FROM MANHATTAN TO EL MORRO

The steamer is to sail at one P.M.; and, by half-past twelve, her decks are full, and the mud and snow of the pier are well trodden by men and horses. Coaches drive down furiously, and nervous passengers put their heads out to see if the steamer is off before her time; and on the decks, and in the gangways, inexperienced passengers run against everybody, and mistake the engineer for the steward, and come up the same stairs they go down, without knowing it. In the dreary snow, the newspaper vendors cry the papers, and the book vendors thrust yellow covers into your face “Reading for the voyage, sir five hundred pages, close print!” And that being rejected, they reverse the process of the Sibyl with “Here’s another, sir, one thousand pages, double columns.” The great beam of the engine moves slowly up and down, and the black hull sways at its fasts. A motley group are the passengers. Shivering Cubans, exotics that have taken slight root in the hothouses of the Fifth Avenue, are to brave a few days of sleet and cold at sea, for the palm trees and mangoes, the cocoas and orange trees, they will be sitting under in six days, at farthest. There are Yankee shipmasters going out to join their “cotton wagons” at New Orleans and Mobile, merchants pursuing a commerce that knows no rest and no locality; confirmed invalids advised to go to Cuba to die under mosquito nets and be buried in a Potter’s Field; and other invalids wisely enough avoiding our March winds; and here and there a mere vacationmaker, like myself.

Captain Bullock is sure to sail at the hour; and at the hour he is on the paddle-box, the fasts are loosed, the warp run out, the crew pull in on the warp on the port quarter, and the head swings off. No word is spoken, but all is done by signs; or, if a word is necessary, a low clear tone carries it to the listener. There is no tearing and rending escape of steam, deafening and distracting all, and giving a kind of terror to a peaceful scene; but our ship swings off, gathers way, and enters upon her voyage, in a quiet like that of a bank or counting-room, almost under a spell of silence.

The state-rooms of the “Cahawba,” like those of most American sea-going steamers, are built so high above the water that the windows may be open in all but the worst of weather, and good ventilation be ensured. I have a very nice fellow for my room-mate, in the berth under me; but, in a state-room, no room-mate is better than the best; so I change my quarters to a state-room further forward, nearer “the eyes of her,” which the passengers generally shun, and get one to myself, free from the rattle of the steering gear, while the delightful rise and fall of the bows, and leisurely weather roll and lee roll, cradle and nurse one to sleep.

The routine of the ship, as regards passengers, is this: a cup of coffee, if you desire it, when you turn out; breakfast at eight, lunch at twelve, dinner at three, tea at seven, and lights put out at ten.

Throughout the day, sailing down the outer edge of the Gulf Stream, we see vessels of all forms and sizes, coming in sight and passing away, as in a dioramic show. There is a heavy cotton droger from the Gulf, of 1200 tons burden, under a cloud of sail, pressing on to the northern seas of New England or Old England. Here comes a saucy little Baltimore brig, close-hauled and leaning over to it; and there, half down in the horizon, is a pile of white canvas, which the experienced eyes of my two friends, the passenger shipmasters, pronounce to be a bark, outward bound. Every passenger says to every other, how beautiful! how exquisite! That pale thin girl who is going to Cuba for her health, her brother travelling with her, sits on the settee, propped by a pillow, and tries to smile and to think she feels stronger in this air. She says she shall stay in Cuba until she gets well!

After dinner, Capt. Bullock tells us that we shall soon see the high lands of Cuba, off Matanzas, the first and highest being the Pan of Matanzas. It is clear over head, but a mist lies along the southern horizon, in the latter part of the day. The sharpest eyes detect the land, about 4 P.M., and soon it is visible to all. It is an undulating country on the coast, with high hills and mountains in the interior, and has a rich and fertile look. That height is the Pan, though we see no special resemblance, in its outline, to a loaf of bread. We are still sixty miles from Havana. We cannot reach it before dark, and no vessels are allowed to pass the Morro after the signals are dropped at sunset.

We coast the northern shore of Cuba, from Matanzas westward. There is no waste of sand and low flats, as in most of our southern states; but the fertile, undulating land comes to the sea, and rises into high hills as it recedes. “There is the Morro! and right ahead!” “Why, there is the city too! Is the city on the sea? We thought it was on a harbor or bay.” There, indeed, is the Morro, a stately hill of tawny rock, rising perpendicularly from the sea, and jutting into it, with walls and parapets and towers on its top, and flags and signals flying, and the tall lighthouse just in front of its outer wall. It is not very high, yet commands the sea about it. And there is the city, on the sea-coast, indeed the houses running down to the coral edge of the ocean. Where is the harbor, and where the shipping? Ah, there they are! We open an entrance, narrow and deep, between the beetling Morro and the Punta; and through the entrance, we see the spreading harbor and the innumerable masts. But the darkness is gathering, the sunset gun has been fired, we can just catch the dying notes of trumpets from the fortifications, and the Morro Lighthouse throws its gleam over the still sea. The little lights emerge and twinkle from the city. We are too late to enter the port, and slowly and reluctantly the ship turns her head off to seaward. The engine breathes heavily, and throws its one arm leisurely up and down; we rise and fall on the moonlit sea; the stars are near to us, or we are raised nearer to them; the Southern Cross is just above the horizon; and all night long, two streams of light lie upon the water, one of gold from the Morro, and one of silver from the moon. It is enchantment. Who can regret our delay, or wish to exchange this scene for the common, close anchorage of a harbor?