When the season in Paris had reached
its end, Richard returned to London and later on to
Marion, where he spent the late summer and early fall,
working on his Mediterranean and Paris articles, and
completing his novel “Soldiers of Fortune.”
In October he returned to New York and once more
assumed his editorial duties and took his usual active
interest in the winter’s gayeties.
The first of these letters refers
to a dinner of welcome given to Sir Henry Irving.
The last two to books by my mother and Richard, and
which were published simultaneously.
New York, November 27, 1893.
Dear mother:
The dinner was very fine. I
was very glad I went. Whitelaw Reid sat on one
side of Sir Henry Irving and Horace Porter on the other.
Howells and Warner came next. John Russell Young
and Mark Twain, Millet, Palmer, Hutton, Gilder and
a lot more were there. There were no newspaper
men, not even critics nor actors there, which struck
me as interesting. The men were very nice to
me. Especially Young, Reid, Irving and Howells.
Everybody said when I came in, “I used to know
you when you were a little boy,” so that some
one said finally, “What a disagreeable little
boy you must have been.” I sat next
a chap from Brazil who told me lots of amusing things.
One story if it is good saves a whole day for me.
One he told was of a German explorer to whom Don
Pedro gave an audience. The Emperor asked him,
with some touch of patronage, if he had ever met a
king before. “Yes,” the German said
thoughtfully; “five, three wild and two tame.”
Mark Twain told some very funny stories,
and captured me because I never thought him funny
before, and Irving told some about Stanley, and everybody
talked interestingly. Irving said he was looking
forward to seeing Dad when he reached Philadelphia.
“It is nice to have seen you,” he said,
“but I have still to see your father,”
as though I was not enough. Dick.
NEW YORK, 1893.
Dearest mother:
I cannot tell you how touched and
moved I was by the three initials in the book.
It was a genuine and complete surprise and when I
came across it while I was examining the letterpress
with critical approbation and with no idea of what
was to come, it left me quite breathless -
It was so sweet of you - You understand me
and I understand you and you know how much that counts
to me - I think the book is awfully pretty
and in such good taste - It is quite a delight
to the eye and I am much more keen about it than over
any of my own - I have sent it to some of
my friends but I have not read it yet myself, as I
am waiting until I get on the boat where I shall not
be disturbed - Then I shall write you again -
It was awfully good of you, and I am so pleased to
have it to give away. I never had anything to
show people when they asked for one of your other books
and this comes in such an unquestionable form -
With lots of love.
Dick.
NEW YORK, 1893.
Dear mother:
I got your nice letter and one from
Dad. Both calling me many adjectives pleasing
to hear although they do not happen to fit. So
you are in a third edition are you? These young
writers are crowding me to the wall. I feel
thrills of pride when I see us sitting cheek by jowl
on the news-stands. Lots of love.
In February, 1894, Richard was forced
by a severe attack of sciatica to give up temporarily
the gayeties of New York and for a cure he naturally
chose our home in Philadelphia, where he remained for
many weeks. Although unable to leave his bed,
he continued to do a considerable amount of work,
including the novelette “The Princess Aline,”
in the writing of which I believe my brother took more
pleasure than in that of any story or novel he ever
wrote. The future Empress of Russia was the
heroine of the tale, and that she eventually read the
story and was apparently delighted with it caused Richard
much human happiness.
PHILADELPHIA.
March 5th.
Dear Chas:
I am getting rapidly better owing
to regular hours and light literature and home comforts.
I am not blue as I was and my morbidness has gone
and I only get depressed at times. I am still
however feeling tired and I think I will take quite
a rest before I venture across the seas. But
across them I will come no matter if all the nerves
on earth jump and pull. Still, I think it wiser
for all concerned that I get thoroughly well so that
when I do come I won’t have to be cutting back
home again as I did last time. We are young yet
and the world’s wide and there’s a new
farce comedy written every minute and I have a great
many things to do myself so I intend to get strong
and then do them. I enclose two poems.
I am going to have them printed for my particular
pals later. I am writing one to all of you folks
over there.
Dick.
TAKE ME BACK TO BROADWAY, WHERE THE ORCHIDS GROW - WITH APOLOGIES TO THE WESTERN DIALECT POETS
“I have wandered up and down somewhat
in many different lands
I have been to Fort Worth, Texas, and
I’ve tramped
through Jersey
sands,
I have seen Pike’s Peak by Moonlight,
and I’ve visited the Fair
And to save enumeration I’ve been
nearly everywhere.
But no matter
where
I rested and no matter where I’d
go, I have longed to be
on Broadway
Where the Orchids Grow.
Some people love the lilies fair that
hide in mossy dells
Some folks are fond of new mown hay, before
the rainy spells
But give to me the orchids rare that hang
in Thorley’s store,
And in Fleischman’s at the Hoffman,
and in half a dozen more
And when I see them far from home they
make my heart’s blood glow
For they take me back to Broadway
Where the Orchids Grow.
Let Paris boast of boulevards where one
can sit and drink
There is no such chance on Broadway, at
the Brower House,
‘I
don’t think.’
And where else are there fair soubrettes
in pipe clayed tennis shoes,
And boys in silken sashes promenading
by in twos
Oh you can boast of any street of which
you’re proud to know
But give me sleepy Broadway
Where the Orchids Grow.
Let poets sing of chiming bells and gently
lowing kine
I like the clanging cable cars like fire
engines in line
And I never miss the sunset and for moonlight
never sigh
When ‘Swept by Ocean Breezes.’
flashes out against the sky.
And when the Tenderloin awakes, and open
theatres glow
I want to be on Broadway
Where the Orchids Grow.
A VOUS, JOHN DREW
1
“John Drew, I am your debtor
For a very pleasant letter
And a lot of cabinet photos
Of the ‘Butterflies’ and you
And I think it very kind
That you kept me so in mind
And pitied me in exile
So I do, John Drew.
2
John Drew, ’twixt you and me
Precious little I can see
Of that good there is in Solitude
That poets say they view.
For I hate to be in bed
With a candle at my head
Sitting vis a vis with Conscience.
So would you, John Drew.
3
John Drew, then promise me
That as soon as I am free
I may sit in the first entrance
As Lamb always lets me do.
And watch you fume and fret
While the innocent soubrette
Takes the centre of the stage a -
Way from you, John Drew.”
R. H. D.
In the summer of 1894 Richard went
to London for a purely social visit, but while he
was there President Carnot was assassinated, and he
went to Paris to write the “story” of
the funeral and of the election of the new President.
Versailles, June 24, 1894.
I am out here to see the election
of the new President. I jumped on the mail coach
and came off in a hurry without any breakfast, but
I had a pretty drive out, and the guard and I talked
of London. The palace is closed and no one is
admitted except by card, so I have seen only the outside
of it. It is most interesting. There is
not a ribbon or a badge; not a banner or a band.
The town is as quiet as always, and there are not
200 people gathered at the gate through which the
deputies pass. Compared to an election convention
in Chicago, it is most interesting. How lively
it is inside of the chamber where the thing is going
on I cannot say. I shall not wait to hear the
result, but will return on the coach.
Nothing could be more curious than
the apparent indifference of the people of Paris to
the assassination of the President. Two days
after he died there was not a single flag at half
mast among the private residences. The Government
buildings, the hotels and the stores were all that
advertised their grief. I shall have an interesting
story to write of it for the Parisian series.
Dana Gibson and I will wait until after the funeral
and then go to Andorra. If he does not go, I
may go alone, but perhaps I shall go back to London
at once. This has been an interesting time here,
but only because it is so different from what one
would expect. It reads like a burlesque to note
the expressions of condolence from all over the world,
and to mark the self-satisfaction of the French at
attracting so much sympathy, and their absolute indifference
to the death of Carnot. It is most curious.
We have an ideal time. Never before have I
had such jolly dinners, with such good talk and such
amusing companions.
Dick.
London, July 15, 1894.
Dear mother:
Mr. Irving gave a supper last night
to Mme. Bernhardt and Mme. Rejane.
There were about twenty people, and we ate in the Beefsteak
Room of the Lyceum Theater, which is so called after
the old Beefsteak Club which formerly met there.
I had a most delightful time, and talked to all the
French women and to Miss Terry, who sent her love to
Dad. She said, “I did not see him
this last visit; that is, I saw him but I did not
see him.” Her daughter is a very sweet
girl, and the picture Miss Terry made on her knees
looking up at Bernhardt and Rejane when they chattered
in French was wonderful. Neither she nor Irving
could speak a word of French, and whenever any one
else tried, the crowd all stood in a circle and applauded
and guyed them. After it was over, at about
three in the morning, Miss Terry offered me a lift
home in her open carriage, so she and her daughter
and I rode through the empty streets in the gray light
for miles and miles, as, of course, I did not get out
of such company any sooner than I had to do.
They had taken Irving’s robe of cardinal red
and made it into cloaks, and they looked very odd
and eerie with their yellow hair and red capes, and
talking as fast as they could.
Dick.