Dolly did not know that her childhood
was over. Every pulse of her happy little heart
said the contrary, when she found herself again among
her old haunts and was going the rounds of them, the
morning after her return home. She came in at
last to her mother, flushed and warm.
“Mother, what are we going away for?”
she began.
“Your father knows. I don’t.
Men never know when they are well off.”
“Do women?”
“I used to think so.”
“Is it as pleasant in England as it is here?”
“Depends on where you are placed,
I suppose, and how you are placed. How
can I tell? I have never been in England.”
“Mother, we have got the prettiest
little calf in the barn that you ever saw.”
“In the barn! A queer place for a calf
to be, it seems to me.”
“Yes, because they want to keep
it from the cow. Johnson is going to rear it,
he says. I am so glad it is not to be killed!
It is spotted, mother; all red and white; and so prettily
spotted!”
An inarticulate sound from Mrs. Copley, which might
mean anything.
“And, mother, I have been getting
the eggs. And Johnson has a hen setting.
We shall have chickens pretty soon.”
“Dolly Copley, how old are you?”
“Sixteen last Christmas, mother.”
“And seventeen next Christmas.”
“Yes, ma’am, but next Christmas is not
come yet.”
“Seems to me, it is near enough
for you to be something besides a child.”
“What’s the harm, mother?”
“Harm?” said Mrs. Copley
with a sharp accent; “why, when one has a woman’s
work to do, one had better be a woman to do it.
How is a child to fill a woman’s place?”
“I have only a child’s
place to fill, just now,” said Dolly merrily.
“I have no woman’s work to do, mother.”
“Yes, you have. You have
got to go into society, and play your part in society,
and be married by and by; and then you’ll
know that a woman’s part isn’t so easy
to play.”
Dolly looked grave.
“But we are going to England,
mother; where we know nobody. I don’t see
how we are to go into much society.”
“Do you suppose,” said
Mrs. Copley very irately, “that with your father’s
position his wife and daughter will not be visited
and receive invitations? That is the one thing
that reconciles me to going. We shall have a
very different sort of society from what we have here.
Why you will go to court, Dolly; you will be presented;
and of course you will see nothing but people of the
very best circles.”
“I don’t care about going to court.”
“Why not? You are a goose;
you know nothing about it. Why don’t you
want to go to court? Your father’s daughter
may, as well as some other people’s. Why
don’t you care about it?”
“It would be a great deal of fuss; and no use.”
“No use! Yes, it would;
just the use I am telling you. It would introduce
you to the best society.”
“But I am not going to live
in England all my life, mother.”
“How do you know?” very
sharply. “How do you know where you are
going to live?”
“Why, father won’t stay there always,
will he?”
“I am sure I don’t know
what your father will take into his head. I may
be called to end my days in Japan. But you Look
here; has your aunt made you as old-fashioned as she
is herself?”
“How, mother?”
“I am sure I can’t tell
how! There are ever so many ways. There’s
the benevolent sort, and there’s the devout
sort, and there’s the puritanical sort.
Has she put it into your head that it is good to be
a hermit and separate yourself from the rest of the
world?”
Dolly laughed and denied that charge.
“She’s a very good woman,
I suppose; but she is ridiculous,” Mrs. Copley
went on. “Don’t be ridiculous, whatever
you are. You can’t do any good to anybody
by being ridiculous.”
“But people may call things
ridiculous, that are not ridiculous, mother.”
“Don’t let them call
you ridiculous, then,” said Mrs. Copley, chopping
her words in the way people do when impatience has
the management of them. “You had better
not. The world is pretty apt to be right.”
Dolly let the subject go, and let
it go from her mind too; giving herself to the delights
of her chickens, and the calf, and the nests of eggs
in the hay mow. More than half the time she was
dancing about out of doors; as gay as the daffodils
that were just opening, as delicate as the Van Thol
tulips that were taking on slender streaks and threads
of carmine in their half transparent white petals,
as sweet as the white hyacinth that was blooming in
Mrs. Copley’s window. Within the house
Dolly displayed another character, and soon became
indispensable to her mother. In all consultations
of business, in emergencies of packing, in perplexities
of arrangements, Dolly was ready with a sweet, clear
common sense, loving hands of skill, and an imperturbable
cheerfulness and patience. It was only a few weeks
that the confusion lasted; during those weeks Mrs.
Copley came to know what sort of a daughter she had.
And even Mr. Copley began to divine it.
Mr. Copley has been no more than mentioned.
He was a comely, intelligent, active, energetic man;
a very good specimen of a typical Yankee who has enjoyed
the advantages of education and society. He had
plenty of common sense, acute business faculties, and
genial manners; and so was generally a popular man
among his compeers. His inherited family property
made him more than independent; so his business dealings
were entered into rather for amusement and to satisfy
the inborn Yankee craving to be doing something, than
for need or for gain. Mr. Copley laid no special
value on money, beyond what went to make him comfortable.
But he lacked any feeling for art, which might have
made him a collector and connoisseur; he had no love
for nature, which might have expended itself in grounds
and gardens; he cared little for knowledge, except
such as he could forthwith use. What was left
to him but business? for he was not of those softly
natures which sit down at home in the midst of their
families and are content. However, Mr. Copley
could value his home belongings, and had an eye to
discern things.
He was watching Dolly, one day just
before their departure, as she was busying herself
with a bunch of violets; putting some of them in a
glass, sticking some of them in her mother’s
hair, finally holding the bunch under her father’s
nose.
“Dolly,” said her father,
“I declare I don’t know whether you are
most of a child or a woman!”
“I suppose I can be both, father; can’t
I?”
“I don’t know about that.”
“So I tell her,” said
Mrs. Copley. “It’s all very well as
long as she is here; but I tell her she has got to
give up being a child and playing with the chickens.”
“Why must I?” said Dolly.
“You will find other playthings
on the other side,” said her father, fondly
putting his arm round her and drawing her up to him.
“Will they be as good as chickens? What
will they be?”
“Yes, there, ‘what will
they be,’ she asks! I do believe that Dolly
has no idea,” Mrs. Copley remarked.
“She will find out soon enough,” said
Mr. Copley contentedly.
“What will they be, father?”
Dolly repeated, making for the present a plaything
of her father’s head; for both her soft arms
were around it, and she was touching first one side
and then the other side with her own cheeks.
Mr. Copley seemed to enjoy the play, for he gave himself
up to it luxuriously and made no answer.
“Dolly has been long enough
in Philadelphia,” Mrs. Copley went on. “It
is time she was away.”
“So I think.”
“Father,” said Dolly now, “have
I done with going to school?”
There ensued a debate upon this question;
Dolly herself taking the negative and her mother the
affirmative side. She wanted her daughter at
home, she said.
“But not till I am fit to be at home, mother?”
“Fit? Why are you not fit?”
said Mrs. Copley. “You know as much as I
did when I was married; and I should think that would
be enough. I do not see what girls want with
so much crammed into their heads, nowadays! It
does them no good, and it does nobody else any good.”
“What do you think you want,
Dolly, more than you have already?” her father
asked.
“Why, father, I do not know
anything. I have only begun things.”
“Humph! Not know anything.
I suppose you can read and write and cipher?”
“And you can play and sing,” added Mrs.
Copley.
“Very little, mother.”
“And your drawings are beautiful.”
“Oh, no, mother! That is
one especial thing that I want to do better; a great
deal better.”
“I think they are good enough.
And you have music enough. What’s the use?
When you are married you will give it all up.”
“My music and my drawing, mother?”
“Yes. Every girl does.”
“But I am not going to be married.”
“Not just yet,” said
Mr. Copley, drawing the soft arms round his neck, “not
just yet, Dolly. But when a girl is known to have
so much money as you will have, there are sure to
be plenty of fellows after her. Somebody will
catch you up, some of these days.”
“Somebody who wants my money, father?”
“Everybody wants money” Mr.
Copley answered evasively.
“They would not come and tell you so, I suppose?”
“Not exactly. That isn’t the game.”
“Then they would pretend to like me, while they
only wanted my money?”
“Mr. Copley, do you think what
notions you are putting in Dolly’s head?
Don’t you know yet, that whatever you put in
Dolly’s head, stays there?” Mrs. Copley
objected.
“I like that,” said Dolly’s
father. “Most girls’ heads are like
paper fly traps won’t hold anything
but a fly. Dolly, in the pocket of my overcoat
that hangs up in the hall, there is something that
concerns you.”
“Which pocket, father?”
“Ay, you’ve got your head
on your shoulders! That’s right. In
the inner breast pocket, my dear. You’ll
find a small packet, tied up in paper.”
Being brought and duly opened, Mr.
Copley’s fingers took out of a small paper box
a yet smaller package in silk paper and handed it to
Dolly. It was a pretty little gold watch.
“Why didn’t you wait till
you go to Geneva, Mr. Copley?” said his wife.
“You could have got it cheaper and better there.”
“How do you know, my dear, without
knowing how much I paid for this, or how good it is?
I am not going to Geneva, either. Well, Dolly?”
Dolly gave her father a mute kiss, which was expressive.
“You think it will do,
then. What will you wear it on? I should
have thought of that. You must have a chain.”
“Oh, I have got a chain!”
Dolly cried, and off she ran to fetch it. She
came back presently with the little box which had been
sent her from the “Achilles,” and sat
down by the lamp to put the watch on the chain.
Her father’s eye rested on her as she sat there,
and well it might. The lamp-light fell among
the light loose curls of brown hair, glanced from
the white brow, showed the delicate flush with which
delight had coloured her cheeks, and then lit up the
little hands which were busy with gold and wreathen
work of the cable chain. The eyes he could not
see; the mouth, he thought, with its innocent half
smile, was as sweet as a mouth could be. Mrs.
Copley was looking that way too, but seeing somewhat
else. Eyes do see in the same picture such different
things.
“What have you got there, Dolly?”
“A chain, mother. I am
so glad! I never could wear it, before. Now
I am so glad.”
“What is it?”
“A chain, mother,” said Dolly, holding
it up.
“What sort of a chain? Made of what?”
Dolly told her story. Mrs. Copley
examined and wondered at the elegance of the work.
Mr. Copley promised Dolly a chain of gold.
“I do not want it, father.
I like this,” said Dolly, putting the chain
round her neck.
“Not better than a gold one?”
“Yes, father, I do.”
“Why, child?”
“It reminds me of the time,
and of the person that made it; and I like it for
all that.”
“Who was the person? what was his name?”
“A midshipman on the ‘Achilles.’
His name was Crowninshield.”
“A good name,” said Mr. Copley.
“Why that was five and a half
years ago, child. Did he make such an impression
on you? Where is he now?”
“I don’t know.”
“You have never seen him since?”
“Nor heard of him. I could
not even find his name in any of the lists of officers
of ships, that I saw sometimes in the paper.”
“I’ll look for it,” said Mr. Copley.
But though he was as good as his word,
he was no more successful than Dolly had been.