Peter awoke, and wondered where he
was. Then his eye fell on a half-shut, unfamiliar
trunk across the room, and he heard splashing through
the open door of the bathroom. “Julie!”
he called.
A gurgle of laughter came from the
same direction and the splashing ceased. Almost
the next second Julie appeared in the doorway.
She was still half-wet from the water, and her sole
dress was a rosebud which she had just tucked into
her hair. She stood there, laughing, a perfect
vision of unblushing natural loveliness, splendidly
made from her little head poised lightly on her white
shoulders to her slim feet. “You lazy creature!”
she exclaimed; “you’re awake at last, are
you? Get up at once,” and she ran over
to him just as she was, seizing the bed-clothes and
attempting to strip them off. Peter protested
vehemently. “You’re a shameless baggage,”
he said, “and I don’t want to get up yet.
I want some tea and a cigarette in bed. Go away!”
“You won’t get up, won’t
you?” she said. “All right; I’ll
get into bed, then,” and she made as if to do
so.
“Get away!” he shouted.
“You’re streaming wet! You’ll
soak everything.”
“I don’t care,”
she retorted, laughing and struggling at the same time,
and she succeeded in getting a foot between the sheets.
Peter slipped out on the other side, and she ran round
to him. “Come on,” she said; “now
for your bath. Not another moment. My water’s
steaming hot, and it’s quite good enough for
you. You can smoke in your bath or after it.
Come on!”
She dragged him into the bathroom
and into that bath, and then she filled a sponge with
cold water and trickled it on him, until he threatened
to jump out and give her a cold douche. Then,
panting with her exertions and dry now, she collapsed
on the chair and began to fumble with her hair and
its solitary rose. It was exactly Julie who sat
there unashamed in her nakedness, Peter thought.
She had kept the soul of a child through everything,
and it could burst through the outer covering of the
woman who had tasted of the tree of knowledge of good
and evil and laugh in the sun.
“Peter,” she said, “wouldn’t
you love to live in the Fiji no, not the
Fiji, because I expect that’s civilised these
days, but on an almost desert island? though
not desert, of course. Why does one call Robinson
Crusoe sort of islands desert? Oh, I know,
because it means deserted, I suppose. But I don’t
want it quite deserted, for I want you, and three
or four huts of nice savages to cut up wood for the
fire and that sort of thing. And I should wear
a rose no, a hibiscus in my hair
all day long, and nothing else at all. And you
should wear well, I don’t know what
you should wear, but something picturesque that covered
you up a bit, because you’re by no means so
good-looking as I am, Peter.” She jumped
up and stretched out her arms, “Am I not good-looking,
Peter? Why isn’t there a good mirror in
this horrid old bathroom? It’s more necessary
in a bathroom than anywhere, I think.”
“Well, I can see you without
it,” said Peter. “And I quite agree,
Julie, you’re divine. You are like Aphrodite,
sprung from the foam.”
She laughed. “Well, spring
from the foam yourself, old dear, and come and dress.
I’m getting cold. I’m going to put
on the most thrilling set of undies this morning that
you ever saw. The cami-... "
Peter put his fingers in his ears.
“Julie,” he said, “in one minute
I shall blush for shame. Go and put on something,
if you must, but don’t talk about it. You’re
like a Greek goddess just now, but if you begin to
quote advertisements you’ll be like well,
I don’t know what you’ll be like, but
I won’t have it, anyway. Go on; get away
with you. I shall throw the sponge at you if
you don’t.”
She departed merrily, singing to herself,
and Peter lay a little longer in the soft warm water.
He dwelt lovingly on the girl in the other room; he
told himself he was the happiest man alive; and yet
he got out of the bath, without apparent rhyme or
reason, with a little sigh. But he was only a
little quicker than most men in that. Julie had
attained and was radiant; Peter had attained and
sighed.
She was entirely respectable by contrast
when he rejoined her, shaven and half-dressed, a little
later, but just as delectable, as she stood in soft
white things putting up her hair with her bare arms.
He went over and kissed her. “You never
said good-morning at all, you wretch,” he said.
She flung her arms round his neck
and kissed him again many times. “Purposely,”
she said. “I shall never say good-morning
to you while you’re horribly unshaven never.
You can’t help waking up like it, I know, but
it’s your duty to get clean and decent as quickly
as possible. See?”
“I’ll try always
to remember,” said Peter, and stressed the word.
She held him for an appreciable second
at that; then loosed him with a quick movement.
“Go, now,” she said, “and order breakfast
to be brought up to our sitting-room. It must
be a very nice breakfast. There must be kippers
and an omelette. Go quick; I’ll be ready
in half a minute.”
“I believe that girl is sweeping
the room,” said Peter. “Am I to appear
like this? You must remember that we’re
not in France.”
“Put on a dressing-gown then.
You haven’t got one here? Then put on my
kimono; you’ll look exceedingly beautiful....
Really, Peter, you do. Our island will have to
be Japan, because kimonos suit you.
But I shall never live to reach it if you don’t
order that breakfast.”
Peter departed, and had a satisfactory
interview with the telephone in the presence of the
maid. He returned with a cigarette between his
lips, smiling, and Julie turned to survey him.
“Peter, come here. Have
you kissed that girl? I believe you have!
How dare you? Talk about being shameless, with
me here in the next room!”
“I thought you never minded
such things, Julie. You’ve told me to kiss
girls before now. And you said that you’d
always allow your husband complete liberty now,
didn’t you?”
Julie sat down on the bed and heaved
a mock sigh. “What incredible creatures
are men!” she exclaimed. “Must I mean
everything I say, Solomon? Is there no difference
between this flat and that miserable old hotel in
Caudebec? And last, but not least, have you promised
to forsake all other and cleave unto me as long as
we both shall live? If you had promised it, I’d
know you couldn’t possibly keep it; but as it
is, I have hopes.”
This was too much for Peter.
He dropped into the position that she had grown to
love to see him in, and he put his arms round her waist,
looking up at her laughingly. “But you
will marry me, Julie, won’t you?” he demanded.
Before his eyes, a lingering trace
of that old look crept back into her face. She
put her hands beneath his chin, and said no word, till
he could stand it no longer.
“Julie, Julie, my darling,” he said, “you
must.”
“Must, Peter?” she queried, a little wistfully
he thought.
“Yes, must; but say you want to, say you will,
Julie!”
“I want to, Peter,” she
said “oh, my dear, you don’t
know, you can’t know, how much. The form
is nothing to me, but I want you if
I can keep you.”
“If you can keep me!”
echoed Peter, and it was as if an ice-cold finger
had suddenly been laid on his heart. For one second
he saw what might be. But he banished it.
“What!” he exclaimed. “Cannot
you trust me, Julie? Don’t you know I love
you? Don’t you know I want to make you the
very centre of my being, Julie?”
“I know, dearest,” she
whispered, and he had never heard her speak so before.
“You want, that is one thing; you can, that is
another.”
Peter stared up at her. He felt
like a little child who kneels at the feet of a mother
whom it sees as infinitely loving, infinitely wise,
infinitely old. And, like a child, he buried his
head in her lap. “Oh, Julie,” he
said, “you must marry me. I want you so
that I can’t tell you how much. I don’t
know what you mean. Say,” he said, looking
up again and clasping her tightly “say
you’ll marry me, Julie!”
She sprang up with a laugh. “Peter,”
she said, “you’re Mid-Victorian. You
are actually proposing to me upon your knees.
If I could curtsy or faint I would, but I can’t.
Every scrap of me is modern, down to Venns’
cami-knickers that you wouldn’t let me talk
about. Let’s go and eat kippers; I’m
dying for them. Come on, old Solomon.”
He got up more slowly, half-smiling,
for who could resist Julie in that mood? But
he made one more effort. He caught her hand.
“But just say ‘Yes’ Julie,”
he said “just ‘Yes.’”
She snatched her hand away. “Maybe
I will tell you on Monday morning,” she said,
and ran out of the room.
As he finished dressing, he heard
her singing in the next room, and then talking to
the maid. When he entered the sitting-room the
girl came out, and he saw that there were tears in
her eyes. He went in and looked sharply at Julie;
there was a suspicion of moisture in hers also.
“Oh, Peter,” she said, and took him by
the arm as the door closed, “why didn’t
you tell me about Jack? I’m going out immediately
after breakfast to buy her the best silver photo-frame
I can find, see? And now come and eat your kippers.
They’re half-cold, I expect. I thought you
were never coming.”
So began a dream-like day to Peter.
Julie was the centre of it. He followed her into
shops, and paid for her purchases and carried her
parcels: he climbed with her on to buses, which
she said she preferred to taxis in the day-time; he
listened to her talk, and he did his best to find
out what she wanted and get just that for her.
They lunched, at her request, at an old-fashioned,
sober restaurant in Regent Street, that gave one the
impression of eating luncheon in a Georgian dining-room,
in some private house of great stolidity and decorum.
When Julie had said that she wanted such a place Peter
had been tickled to think how she would behave in
it. But she speedily enlightened him. She
drew off her gloves with an air. She did not
laugh once. She did not chat to the waiter.
She did not hurry in, nor demand the wine-list, nor
call him Solomon. She did not commit one single
Colonial solecism at table, as Peter had hated himself
for half thinking that she might. Yet she never
had looked prettier, he thought, and even there he
caught glances which suggested that others might think
so too. And if she talked less than usual, so
did he, for his mind was very busy. In the old
days it was almost just such a wife as Julie now that
he would have wanted. But did he want the old
days? Could he go back to them? Could he
don the clerical frock coat and with it the clerical
system and outlook of St. John’s? He knew,
as he sat there, that not only he could not, but that
he would not. What, then? It was almost
as if Julie suggested that the alternative was madcap
days, such as that little scene in the bathroom suggested.
He looked at her, and thought of it again, and smiled
at the incongruity of it, there. But even as
he smiled the cold whisper of dread insinuated itself
again, small and slight as it was. Would such
days fill his life? Could they offer that which
should seize on his heart, and hold it?
He roused himself with an effort of
will, poured himself another glass of wine, and drank
it down. The generous, full-bodied stuff warmed
him, and he glanced at his wrist-watch. “I
say,” he said, “we shall be late, Julie,
and I don’t want to miss one scrap of this show.
Have you finished? A little more wine?”
Julie was watching him, he thought,
as he spoke, and she, too, seemed to him to make a
little effort. “I will, Peter,” she
said, not at all as she had spoken there before “a
full glass too. One wants to be in a good mood
for the Coliseum. Well, dear old thing, cheerio!”
Outside he demanded a taxi. “I
must have it, Julie,” he said. “I
want to drive up, and have the old buffer in gold
braid open the door for me. Have a cigarette?”
She took one, and laughed as they
settled into the car. “I know the feeling,
my dear,” she said. “And you want
to stroll languidly up the red carpet, and pass by
the pictures of chorus-girls as if you were so accustomed
to the real thing that really the pictures were rather
borin’, don’t you know. And you want
to make eyes at the programme-girl, and give a half-crown
tip when they open the box, and take off your British
warm in full view of the audience, and....”
“Kiss you,” said Peter
uproariously, suiting the action to the word.
“Good Lord, Julie, you’re a marvel!
No more of those old restaurants for me. We dine
at our hotel to-night, in the big public room near
the band, and we drink champagne.”
“And you put the cork in my
stocking?” she queried, stretching out her foot.
He pushed his hand up her skirt and
down to the warm place beneath the gay garter that
she indicated, and he kissed her passionately again.
“It doesn’t matter now,” he said.
“I have more of you than that. Why, that’s
nothing to me now, Julie. Oh, how I love you!”
She pushed him off, and snatched her
foot away also, laughing gaily. “I’m
getting cheap, am I?” she said. “We’ll
see. You’re going to have a damned rotten
time in the theatre, my dear. Not another kiss,
and I shall be as prim as a Quaker.”
The car stopped. “You couldn’t,”
he laughed, helping her out. “And what
is more, I shan’t let you be. I’ve
got you, old darling, and I propose to keep you, what’s
more.” He took her arm resolutely.
“Come along. We’re going to be confoundedly
late.”
Theirs was a snug little box, one
of the new ones, placed as in a French theatre.
The great place was nearly dark as they entered, except
for the blaze of light that shone through the curtain.
The odour of cigarette-smoke and scent greeted them,
with the rustle of dresses and the subdued sound of
gay talk. The band struck up. Then, after
the rolling overture, the curtain ran swiftly up,
and a smart young person tripped on the stage in the
limelight and made great play of swinging petticoats.
Julie had no remembrance of her promised
severity at any rate. She hummed airs, and sang
choruses, and laughed, and was thrilled, exactly as
she should have been, while the music and the panorama
went on and wrapped them round with glamour, as it
was meant to do. She cheered the patriotic pictures
and Peter with her, till he felt no end of a fellow
to be in uniform. The people in front of them
glanced round amusedly now and again, and as like
as not Julie would be discovered sitting there demurely,
her child’s face all innocence, and a big chocolate
held between her fingers at her mouth. Peter
would lean back in his corner convulsed at her, and
without moving a muscle of her face she would put
her leg tip on his seat and push him. One scene
they watched well back in their dark box, his arm
round her waist. It was a little pathetic love-play
and well done, and in the gloom he played with the
curls at her ears and neck with his lips, and held
her hand.
When it was over they went out with
the crowd. The January day was done, but it was
bewildering for all that to come out into real life.
There was no romance for the moment on the stained
street, and in the passing traffic. The gold
braid of the hall commissionaire looked tawdry, and
the pictures of ballet-girls but vulgar. It is
the common experience, but each time one feels it
there is a new surprise. Julie had her own remedy:
“The liveliest tea-room you
can find, Peter,” she demanded.
“It will be hard to beat our own,” said
Peter.
“Well, away there, then; let’s get back
to a band again, anyhow.”
The great palm-lounge was full of
people, and for a few minutes it did not seem as if
they would find seats; but then Julie espied a half-empty
table, and they made for it. It stood away back
in a corner, with two wicker armchairs before it,
and, behind, a stationary lounge against the wall
overhung by a huge palm. The lounge was occupied.
“We’ll get in there presently,”
whispered Peter, and they took the chairs, thankful
in the crowded place to get seated at all.
“Oh, it was topping, Peter,”
said Julie. “I love a great place like that.
I almost wish we had had dress-circle seats or stalls
out amongst the people. But I don’t know;
that box was delicious. Did you see how that
old fossil in front kept looking round? I made
eyes at him once, deliberately you know,
like this,” and she looked sideways at Peter
with subtle invitation just hinted in her eyes.
“I thought he would have apoplexy I
did, really.”
“It’s a good thing I didn’t
notice, Julie. Even now I should hate to see
you look like that, say, at Donovan. You do it
too well. Oh, here’s the tea. Praise
the Lord! I’m dying for a cup. You
can have all the cakes; I’ve smoked too much.”
“Wouldn’t you prefer a whisky?”
“No, not now afterwards. What’s
that they’re playing?”
They listened, Julie seemingly intent,
and Peter, who soon gave up the attempt to recognise
the piece, glanced sideways at the couple on the lounge.
They did not notice him. He took them both in
and caught he could not help it a
few words.
She was thirty-five, he guessed, slightly
made-up, but handsome and full figured, a woman of
whom any man might have been proud. He was an
officer, in Major’s uniform, and he was smoking
a cigarette impatiently and staring down the lounge.
She, on the other hand, had her eyes fixed on him
as if to read every expression on his face, which was
heavy and sullen and mutinous.
“Is that final, then, George?” she said.
“I tell you I can’t help
it; I promised I’d dine with Carstairs to-night.”
A look swept across her face.
Peter could not altogether read it. It was not
merely anger, or pique, or disappointment; it certainly
was not merely grief. There was all that in it,
but there was more. And she said he
only just caught the sentence of any of their words,
but there was the world of bitter meaning in it:
“Quite alone, I suppose?
And there will be no necessity for me to sit up?”
“Peter,” said Julie suddenly,
“the tea’s cold. Take me upstairs,
will you? we can have better sent up.”
He turned to her in surprise, and
then saw that she too had heard and seen.
“Right, dear,” he said,
“It is beastly stuff. I think, after all,
I’d prefer a spot, and I believe you would too.”
He rose carefully, not looking towards
the lounge, like a man; and Julie got up too, glancing
at that other couple with such an ordinary merely
interested look that Peter smiled to himself to see
it. They threaded their way in necessary silence
through the tables and chairs to the doors, and said
hardly a word in the lift. But in their sitting-room,
cosy as ever, Julie turned to him in a passion of emotion
such as he had scarcely dreamed could exist even in
her.
“Oh, you darling,” she
said, “pick me up, and sit me in that chair on
your knee. Love me, Peter, love me as you’ve
never loved me before. Hold me tight, tight,
Peter hurt me, kiss me, love me, say you love me...”
and she choked her own utterance, and buried her face
on his shoulder, straining her body to his, twining
her slim foot and leg round his ankle. In a moment
she was up again, however, and glanced at the clock.
“Peter, we must dress early and dine early,
mustn’t we? The thing begins at seven-forty-five.
Now I know what we’ll do. First, give me
a drink, a long one, Solomon, and take one yourself.
Thanks. That’ll do. Here’s the
best.... Oh, that’s good, Peter. Can’t
you feel it running through you and electrifying you?
Now, come” she seized him by the arm “come
on! I’ll tell you what you’ve got
to do.”
Smiling, though a little astonished
at this outburst, Peter allowed himself to be pulled
into the bedroom. She sat down on the bed and
pushed out a foot. “Take it off, you darling,
while I take down my hair,” she said.
He knelt and undid the laces and took
off the brown shoes one by one, feeling her little
foot through the silk as he did so. Then he looked
up. She had pulled out a comb or two, and her
hair was hanging down. With swift fingers she
finished her work, and was waiting for him. He
caught her in his arms, and she buried her face again.
“Oh, Peter, love me, love me! Undress me,
will you? I want you to. Play with me, own
me, Peter. See, I am yours, yours, Peter, all
yours. Am I worth having, Peter? Do you
want more than me?” And she flung herself back
on the bed in her disorder, the little ribbons heaving
at her breast, her eyes afire, her cheeks aflame.
“Well,” said Peter, an
hour or two later, “we’ve got to get this
dinner through as quickly as we’ve ever eaten
anything. You’ll have to digest like one
of your South African ostriches. I say,”
he said to the waitress in a confidential tone and
with a smile, “do you think you can get us stuff
in ten minutes all told? We’re late as it
is, and we’ll miss half the theatre else.”
“It depends what you order,”
said the girl, rather sharply. Then, after a
glance at them both: “See, if you’ll
have what I say, I’ll get you through quick.
I know what’s on easiest. Do you mind?”
“The very thing,” said
Peter; “and send the wine-man over on your way,
will you? How will that do?” he added to
Julie.
“I’ll risk everything
to-night, Peter, except your smiling at the waitress,”
she said. “But I must have that champagne.
There’s something about champagne that inspires
confidence. When a man gives you the gold bottle
you know that he is really serious, or as serious as
he can be, which isn’t saying much for most
men. And not half a bottle; I’ve had half-bottles
heaps of times at tete-a-tete dinners. It always
means indecision, which is a beastly thing in anyone,
and especially in a man. It’s insulting,
for one thing.... Oh, Peter, do look at that girl
over there. Do you suppose she has anything on
underneath? I suppose I couldn’t ask her,
but you might, you know, if you put on that smile of
yours. Do walk over, beg her pardon, and say very
nicely: ’Excuse me, but I’m a chaplain,
and it’s my business to know these things.
I see you’ve no stays on, but have you a bathing
costume?’”
“Julie, do be quiet; someone
will hear you. You must remember we’re in
England, and that you’re talking English.”
“I don’t care a damn if
they do, Peter! Oh, here’s the champagne,
at any rate. Oh, and some soup. Well, that’s
something.”
“I’ve got the fish coming,”
said the girl, “if you can be ready at once.”
Julie seized her spoon. “I
suppose I mustn’t drink it?” she said.
“I don’t see why I shouldn’t, as
a matter of fact, but it might reflect on you, Peter,
and you’re looking so immaculate to-night.
By the way, you’ve never had that manicure.
Do send a note for the girl. I’d hide in
the bathroom. I’d love to hear you.
Peter, if I only thought you would do it, I’d
like it better than the play. What is the play,
by the way? Zigzag? Oh, Zigzag”
(She mimicked in a French accent.) “Well, it
will be all too sadly true if I leave you to that
bottle of fizz all by yourself. Give me another
glass, please.”
“What about you?” demanded
Peter. “If you’re like this now, Heaven
knows what you’ll be by the time you’ve
had half of this.”
“Peter, you’re an ignoramus.
Girls like me never take too much. We began early
for one thing, and we’re used to it. For
another, the more a girl talks, the soberer she is.
She talks because she’s thinking, and because
she doesn’t want the man to talk. Now, if
you talked to-night, I don’t know what you might
not say. You’d probably be enormously sentimental,
and I hate sentimental people. I do, really.
Sentiment is wishy-washy, isn’t it? I always
associate it with comedians on the stage. Look
over there. Do you see that girl in the big droopy
hat and the thin hands? And the boy one
must say ‘boy,’ I suppose? He’s
a little fat and slightly bald, and he’s got
three pips up, and has had them for a long time.
Well, look at them. He’s searching her eyes,
he is, Peter, really. That’s how it’s
done: you just watch. And he doesn’t
know if he’s eating pea-soup or oyster-sauce.
And she’s hoping her hat is drooping just right,
and that he’ll notice her ring is on the wrong
finger, and how nice one would look in the right place.
To do her justice, she isn’t thinking much about
dinner, either; but that’s sinful waste, Peter,
in the first place, and bad for one’s tummy
in the second. However, they’re sentimental,
they are, and there’s a fortune in it. If
they could only bring themselves to do just that for
fifteen minutes at the Alhambra every night, they’d
be the most popular turn in London.”
“That’s all very well,”
said he; “but if you eat so fast and talk at
the same time, you’ll pay for it very much as
you think they will. Have you finished?”
“No, I haven’t. I
want cheese-straws, and I shall sit here till I get
them or till the whole of London zigzags round
me.”
“I say,” said Peter to
their waitress, “if you possibly can, fetch us
cheese-straws now. Not too many, but quickly.
Can you? The lady won’t go without them,
and something must be done.”
“Wouldn’t the management
wait if you telephoned, Peter dear?” inquired
Julie sarcastically. “Just say who you are,
and they sure will. If the chorus only knew,
they’d go on strike against appearing before
you came, or tear their tights or something dreadful
like that, so that they couldn’t come on.
Yes, now I am ready. One wee last little drop
of the bubbly I see it there and
I’ll sacrifice coffee for your sake. Give
me a cigarette, though. Thanks. And now
my wrap.”
She rose, the cigarette in her fingers,
smiling at him. Peter hastily followed, walking
on air. He was beginning to realise how often
he failed to understand Julie, and to see how completely
she controlled her apparently more frivolous moods;
but he loved her in them. He little knew, as
he followed her out, the tumult of thoughts that raced
through that little head with its wealth of brown
hair. He little guessed how bravely she was already
counting the fleeting minutes, how resolutely keeping
grip of herself in the flood which threatened to sweep
her how gladly! away.
A good revue must be a pageant of
music, colour, scenery, song, dance, humour, and the
impossible. There must be good songs in it, but
one does not go for the songs, any more than one goes
to see the working out of a plot. Strung-up men,
forty-eight hours out of the trenches, with every
nerve on edge, must come away with a smile of satisfaction
on their faces, to have a last drink at home and sleep
like babies. Women who have been on nervous tension
for months must be able to go there, and allow their
tired senses to drink in the feast of it all, so that
they too may go home and sleep. And in a sense
their evening meant all this to Peter and Julie; but
only in a sense.
They both of them bathed in the performance.
The possible and impossible scenes came and went in
a bewildering variety, till one had the feeling that
one was asleep and dreaming the incomprehensible jumble
of a dream, and, as in a nice dream, one knew it was
absurd, but did not care. The magnificent, brilliant
staging dazzled till one lay back in one’s chair
and refused to name the colours to oneself or admire
their blending any more. The chorus-girls trooped
on and off till they seemed countless, and one abandoned
any wish to pick the prettiest and follow her through.
And the gay palace of luxury, with its hundreds of
splendidly dressed women, its men in uniform, its
height and width and gold and painting, and its great
arching roof, where, high above, the stirring of human
hearts still went on, took to itself an atmosphere
and became sentient with humanity.
Julie and Peter were both emotional
and imaginative, and they were spellbound till the
notes of the National Anthem roused them. Then,
with the commonplaces of departure, they left the
place. “It’s so near,” said
Julie in the crowd outside; “let’s walk
again.”
“The other pavement, then,”
said Peter, and they crossed. It was cold, and
Julie clung to him, and they walked swiftly.
At the entrance Peter suggested an
hour under the palms, but Julie pleaded against it.
“Why, dear?” she said. “It’s
so cosy upstairs, and we have all we want. Besides,
the lounge would be an anti-climax; let’s go
up.”
They went up, and Julie dropped into
her chair while Peter knelt to poke the fire.
Then he lit a cigarette, and she refused one for once,
and he stood there looking into the flame.
Julie drew a deep sigh. “Wasn’t
it gorgeous, Peter?” she said. “I
can’t help it, but I always feel I want it to
go on for ever and ever. Did you ever see Kismet?
That was worse even than this. I wanted to get
up and walk into the play. These modern things
are too clever; you know they’re unreal, and
yet they seem to be real. You know you’re
dreaming, but you hate to wake up. I could let
all that music and dancing and colour go on round
me till I floated away and away, for ever.”
Peter said nothing. He continued to stare into
the fire.
“What do you feel?” demanded Julie.
Peter drew hard on his cigarette,
and then he blew out the smoke. “I don’t
know,” he said. “Yes, I do,”
he added quickly; “I feel I want to get up and
preach a sermon.”
“Good Lord, Peter! what a dreadful
sensation that must be! Don’t begin now,
will you? I’m beginning to wish we’d
gone into the lounge after all; you surely couldn’t
have preached there.”
Peter did not smile. He went
on as if she had not spoken, “Or write a great
novel, or, better still, a great play,” he said.
“What would be the subject,
then, you Solomon, or the title, anyway?”
“I don’t know,”
said Peter dreamily. “All Men are Grass,
The Way of all Flesh no, neither
of those is good, and besides, one at least is taken.
I know,” he added suddenly, “I would call
it Exchange, that’s all. My word,
Julie, I believe I could do it.” He straightened
himself, and walked across the room and back again,
once or twice. “I believe I could:
I feel it tingling in me; but it’s all formless,
if you understand; I’ve no plot. It’s
just what I feel as I sit there in a theatre, as we
did just now.”
Julie leaned forward and took the
cigarette she had just refused. She lit it herself
with a half-burnt match, and Peter stood and watched
her, but hardly saw what she was doing. She was
as conscious of his preoccupation as if it were something
physical about him.
“Explain, my dear,” she
said, leaning back and staring into the fire.
“I don’t know that I can,”
he replied, and she felt as if he did not speak to
her. “It’s the bigness of it all,
the beauty, the triumphant success. It’s
drawn that great house full, lured them in, the thousands
of them, and it does so night after night. Tired
people go there to be refreshed, and sad people to
be made gay, and people sick of life to laugh and
forget it. It’s the world’s big anodyne.
It offers a great exchange. And all for a few
shillings, Julie, and for a few hours. The sensation
lingers, but one has to go again and again. It
tricks one into thinking, almost, that it’s
the real thing, that one can dance like mayflies in
the sun. Only, Julie, there comes an hour when
down sinks the sun, and what of the mayflies then?”
Julie shifted her head ever so little.
“Go on,” she said, looking up intently
at him.
He did not notice her, but her words
roused him. He began to pace up and down again,
and her eyes followed him. “Why,”
he said excitedly, “don’t you see that
it’s a fraudulent exchange? It’s a
fraudulent exchange that it offers, and it itself
is an exchange as fraudulent as that which our modern
world is making. No, not our modern world only.
We talk so big of our modernity, when it’s all
less than the dust this year’s leaves,
no better than last year’s, and fallen to-morrow.
Rome offered the same exchange, and even a better
one, I think the blood and lust and conflict
of the amphitheatre. But they’re both exchanges,
offered instead of the great thing, the only great
thing.”
“Which is, Peter?”
“God, of course Almighty
God; Jesus, if you will, but I’m not in a mood
for the tenderness of that. It’s God Himself
Who offers tired and sad people, and people sick of
life, no anodyne, no mere rest, but stir and fight
and the thrill of things nobly done nobly
tried, Julie, even if nobly failed. Can’t
you see it? And you and I to-night have been looking
at what the world offers in exchange.”
He ceased and dropped into a chair
the other side of the fire. A silence fell on
them. Then Julie gave a little shiver. “Peter,
dear,” she said tenderly, “I’m a
little tired and cold.”
He was up at once and bending over
her. “My darling, what a beast I am!
I clean forgot you for a minute. What will you
have? What about a hot toddy? Shall I make
one?” he demanded, smiling. “Donovan
taught me how, and I’m really rather good at
it.”
She smiled back at him, and put her
hand up to smooth his hair. “That would
be another exchange, Peter,” she said, “and
I don’t want it. Only one thing can warm
me to-night and give me rest.”
He read what she meant in her eyes,
and knelt beside the chair to put his arms around
her. She leaned her face on his shoulder, and
returned the kisses that he showered upon her.
“Poor mayflies,” she said to herself,
“how they love to dance in the sun!”