HAVANA: First Glimpses 1
We are to go in at sunrise, and few,
if any, are the passengers that are not on deck at
the first glow of dawn. Before us lie the novel
and exciting objects of the night before. The
Steep Morro, with its tall sentinel lighthouse, and
its towers and signal staffs and teeth of guns, is
coming out into clear daylight; the red and yellow
striped flag of Spain blood and gold floats
over it. Point after point in the city becomes
visible; the blue and white and yellow houses, with
their roofs of dull red tiles, the quaint old Cathedral
towers, and the almost endless lines of fortifications.
The masts of the immense shipping rise over the headland,
the signal for leave to enter is run up, and we steer
in under full head, the morning gun thundering from
the Morro, the trumpets braying and drums beating
from all the fortifications, the Morro, the Punta,
the long Cabana, the Casa Blanca and the city walls,
while the broad sun is fast rising over this magnificent
spectacle.
What a world of shipping! The
masts make a belt of dense forest along the edge of
the city, all the ships lying head in to the street,
like horses at their mangers; while the vessels at
anchor nearly choke up the passage ways to the deeper
bays beyond. There are the red and yellow stripes
of decayed Spain; the blue, white and red blood
to the fingers’ end of La Grande
Nation; the Union crosses of the Royal Commonwealth;
the stars and stripes of the Great Republic, and a
few flags of Holland and Portugal, of the states of
northern Italy, of Brazil, and of the republics of
the Spanish Main. We thread our slow and careful
way among these, pass under the broadside of a ship-of-the-line,
and under the stern of a screw frigate, both bearing
the Spanish flag, and cast our anchor in the Regla
Bay, by the side of the steamer “Karnac,”
which sailed from New York a few days before us.
Instantly we are besieged by boats,
some loaded with oranges and bananas, and others coming
for passengers and their luggage, all with awnings
spread over their sterns, rowed by sallow, attenuated
men, in blue and white checks and straw hats, with
here and there the familiar lips and teeth, and vacant,
easily-pleased face of the Negro. Among these
boats comes one, from the stern of which floats the
red and yellow flag with the crown in its field, and
under whose awning reclines a man in a full suit of
white linen, with straw hat and red cockade and a
cigar. This is the Health Officer. Until
he is satisfied, no one can come on board, or leave
the vessel. Capt. Bullock salutes, steps
down the ladder to the boat, hands his papers, reports
all well and we are pronounced safe.
Then comes another boat of similar style, another man
reclining under the awning with a cigar, who comes
on board, is closeted with the purser, compares the
passenger list with the passports, and we are declared
fully passed, and general leave is given to land with
our luggage at the custom-house wharf.
Now comes the war of cries and gestures
and grimaces among the boatmen, in their struggle
for passengers, increased manifold by the fact that
there is but little language in common between the
parties to the bargains, and by the boatmen being
required to remain in their boats. How thin these
boatmen look! You cannot get it out of your mind
that they must all have had the yellow fever last
summer, and are not yet fully recovered. Not
only their faces, but their hands and arms and legs
are thin, and their low-quartered slippers only half
cover their thin yellow feet.
In the hurry, I have to hunt after
the passengers I am to take leave of who go on to
New Orleans: Mr. and Mrs. Benchley, on their
way to their intended new home in western Texas, my
two sea captains, and the little son of my friend,
who is the guest, on this voyage, of our common friend
the captain, and after all, I miss the hearty hand-shake
of Bullock and Rodgers. Seated under an awning,
in the stern of a boat, with my trunk and carpet-bag
and an unseasonable bundle of Arctic overcoat and fur
cap in the bow, I am pulled by a man with an oar in
each hand and a cigar in mouth, to the custom-house
pier. Here is a busy scene of trunks, carpet-bags,
and bundles; and up and down the pier marches a military
grandee of about the rank of a sergeant or sub-lieutenant,
with a preposterous strut, so out of keeping with
the depressed military character of his country, and
not possible to be appreciated without seeing it.
If he would give that strut on the boards, in New York,
he would draw full houses nightly.
Our passports are kept, and we receive
a license to remain and travel in the island, good
for three months only, for which a large fee is paid.
These officers of the customs are civil and reasonably
rapid; and in a short time my luggage is on a dray
driven by a Negro, and I am in a volante, managed
by a Negro postilion, and am driving through the narrow
streets of this surprising city.
The streets are so narrow and the
houses built so close upon them, that they seem to
be rather spaces between the walls of houses than highways
for travel. It appears impossible that two vehicles
should pass abreast; yet they do so. There are
constant blockings of the way. In some places
awnings are stretched over the entire street, from
house to house, and we are riding under a long tent.
What strange vehicles these volantes are! A
pair of very long, limber shafts, at one end of which
is a pair of huge wheels, and the other end a horse
with his tail braided and brought forward and tied
to the saddle, an open chaise body resting on the
shafts, about one third of the way from the axle to
the horse; and on the horse is a Negro, in large postilion
boots, long spurs, and a bright jacket. It is
an easy vehicle to ride in; but it must be a sore
burden to the beast. Here and there we pass a
private volante, distinguished by rich silver mountings
and postilions in livery. Some have two horses,
and with the silver and the livery and the long dangling
traces and a look of superfluity, have rather an air
of high life. In most, a gentleman is reclining,
cigar in mouth; while in others, is a great puff of
blue or pink muslin or cambric, extending over the
sides to the shafts, topped off by a fan, with signs
of a face behind it. “Calle de
los Oficios,” “Calle del
Obispo,” “Calle de San Ignacio,”
“Calle de Mercaderes,” are on the little
corner boards. Every little shop and every big
shop has its title; but nowhere does the name of a
keeper appear. Almost every shop advertises “por
mayor y menor,” wholesale and retail.
What a Gil Blas-Don Quixote feeling the names of “posada,”
“tienda,” and “cantina”
give you!
There are no women walking in the
streets, except negresses. Those suits of seersucker,
with straw hats and red cockades, are soldiers.
It is a sensible dress for the climate. Every
third man, perhaps more, and not a few women, are
smoking cigars or cigarritos. Here are things
moving along, looking like cocks of new mown grass,
under way. But presently you see the head of
a horse or mule peering out from under the mass, and
a tail is visible at the other end, and feet are picking
their slow way over the stones. These are the
carriers of green fodder, the fresh cut stalks and
blades of corn; and my chance companion in the carriage,
a fellow passenger by the “Cahawba,” a
Frenchman, who has been here before, tells me that
they supply all the horses and mules in the city with
their daily feed, as no hay is used. There are
also mules, asses, and horses with bananas, plantains,
oranges and other fruits in panniers reaching
almost to the ground.
Here is the Plaza de Armas, with its
garden of rich, fragrant flowers in full bloom, in
front of the Governor’s Palace. At the corner
is the chapel erected over the spot where, under the
auspices of Columbus, mass was first celebrated on
the island. We are driven past a gloomy convent,
past innumerable shops, past drinking places, billiard
rooms, and the thick, dead walls of houses, with large
windows, grated like dungeons, and large gates, showing
glimpses of interior court-yards, sometimes with trees
and flowers. But horses and carriages and gentlemen
and ladies and slaves, all seem to use the same entrance.
The windows come to the ground, and, being flush with
the street, and mostly without glass, nothing but
the grating prevents a passenger from walking into
the rooms. And there the ladies and children sit
sewing, or lounging, or playing. This is all
very strange. There is evidently enough for me
to see in the ten or twelve days of my stay.
But there are no costumes among the
men, no Spanish hats, or Spanish cloaks, or bright
jackets, or waistcoats, or open, slashed trousers,
that are so picturesque in other Spanish countries.
The men wear black dress coats, long pantaloons, black
cravats, and many of them even submit, in this hot
sun, to black French hats. The tyranny of systematic,
scientific, capable, unpicturesque, unimaginative France,
evidently rules over the realm of man’s dress.
The houses, the vehicles, the vegetation, the animals,
are picturesque; to the eye of taste
“Every prospect pleases,
and only man is vile.”
We drove through the Puerta de Monserrate,
a heavy gateway of the prevailing yellow or tawny
color, where soldiers are on guard, across the moat,
out upon the “Paseo de Isabel
Segunda,” and are now “extramuros,”
without the walls. The Paseo is a grand avenue
running across the city from sea to bay, with two
carriage-drives abreast, and two malls for foot passengers,
and all lined with trees in full foliage. Here
you catch a glimpse of the Morro, and there of the
Presidio. This is the Teatro de Tacon; and, in
front of this line of tall houses, in contrast with
the almost uniform one-story buildings of the city,
the volante stops. This is Le Grand’s hotel.