STREETS, PARKS, CEMETERIES, AND PUBLIC BUILDINGS.

For a hundred years the picturesque Brandenburg Gate has guarded the entrance to Unter den Linden from the Thiergarten. It is a monument of the reversion of royal taste from the devotion to French style, which characterized Frederick the Great, to the purely classical. It is nearly two hundred feet in width, its five openings being guarded by six massive Doric columns about forty-five feet in height. To foot-passengers, riders, and ordinary vehicles the two outer spaces on each side are devoted respectively, while the wide central passage is traversed only by the royal carriages. The celebrated quadriga with the figure of Victory, on the entablature, was first placed with the face toward the Park. When the First Napoleon robbed Berlin, along with other cities, for the adornment of Paris, he carried off this masterpiece in bronze and set it up in the Place du Carrousel under the shadow of the Tuileries. Upon Napoleon’s downfall in 1814, this group was restored to its original place, but was set facing the Unter den Linden, making of the Brandenburger Thor a triumphal arch marking the victory of Prussia in the long contest.

The famous Unter den Linden, nearly two hundred feet wide and three fourths of a mile in length, with a double line of lime-trees enclosing an area of greensward along the centre, would be accounted anywhere a handsome street, with the palaces of the Pariser Platz at one end, the Imperial palaces, the Arsenal, the Academy, and the University at the other, and brilliant shop-windows lining both sides of the whole length, while the Brandenburg Gate and the great equestrian statue of Frederick the Great at either extremity close the fine vista. Leaving out of view, however, these two noble features which mark its termini, the street seemed not handsome enough to justify its fame. Perhaps this was because we found the famous lime-trees, for which the street is named, quite ordinary young trees, not to be compared with the magnificent elms which line the streets of New Haven and the Mall of Boston Common.

The characteristic part of Berlin is, to our view, the great space east of Unter den Linden, surrounded by the palaces, the royal Guard House, the Arsenal, the University, and the Academy of Arts and Sciences. These fine buildings and the ornamented open spaces around and between them, on a sunny afternoon in midwinter, show a brilliant and unique scene which has hardly its parallel in Europe. The Champs Elysees is finer at night; Hyde Park, St. James, the Parliament buildings, and Westminster Abbey far finer on a sunny morning; but the third city in Europe has no need to be ashamed of its royal buildings and the scene before them, in the season when the Court is in Berlin, and the slant rays of an early afternoon sun light up the gay throng of soldiers in uniform, State carriages, pedestrians, and vehicles which surge to and fro without crowding the vast spaces.

The Lustgarten is fine; but of the buildings around it, the Old Museum alone meets the eye with architectural satisfaction. In all lights that building is beautiful in design and proportions. The Old Schloss is impressive mainly by its massiveness and its august dome. A most picturesque view by moonlight is to be had from the east end of the Lange or Kuerfuersten Bruecke, southeast of the old palace. Here the water-front of the old castle is in full view, with the fortified part unaltered since the early occupation by the Hohenzollerns. This mediaeval building, shaded by a few ancient trees, with here and there a light reflected from the upper windows at evening, and with tower and turret duplicated on the surface of the darkly flowing river at its foot, shares with one the feeling of ancient times, as no other place in Berlin can do. In the centre of this bridge is the equestrian statue of the Great Elector, superior as a work of art to any other of its date. This grand figure is fabled to descend from his horse and stalk through the streets on New Year’s eve, for the chastisement of evil-doers.

The Wilhelm Straße, running from a point near the Pariser Platz south from Unter den Linden, has many palaces and public buildings; but its chief interest centres about N, the palace of Prince Bismarck. The front looks eastward, and is built around three sides of a garden filled with shrubbery and threaded by walks, and shut off from the street by great iron gates and a high open iron fence. The study, where the Chancellor spends much time when in Berlin, looks upon a garden, and is furnished with the same simplicity which characterizes the private apartments of General Von Moltke. Among the few pictures which adorn the study of Bismarck is one of General Grant. Here it was that the famous Berlin Congress met in 1878 for the settlement of the Eastern Question.

The palace of Prince Albert of Prussia, now Military Governor of Brunswick, is situated in a magnificent private park, acres in extent, in the heart of the city. It opens from the Wilhelm Straße at the head of Koch. This palace was built in the early part of the eighteenth century by a French nobleman, with wealth gained in the great speculations of the Mississippi Scheme, upon which all France entered in hope of retrieving the bankruptcy entailed by Louis XIV. Its fine colonnade, its great park, and its position, adjoining the park of the War Department, between two great railroad stations and surrounded by tramways, render it one of the most prominent features of Central Berlin.

The small and elaborately laid-out square of the Wilhelm Straße, known as the Wilhelms Platz, with its pretty fountains, shrubs, and flowers, has bronze statues of six generals of Frederick the Great, heroes of the Seven Years’ War. Here it is easy to sit and dream of the olden time, in reverie which not even the Kaiserhof diplomats nor the Wilhelm-Street autocrats, within a stone’s-throw on either side, nor the throng and glitter of the Berlin of to-day, can disturb. Here, surrounded by the figures and the faces of the men with whom Carlyle has made us acquainted, we recall the wonderful story which he, as none other, has written. How masterly is the way in which he has portrayed for us this Prussian history whose memorials stand around us! With feeling how deep and true for the real and the eternal as against the false, the seeming, and the transient! What a picture is the history! What a poem is the picture!

At the northeast corner of the Wilhelms Platz is the palace of Prince Friedrich Karl, one of the leaders of the Franco-Prussian War. It was once the temple of the Order of the Knights of Malta, but its sumptuous interior has now for many years been devoted to residence on the upper floor, and to the famous art and bric-a-brac collections of the late prince, on the ground floor. It is not difficult to gain, from the steward, the requisite permission to visit this interesting palace.

Many private houses, interesting for their associations, might be found by the sojourner in Berlin who cares to search them out; but intelligent residents only, and not the guide-books, can facilitate this search. In the Margrafen Straße, near the Royal Library, is the house where Neander lived and studied and wrote. Near the Dreifaltische Kirche, behind the Kaiserhof, is the old-fashioned parsonage which was the home of Schleiermacher, and in the Oranienburger Straße is the house in which lived Alexander von Humboldt.

Of the many beautiful parks, the Thiergarten overshadows all the rest, both because of its commanding location, close to Unter den Linden and other busy streets, and its great extent. A combination of park and wild forest, with streams, ponds, bridges, and miles of shaded avenues and riding-paths in perfect condition, its six hundred acres form one of the largest, most beautiful and useful parks in Europe. The elaborate and towering monument to commemorate the victories of recent Prussian and German wars is the centre of a system of grand avenues in the northeastern part. This monument was originally intended to commemorate the Schleswig-Holstein conquest; later, the victories over Austria in 1866 were to be included; and when the Franco-Prussian War was happily ended, it was decided to make of it also a fitting memorial of united Germany. On the third anniversary of the Capitulation of Sedan, Emperor William I. unveiled the colossal statue of Victory on the summit of the monument, which commemorates the chief events of his august reign.

Immense bas-reliefs on the pedestal represent, on one side, events in the Danish campaign; on another is shown the Decoration of the Crown Prince by the Emperor on the field of Sadowa, with Prince Friedrich Karl, Von Moltke, and Bismarck standing by; the third side shows the French General Reille, handing Louis Napoleon’s letter of capitulation at Sedan; and the fourth, the triumphal entry of German soldiers into Paris through the Arc de Triomphe. There is also a representation of the scene, on that day when all Berlin went wild with joy and exultation over the return of the Kaiser and his troops from Paris, of their reception at the Brandenburg Gate.

Within the open colonnade of the substructure, a vast mosaic shows, in symbols, the history of the Franco-Prussian War, closing with a representation of Bavaria offering the German Crown to Prussia, and the proclamation of the Kaiser at Versailles. It was King William himself who refused to have his own image placed here as the Victor, and who substituted in the design of the artist the female figure of Borussia with the features of his mother, Queen Louise. The shaft, rising eighty-five feet above the substructure, has three divisions, with twenty perpendicular grooves in each. These grooves are filled with thrice twenty upright cannon, captured from the Danes, the Austrians, and the French, bound to the shaft by gilded wreaths of laurel. The Prussian Eagles surmount the column, forming a capital upwards of one hundred and fifty feet above the pavement; and the great statue soars nearly fifty feet still higher.

In the southeastern portion of the Thiergarten is a colossal statue of Goethe, which shows at its best in the twilight of an early summer evening, framed in the tender greens and browns of the bursting foliage behind it. Not far away are the statues of Queen Louise and King Frederick William III., parents of Emperor William I., surrounded by beautiful flowers, pools, and fountains; and the famous “Lion Group” marks the intersection of much-frequented avenues in the same neighborhood. A wide central avenue traversing the whole length of the Thiergarten from east to west allows space for the tramway to the imposing edifice of the Institute of Technology and to the Zooelogical Gardens, where is one of the largest and best collections of birds and animals in the world, each species with habitations suited to it, several built in showy Oriental style, amid concert-gardens where beautiful music may be heard every day.

A favorite walk of ours on sunny winter mornings was in the West End of Berlin, where are many of the finer aristocratic residences. No city can show, so far as we know, a handsomer residence quarter than portions of that which stretches between the Thiergarten on the north, the Zooelogical Gardens on the west, and the Botanical Garden on the south. The collections of the latter, like those of the Zooelogical Gardens, rank among the first of their kind. The great glass house which shelters the Victoria Regia is attractive chiefly in the summer, when the plants are in blossom, but the cacti and the palm houses are interesting the year round. The palm-house is a Crystal Palace on a small scale. Entering, one finds a tropical atmosphere, hot and moist. All the larger palms and some of the smaller have each a furnace to themselves, from four to six feet in diameter and the same in height. Over this furnace the great tub is set which contains the roots of the tree, over which water is frequently sprinkled. The arrangement of the trees is graceful and beautiful. There are galleries and seats everywhere; and little imagination is required to transport one’s self to Oriental and Biblical scenes, with these palm-trees towering overhead. A short walk east of these gardens is the Matthai Cemetery, where repose the brothers Grimm.

The Schiller Platz, so named from the statue before the Schauspielhaus, is fortunate if not in the life-size statue of the poet in the fine pedestal, with its allegorical figures of Poetry, History, and Philosophy, which were originally designed to adorn a fountain. In a still more crowded part of Berlin the Donhof Platz has recently been transformed, from a barren square surrounding the statue of that great Prussian, Baron von Stein, into a lovely garden-spot, with flowers and trees and birds for the cheer of the hurrying multitudes.

The old Halle Gate, where several streets converge to the southern extremity of the Friedrich Straße, is reached through ornamental grounds known as the Belle-Alliance Platz, in the centre of which is a column erected to commemorate the peace which followed the wars of the First Napoleon. Not far to the southwest is the Kreuzberg, the only mountain in this part of Brandenburg, a modest eminence about two hundred feet above the sea-level. It is crowned by an iron obelisk which affords a good view of the city.

Berlin has no cemetery comparable in extent or beauty to many in the environs of American cities. Three small burial-grounds, separate but adjoining, at the southern edge of the city contain the graves of Neander, with the memorable inscription, his favorite motto, “Pectus est quod theologum facit;” of Felix Mendelssohn-Bartholdy, his parents and his sister Fanny; of Schleiermacher, and of our countryman, the Rev. Dr. J.P. Thompson, long-beloved pastor of the Broadway Tabernacle Church, New York. Here, also, Bayard Taylor was for a time laid to rest, before being finally removed to his native land. Decorations are not so ostentatious as in Catholic countries; and quiet ivy, simple greensward, and the shadow of trees in which birds may sing, make the quaint Berlin cemeteries attractive places. This was to us especially true of the ancient cemetery connected with the Sophien Kirche and the old Dorotheen-Stadt cemetery, in the northern part of the city, where we went to look upon the graves of Fichte and Hegel, and of several artists famous in Berlin annals. In the Sophien Kirchof lies the philosopher, Moses Mendelssohn; and in that of the Garrison Church, De la Motte Fouque, the author of “Undine.”

One of the most conspicuous public buildings is the Rath-haus, or Town Hall, erected at a cost of nearly two million dollars. Its lofty clock-tower with illuminated dial tells the time to all Berlin by night, and adds a charm to the group of royal palaces and museums on which it looks down. The ancient town-houses of North Germany most truly express the spirit of the old Hanse League; and the Rath-haus of Berlin, while keeping the spirit, adds the grand proportions and embellishments characteristic of the modern city. The interior apartments, including the Festival Hall, the Town Council-Room, and the Magistrates’ Chamber, are elaborately adorned with historical frescos and statues, and the grand staircase has a finely vaulted ceiling and windows of stained glass filled with Prussian heraldry. A visit to this edifice by daylight gives one the fine view from the clock-tower; but to see the famous Raths-Keller underneath, with characteristic accompaniments, one must go after dark. One evening, after the adjournment, in an upper hall, of that rare thing in Berlin, a temperance meeting, a friend led our party through the elegant apartments of this place of popular refreshment. In the basement of this costly municipal building is a gilded saloon, upwards of three hundred feet long, divided into apartments. In some of these whole families were partaking of their evening “refreshments;” others were manifestly the appointed trysting-places of friends, while here and there, in sheltered nooks, the solitary ones sipped their wine or beer. Everything, so far as we could see, was orderly and quiet, and we were told that the place was one of eminent respectability. It is only after witnessing the habits of the people, in their homes and places of popular resort, that one is prepared to appreciate the enormous consumption of beer, averaging four glasses per day to every man, woman, and child in the kingdom, at an average annual cost to families greater than their house-rent.

The Exchange, or Boerse, on the east bank of the river, is a most imposing building. The excitements of this money-centre may be seen in a visit here any week-day at noon. There are galleries for visitors, over the Great Hall, which accommodates five thousand persons.

The Imperial Bank, like the Imperial Mint, is under State control; and both occupy buildings themselves worthy to be called Imperial.

The great City Prison, on a modern plan, is in Moabit, a northwestern suburb. This region received its name, “Pays de Moab,” from French immigrants on account of its sterile soil; but a part of it is becoming an attractive and beautiful residence quarter. To the north of this is a model state-prison, accommodating twelve hundred prisoners.

The Insane Asylum is said also to be a model institution. It has accommodations for fifteen hundred patients; and its buildings are near Dalldorf, a short distance east of the route to the northwestern suburb of Tegel. The Medical Department of the University has large buildings in different parts of the city. Connected with these is the great Carite Hospital, founded a hundred years ago, and richly endowed by public and private funds. In its many wards more than fifteen hundred patients are constantly under treatment. Another interesting hospital is the Staedtische Krankenhaus, completed about fifteen years ago, on the “pavilion” plan, with the best modern appliances. This is situated in the beautiful park known as the Friedrichshain, in the northeastern part of the city. The Bethanien, in the southeastern quarter, is a large institution for the training of nurses, admirably managed, under the care of the deaconesses, or Protestant Sisters.