PERRY, A NEW YORK MILL TOWN
No place in America could have afforded
better than Pittsburg a chance to study the factory
life of American girls, the stimulus of a new country
upon the labourers of old races, the fervour and energy
of a people animated by hope and stirred to activity
by the boundless opportunities for making money.
It is the labourers’ city par excellence;
and in my preceding chapters I have tried to give a
clear picture of factory life between the hours of
seven and six, of the economic conditions, of the
natural social and legal equipment of woman as a working
entity, of her physical, moral and esthetic development.
Now, since the time ticked out between
the morning summoning whistle to that which gives
release at night is not half the day, and only two-thirds
of the working hours, my second purpose has been to
find a place where the factory girl’s own life
could best be studied: her domestic, religious
and sentimental life.
Somewhere in the western part of New
York State, one of my comrades at the pickle works
had told me, there was a town whose population was
chiefly composed of mill-hands. The name of the
place was Perry, and I decided upon it as offering
the typical American civilization among the working
classes. New England is too free of grafts to
give more than a single aspect; Pittsburg is an international
bazaar; but the foundations of Perry are laid with
bricks from all parts of the world, held together
by a strong American cement.
Ignorant of Perry further than as
it exists, a black spot on a branch of a small road
near Buffalo, I set out from New York toward my destination
on the Empire State Express. There was barely
time to descend with my baggage at Rochester before
the engine had started onward again, trailing behind
it with world-renowned rapidity its freight of travelers
who, for a few hours under the car’s roof, are
united by no other common interest than that of journeying
quickly from one spot to another, where they disperse
never to meet again. My Perry train had an altogether
different character. I was late for it, but the
brakeman saw me coming and waved to the engineer not
to start until my trunk was checked and safely boarded
like myself. Then we bumped our way through meadows
quickened to life by the soft spring air; we halted
at crossroads to pick up stray travelers and shoppers;
we unloaded plowing machines and shipped crates of
live fowl; we waited at wayside stations with high-sounding
names for family parties whose unpunctuality was indulgently
considered by the occupants of the train.
My companions, chiefly women, were
of the homely American type whose New England drawl
has been modified by a mingling of foreign accents.
They took advantage of this time for “visiting”
with neighbours whom the winter snows and illnesses
had rendered inaccessible. Their inquiries for
each other were all kindliness and sympathy, and the
peaceful, tolerant, uneventful way in which we journeyed
from Rochester to Perry was a symbol of the way in
which these good people had journeyed across life.
Perry, the terminus of the line, was a frame station
lodged on stilts in a sea of surrounding mud.
When the engine had come to a standstill and ceased
to pant, when the last truck had been unloaded, the
baggage room closed, there were no noises to be heard
except those that came from a neighbouring country
upon whose peace the small town had not far encroached;
the splash of a horse and buggy through the mud, a
monotonous voice mingling with the steady tick of the
telegraph machine, some distant barnyard chatter,
and the mysterious, invisible stir of spring shaking
out upon the air damp sweet odours calling the earth
to colour and life. Descending the staircase which
connected the railroad station with the hill road
on which it was perched, I joined a man who was swinging
along in rubber boots, with several farming tools,
rakes and hoes, slung over his shoulder. A repugnance
I had felt in resuming my toil-worn clothes had led
me to make certain modifications which I feared in
so small a town as Perry might relegate me to the
class I had voluntarily abandoned. The man in
rubber boots looked me over as I approached, bag in
hand, and to my salutation he replied:
“Going down to the mill, I suppose.
There’s lots o’ ladies comes in the train
every day now.”
He was the perfection of tact; he
placed me in one sentence as a mill-hand and a lady.
“I’ll take you down as
far as Main Street,” he volunteered, giving me
at once a feeling of kindly interest which “city
folks” have not time to show.
We found our way by improvised crossings
through broad, soft beds of mud. Among the branches
of the sap-fed trees which lined the unpaved streets
transparent balls of glass were suspended, from which,
as twilight deepened, a brilliant artificial light
shot its rays, the perfection of modern invention,
over the primitive, unfinished little town of Perry,
which was all contrast and energy, crudity and progress.
“There’s a lot of the
girls left the mill yesterday,” my companion
volunteered. “They cut the wages, and some
of the oldest hands got right out. There’s
more than a thousand of ’em on the pay-roll,
but I guess you can make good money if you’re
ready to work.”
We had reached Main Street, which,
owing to the absence of a trolley, had retained a
certain individuality. The rivers of mud broadened
out into a sea, flanked by a double row of two-story,
flat-roofed frame stores, whose monotony was interrupted
by a hotel and a town hall. My guide stopped
at a corner butcher shop. Its signboard was a
couple of mild-eyed animals hanging head downward,
presented informally, with their skins untouched,
and having more the appearance of some ill-treated
pets than future beef and bouillon for the Perry population.
“Follow the boardwalk!”
was the simple command I received. “Keep
right along until you come to the mill.”
I presently fell in with a drayman,
who was calling alternately to his horse as it sucked
in and out of the mud and to a woman on the plank
walk. She had on a hat with velvet and ostrich
plumes, a black frock, a side bag with a lace handkerchief.
She was not young and she wore spectacles; but there
was something nervous about her step, a slight tremolo
as she responded to the drayman, which suggested an
adventure or the hope of it. The boardwalk, leading
inevitably to the mill, announced our common purpose
and saved us an introduction.
“Going down to get work?”
was the question we simultaneously asked of each other.
My companion, all eagerness, shook out the lace handkerchief
in her side bag and explained:
“I don’t have to work;
my folks keep a hotel; but I always heard so much
about Perry I thought I’d like to come up, and,”
she sighed, with a flirt of the lace handkerchief
and a contented glance around at the rows of white
frame houses, “I’m up now.”
“Want board?” the drayman
called to me. “You kin count on me for a
good place. There’s Doctor Meadows, now;
he’s got a nice home and he just wants two boarders.”
The middle-aged woman with the glasses
glanced up quickly.
“Doctor Meadows of Tittihute?”
she asked. “I wont go there; he’s
too strict. He’s a Methodist minister.
You couldn’t have any fun at all.”
I followed suit, denouncing Doctor
Killjoy as she had, hoping that her nervous, frisky
step would lead me toward the adventure she was evidently
seeking.
“Well,” the drayman responded
indulgently, “I guess Mr. Norse will know the
best place for you folks.”
We had come at once to the factory
and the end of the boardwalk. It was but a few
minutes before Mr. Norse had revealed himself as the
pivot, the human hub, the magnet around which the
mechanism of the mill revolved and clung, sure of
finding its proper balance. Tall, lank and meager,
with a wrinkled face and a furtive mustache, Mr. Norse
made his rounds with a list of complaints and comments
in one hand, a pencil in the other and a black cap
on his head which tipped, indulgent, attentive to
hear and overhear. His manner was professional.
He looked at us, placed us, told us to return at one
o’clock, recommended a boarding-house, and,
on his way to some other case, sent a small boy to
accompany us on future stretches of boardwalk to our
lodgings. The street we followed ended in a rolling
hillside, and beyond was the mysterious blue that
holds something of the infinite in its mingling of
clouds and shadows. The Geneseo Valley lay near
us like a lake under the sky, and silhouetted against
it were the factory chimney and buildings. The
wood’s edge came close to the town, whose yards
prolong themselves into green meadows and farming
lands. We knocked at a rusty screen door and
were welcomed with the cordiality of the country woman
to whom all folks are neighbours, all strangers possible
boarders. The house, built without mantelpiece
or chimney, atoned for this cheerlessness with a large
parlour stove, whose black arms carried warmth through
floor and ceiling. A table was spread in the
dining-room. A loud-ticking clock with a rusty
bell marked the hour from a shelf on the wall, and
out of the kitchen, seen in vista, came a spluttering
sound of frying food. Our hostess took us into
the parlour. Several family pictures of stony-eyed
women and men with chin beards, and a life-sized Frances
Willard in chromo, looked down at our ensuing interview.
Board, lodging, heat and light we
could have at $2.75 a week. Before the husky
clock had struck twelve, I was installed in a small
room with the middle-aged woman from Batavia and a
second unknown roommate.
Now what, I asked myself, is the mill’s
attraction and what is the power of this small town?
Its population is 3,346. Of these, 1,000 work
in the knitting-mill, 200 more in a cutlery factory
and 300 in various flour, butter, barrel, planing
mills and salt blocks. Half the inhabitants are
young hands. Not one in a hundred has a home in
Perry; they have come from all western parts of the
State to work. There are scarcely any children,
few married couples and almost no old people.
It is a town of youthful contemporaries, stung with
the American’s ambition for independence and
adventure, charmed by the gaiety of being boys and
girls together, with an ever possible touch of romance
which makes the hardest work seem easy. Within
the four board walls of each house, whose type is
repeated up and down Perry streets, there is a group
of factory employees boarding and working at the mill.
Their names suggest a foreign parentage, but for several
generations they have mingled their diverse energies
in a common effort which makes Americans of them.
As I lived for several weeks among
a group of this kind, who were fairly representative,
I shall try to give, through a description of their
life and conversation, their personalities and characteristics,
their occupations out of working hours, a general idea
of these unknown toilers, who are so amazingly like
their more fortunate sisters that I became convinced
the difference is only superficial not one
of kind but merely of variety. The Perry factory
girl is separated from the New York society girl,
not by a few generations, but by a few years of culture
and training. In America, where tradition and
family play an unimportant part, the great educator
is the spending of money. It is through the purchase
of possessions that the Americans develop their taste,
declare themselves, and show their inherent capacity
for culture. Give to the Perry mill-hands a free
chance for growth, transplant them, care for them,
and they will readily show how slight and how merely
a thing of culture the difference is between the wild
rose and the American beauty.
What were my first impressions of
the hands who returned at noon under the roof which
had extended unquestioning its hospitality? Were
they a band of slaves, victims to toil and deprivation?
Were they making the pitiful exchange of their total
vitality for insufficient nourishment? Did life
mean to them merely the diminishing of their forces?
On the contrary, they entered gay,
laughing young, a youth guarded intact by freedom
and hope. What were the subjects of conversation
pursued at dinner? Love, labour, the price paid
for it, the advantages of town over country life,
the neighbour and her conduct. What was the appearance
of my companions? There was nothing in it to shock
good taste. Their hands and feet were somewhat
broadened by work, their skins were imperfect for
the lack of proper food, their dresses were of coarse
material; but in small things the differences were
superficial only. Was it, then, in big things
that the divergence began which places them as a lower
class? Was it money alone that kept them from
the places of authority? What were their ambitions,
their perplexities? What part does self-respect
play? How well satisfied are they, or how restless?
What can we learn from them? What can we teach
them?
We ate our dinner of boiled meat and
custard pie and all started back in good time for
a one o’clock beginning at the mill. For
the space of several hundred feet its expressionless
red brick walls lined the street, implacable, silent.
Within all hummed to the collective activity of a
throng, each working with all his force for a common
end. Machines roared and pounded; a fine dust
filled the air a cloud of lint sent forth
from the friction of thousands of busy hands in perpetual
contact with the shapeless anonymous garments they
were fashioning. There were, on their way between
the cutting-and the finishing-rooms, 7,000 dozen shirts.
They were to pass by innumerable hands; they were to
be held and touched by innumerable individuals; they
were to be begun and finished by innumerable human
beings with distinct tastes and likings, abilities
and failings; and when the 7,000 dozen shirts were
complete they were to look alike, and they were to
look as though made by a machine; they were to show
no trace whatever of the men and the women who had
made them. Here we were, 1,000 souls hurrying
from morning until night, working from seven until
six, with as little personality as we could, with the
effort to produce, through an action purely mechanical,
results as nearly as possible identical one to the
other, and all to the machine itself.
What could be the result upon the
mind and health of this frantic mechanical activity
devoid of thought? It was this for which I sought
an answer; it is for this I propose a remedy.
At the threshold of the mill door
my roommate and I encountered Mr. Norse. There
was irony in the fates allotted us. She was eager
to make money; I was indifferent. Mr. Norse felt
her in his power; I felt him in mine. She was
given a job at twenty-five cents a day and all she
could make; I was offered the favourite work in the
mill shirt finishing, at thirty cents a
day and all I could make; and when I shook my head
to see how far I could exploit my indifference and
said, “Thirty cents is too little,” Mr.
Norse’s answer was: “Well, I suppose
you, like the rest of us, are trying to earn a living.
I will guarantee you seventy-five cents a day for
the first two weeks, and all you can make over it is
yours.” My apprenticeship began under the
guidance of an “old girl” who had been
five years in the mill. A dozen at a time the
woolen shirts were brought to us, complete all but
the adding of the linen strips in front where the
buttons and buttonholes are stitched. The price
of this operation is paid for the dozen shirts five,
five and a half and six cents, according to the complexity
of the finish. My instructress had done as many
as forty dozen in one day; she averaged $1.75 a day
all the year around. While she was teaching me
the factory paid her at the rate of ten cents an hour.
A touch of the machine’s pedal
set the needle to stitching like mad. A second
touch in the opposite direction brought it to an abrupt
standstill. For the five hours of my first afternoon
session there was not an instant’s harmony between
what I did and what I intended to do. I sewed
frantically into the middle of shirts. I watched
my needle, impotent as it flew up and down, and when
by chance I made a straight seam I brought it to so
sudden a stop that the thread raveled back before
my weary eyes. When my back and fingers ached
so that I could no longer bend over the work, I watched
my comrades with amazement. The machine was not
a wild animal in their hands, but an instrument that
responded with niceness to their guidance. Above
the incessant roar and burring din they called gaily
to each other, gossiping, chatting, telling stories.
What did they talk about? Everything, except domestic
cares. The management of an interior, housekeeping,
cooking were things I never once heard mentioned.
What were the favourite topics, those returned to
most frequently and with surest interest? Dress
and men. Two girls in the seaming-room had got
into a quarrel that day over a packer, a fine looking,
broad-shouldered fellow who had touched the hearts
of both and awakened in each an emotion she claimed
the right to defend. The quarrel began lightly
with an exchange of unpleasant comment; it soon took
the proportions of a dispute which could not give itself
the desired vent in words alone. The boss was
called in. He made no attempt to control what
lay beyond his power, but applying factory legislation
to the case, he ordered the two Amazons to “register
out” until the squabble was settled, as the
factory did not propose to pay its hands for the time
spent in fights. So the two girls “rang
out” past the timekeeper and took an hour in
the open air, hand to hand, fist to fist, which, as
it happens to man, had its calming effect.
We stitched our way industriously
over the 7,000 dozen. Except for the moments
when some girl called a message or shouted a conversation,
there was nothing to occupy the mind but the vibrating,
pulsing, pounding of the machinery. The body
was shaken with it; the ears strained.
The little girl opposite me was a
new hand. Her rosy cheeks and straight shoulders
announced this fact. She had been five months
in the mill; the other girls around her had been there
two years, five years, nine years. There were
150 of us at the long, narrow tables which filled the
room. By the windows the light and air were fairly
good. At the centre tables the atmosphere was
stagnant, the shadows came too soon. The wood’s
edge ran within a few yards of the factory windows.
Between it and us lay the stream, the water force,
the power that had called men to Perry. There,
as everywhere in America, for an individual as for
a place, the attraction was industrial possibilities.
As Niagara has become more an industrial than a picturesque
landscape, so Perry, in spite of its serene and beautiful
surroundings, is a shrine to mechanical force in whose
temple, the tall-chimneyed mill, a human sacrifice
is made to the worshipers of gain.
My vis-a-vis was talkative.
“Say,” she said to her neighbour, “Jim
Weston is the worst flirt I ever seen.”
“Who’s Jim Weston?”
the other responded, diving into the box by her side
for a handful of gray woolen shirts.
“Why, he’s the one who
made my teeth he made teeth for all of us
up home,” and her smile reveals the handiwork
of Weston.
“If I had false teeth,”
is the comment made upon this, “I wouldn’t
tell anybody.”
“I thought some,” continues
the implacable new girl, unruffled, “of having
a gold filling put in one of my front teeth. I
think gold fillings are so pretty,” she concludes,
looking toward me for a response.
This primitive love of ornament I
found manifest in the same medico-barbaric fancy for
wearing eye-glasses. The nicety of certain operations
in the mill, performed not always in the brightest
of lights, is a fatal strain upon the eyes. There
are no oculists in Perry, but a Buffalo member of
the profession makes a monthly visit to treat a new
harvest of patients. Their daily effort toward
the monthly finishing of 40,000 garments permanently
diminishes their powers of vision. Every thirty
days a new set of girls appears with glasses.
They wear them as they would an ornament of some kind,
a necklace, bracelet or a hoop through the nose.
When the six o’clock whistle
blew on the first night I had finished only two dozen
shirts. “You’ve got a good job,”
my teacher said, as we came out together in the cool
evening air. “You seem to be taking to it.”
They size a girl up the minute she comes in. If
she has quick motions she’ll get on all right.
“I guess you’ll make a good finisher.”
Once more we assembled to eat and
chat and relax. After a moment by the kitchen
pump we took our places at table. Our hostess
waited upon us. “It takes some grit,”
she explained, “and more grace to keep boarders.”
Except on Sundays, when all men might be considered
equals in the sight of the Lord, she and her husband
did not eat until we had finished. She passed
the dishes of our frugal evening meal potatoes,
bread and butter and cake and as we served
ourselves she held her head in the opposite direction,
as if to say, “I’m not looking; take the
biggest piece.”
It was with my roommates I became
the soonest acquainted. The butcher’s widow
from Batavia was a grumbler. “How do you
like your job?” I asked her as we fumbled about
in the dim light of our low-roofed room.
“Oh, Lordy,” was the answer,
“I didn’t think it would be like this.
I’d rather do housework any day. I bet
you won’t stay two weeks.” She was
ugly and stupid. She had been married young to
a butcher. Left alone to battle with the world,
she might have shaken out some of her dullness, but
the butcher for many years had stood between her and
reality, casting a still deeper shadow on her ignorance.
She had the monotony of an old child, one who questions
constantly but who has passed the age when learning
is possible. The butcher’s death had opened
new possibilities. After a period of respectful
mourning, she had set out, against the wishes of her
family, with a vague, romantic hope that was expressed
not so much in words as in a certain picture hat trimmed
with violet chiffon and carried carefully in a bandbox
by itself, a new, crisp sateen petticoat, and a golf
skirt she had sat up until one o’clock to finish
the night before she left home. It was inevitable
that the butcher’s widow should be disappointed.
There was too much grim reality in ten-hour days spent
over a machine in the stifling mill room to feed a
sentimentalist whose thirty odd years were no accomplice
to romance. She grumbled and complained.
Secret dissatisfaction preyed upon her. She was
somewhat exasperated at the rest of us, who worked
cheerily and with no arrière pensee. At
the end of the first week the picture hat was tucked
away in the bandbox; the frou-frou of the sateen petticoat
and the daring swish of the golf skirt were packed
up, like the remains of a bubble that had reflected
the world in its brilliant sides one moment and the
next lay a little heap of soap-suds. She had
gone behind in her work steadily at the factory; she
was not making more than sixty cents a day. She
left us and went back to do housework in Batavia.
My other roommate was of the Madonna
type. In our class she would have been called
an invalid. Her hands trembled, she was constantly
in pain, and her nerves were rebellious without frequent
doses of bromide. We found her one night lying
in a heap on the bed, her moans having called us to
her aid. It was the pain in her back that never
stopped, the ache between her shoulders, the din of
the machines in her ears, the vibration, the strain
of incessant hours upon her tired nerves. We fixed
her up as best we could, and the next day at quarter
before seven she was, like the rest of us, bending
over her machine again. She had been a school-teacher,
after passing the necessary examination at the Geneseo
Normal School. She could not say why school-teaching
was uncongenial to her, except that the children “made
her nervous” and she wanted to try factory work.
Her father was a cheese manufacturer up in the Genesee
Valley. She might have lived quietly at home,
but she disliked to be a dependent. She was of
the mystic, sentimental type. She had a broad
forehead, straight auburn hair, a clear-cut mouth,
whose sharp curves gave it sweetness. Though
her large frame indicated clearly an Anglo-Saxon lineage,
there was nothing of the sport about her. She
had never learned to skate or swim, but she could
sit and watch the hills all day long. Her clothes
had an esthetic touch. Mingled with her nervous
determination there was a sentimental yearning.
She was an idealist, impelled by some controlling
emotion which was the mainspring of her life.
Little by little we became friends.
Our common weariness brought us often together after
supper in a listless, confidential mood before the
parlour stove. We let the conversation drift inevitably
toward the strong current that was marking her with
a touch of melancholy, like all those of her type
whose emotional natures are an enchanted mirror, reflecting
visions that have no place in reality. We talked
about blondes and brunettes, tall men and short men,
our favourite man’s name; and gradually the
impersonal became personal, the ideal took form.
Her voice, like a broken lute that might have given
sweet sounds, related the story. It was inevitable
that she should love a dreamer like herself.
Nature had imbued her with a hopeless yearning.
She slipped a gold locket from a chain on her throat.
It framed her hero’s picture, the source of
her courage, the embodiment of her heroic energy:
a man of thirty, who had failed at everything; good-looking,
refined, a personage in real life who resembled the
inhabitants of her enchanted mirror. In the story
she told there were stars and twilight, summer evenings,
walks, talks, hopes and vague projects. Any practical
questions I felt ready to ask would have sounded coarse.
The little school-teacher with shattered nerves embodied
a hope that was more to her than meat and drink and
money. She was of those who do not live by bread
alone.
Among the working population of Perry
there are all manner of American characteristics manifest.
In a country where conditions change with such rapidity
that each generation is a revelation to the one which
preceded it, it is inevitable that the family and the
State should be secondary to the individual.
We live with our own generation, with our contemporaries.
We substitute experience for tradition. Each generation
lives for itself during its prime. As soon as
its powers begin to decline it makes way with resignation
for the next: “We have had our day; now
you can have yours.” Thus in the important
decisions of life, the choosing of a career, matrimony
or the like, the average American is much more influenced
by his contemporaries than by his elders, much more
stimulated or determined by the friends of his own
age than by the older members of his family.
This detaching of generations through the evolution
of conditions is inevitable in a new civilization;
it is part of the country’s freedom. It
adds fervour and zest and originality to the effort
of each. But it means a youth without the peace
of protection; an old age without the harvest of consolation.
The man in such a battle as life becomes under these
circumstances is better equipped than the woman, whose
nature disarms her for the struggle. The American
woman is restless, dissatisfied. Society, whether
among the highest or lowest classes, has driven her
toward a destiny that is not normal. The factories
are full of old maids; the colleges are full of old
maids; the ballrooms in the worldly centres are full
of old maids. For natural obligations are substituted
the fictitious duties of clubs, meetings, committees,
organizations, professions, a thousand unwomanly occupations.
I cannot attempt to touch here upon
the classes who have not a direct bearing on our subject,
but the analogy is striking between them and the factory
elements of which I wish to speak. I cannot dwell
upon details that, while full of interest, are yet
somewhat aside from the present point, but I want
to state a fact, the origin of whose ugly consequences
is in all classes and therefore concerns every living
American woman. Among the American born women
of this country the sterility is greater, the fecundity
less than those of any other nation in the world,
unless it be France, whose anxiety regarding her depopulation
we would share in full measure were it not for the
foreign immigration to the United States, which counteracts
the degeneracy of the American. The original causes
for this increasing sterility are moral and not physical.
When this is known, does not the philosophy of the
American working woman become a subject of vital interest?
Among the enemies to fecundity and a natural destiny
there are two which act as potently in the lower as
in the upper classes: the triumph of individualism,
the love of luxury. America is not a democracy,
the unity of effort between the man and the woman does
not exist. Men were too long in a majority.
Women have become autocrats or rivals. A phrase
which I heard often repeated at the factory speaks
by itself for a condition: “She must be
married, because she don’t work.”
And another phrase pronounced repeatedly by the younger
girls: “I don’t have to work; my
father gives me all the money I need, but not all
the money I want. I like to be independent
and spend my money as I please.”
What are the conclusions to be drawn?
The American-born girl is an egoist. Her whole
effort (and she makes and sustains one in the life
of mill drudgery) is for herself. She works for
luxury until the day when a proper husband presents
himself. Then, she stops working and lets him
toil for both, with the hope that the budget shall
not be diminished by increasing family demands.
In those cases where the woman continues
to work after marriage, she chooses invariably a kind
of occupation which is inconsistent with child-bearing.
She returns to the mill with her husband. There
were a number of married couples at the knitting factory
at Perry. They boarded, like the rest of us.
I never saw a baby nor heard of a baby while I was
in the town.
I can think of no better way to present
this love of luxury, this triumph of individualism,
this passion for independence than to continue my
account of the daily life at Perry.
On Saturday night we drew our pay
and got out at half-past four. This extra hour
and a half was not given to us; we had saved it up
by beginning each day at fifteen minutes before seven.
In reality we worked ten and a quarter hours five
days in the week in order to work eight and a half
on the sixth.
By five o’clock on Saturdays
the village street was animated with shoppers the
stores were crowded. At supper each girl had a
collection of purchases to show: stockings, lace,
fancy buckles, velvet ribbons, elaborate hairpins.
Many of them, when their board was paid, had less
than a dollar left of the five or six it had taken
them a week to earn.
“I am not working to save,”
was the claim of one girl for all. “I’m
working for pleasure.”
This same girl called me into her
room one evening when she was packing to move to another
boarding-house where were more young men and better
food. I watched her as she put her things into
the trunk. She had a quantity of dresses, underclothes
with lace and tucks, ribbons, fancy hair ornaments,
lace boléros, handkerchiefs. The bottom
of her trunk was full of letters from her beau.
The mail was always the source of great excitement
for her, and having noticed that she seemed especially
hilarious over a letter received that night, I made
this the pretext for a confidence.
“You got a letter to-night,
didn’t you?” I asked innocently. “Was
it the one you wanted?”
“My, yes,” she answered,
tossing up a heap of missives from the depths of her
trunk. “It was from the same one that wrote
me these. I’ve been going with him three
years. I met him up in the grape country where
I went to pick grapes. They give you your board
and you can make twenty-seven or thirty dollars in
a fall. He made up his mind as soon as he saw
me that I was about right. Now he wants me to
marry him. That’s what his letter said
to-night. He is making three dollars a day and
he owns a farm and a horse and wagon. He bought
his sister a $300 piano this fall.”
“Well, of course,” I said eagerly, “you
will accept him?”
She looked half shy, half pleased, half surprised.
“No, my! no,” she answered,
shaking her head. “I don’t want to
be married.”
“But why not? Don’t
you think you are foolish? It’s a good chance
and you have already been ‘going with him’
three years.”
“Yes, I know that, but I ain’t
ready to marry him yet. Twenty-five is time enough.
I’m only twenty-three. I can have a good
time just as I am. He didn’t want me to
come away and neither did my parents. I thought
it would ’most kill my father. He looked
like he’d been sick the day I left, but he let
me come ’cause he knew I’d never be satisfied
until I got my independence.”
What part did the love of humanity
play in this young egoist’s heart? She
was living, as she had so well explained it, “not
to save, but to give herself pleasure”; not
to spare others, but to exercise her will in spite
of them. Tenderness, reverence, gratitude, protection
are the feelings which one generation awakens for
another. Among the thousand contemporaries at
Perry, from the sameness of their ambitions, there
was inevitable rivalry and selfishness. The closer
the age and capacity the keener the struggle.
There are seven churches in Perry
of seven different denominations. In this small
town of 3,000 inhabitants there are seven different
forms of worship. The church plays an important
part in the social life of the mill hands. There
are gatherings of all sorts from one Sunday to another,
and on Sunday there are almost continuous services.
There are frequent conversions. When the Presbyterian
form fails they “try” the Baptist.
There is no moral instruction; it is all purely religious;
and they join one church or another more as they would
a social club than an ordained religious organization.
Friday was “social” night
at the church. Sometimes there was a “poverty”
social, when every one put on shabby clothes, and any
one who wore a correct garment of any sort was fined
for the benefit of the church. Pound socials
were another variety of diversion, where all the attendants
were weighed on arriving and charged a cent admission
for every pound of avoirdupois.
The most popular socials,
however, were box socials, and it was to one
of these I decided to go with two girls boarding in
the house. Each of us packed a box with lunch
as good as we could afford eggs, sandwiches,
cakes, pickles, oranges and arrived with
these, we proceeded to the vestry-room, where we found
an improvised auctioneer’s table and a pile
of boxes like our own, which were marked and presently
put up for sale. The youths of the party bid
cautiously or recklessly, according as their inward
conviction told them that the box was packed by friend
or foe.
My box, which, like the rest, had
supper for two, was bid in by a tall, nice-looking
mill hand, and we installed ourselves in a corner to
eat and talk. He was full of reminiscence and
had had a checkered career. His first experience
had been at night work in a paper mill. He worked
eleven hours a night one week, thirteen hours a night
the next week, in and out of doors, drenched to the
skin. He had lost twenty-five pounds in less
than a year, and his face was a mere mask drawn over
the irregular bones of the skull.
“I always like whatever I am
doing,” he responded at my protestation of sympathy.
“I think that’s the only way to be.
I never had much appetite at night. They packed
me an elegant pail, but somehow all cold food didn’t
relish much. I never did like a pail....
How would you like to take a dead man’s place?”
he asked, looking at me grimly.
I begged him to explain.
“One of my best friends,”
he began, “was working alongside of me, and I
guess he got dizzy or something, for he leaned up against
the big belt that ran all the machinery and he was
lifted right up in the air and tore to pieces before
he ever knew what struck him. The boss came in
and seen it, and the second question he asked, he
says, ’Say, is the machinery running all right?’
It wasn’t ten minutes before there was another
man in there doing the dead man’s work.”
I began to undo the lunch-box, feeling
very little inclined to eat. We divided the contents,
and my friend, seeing perhaps that I was depressed,
told me about the “shows” he had been to
in his wanderings.
“Now, I don’t care as
much for comedy as some folks,” he explained.
“I like ‘Puddin’ Head Wilson’
first rate, but the finest thing I ever seen was two
of Shakespeare’s: ‘The Merchant of
Venice’ and ‘Julius Cæsar.’
If you ever get a chance I advise you to go and hear
them; they’re great.”
I responded cordially, and when we
had exhausted Shakespeare I asked him how he liked
Perry people.
“Oh, first rate,” he said.
“I’ve been here only a month, but I think
there’s too much formality. It seems to
me that when you work alongside of a girl day after
day you might speak to her without an introduction,
but they won’t let you here. I never seen
such a formal place.”
I said very little. The boy talked
on of his life and experiences. His English was
good except for certain grammatical errors. His
words were well chosen. There was between him
and the fortunate boys of a superior class only a
few years of training.
The box social was the beginning of
a round of gaieties. The following night I went
with my box-social friend to a ball. Neither of
us danced, but we arrived early and took good places
for looking on. The barren hall was dimly lighted.
In the corner there was a stove; at one end a stage.
An old man with a chin beard was scattering sand over
the floor with a springtime gesture of seed sowing.
He had his hat on and his coat collar turned up, as
though to indicate that the party had not begun.
By and by the stage curtain rolled up and the musicians
came out and unpacked a violin, a trombone, a flute
and a drum. They sat down in the Medieval street
painted on the scenery back of them, crossed their
legs and asked for sol la from an esthetic
young lady pianist, with whom they seemed on very
familiar terms. The old man with the chin beard
made an official entree from the wing, picked
up the drum and became a part of the orchestra.
The subscribers had begun to arrive, and when the
first two-step struck up there were eight or ten couples
on the floor. They held on to each other closely,
with no outstretched arms as is the usual form, and
they revolved very slowly around and around the room.
The young men had smooth faces, patent leather boots,
very smart cravats and a sheepish, self-conscious
look. The girls had elaborate constructions in
frizzed hair, with bows and tulle; black trailing
skirts with coloured ruffled under-petticoats, light-coloured
blouses and fancy belts. They seemed to be having
a very good time.
On the way home we passed a brightly
lighted grocery shop. My friend looked in with
interest. “Goodness,” he said, “but
those Saratoga chips look good. Now, what would
you order,” he went on, “if you could have
anything you liked?” We began to compose a menu
with oysters and chicken and all the things we never
saw, but it was not long before my friend cried “Mercy!
Oh, stop; I can’t stand it. It makes me
too hungry.”
The moon had gone under a cloud.
The wooden sidewalks were rough and irregular, and
as we walked along toward home I tripped once or twice.
Presently I felt a strong arm put through mine, with
this assurance: “Now if you fall we’ll
both fall together.”
After four or five days’ experience
with a machine I began to work with more ease and
with less pain between my shoulders. The girls
were kind and sympathetic, stopping to help and encourage
the “new girl.” One of the shirt
finishers, who had not been long in the mill herself,
came across from her table one day when I was hard
at work with a pain like a sword stab in my back.
“I know how you ache,”
she said. “It just makes me feel like crying
when I see how you keep at it and I can guess how
tired you are.”
Nothing was so fatiguing as the noise.
In certain places near the eyelet and buttonhole machines
it was impossible to make one’s neighbour hear
without shouting. My teacher, whose nerves, I
took it, were less sensitive than mine, expressed
her sensations in this way:
“It’s just terrible sitting
here all day alone, worrying and thinking all by yourself
and hustling from morning until night. Lots of
the girls have nervous prostration. My sister
had it and I guess I’m getting it. I hear
the noise all night. Quite a few have consumption,
too, from the dust and the lint.”
The butcher’s widow, the school-teacher
and I started in at about the same time. At the
end of two weeks the butcher’s widow had long
been gone. The school-teacher had averaged seventy-nine
cents a day and I had averaged eighty-nine. My
best day I finished sixteen dozen shirts and netted
$1.11. My board and washing cost me three dollars,
so that from the first I had a living insured.
There was one negress in the factory.
She worked in a corner quite by herself and attended
to menial jobs, such as sweeping and picking up scraps.
A great many of the girls and boys took correspondence
courses in stenography, drawing, bookkeeping, illustrating,
etc., etc. The purely mechanical work
of the mill does not satisfy them. They are restless
and ambitious, exactly the material with which to form
schools of industrial art, the class of hand-workers
of whom I have already spoken.
One of the girls who worked beside
us as usual in the morning, left a note on her machine
at noon one day to say that she would never be back.
She was going up to the lake to drown herself, and
we needn’t look for her. Some one was sent
in search. She was found sitting at the lake’s
edge, weeping. She did not speak. We all
talked about it in our leisure moments, but the work
was not interrupted. There were various explanations:
she was out of her mind; she was discouraged with her
work; she was nervous. No one suggested that an
unfortunate love affair be the cause of her desperate
act. There was not a word breathed against her
reputation. I would have felt impure in proposing
what to me seemed most probable.
The mill owners exert, as far as possible,
an influence over the moral tone of their employees,
assuming the right to judge their conduct both in
and out of the factory and to treat them as they see
fit. The average girls are self-respecting.
They trifle with love. The attraction they wish
to exert is ever present in their minds and in their
conversation. The sacrifices they make for clothes
are the first in importance. They have superstitions
of all kinds: to sneeze on Saturday means the
arrival of a beau on Sunday; a big or little tea leaf
means a tall or a short caller, and so on. There
is a book of dreams kept on one table in the mill,
and the girls consult it to find the interpretation
of their nocturnal reveries. They are fanciful,
sentimental, cold, passionless. The accepted
honesty of married life makes them slow to discard
the liberty they love, to dismiss the suitors who
would attend their wedding as one would a funeral.
There is, of course, another category
of girl, who goes brutally into passionate pleasures,
follows the shows, drinks and knocks about town with
the boys. She is known as a “bum,”
has sacrificed name and reputation and cannot remain
in the mill.
We discussed one night the suitable
age for a girl to become mistress of herself.
The boy of the household maintained that at eighteen
a girl could marry, but that she must be twenty-one
before she could have her own way. All the girls
insisted that they could and did boss themselves and
had even before they were eighteen.
Two chums who boarded in my house
gave a charming illustration of the carelessness and
the extravagance, the independence and love of it which
characterizes feminine America. One of these was
a deracinee, a child with a foreign touch in
her twang; a legend of other climes in the dexterity
of her deft fingers; some memory of an exile from France
in her name: Lorraine. Her friend was a
mondaine. She had the social gift, a subtle
understanding of things worldly, the glissey mortel
n’appuyez jamais attitude toward life.
By a touch of flippancy, an adroit turn of mind, she
kept the knowing mastery over people which has mystified
and delighted in all great hostesses since the days
of Esther.
When the other girls waited feverishly
for love letters, she was opening a pile of invitations
to socials and theatre parties. Discreet
and condescending, she received more than she gave.
As soon as the posters were out for
a Tuesday performance of “Faust,” preparations
began in the household to attend. Saturday shopping
and supper were hurried through and by six o’clock
Lorraine was at the sewing machine tucking chiffon
for hats and bodices. After ten hours’
work in the mill, she began again, eager to use the
last of the spring twilight, prolonged by a quarter
moon. There was a sudden, belated gust of snow;
in the blue mist each white frame house glowed with
a warm, pink light from its parlour stove. Lorraine’s
fingers flew. A hat took form and grew from a
heap of stuff into a Parisian creation; a bolero was
cut and tucked and fitted; a skirt was ripped and stitched
and pressed; a shirt-waist was started and finished.
For two nights the girls worked until twelve o’clock
so that when the “show” came they might
have something new to wear that nobody had seen.
This must have been the unanimous intention of the
Perry populace, for the peanut gallery was a bower
of fashion. Styles, which I had thought were new
in Paris, were familiarly worn in Perry by the mill
hands. White kid gloves were en règle.
The play was “Faust.” All allusions
to the triumph of religion over the devil; all insinuations
on the part of Méphistophélès in regard to the enviable
escape of Martha’s husband and of husbands in
general, from prating women in general; all invocations
of virtue and moral triumph, were greeted with bursts
of applause. Between the acts there was music,
and the ushers distributed showers of printed advertisements,
which the audience fell at once to reading as though
they had nothing to talk about.
I heard only one hearty comment about
the play: “That devil,” said Lorraine,
as we walked home together, “was a corker!”
I have left until the last the two
friends who held a place apart in the household:
the farmer and his wife, the old people of another
generation with whom we boarded. They had begun
life together forty years ago. They lived on
neighbouring farms. There was dissension between
the families such as we read of in “Pyramus and
Thisbe,” “Romeo and Juliet.”
The young people contrived a means of corresponding.
An old coat that hung in the barn, where nobody saw
it, served as post-office. Truman pleaded his
cause ardently and won his Louisa. They fixed
a day for the elopement. A fierce snowstorm piled
high its drifts of white, but all the afternoon long
the little bride played about, burrowing a path from
the garden to her bedroom window, and when night came
and brought her mounted hero with it, she climbed
up on to the saddle by his side and rode away to happiness,
leaving ill nature and quarrels far behind. Side
by side, as on the night of their wedding ride, they
had traversed forty years together. Ill health
had broken up their farm home. When Truman could
no longer work they came in to Perry to take boarders,
having no children. The old man never spoke.
He did chores about the house, made the fire mornings,
attended to the parlour stove; he went about his work
and no one ever addressed a word to him; he seemed
to have no more live contact with the youth about him
than driftwood has with the tree’s new shoots.
He had lived his life on a farm; he was a land captain;
he knew the earth’s secrets as a ship’s
captain knows the sea’s. He paced the mild
wooden pavements of Perry, booted, and capped for
storm and wind, deep snow and all the inimical elements
a pioneer might meet with. His new false teeth
seemed to shine from his shaggy gray beard as a symbol
of this new town experience in a rough natural existence,
out of keeping, ill assorted. Tempted to know
what his silence hid, I spent an hour with him by the
kitchen stove one Sunday afternoon. His memory
went easily back to the days when there were no railroads,
no telegraphs, no mills. He was of a speculative
turn of mind:
“I don’t see,” he
said, “what makes men so crazy after gold.
They’re getting worse all the time. Gold
ain’t got no real value. You take all the
gold out of the world and it wouldn’t make no
difference whatever. You can’t even make
a tool to get a living with, out of gold; but just
do away with the iron, and where would you be?”
And again, he volunteered:
“I think Mr. Carnegie would
have done a deal nobler if he had paid his men a little
more straight along. He wouldn’t have had
such a name for himself. But don’t you
believe it would have been better to have paid those
men more for the work they were doing day by day than
it is now to give pensions to their families?
I know what I think about the matter.”
The mill girls’ excursion resort. A special
train and ’busses run on
Sundays, and “everybody” goes.]
I asked him how he liked city life.
“Give me a farm every time,”
was his answer. “Once you’ve seen
a town you know it all. It’s the same over
and over again. But the country’s changing
every day in the year. It’s a terrible thing,
being sick,” he went on. “It seems
sometimes as though the pain would tear me to pieces
when I walk across the floor. I wasn’t no
good on the farm any more, so my wife took a notion
we better come in town and take boarders.”
Thus it was with this happily balanced
couple; as his side grew heavier she took on more
ballast and swung even with him. She had the quick
adaptability common to American women. During
the years of farm life religious meetings and a few
neighbours had kept her in touch with the outside
world. The church and the kitchen were what she
had on the farm; the church and the kitchen were what
she had in town; family life supplemented by boarders,
a social existence kept alive by a few faithful neighbours.
She had retained her activity and sympathy because
she was intelligent, because she lived with the young.
The man could not make himself one of another generation,
so he lived alone. He had lost his companions,
the “cow kind and the sheep kind”; he had
lost control over the earth that belonged to him;
he was disused; he suffered; he pined. But as
they sat together side by side at table, his look
toward her was one of trust and comfort. His glance
traveled back over a long vista of years seen to them
as their eyes met, invisible to those about years
that had glorified confidence in this life as it passed
and transfigured it into the promise of another life
to come.