The wind that precedes the dawn was
blowing, a freakish and impish wind though not a vicious
one. One might imagine it animated by those sportive
and capricious nature-spirits an old Father of the
church used to call the monkeys of God. Every
now and then a great deluge of piled-up clouds broke
into tossing billows and went rolling and tumbling
across the face of the sky, and in and out of these
swirling masses the high moon played hide-and-seek
and the stars showed like pin-points. Such street
lights as we have being extinguished at midnight,
the tree-shaded sidewalks were in impenetrable shadow,
the gardens that edged them were debatable ground,
full of grotesque silhouettes, backgrounded by black
bulks of silent houses all profoundly asleep.
As for us, we also were shadows, whose feet were soundless
on the sandy sidewalks. We moved in the dark like
travelers in the City of Dreadful Night.
And so we came at last to the red-brick
bank, approaching it by the long stretch of the McCall
garden which adjoins it. For years there have
been battered “For Sale” signs tacked onto
its trees and fences, but no one ever came nearer
purchasing the McCall property than asking the price.
Folks say the McCalls believe that Appleboro is going
to rival New York some of these days, and are holding
their garden for sky-scraper sites.
I was very grateful to the McCall
estimate of Appleboro’s future, for the long
stretch shadowed by their overgrown shrubbery brought
us to the door leading to the upstair offices, without
any possible danger of detection.
The bank had been a stately old home
before business seized upon it, tore out its whole
lower floors, and converted it into a strong and commodious
bank. It is the one building in all Appleboro
that keeps a light burning all night, a proceeding
some citizens regard as unnecessary and extravagant;
for is not Old Man Jackson there employed as night
watchman? Old Man Jackson lost a finger and a
piece of an ear before Appomattox, and the surrender
deprived him of all opportunity to repay in kind.
It was his cherished hope that “some smartybus
crooks ‘d try to git in my bank some uh these
hyuh nights an’ I cert’nly
hope to God they’ll be Yankees, that’s
all.”
Somehow, they hadn’t tried.
Perhaps they had heard of Old Man Jackson’s
watchful waiting and knew he wasn’t at all too
proud to fight. His quarters was a small room
in the rear of the building, which he shared with
a huge gray tomcat named Mosby. With those two
on guard, Appleboro knew its bank was as impregnable
as Gibraltar. But as nobody could possibly gain
entrance to the vaults from above, the upper portion
of the building, given over to offices, was of course
quite unguarded.
One reached these upper offices by
a long walled passageway to the left, where the sidewall
of the bank adjoins the McCall garden. The door
leading to this stairway is not flush with the street,
but is set back some feet; this forms a small alcove,
which the light flickering through the bank’s
barred windows does not quite reach.
John Flint stepped into this small
cavern and I after him. As if by magic the locked
door opened, and we moved noiselessly up the narrow
stairs with tin signs tacked on them. At the head
of the flight we paused while the flashlight gave
us our bearings. Here a short passage opens into
the wide central hall. Inglesby’s offices
are to the left, with the windows opening upon the
tangled wilderness of the McCall place.
Right in front of us half a dozen
sets of false teeth, arranged in a horrid circle around
a cigar-box full of extracted molars such as made
one cringe, grinned bitingly out of a glass case before
the dentist’s office door. The effect was
of a lipless and ghastly laugh.
Before the next door a fatuously smiling
pink-and-white bust simpered out of the Beauty Parlor’s
display-case, a bust elaborately coiffured with pounds
of yellow hair in which glittered rhinestone buckles.
Hair of every sort and shade and length was clustered
about her, as if she were the presiding genius of
some barbarian scalping-cult. Seen at that hour,
in the pale luster of the flashlight, this sorry plunder
of lost teeth and dead hair made upon one a melancholy
impression, disparaging to humanity. I had scant
time to moralize on hair and teeth, however, for Flint
was stopping before a door the neat brass plate of
which bore upon it:
Mr.
Inglesby.
Mr. Inglesby had a desk downstairs
in the bank, in the little pompous room marked “President’s
Office,” where at stated hours and times he
presided grandly; just as he had a big bare office
at the mills, where he was rather easy of access,
willing to receive any one who might chance to catch
him in. But these rooms we were entering without
permission were the sanctum sanctórum, the center
of that wide web whose filaments embraced and ensnared
the state. It would be about as easy to stroll
casually into the Vatican for an informal chat with
the Holy Father, to walk unannounced into the presence
of the Dalai Lama, or to drop in neighborly on the
Tsar of all the Russias, as to penetrate unasked into
these offices during the day.
We stepped upon the velvet square
of carpet covering the floor of what must have once
been a very handsome guest chamber and was now a very
handsome private office. One had to respect the
simple and solid magnificence of the mahogany furnishings,
the leather-covered chairs, the big purposeful desk.
Above the old-fashioned marble mantel hung a life-sized
portrait in oils of Inglesby himself. The artist
had done his sitter stern justice one might
call the result retribution; and one wondered if Inglesby
realized how immensely revealing it was. There
he sat, solid, successful, informed with a sort of
brutal egotism that never gives quarter. In despite
of a malevolent determination to look pleasant, his
smile was so much more of a threat than a promise
that one could wish for his own sake he had scowled
instead. He is a throaty man, is Inglesby; and
this, with an uncompromising squareness of forehead,
a stiffness of hair, and a hard hint of white in the
eyes, lent him a lowering likeness to an unpedigreed
bull.
John Flint cast upon this charming
likeness one brief and pregnant glance.
“Regular old Durham shorthorn,
isn’t he?” he commented in a low voice.
“Wants to charge right out of his frame and trample.
Take a look at that nose, parson like a
double-barreled shotgun, for all the world! Beautiful
brute, Inglesby. Makes you think of that minotaur
sideshow they used to put over on the Greeks.”
In view of Laurence and of Mary Virginia,
I saw the resemblance.
Mr. Hunter’s office was less
formal than Mr. Inglesby’s, and furnished with
an exact and critical taste alien to Appleboro, where
many a worthy citizen’s office trappings consist
of an alpaca coat, a chair and a pine table, three
or four fly-specked calendars and shabby ledgers,
and a box of sawdust. To these may sometimes be
added a pot of paste with a dead cockroach in it,
or a hound dog either scratching fleas or snapping
at flies.
Here the square of carpet was brown
as fallen pine-needles in October, the walls were
a soft tan, the ceiling and woodwork ivory-toned.
One saw between the windows a bookcase filled with
handsomely bound books, and on top of it a few pieces
of such old china as would enrapture my mother.
The white marble mantel held one or two signed photographs
in silver frames, a pair of old candlesticks of quaint
and pleasing design, and a dull red pottery vase full
of Japanese quince. There were a few good pictures
on the walls a gay impudent Détaille
Lancer whose hardy face of a fighting Frenchman warmed
one’s heart; some sketches signed with notable
American names; and above the mantel a female form
clothed only in the ambient air, her long hair swept
back from her shoulders, and a pearl-colored dove
alighting upon her outstretched finger.
I suppose one might call the whole
room beautiful, for even the desk was of that perfection
of simplicity whose cost is as rubies. It was
not, however, a womanish room; there was no slightest
hint of femininity in its uncluttered, sane, forceful
orderliness. It was rather like Hunter himself polished,
perfect, with a note of finality and of fitness upon
it like a hall-mark. Nothing out of keeping,
nothing overdone. Even the red petal fallen from
the pottery vase on the white marble mantel was a
last note of perfection.
Flint glanced about him with the falcon-glance
that nothing escapes. For a moment the light
stayed upon the nude figure over the mantel the
one real nude in all Appleboro, which cherishes family
portraits of rakehelly old colonials in wigs, chokers,
and tight-fitting smalls, and lolloping ladies with
very low necks and sixteen petticoats, but where scandalized
church-goers have been known to truss up a little
plaster copy of the inane Greek Slave in a pocket-handkerchief,
by way of needful drapery.
“What I want to know is, why
a lady should have to strip to the buff just to play
with a pigeon?” breathed John Flint, and his
tone was captious.
It did not strike me as being to the
last degree whimsical, improbable, altogether absurd,
that such a man should pause at such a time to comment
upon art as he thinks it isn’t. On the contrary
it was a consistent and coherent feature of that astounding
nightmare in which we figured. The absurd and
the impossible always happen in dreams. I am
sure that if the dove on the woman’s finger had
opened its painted bill and spoken, say about the
binomial theorem, or the Effect of Too Much Culture
upon Women’s Clubs, I should have listened with
equal gravity and the same abysmal absence of surprise.
I pattered platitudinously:
“The greatest of the Greeks
considered the body divine in itself, my son, and
so their noblest art was nude. Some moderns have
thought there is no real art that is not nude.
Truth itself is naked.”
“Aha!” said my son, darkly.
“I see! You take off your pants when you
go out to feed your chickens, say, and you’re
not bughouse. You’re art. Well, if
Truth is naked, thank God the rest of us are liars!”
What I have here set down was but
the matter of a moment. Flint brushed it aside
like a cobweb and set briskly about his real business.
Over in the recess next to the fireplace was the safe,
and before this he knelt.
“Hold the light!” he ordered
in a curt whisper. “There like
that. Steady now.” My hand closed
as well upon the rosary I carried, and I clung to
the beads as the shipwrecked cling to a spar.
The familiar feel of them comforted me.
I do not know to this day the make
of that safe, nor its actual strength, and I have
always avoided questioning John Flint about it.
I do know it seemed incredibly strong, big, heavy,
ungetatable. There was a dark-colored linen cover
on top of it, embroidered with yellow marguerites
and their stiff green leaves. And there was a
brass fern-jar with claw feet, and rings on the sides
that somehow made me think of fetters upon men’s
wrists.
“A little lower to
the left. So!” he ordered, and with steady
fingers I obeyed. He stood out sharply in the
clear oval the “cleverest crook in
all America” at work again, absorbed in his task,
expert, a mind-force pitting itself against inanimate
opposition. He was smiling.
The tools lay beside him and quite
by instinct his hand reached out for anything it needed.
I think he could have done his work blindfolded.
Once I saw him lay his ear against the door, and I
thought I heard a faint click. A gnawing rat might
have made something like the noise of the drill biting
its way. With this exception an appalling silence
hung over the room. I could hardly breathe in
it. I gripped the rosary and told it, bead after
bead.
"Pray for us sinners now and at
the hour of our death “
There are moments when time loses
its power and ceases to be; before our hour we seem
to have stepped out of it and into eternity, in which
time does not exist, and wherein there can be no relation
of time between events. They stand still, or
they stretch to indefinite and incredible lengths all,
all outside of time, which has no power upon them.
So it was now. Every fraction of every second
of every minute lengthened into centuries, eternities
passed between minutes. The hashish-eater knows
something of this terror of time, and I seemed to
have eaten hashish that night.
I could still see him crouching before
the safe; and all the while the eternities stretched
and stretched on either side of us, infinities I could
only partly bridge over with Hailmarys and Ourfathers.
"And lead us not into temptation
... but deliver us from evil ..."
Although I watched him attentively,
being indeed unable to tear my eyes away from him,
and although I held the light for him with such a
steady hand, I really do not know what he did, nor
how he forced that safe. I understand it took
him a fraction over fourteen minutes.
“Here she comes!” he breathed,
and the heavy door was open, revealing the usual interior,
with ledgers, and a fairsized steel money-vault, which
also came open a moment later. Flint glanced over
the contents, and singled out from other papers two
packages of letters held together by stout elastic
bands, and with pencil notations on the corner of
each envelope, showing the dates. He ran over
both, held up the smaller of the two, and I saw, with
a grasp of inexpressible relief, the handwriting of
Mary Virginia.
He locked the vault, shut the heavy
door of the rifled safe, and began to gather his tools
together.
“You have forgotten to put the
other packages back,” I reminded him. I
was in a raging fever of impatience to be gone, to
fly with the priceless packet in my hand.
“No, I’m not forgetting.
I saw a couple of the names on the envelopes and I
rather think these letters will be a whole heap interesting
to look over,” said he, imperturbably.
“It’s a hunch, parson, and I’ve
gotten in the habit of paying attention to hunches.
I’ll risk it on these, anyhow. They’re
in suspicious company and I’d like to know why.”
And he thrust the package into the crook of his arm,
along with the tools.
The light was carefully flashed over
every inch of the space we had traversed, to make
sure that no slightest trace of our presence was left.
As we walked through Inglesby’s office John Flint
ironically saluted the life-like portrait:
“You’ve had a ring twisted
in your nose for once, old sport!” said he,
and led me into the dark hall. We moved and the
same exquisite caution we had exercised upon entering,
for we couldn’t afford to have Dan Jackson’s
keen old ears detect footfalls overhead at that hour
of the morning. Now we were at the foot of the
long stairs, and Flint had soundlessly opened and
closed the last door between us and freedom.
And now we were once more in the open air, under the
blessed shadow of the McCall trees, and walking close
to their old weather-beaten fence. The light
was still shining in the bank, and I knew that that
redoubtable old rebel of a watchman was peacefully
sleeping with his gray guerilla of a marauding cat
beside him. He could afford to sleep in peace.
He had not failed in his trust, for the intruders had
no designs upon the bank’s gold. Questioned,
he could stoutly swear that nobody had entered the
building. In proof, were not all doors locked?
Who should break into a man’s office and rob
his safe just to get a package of love-letters if
Inglesby made complaint?
I remember we stood leaning against
the McCall fence for a few minutes, for my strength
had of a sudden failed, my head spun like a top, and
my legs wavered under me.
“Buck up!” said Flint’s
voice in my ear. “It’s all over, and
the baby’s named for his Poppa!” His arm
went about me, an arm like a steel bar. Half
led, half carried, I went staggering on beside him
like a drunken man, clutching a rosary and a packet
of love-letters.
The streets were still dark and deserted,
the whole town slept. But over in the east, when
one glimpsed the skies above the trees, a nebulous
gray was stealing upon the darkness; and the morning
star blazed magnificently, in a space that seemed
to have been cleared for it. Somewhere, far off,
an ambitious rooster crowed to make the sun rise.
It took us a long time to reach home.
It was all of a quarter past four when we turned into
the Parish House gate, cut across the garden, and
reached Flint’s rooms. Faint, trembling
in every limb, I fell into a chair, and through a
mist saw him kneel and blow upon the coals of the
expiring fire, upon which he dropped a lightwood knot.
A ruddy glow went dancing up the chimney. Then
he was beside me again. Very gently he removed
hat and overcoat. And then I was sitting peacefully
in the Morris chair, in my old cassock, and with my
own old biretta on my head; and there was no longer
that thin buzzing, shrill and torturing as a mosquito’s,
singing in my ears. At my knee stood Kerry, with
his beautiful hazel eyes full of a grave concern; and
beside him, calm and kind and matter-of-fact, the
Butterfly Man himself stood watching me with an equal
regard. I rubbed my forehead. The incredible
had happened, and like all incredible things it had
been almost ridiculously simple and easy of accomplishment.
Here we were, we two, priest and naturalist, in our
own workroom, with an old dog wagging his tail beside
us. Could anything be more commonplace? The
last trace of nightmare vanished, as smoke dispelled
by the wind. If Mary Virginia’s letters
had not been within reach of my hand I would have
sworn I was just awake out of a dream of that past
hour.
“She has escaped from them,
they cannot touch her, she is free!” I exulted.
“John, John, you have saved our girl! No
matter what they do to Eustis they can’t drag
her into the quicksands now.”
But he went walking up and down, shoulders
squared, face uplifted. One might think that
after such a night he would have been humanly tired,
but he had clean forgotten his body. His eyes
shone as with a flame lit from inward, and I think
there was on him what the Irish people call the Aisling,
the waking vision. For presently he began to
speak, as to Somebody very near him.
“Oh, Lord God!” said the
Butterfly Man, with a reverent and fierce joy, “she’s
going to have her happiness now, and it wasn’t
holy priest nor fine gentleman you picked out to help
her toward it it was me, Slippy McGee,
born in the streets and bred in the gutter, with the
devil knows who for his daddy and a name that’s
none of his own! For that I’m Yours for
keeps: You’ve got me.
“You’ve done all even
God Almighty can do, given me more than I ever could
have asked You for and now it’s up
to me to make good and I’ll do it!”
There came to listening me something
of the emotion I experienced when I said my first
Mass as if I had been brought so close to
our Father that I could have put out my hand and touched
Him. Ah! I had had a very small part to
play in this man’s redemption. I knew it
now, and felt humbled and abashed, and yet grateful
that even so much had been allowed me. Not I,
but Love, had transformed a sinner and an outlaw into
a great scientist and a greater lover. And I remembered
Mary Virginia’s childish hand putting into his
the gray-winged Catocala, and how the little moth,
raising the sad-colored wings worn to suit his surroundings,
revealed beneath that disfiguring and disguising cloak
the exquisite and flower-like loveliness of the underwings.
He paused in his swinging stride,
and looked down at me a bit shyly.
“Parson you see how it is with me?”
“I see. And I think she
is the greater lady for it and you the finer gentleman,”
said I stoutly. “It would honor her, if
she were ten times what she is and she
is Mary Virginia.”
“She is Mary Virginia,”
said the Butterfly Man, “and I am what
I am. Yet somehow I feel sure I can care for
her, that I can go right on caring for her to the
end of time, without hurt to her or sorrow to me.”
And after a pause, he added, deliberately:
“I found something better than
a package of letters to-night, parson. I found Me.”
For awhile neither of us spoke.
Then he said, speculatively:
“Folks give all sorts of things
to the church dedicate them in gratitude
for favors they fancy they’ve received, don’t
they? Lamps, and models of ships, and glass eyes
and wax toes and leather hands, and crutches and braces,
and that sort of plunder? Well, I’m moved
to make a free-will offering myself. I’m
going to give the church my kit, and you can take
it from me the old Lady will never get her clamps
on another set like that until Gabriel blows his trumpet
in the morning. Parson, I want you to put those
tools back where you had them, for I shall never touch
them again. I couldn’t. They well,
they’re sort of holy from now on. They’re
my IOU. Will you do it for me?”
“Yes!” said I.
“I might have known you would!”
said he, smiling. “Just one more favor,
parson may I put her letters in her hands,
myself?”
“My son, my son, who but you
should do that?” I pushed the package across
the table.
“Great Scott, parson, here it
is striking five o’clock, and you’ve been
up all night!” he exclaimed, anxiously.
“Here no more gassing. You come
lie down on my bed and snooze a bit. I’ll
call you in plenty of time for mass.”
I was far too spent and tired to move
across the garden to the Parish House. I suffered
myself to be put to bed like a child, and had my reward
by falling almost immediately into a dreamless sleep,
nor did I stir until he called me, a couple of hours
later. He himself had not slept, but had employed
the time in going through the letters open on his
table. He pointed to them now, with a grim smile.
“Parson!” said he, and
his eyes glittered. “Do you know what we’ve
stumbled upon? Dynamite! Man, anybody holding
that bunch of mail could blow this state wide open!
So much for a hunch, you see!”
“You mean ”
“I mean I’ve got the cream
off Inglesby’s most private deals, that’s
what I mean! I mean I could send him and plenty
of his pals to the pen. Everybody’s been
saying for years that there hasn’t been a rotten
deal pulled off that he didn’t boss and get away
with it. But nobody could prove it. He’s
had the men higher-up eating out of his hand sort
of you pat my head and I’ll pat yours arrangement and
here’s the proof, in black and white. Don’t
you understand? Here’s the proof:
these get him with the goods!
“These,” he slapped a
letter, “would make any Grand Jury throw fits,
make every newspaper in the state break out into headlines
like a kid with measles, and blow the lid off things
in general if they got out.
“Inglesby’s going to shove
Eustis under, is he? Not by a jugfull. He’s
going to play he’s a patent life-preserver.
He’s going to be that good Samaritan
he’s been shamming. Talk about poetic justice this
will be like wearing shoes three sizes too small for
him, with a bunion on every toe!” And when I
looked at him doubtfully, he laughed.
“You can’t see how it’s
going to be managed? Didn’t you ever hear
of the grapevine telegraph? Well then, dear George
receives a grapevine wireless bright and early to-morrow
morning. A word to the wise is sufficient.”
“He will employ detectives,” said I, uneasily.
The Butterfly Man looked at me quizzically.
“With an eagle eye and
a walrus mustache,” said he, grinning. “Sure.
But if the plainclothes nose around, are they going
to sherlock the parish priest and the town bughunter?
We haven’t got any interest in Mr. Inglesby’s
private correspondence, have we? Suppose Miss
Eustis’s letters are returned to her, what does
that prove? Why, nothing at all, except
that it wasn’t her correspondence the fellows
that cracked that safe were after. We should
worry!
“Say, though, don’t you
wish you could see them when they stroll down to those
beautiful offices and go for to open that nice burglar-proof
safe with the little brass flower-pot on top of it?
What a joke! Holy whiskered black cats, what
a joke!”
“I’m afraid Mr. Inglesby’s
sense of humor isn’t his strong point,”
said I. “Not that I have any sympathy for
him. I think he is getting only what he deserves.”
“Alexander the coppersmith
wrought me much evil. May God requite him according
to his works!” murmured the Butterfly Man,
piously, and chuckled. “Don’t worry,
parson Alexander’s due to fall sick
with the pip to-day or to-morrow. What do you
bet he don’t get it so bad he’ll have
to pull up all his pretty plans by the roots, leave
Mr. Hunter in charge, and go off somewhere to take
mudbaths for his liver? Believe me, he’ll
need them! Why, the man won’t be able to
breathe easy any more he’ll be expecting
one in the solar plexus any minute, not knowing any
more than Adam’s cat who’s to hand it to
him. He can’t tell who to trust and who
to suspect. If you want to know just how hard
Alexander’s going to be requited according to
his works, take a look at these.” He pointed
to the letters.
I did take a look, and I admit I was
frightened. It seemed to me highly unsafe for
plain folks like us to know such things about such
people. I was amazed to the point of stupefaction
at the corruption those communications betrayed, the
shameless and sordid disregard of law and decency,
the brutal and cynical indifference to public welfare.
At sight of some of the signatures my head swam I
felt saddened, disillusioned, almost in despair for
humanity. I suppose Inglesby had thought it wiser
to preserve these letters possibly for
his own safety; but no wonder he had locked them up!
I looked at the Butterfly Man openmouthed.
“You wouldn’t think folks
wearing such names could be that rotten, would you?
Some of them pillars of the church, too, and married
to good women, and the fathers of nice kids!
Why, I have known crooks that the police of a dozen
states were after, that wouldn’t have been caught
dead on jobs like some of these. Inglesby won’t
know it, but he ought to thank his stars we’ve
got his letters instead of the State Attorney, for
I shan’t use them unless I have to.... Parson,
you remember a bluejay breaking up a nest on me once,
and what Laurence said when I wanted to wring the
little crook’s neck? That the thing isn’t
to reform the jay but to keep him from doing it again?
That’s the cue.”
He gathered up the scattered letters,
made a neat package of them, and put it in a table
drawer behind a stack of note-books. And then
he reached over and touched the other package, the
letters written in Mary Virginia’s girlish hand.
“Here’s her happiness long,
long years of it ahead of her,” he said soberly.
“As for you, you take back those tools, and go
say mass.”
Outside it was broad bright day, a
new beautiful day, and the breath of the morning blew
sweetly over the world. The Church was full of
a clear and early light, the young pale gold of the
new Spring sun. None of the congregation had
as yet arrived. Before I went into the sacristy
to put on my vestments, I gave back into St. Stanislaus’
hands the IOU of Slippy McGee.