Read CHAPTER X of Due North / Glimpses of Scandinavia and Russia, free online book, by Maturin M. Ballou, on ReadCentral.com.

Journey Across Country. — Capital of Sweden. — Old and New. — Swedish History. — Local Attractions. — King Oscar II. — The Royal Palace. — The Westminster Abbey of Stockholm. — A Splendid Deer Park. — Public Amusements. — The Sabbath. — An Official Dude. — An Awkward Statue. — Swedish Nightingales. — Linnaeus and Swedenborg. — Dalecarlia Girls. — A Remarkable Group in Bronze. — Rosedale Royal Cottage. — Ancient Oaks. — Upsala and its Surroundings. — Ancient Mounds at Old Upsala. — Swedenborg’s Study.

The reader will remember that we spoke in our early pages of the inland trip across Norway and Sweden,—that is, from Gottenburg to Stockholm. After visiting the North Cape, one returns by nearly the same route along the coast to Trondhjem, thence to Christiania. Our next objective point being the capital of Sweden, we took passage by rail, crossing the country by way of Charlottenborg, which is the frontier town of Sweden. Here there is a custom-house examination of baggage; for although Norway and Sweden are under one crown, yet they have a separate tariff, so that custom-house rules are regularly enforced between them. As regards others than commercial travellers however this is a mere form, and is not made a source of needless annoyance, as is too often the case in other countries. In crossing the peninsula by rail one does not enjoy the picturesque scenery which characterizes the Gotha Canal route. The railroad journey takes one through a region of lake and forest by no means devoid of interest, and which is rich in mines of iron and other ores. Some important viaducts, iron bridges, and tunnels are passed, and as we approach Lake Maelaren on the east coast a more highly cultivated country is traversed, some of the oldest towns in Sweden being also passed, each of which is strongly individualized. There is a considerable difference observable between the architecture of the Norwegians and that of the Swedes, the former affecting the style of the Swiss chalet, while the latter build much more substantially. Their dwellings as a rule are better finished, and always neatly painted, in town or country.

Stockholm is a noble capital, in many respects exceptionally so. It is situated on the Baltic at the outlet of Lake Maelaren, and is built on several islands, all of which are connected by substantial bridges,—the finest of which is the Norrbro, which has several grand arches of stone, the whole measuring four hundred feet in length by at least sixty in width, though we have no statistics at hand by which to verify these figures. The city has a population of over a hundred and eighty thousand, covering an area of five square miles, and taken as a whole it certainly forms one of the most cleanly and interesting capitals in Europe. It is a city of canals, public gardens, broad squares, and gay cafes. It has two excellent harbors, one on the Baltic and one on Lake Maelaren. Wars, conflagrations, and the steady progress of civilization have entirely changed the city from what it was in the days of Gustavus Vasa,—that is, about the year 1496. It was he who founded the dynasty which has survived for three hundred years. The streets in the older sections of the town are often crooked and narrow, like those of Marseilles, or of Toledo in Spain, where in looking heavenward one does not behold enough of the blue sky between the roofs for the measure of a waistcoat pattern, but in the more modern-built parts there are fine straight avenues and spacious squares, with large and imposing public and private edifices. Here as in most of the other Scandinavian cities, in consequence of various sweeping fires, the old timber-built houses have gradually disappeared, being replaced by those of brick or stone, and there is now enforced a municipal law which prohibits the erection of wooden structures within the precincts of the city proper.

Stockholm is the centre of the social and literary activity of Scandinavia, hardly second in these respects to Copenhagen. It has its full share of scientific, artistic, and benevolent institutions, such as befit a great European capital. The stranger should as soon as convenient after arriving ascend an elevation of the town called the Mosebacke, whereon has been erected a lofty iron framework and look-out, which is surmounted by means of a steam elevator. From this structure an admirable view of the city is obtained and its topography fixed clearly upon the mind. At a single glance as it were, one overlooks the charming marine view of the Baltic with its busy traffic, while in the opposite direction the hundreds of islands that dot Lake Maelaren form a wide-spread picture of varied beauty. The bird’s-eye view obtained of the environs of the capital is unique, since in the immediate vicinity of the city lies the primeval forest, undisturbed and unimproved. This seems the more singular when we realize how ancient a place Stockholm is, having been fortified and made his capital by Birger Jarl, between seven and eight hundred years ago. Though Sweden unlike Norway has no heroic age, so to speak, connecting her earliest exploits with the fate of other countries, still no secondary European power has enacted so brilliant a part in modern history as have those famous Swedish monarchs Gustavus Vasa, Gustavus Adolphus, and Charles XII. The latter fought all Europe,—Danes, Russians, Poles, Germans,—and gave away a kingdom before he was twenty years of age. It was he who at his coronation snatched the crown from the hand of the archbishop and set it proudly on his head with his own hands.

Some of the local attractions of the city are the National Museum, built of granite and marble in the Venetian Renaissance style, the Academy of Sciences, the Art Museum, the Town Hall, and the Royal Palace; but we will not weary the reader with detailed accounts of them. The Royal Palace, like that at Christiania, is an exceedingly plain building, with a granite basement and stuccoed bricks above, forming an immense quadrangular edifice. Though it is very simple externally, it is yet finely proportioned, and stands upon the highest point of the central island. Its present master, King Oscar II., is an accomplished artist, poet, musician, and an admirable linguist, nobly fulfilling the requirements of his responsible position. He has been justly called the ideal sovereign of the age, and the more the world knows of him the more fully this estimate will be confirmed. His court, while it is one of the most unpretentious, is yet one of the most refined in Europe. It is not surprising therefore that the King enjoys a popularity among his subjects characterized by universal confidence, respect, and love. The State departments of the palace are very elegant, and are freely shown to strangers at all suitable times. In the grand State Hall is the throne of silver originally occupied by Queen Christina, while the Hall of Mirrors appears as though it might have come out of Aladdin’s Palace. Amid all the varied attractions of art and historic associations, the splendid Banqueting Hall, the galleries of painting and statuary, the Concert Room, audience chambers, saloons hung with Gobelin tapestry, and gilded boudoirs, one simple chamber impressed us most. It was the bed-room of Charles XIV. (Marshal Bernadotte), which has remained unchanged and unused since the time of his death, his old campaign cloak of Swedish blue still lying upon the bed. The clock upon the mantle-piece significantly points to the hour and the minute of the monarch’s death. The life and remarkable career of the dead King flashed across the memory as we stood for a moment beside these suggestive souvenirs. It was recalled how he began life as a common soldier in the French army, rising with rapidity by reason of his military genius to be a Marshal of France, and finally to sit upon the Swedish throne. Bernadotte, Prince of Ponte Corvo, is the only one of Napoleon’s generals whose descendants still occupy a throne.

The Royal Library is said to be a very choice collection of books in all modern languages, occupying a hall which extends over nearly the entire length of one wing of the palace, and contains a hundred thousand bound volumes. One of the most conspicuous objects seen from its windows is the Riddarsholm Church, a lofty, Gothic structure of red brick, and the Westminster Abbey of the metropolis. Its tall openwork spire of iron tracery reaches towards the sky as though it would pierce the blue vault, forming a conspicuous object for the eye of the traveller who approaches the city by water. This old church, with its banner-hung arches, possesses considerable historic interest. There is significance in the fact that its chime of bells is only heard on the occasion of royal funerals. The broad aisle is filled with grand colossal statuary by Sergei, Bystrom, and other native sculptors. In one of the chapels is the tomb of Gustavus Adolphus, and in another repose the ashes of the youthful hero Charles XII. A long line of Swedish monarchs also rest beneath the Riddarsholm Church. The central floor is covered with gravestones bearing the titles of historic characters and of heroic names, in the study of which and recalling of their mingled histories hours glide swiftly away. There is a chapel of relics attached to the church which contains many valuable historic souvenirs. In the large square bearing the name of Birger Jarl’s Torg, near by the church just described, stands a bronze statue of this former ruler and founder of the city, who was a great reformer in his day, living until 1266. It was modelled by Fogelberg, and represents the famous original in the armor which was common in the twelfth century, the general effect being artistic and impressive; but it is by no means faultless. The pedestal is formed by a heavy dwarfed pillar, which places the statue too far above the line of sight for good effect. The church of Adolphus Frederick is built in the form of a cross, and is rendered quite conspicuous by its large tower, which is crowned by a copper dome. This church is just a century old. A monument was observed within its walls erected to the memory of Descartes, the famous French philosopher, who died at Stockholm in 1650, but whose remains were finally removed to Paris. The most conspicuous dome and tower in the city is that of the Ladugardslands Church, surmounting an octagon structure two centuries old. St. Catherine’s Church is the highest in the metropolis, and is built in the Grecian cross shape, with a lofty dome and five spires. Its erection dates back two hundred years.

The population of Stockholm seems to consist of a cheerful, prosperous, and contented people, though few remarkable signs of luxury or opulence meet the eye of a stranger. The shops on the principal streets are elegantly arrayed, and in the spacious windows choice merchandise, books, pictures, and jewelry are tastefully displayed. There are not better supplied or more attractive shops on the Rue de la Paix or the Italian Boulevard of Paris. A ceaseless activity reigns along the thoroughfares, among the little steam gondolas upon the many water-ways, and the myriad of passenger steamers which ply upon the lake. Many pleasure seekers throng the small parks in the city, while others seek the more extensive and distant Djurgard, or “Deer Park,” in the environs. These are the finest grounds of the sort and by far the most extensive devoted to such a purpose which the author has chanced to see. This remarkable pleasure resort, originally laid out as a deer park by Gustavus III., occupies an entire island by itself, and is some miles in circumference, beautified with inviting drives, grassy glades, rocky knolls, Swiss cottages, Italian verandas, and containing innumerable thrifty trees, among which are some of the noblest oaks to be found outside of England. Refreshment booths, cafes, music halls, marionette theatres, gymnastic apparatus, and various other means of public amusement are liberally distributed over the wide-spread area. It is the great summer resort of the populace for picnicing, pleasure outings, and Sunday holidays. The environs far and near, including the Deer Park, are easily and cheaply reached by small steam launches, or by tramway, at any hour of the day or evening.

No population known to the author is so thoroughly devoted to public amusement as are the citizens of the Swedish capital during the warm season; the brief summer is indeed made the most of by all classes in the enjoyment of out-door life. Beginning at an early hour of the day and continuing until past midnight, gayety reigns supreme from the middle of June until the end of August. To a stranger it seems to be one ceaseless holiday, leading one to ask what period the people devote to their business occupations. It is surprising to observe how many theatres, circuses, concerts, fairs, casinos, field sports and garden entertainments are liberally supported by a population of less than two hundred thousand. At night the tide of life flows fast and furious until the small hours, the town and its environs being ablaze with gas and electric lights. The little omnibus steamers which flit about like fire-flies are, like the tramways, taxed to their utmost capacity, while the air is full of music from military bands. It is the summer gayety of the Champs Elysees thrice multiplied by a community which does not number one tenth of the aggregated population of the great French capital. Not one but every day in the week forms a link in the continuous chain of revelling hours, until on the Sabbath the gayety culminates in a grand fête day of pleasure-outings for men, women, and children. Scores of steamers gayly dressed in flags and crowded with passengers start in the early morning of this day for excursions on Lake Maelaren, or to visit some pleasure resort on the Baltic, while the Deer Park and public gardens of the city resound all day and night with mirth and music.

The Royal Opera House is a plain substantial structure on the Gustaf-Adolf-Torg, built by Gustavus III. in 1775, and will seat fifteen hundred persons. A music-loving Swede told us of the debut of Jenny Lind years ago in this dramatic temple, and also described that of Christine Nilsson, which occurred more recently. The excellent acoustic properties of the Stockholm Opera House are admitted by famous vocalists to be nearly unequalled. It was here, at a gay masquerade ball on the morning of March 15, 1792, that Gustavus III. was fatally wounded by a shot from an assassin, one of the conspirators among the nobility. Our place of sojourn while in Stockholm was at the Hotel Rydberg, which overlooks the Gustaf-Adolf-Torg. Directly opposite our windows, across the bridge where the waters of the Baltic and Lake Maelaren join, was the Royal Palace, situated upon a commanding site. On the right of the square and forming one whole side of it was the Crown Prince’s palace; on the left was the Opera House, with an equal frontage; while in the centre stood the equestrian bronze statue of Gustavus Adolphus. On the low ground beside the bridge leading to the royal palace close to the water was one of those picturesque pleasure-gardens for which the town is famous, where under the trees hung with fancy lamps an animated crowd assembled nightly to enjoy the music of the military band and to partake of all sorts of refreshments, but mainly consisting of Swedish punch, Scandinavian beer, or coffee. The distance of this pleasure-garden from the hotel was just sufficient to harmonize the music with one’s mood, and to lull the drowsy senses to sleep when the hour for retiring arrived.

Following the motley crowd one evening, indifferent as to where it might lead, the author found himself on board one of the little omnibus steamers, which in about fifteen minutes landed its passengers at the Deer Park, near the entrance to which a permanent circus establishment seemed to be the attraction; so purchasing a ticket in our turn, we entered with a crowd which soon filled the auditorium. Over two thousand spectators found accommodation within the walls. The performance was excellent and of the usual variety, including a ballet. Occupying a seat by our side was a man of about seventy years of age, whose white hair, mutton-chop whiskers, and snowy moustache were cut and dressed after the daintiest fashion. He was a little below the average size, and was in excellent preservation for one of his years. It was observed that his hands and feet were as small as those of a young school-girl. He was in full evening dress, with a button-hole bouquet in his coat lapel, held in place by a diamond clasp. On three of the fingers of each hand were diamond rings reaching to the middle joints. Diamonds mingled with rubies and pearls glistened upon his wrists, upon which he wore ladies’ bracelets. His tawdry watch-chain was heavy with brilliants. In his necktie was a large diamond, and a star-shaped clustre of small ones furnished him with a breastpin. In short, this antique dude sparkled all over like a jeweller’s shop-window. Each of the ballet-girls had a sign of recognition for the gay Lothario, who exchanged signals with several of the women performers. We felt sure that he must be some well-known character about town, and upon returning to the hotel described him and asked who he was. “Oh!” said the proprietor, “that was the Portuguese Minister!”

Some of the public streets of the city are quite steep, so as to be impassable for vehicles,—like those of Valetta in the island of Malta, and those in the English part of Hong Kong. The northern suburb is the most fashionable part of Stockholm, containing the newest streets and the finest private residences. Among the statues which ornament the public squares and gardens, that of Charles XII. in King’s Park is perhaps the most remarkable,—he whom Motley called “the crowned gladiator.” It stands upon a pedestal of Swedish granite, surrounded by four heavy mortars placed at the corners,—spoils which were taken by the youthful hero in battle. Touching the individual figure, which is of bronze and colossal, it struck us as full of incongruities, and not at all creditable to the well-known designer Molin.

The Swedish and Norwegian languages are very similar, and, as we were assured by persons of both nationalities, they are becoming gradually amalgamated. The former is perhaps the softer tongue and its people the more musical, as those two delightful vocalists and envoys from thence, Jenny Lind and Christine Nilsson, would lead us to infer. Both countries are undoubtedly poor in worldly riches, but yet they expend larger sums of money for educational purposes in proportion to the number of their population than any other country except America. The result here is manifest in a marked degree of general intelligence diffused among all classes. One is naturally reminded in this Swedish capital of Linnaeus and Swedenborg, both of whom were born here. The latter graduated at the famous University of Upsala, the former in the greater school of out-door Nature. Swedenborg was as eminent a scientist as religionist, and to him was first intrusted the engineering of the Gotha Canal; but his visionary peculiarities growing upon him it was found necessary to substitute a more practical individual, so that the great work was eventually completed by Sweden’s most famous engineer and mechanician, Kristofer Polhem.

The stranger often meets in the streets of Stockholm a conspicuous class of peasant women dressed very neatly but somewhat gaudily in stripes and high colors, wearing a peculiar head-gear. They are from Dalecarlia, with sun-burned cheeks, splendid teeth, bright serious eyes, soft light hair worn in braids hanging down their backs, and universally possessing sturdy, well-shaped forms. These women are from a favored province of Sweden, and for a long time enjoyed a monopoly of the many ferry-boats of the city, it having been accorded to them by royal consent in consideration of the patriotism exhibited by them, and of aid which the women of that ancient province gave to the cause of the throne at a critical moment in Swedish history. Dalecarlian girls on arriving at a suitable age have for many generations been in the habit of coming to the capital and remaining long enough to earn by their industry sufficient means to return home, become married, and set up their households for life. The small omnibus-steamers have superseded the row-boat ferries, but still the women of this province come to the city all the same, pursuing various occupations of a laborious character, but always retaining their native costumes. Swedish provinces have each to a certain extent a special style of dress to which they tenaciously adhere, as the several Highland clans of Scotland do to their plaids and colors. These girls are often engaged by wealthy families as nurses for their children; some few are to be seen at service in the cafes and public gardens, others are engaged as porters, who transport light packages while pushing before them a small two-wheeled handcart. They certainly form a very picturesque feature with their peculiar costume of striped aprons, party-colored waists, and tall caps, recalling the Italian models one sees on the Spanish Stairs of the Piazza di Spagna in Rome. As a rule, in point of morals they are represented to be beyond reproach; but some of them inevitably drift into temptation, and become lost to their country and home ties. But even under these sad circumstances, the Dalecarlian girls adhere tenaciously to their peasant costume to the last. The pride which prevents them from returning to their village homes after the blandishments have faded which led them astray, often prompts them to seek a watery grave in the Lake Maelaren.

The National Museum is a fine modern structure three stories in height, the façade ornamented with appropriate statues and medallions, among which was one of Linnaeus. On entering the edifice three colossal marble figures attract the eye, representing the chief deities of Scandinavian mythology, Odin, Thor, and Freyr; but as regards the curiosities collected here, they are in no way remarkable, being much like those of other collections. One exception should be made, however, in favor of the cabinet of ancient coins, which is very complete and attractive; it is claimed for it that there is no other in Europe of equal interest or importance. The collection of ancient Arabian coins is unique, and would delight the heart of the simplest numismatist. There is a large gallery of paintings in the upper story of the Museum, with a few examples of the old masters and many of the modern schools. In the open square before the National Museum is to be seen the original of the bronze group described in our chapter upon Gottenburg. This remarkable production, called the “Girdle-Duellists,” is the masterpiece of the Swedish artist Molin, and is undoubtedly the finest piece of sculpture to be seen in the country. The pedestal is ornamented with four reliefs representing the origin and issue of the combat, with Runic inscriptions signifying “Jealousy,” “Drinking,” “Beginning of the Combat,” and the “Widow’s Lament.” It seemed surprising to us that an artist capable of such admirable work as this justly famous group represents, could also have been the author of that hideous conception, the bronze statue of Charles XII., so conspicuously placed in the King’s Park of Stockholm.

One of the most popular of the many cafes and pleasure-gardens either in the city proper or its environs, is that known as Hasselbacken, which is situated quite near to the Deer Park. This garden is crowded day and evening during the warm season with hundreds of visitors intent upon enjoying the various entertainments characterizing this resort, among which excellent instrumental and vocal music forms a specialty, while refreshments of every sort are served by an army of white-aproned and active waiters. A broad Turkish pavilion forms the principal concert-room at Hasselbacken, picturesquely fitted up for the purpose. In these grounds, under an ancient oak which reared its tall head proudly above all its neighbors, there was observed a fine statue of Bellman the composer, who, as we learned, was accustomed a century ago to sit in this spot and sing his compositions to his assembled friends, accompanying himself on his favorite instrument the cithern. The sculptor Nystroem has reproduced the poet in bronze; and the composition is both beautiful as an ideal-historical monument and excellent in an artistic point of view. Fountains and flower-beds abound on all sides in these inviting grounds, the sylvan aspect being carefully and ingeniously preserved.

While driving in the Deer Park we accidentally came upon the royal cottage of Rosedale, which was built by Charles XIV. about sixty years ago, and was the favorite summer residence of the Queen-dowager Josephine. It is a most delightful rural retreat, surrounded by hothouses, graperies, flower-plats, broad gravelled walks, and trees in great variety. Some of the ancient oaks about Rosedale are of special beauty and of noble development, challenging the admiration of every stranger. In the rear of the royal cottage is a remarkable porphyry urn in three parts, foot, stem, and crown,—being nearly forty feet in circumference, and weighing, we were told, over fifty thousand pounds. Charles XIV. took great pride in perfecting the Deer Park as a place of public resort and pleasure, for which object he expended large sums from his private purse. From Rosedale one can return to the city by boat or by a drive over the pleasant, well-macadamized roads which intersect the country lying between the Baltic and Lake Maelaren.

Upsala is the oldest town in the country as well as the historical and educational centre of the kingdom, situated just fifty miles from Stockholm, and may be reached either by boat or by rail. Going in one way and returning by the other adds a pleasing variety to the trip, which by starting early in the morning can be satisfactorily consummated in a single day. This is the Cambridge of Sweden,—the name Upsala signifying the “Lofty Halls.” It was the royal capital of the country for more than a thousand years, and was the locality of the great temple of Thor, now replaced by a Christian cathedral which was over two centuries in building. “The religion of one age is the literary entertainment of the next,” says Emerson. The more modern structure is in the Gothic style, built of brick, and the site being on elevated ground renders it very effective. Originally it had three spires four hundred feet high; but these were destroyed by lightning in 1702, and were afterwards replaced by the present two incongruous towers of circumscribed elevation, and which do not at all accord with the original architectural design of the structure. This spot in the Pagan ages was a famous resort for sacrifices. History, or at least legend tells us that in those days the original temple was surrounded by a sacred grove wherein the sacrifices were made to propitiate the deities worshipped there,—human blood being considered the most acceptable. So powerful was the heathenish infatuation, that parents even immolated their children. An account is still extant of seventy-two bodies of human beings being seen here at one time, suspended and dead upon the trees. Odin was once a sacred deity here; now the name represents among the peasantry that of the Devil. The present temple in its architectural aspect is nearly a duplicate of Notre Dame in Paris, and is the largest cathedral in the north of Europe. The same architect, Etienne de Bonnevil, designed them both, and came to Upsala, accompanied by a small army of mechanics from France, to begin the work which was destined, from various causes, to linger along through two centuries. The interior is impressive from its severe simplicity. The flying buttresses inside the structure give a peculiarly striking effect. Between each of them is a small chapel. The vaulting is supported by twenty-four soaring pillars. The dead, cold walls are finished in glaring whitewash without any relief. Under the altar is an elaborate and much-venerated shrine of silver containing the ashes of Saint Eric, the patron saint of Sweden.

Upsala has often been the scene of fierce and bloody conflicts. Saint Eric was slain here in 1161. It has its university and its historical associations; but it has neither trade nor commerce of any sort beyond that of a small inland town,—its streets never being disturbed by business activity or the “fever of living,” though there is a population here of at least fifteen or sixteen thousand persons. The University, founded in 1477 and richly endowed by Gustavus Adolphus, is the just pride of the country,—having to-day some fifteen hundred students and forty-eight competent professors. No one can enter the profession of law, medicine, or divinity in Sweden who has not graduated either at this University or at that of Lund. Its library contains nearly or quite two hundred thousand bound volumes and over seven thousand important manuscripts. Among the latter is a copy of the four Gospels, with movable silver letters placed on parchment at the chapter heads, the whole being in the old Gothic language. This book, named “Codex Argenteus,” contains nearly two hundred folios, and was made by Bishop Ulphilas one thousand years before Gutenberg was born. It was in this University that Linnaeus, the great naturalist, was professor of botany and zoology for nearly forty years. His statue still very properly ornaments the lecture-room, and his journal is shown to visitors in the large hall of the library.

The former dwelling house of Linnaeus may be seen by tourists at Upsala, where he lived among his well-beloved flora, planted and tended by his own hands. His remains lie interred within the cathedral under a mural tablet of red porphyry, bearing upon the surface a portrait of the grand old naturalist by Sergel, in bas-relief. Many of the tombs and tablets in the aisles bore dates of more than five hundred years ago, but none interested us so much as that of Linnaeus the great disciple of Nature. This humble shoemaker by force of his genius alone rose to be a prince in the kingdom of Science. Botany and Zoology have never known a more eminent exponent than the lowly-born Karl von Linne, whom the Swedes very appropriately denominate the King of Flowers. A certain knowledge of plants and of natural history forms a part of the primary education of every Swede. At Upsala one has abundant evidence to show how liberally the Government of the country fosters education among all classes, and also that special attention is given to the education of women.

About three or four miles from the University is the village of Old Upsala, where there are three huge tumuli said to contain the remains of Pagan deities. One is here forcibly reminded of the North American mound-builders. In Illinois the author has seen examples double the size of these at Upsala, while in the State of Ohio there are thousands of these tumuli to be seen. Adjoining the three mounds at Upsala is a quaint little church, more than two thousand years old, built of rough field-stones. It contains a monument to Anders Celsius the Swedish astronomer and some ancient ecclesiastical vessels, also some old pictures upon canvas nearly consumed by mould. The huge key with which the door was opened to admit the author bore a date of six centuries ago. We noticed some Pagan idols in wood preserved in an oaken chest inside the old church, which dated about the eleventh century. What a venerable, crude, and miraculously-preserved old pile it is! Who can say that inanimate objects are not susceptible to minute impressions which they retain? Has not the phonograph proven that it receives mechanically, through the waves of sound, spoken words, which it records and repeats? What then may possibly be retained in the memory of this old, old church, which has kept watch and ward on the footsteps of time, these two thousand years! Few temples are now in existence which are known to antedate the Christian era, but undoubtedly these gray old walls form one of them. The three mounds referred to—the tombs of heroes in their lifetime, gods in their death—are said to be those of Thor, Odin, and Freyr. They were found easy of ascent, and were covered with a soft, fresh verdure, from whence we gathered a bouquet of native thyme and various colored wild-flowers which were brought back with us to Stockholm. Near these mounds is also a hill of forty or fifty feet in height called Tingshog, from which all the kings down to Gustavus Vasa used to address their subjects. In this same neighborhood also are the famous Mora Stones, where in the Middle Ages the election ceremony and the crowning of the Swedish kings took place with great solemnity. Tangible evidence as well as the pages of history show Upsala to have been the great stronghold of Paganism, and here the apostles of Christianity encountered the most determined opposition. There are many other mounds in the vicinity of the three specified, all undoubted burial-places erected ages ago. The highest one, measuring sixty-four perpendicular feet, was cut through in 1874 to enable the Ethnological Congress then assembled here to examine the inside. There were found within it a skeleton and some fragments of arms and jewelry, which are now preserved in the Museum at Stockholm. We were told that another of these mounds was opened in a similar manner nearly fifty years ago, with a like result as to its contents.

Before leaving the Swedish capital a spot of more than passing interest was visited; namely, the garden and summer-house in which Emanuel Swedenborg, philosopher and theosophist, wrote his remarkable works. It seems strange that here in his native city this man as a religionist had no followers. It is believed to-day by many in Stockholm that he wrote under a condition of partial derangement of mind. The house which he owned and in which he lived has crumbled away and disappeared, but his summer-house study—a small close building fifteen feet in height and about eighteen feet square—is still extant. In most countries such a relic would be carefully preserved, and made to answer the purpose of an exhibition to the visiting strangers; but here no special note is taken of it, and not without some difficulty could it be found. One intelligent resident even denied the existence of this object of inquiry, but a little persistent effort at last discovered the interesting old study at N Hornsgatan, a few streets in the rear of the Royal Palace, from which it is about one half of a mile distant.

Every one is amenable to the influence of the weather. Had the same dull dripping atmosphere greeted us at Stockholm which was encountered at Bergen, perhaps the impression left upon the memory would have been less propitious, but the exact contrary was the case. The days passed here were warm, bright, and sunny; everything wore a holiday aspect; life was at its gayest among the citizens as seen in the public gardens, streets, and squares, even the big white sea-gulls that swooped gracefully over the many water-ways, though rather queer habitues of a populous city, seemed to be uttering cries of bird merriment. In short our entire experience of the Swedish capital is tinctured with pleasurable memories.