REGINALD ON BESETTING SINS
THE WOMAN WHO TOLD THE TRUTH
There was once (said Reginald) a woman
who told the truth. Not all at once, of course,
but the habit grew upon her gradually, like lichen
on an apparently healthy tree. She had no children-otherwise
it might have been different. It began with
little things, for no particular reason except that
her life was a rather empty one, and it is so easy
to slip into the habit of telling the truth in little
matters. And then it became difficult to draw
the line at more important things, until at last she
took to telling the truth about her age; she said she
was forty-two and five months-by that time,
you see, she was veracious even to months. It
may have been pleasing to the angels, but her elder
sister was not gratified. On the Woman’s
birthday, instead of the opera-tickets which she had
hoped for, her sister gave her a view of Jerusalem
from the Mount of Olives, which is not quite the same
thing. The revenge of an elder sister may be
long in coming, but, like a South-Eastern express,
it arrives in its own good time.
The friends of the Woman tried to
dissuade her from over-indulgence in the practice,
but she said she was wedded to the truth; whereupon
it was remarked that it was scarcely logical to be
so much together in public. (No really provident
woman lunches regularly with her husband if she wishes
to burst upon him as a revelation at dinner.
He must have time to forget; an afternoon is not enough.)
And after a while her friends began to thin out in
patches. Her passion for the truth was not compatible
with a large visiting-list. For instance, she
told Miriam Klopstock exactly how she looked
at the Ilexes’ ball. Certainly Miriam had
asked for her candid opinion, but the Woman prayed
in church every Sunday for peace in our time, and
it was not consistent.
It was unfortunate, everyone agreed,
that she had no family; with a child or two in the
house, there is an unconscious check upon too free
an indulgence in the truth. Children are given
us to discourage our better emotions. That is
why the stage, with all its efforts, can never be as
artificial as life; even in an Ibsen drama one must
reveal to the audience things that one would suppress
before the children or servants.
Fate may have ordained the truth-telling
from the commencement and should justly bear some
of the blame; but in having no children the Woman was
guilty, at least, of contributory negligence.
Little by little she felt she was
becoming a slave to what had once been merely an idle
propensity; and one day she knew. Every woman
tells ninety per cent. of the truth to her dressmaker;
the other ten per cent. is the irreducible minimum
of deception beyond which no self-respecting client
trespasses. Madame Draga’s establishment
was a meeting-ground for naked truths and over-dressed
fictions, and it was here, the Woman felt, that she
might make a final effort to recall the artless mendacity
of past days. Madame herself was in an inspiring
mood, with the air of a sphinx who knew all things
and preferred to forget most of them. As a War
Minister she might have been celebrated, but she was
content to be merely rich.
“If I take it in here, and-Miss
Howard, one moment, if you please-and there,
and round like this-so-I really
think you will find it quite easy.”
The Woman hesitated; it seemed to require such a small effort
to simply acquiesce in Madames views. But habit had become too strong.
Im afraid, she faltered, its just the least little bit in the world too-
And by that least little bit she measured
the deeps and eternities of her thraldom to fact.
Madame was not best pleased at being contradicted
on a professional matter, and when Madame lost her
temper you usually found it afterwards in the bill.
And at last the dreadful thing came,
as the Woman had foreseen all along that it must;
it was one of those paltry little truths with which
she harried her waking hours. On a raw Wednesday
morning, in a few ill-chosen words, she told the cook
that she drank. She remembered the scene afterwards
as vividly as though it had been painted in her mind
by Abbey. The cook was a good cook, as cooks
go; and as cooks go she went.
Miriam Klopstock came to lunch the
next day. Women and elephants never forget an
injury.