The Prevailing taste of the public
for anecdote has been censured and ridiculed by critics
who aspire to the character of superior wisdom; but
if we consider it in a proper point of view, this taste
is an incontestable proof of the good sense and profoundly
philosophic temper of the present times. Of the
numbers who study, or at least who read history, how
few derive any advantage from their labours! The
heroes of history are so decked out by the fine fancy
of the professed historian; they talk in such measured
prose, and act from such sublime or such diabolical
motives, that few have sufficient taste, wickedness,
or heroism, to sympathise in their fate. Besides,
there is much uncertainty even in the best authenticated
ancient or modern histories; and that love of truth,
which in some minds is innate and immutable, necessarily
leads to a love of secret memoirs and private anecdotes.
We cannot judge either of the feelings or of the characters
of men with perfect accuracy, from their actions or
their appearance in public; it is from their careless
conversations, their half-finished sentences, that
we may hope with the greatest probability of success
to discover their real characters. The life of
a great or of a little man written by himself, the
familiar letters, the diary of any individual published
by his friends or by his enemies, after his decease,
are esteemed important literary curiosities.
We are surely justified, in this eager desire, to
collect the most minute facts relative to the domestic
lives, not only of the great and good, but even of
the worthless and insignificant, since it is only
by a comparison of their actual happiness or misery
in the privacy of domestic life that we can form a
just estimate of the real reward of virtue, or the
real punishment of vice. That the great are not
as happy as they seem, that the external circumstances
of fortune and rank do not constitute felicity, is
asserted by every moralist: the historian can
seldom, consistently with his dignity, pause to illustrate
this truth; it is therefore to the biographer we must
have recourse. After we have beheld splendid
characters playing their parts on the great theatre
of the world, with all the advantages of stage effect
and decoration, we anxiously beg to be admitted behind
the scenes, that we may take a nearer view of the
actors and actresses.
Some may perhaps imagine that the
value of biography depends upon the judgment and taste
of the biographer; but on the contrary it may be maintained,
that the merits of a biographer are inversely as the
extent of his intellectual powers and of his literary
talents. A plain unvarnished tale is preferable
to the most highly ornamented narrative. Where
we see that a man has the power, we may naturally suspect
that he has the will to deceive us; and those who
are used to literary manufacture know how much is
often sacrificed to the rounding of a period, or the
pointing of an antithesis.
That the ignorant may have their prejudices
as well as the learned cannot be disputed; but we
see and despise vulgar errors: we never bow to
the authority of him who has no great name to sanction
his absurdities. The partiality which blinds
a biographer to the defects of his hero, in proportion
as it is gross, ceases to be dangerous; but if it
be concealed by the appearance of candour, which men
of great abilities best know how to assume, it endangers
our judgment sometimes, and sometimes our morals.
If her Grace the Duchess of Newcastle, instead of
penning her lord’s elaborate eulogium, had undertaken
to write the life of Savage, we should not have been
in any danger of mistaking an idle, ungrateful libertine
for a man of genius and virtue. The talents of
a biographer are often fatal to his reader. For
these reasons the public often judiciously countenance
those who, without sagacity to discriminate character,
without elegance of style to relieve the tediousness
of narrative, without enlargement of mind to draw any
conclusions from the facts they relate, simply pour
forth anecdotes, and retail conversations, with all
the minute prolixity of a gossip in a country town.
The author of the following Memoirs
has upon these grounds fair claims to the public favour
and attention; he was an illiterate old steward, whose
partiality to the family, in which he was
bred and born, must be obvious to the reader.
He tells the history of the Rackrent family in his
vernacular idiom, and in the full confidence that Sir
Patrick, Sir Murtagh, Sir Kit, and Sir Condy Rackrent’s
affairs will be as interesting to all the world as
they were to himself. Those who were acquainted
with the manners of a certain class of the gentry of
Ireland some years ago, will want no evidence of the
truth of honest Thady’s narrative; to those
who are totally unacquainted with Ireland, the following
Memoirs will perhaps be scarcely intelligible, or probably
they may appear perfectly incredible. For the
information of the ignorant English reader, a
few notes have been subjoined by the editor, and he
had it once in contemplation to translate the language
of Thady into plain English; but Thady’s idiom
is incapable of translation, and, besides, the authenticity
of his story would have been more exposed to doubt
if it were not told in his own characteristic manner.
Several years ago he related to the editor the history
of the Rackrent family, and it was with some difficulty
that he was persuaded to have it committed to writing;
however, his feelings for ’the honour
of the family,’ as he expressed
himself, prevailed over his habitual laziness, and
he at length completed the narrative which is now laid
before the public.
The editor hopes his readers will
observe that these are ’tales of other times;’
that the manners depicted in the following pages are
not those of the present age; the race of the Rackrents
has long since been extinct in Ireland; and the drunken
Sir Patrick, the litigious Sir Murtagh, the fighting
Sir Kit, and the slovenly Sir Condy, are characters
which could no more be met with at present in Ireland,
than Squire Western or Parson Trulliber in England.
There is a time when individuals can bear to be rallied
for their past follies and absurdities, after they
have acquired new habits and a new consciousness.
Nations, as well as individuals, gradually lose attachment
to their identity, and the present generation is amused,
rather than offended, by the ridicule that is thrown
upon its ancestors.
Probably we shall soon have it in
our power, in a hundred instances, to verify the truth
of these observations.
When Ireland loses her identity by
an union with Great Britain, she will look back, with
a smile of good-humoured complacency, on the Sir Kits
and Sir Condys of her former existence.
1800.