, or perhaps a pumpkin or two shows its yellow sides amid the withered vines. Outside the cabins, fish-nets are hung to dry, and from within comes the sleepy drone of a spinning-wheel; about the doorstep hens are scratching, while from around the corner a cluster of little woolly heads peep out shyly.

Standing in the mellow sunlight, amid fields of ripening corn, with the river gently flowing between levees of such strength as to set floods at defiance, these cabins seem the very embodiment of peaceful security; the high piles, though, upon which they stand, are rather suggestive, and give a hint of what the now peacefully flowing stream is capable of when roused.

A story is told of an old negro who obstinately refused to leave his house at a time when the unusually high water made it necessary to remove the people to a place of greater security. The rafts were ready, and the people, scared and anxious, had left their houses, and now only wailed for old Todge, who, with mulish persistence, refused to be moved. At length, unable to persuade him, and afraid to wait longer, they poled the rafts away. For the first few hours Todge got on very well. He had plenty of provisions, and, as for the isolation, he did not care for it. By and by the water began to make its appearance upon his hearth, and, before long, his little bank of coal, upon which his bread was baking, began to sizzle, and soon became a moist and blackened heap. Todge, however, was not imaginative, and when night fell, he lay down upon his bed and slept without fear; that is, he slept until his bed began to float, then he awoke and groped his way neck deep in water until he found his ladder and managed by it to climb up into his loft, where he sat shivering, till suddenly he felt the cabin give a lurch, and the water rushed in. It had been lifted clear off the piles, and when it should settle down poor Todge would be caught like a rat in a hole. It was settling fast, and the water was gurgling into poor Todge’s ears, when, in desperation, he made a bolt at the roof, and, using his head as a battering ram, succeeded in knocking a hole in it, through which he contrived to creep out. Luckily, the point of the chimney was not quite submerged, and Todge was rescued in the course of the following day.

The road, following the winding of the river, is bordered by giant trees from whose branches the gray moss waves dreamily, while leaves of palest yellow drop and silently float through the still air until they fall into the stream. In the fields, the corn-gatherers pause to doff their hats and smile their welcome. Ere long the barns and workshops of the upper plantation become visible. The tall gables and chimneys of the great house glisten in the sunlight. They pass the little church, with its bell half hidden amid the brown leaves of the great oak from which it dangles; from cabin chimneys, half hidden in trees, thin columns of smoke ascend and mingle with the soft blue sky.

At the open gate, a broadly smiling dusky group stands with welcome depicted upon every face. Hearty handshakes of real affection are exchanged, while the children are being hugged, caressed, laughed over, and extolled for their growth and beauty. The master and mistress pass under the trees, whose long shadows rest upon the soft, green grass between streams of sunshine. The old piazza, gilded into brightness, smiles a welcome home.