GREAT BRITAIN SIXTY YEARS AGO
Wordsworth Dickens The Land
of Burns, etc.
The year after leaving college I made
a visit to Europe, which, in those days, was a notable
event. As the stormy Atlantic had not yet been
carpeted by six-day steamers, I crossed in a fine new
packet-ship, the “Patrick Henry,” of the
Grinnell & Minturn Line. Captain Joseph C. Delano
was a gentleman of high intelligence and culture who,
after he had abandoned salt water, became an active
member of the American Association of Science.
After twenty-one days under canvas and the instructions
of the captain, I learned more of nautical affairs
and of the ocean and its ways than in a dozen subsequent
passages in the steamships.
On the second morning after our arrival
in Liverpool I breakfasted with that eminent clergyman,
Dr. Raffles, who boasted the possession of one of
the finest collections of autographs in England.
He showed me the signature of John Bunyan; the original
manuscript of one of Sir Walter Scott’s novels;
the original of Burns’ poem addressed to the
parasite on a lady’s bonnet, which contained
the famous lines:
“Oh wad some power the giftie
gie us
To see our sel’s as others
see us,”
besides several other manuscripts
by the same poet, and also the autograph of a challenge
sent by Byron to Lord Brougham for alleged insult,
a fact to which no reference has been made in Byron’s
biography. From Liverpool, with my friends Professor
Renwick and Professor Cuningham, I set out on a journey
to the lakes of England. We reached Bowness,
on Lake Windermere, in the evening. The next morning
we went up to Elleray, the country residence of Professor
Wilson ("Christopher North"), who, unfortunately,
was absent in Edinburgh. We hired a boatman to
row us through exquisitely beautiful Windermere, and
in the evening reached the Salutation Inn, at the
foot of the lake. My great interest in visiting
Ambleside was to see the venerable poet, Wordsworth,
who lived about a mile from the village. I happened,
just before supper, to look out of the window of the
traveller’s room and espied an old man in a
blue cloak and Glengarry cap, with a bunch of heather
stuck jauntily in the top, driving by in a little
brown phaeton from Rydal Mount. “Perhaps,”
thought I to myself, “that may be the patriarch
himself,” and sure enough it was. For,
when I inquired about Mr. Wordsworth, the landlord
said to me, “A few minutes ago he went by here
in his little carriage.” The next morning
I called upon him. The walk to his cottage was
delightful, with the dew still lingering in the shady
nooks by the roadside, and the morning songs of thanksgiving
bursting forth from every grove. At the summit
of a deeply shaded hill I found “Rydal Mount”
cottage. I was shown, at once, into the sitting-room,
where I found him with his wife, who sat sewing beside
him. The old man rose and received me graciously.
By his appearance I was somewhat startled. Instead
of a grave recluse in scholastic black, whom I expected
to see, I found an affable and lovable old man dressed
in the roughest coat of blue with metal buttons, and
checked trousers, more like a New York farmer than
an English poet. His nose was very large, his
forehead a lofty dome of thought, and his long white
locks hung over his stooping shoulders; his eyes presented
a singular, half closed appearance. We entered
at once into a delightful conversation. He made
many inquiries about Irving, Mrs. Sigourney and our
other American authors, and spoke, with great vehemence,
in favor of an international copyright law. He
said that at one time he had hoped to visit America,
but the duties of a small office which he held (Distributer
of Stamps), and upon which he was partly dependent,
prevented the undertaking. He occasionally made
a trip to London to see the few survivors of the friends
of his early days, but he told me that his last excursion
had proved a wearisome effort. His library was
small but select. He took down an American edition
of his works, edited by Professor Reed, and told me
that London had never produced an edition equal to
it. When I was about to leave, the good old poet
got his broad slouched hat and put on his double purple
glasses to protect his eyes, and we went out to enjoy
the neighboring views. We walked about from one
point to another and kept up a lively conversation.
He displayed such a winning familiarity that, in the
language of his own poem, we seemed
“A pair of friends, though
I was young,
And he was seventy-four.”
From the rear of his court-yard he
showed me Rydal Water, a little lake about a mile
long, the beautiful church, and beyond it, Grassmere,
and still further beyond, Helvelyn, the mountain-king
with a retinue of a hundred hills. I might have
spent the whole day in delightful intercourse with
the old man, but my fellow-travellers were going, and
I could make no longer inroads upon their time.
When we returned to the door of his cottage, he gave
me a parting blessing; he picked a small yellow flower
and handed it to me, and I still preserve it in my
edition of his works, as a relic of the most profound
and the most sublime poet that England has produced
during the nineteenth century I know of but one other
living American who has ever visited Wordsworth at
Rydal Mount.
After passing through Keswick, where
the venerable poet Southey was still lingering in
sadly failing intelligence, we reached Carlisle the
same evening. From Carlisle we took the mail-coach
for Edinburgh by the same route over which Sir Walter
Scott was accustomed to make his journeys up to London.
The driver, who might have answered to Washington
Irving’s description, pointed out to me Netherby
Hall, the mansion of the Grahams, on “Cannobie
lea,” over which the young Lochinvar bore away
his stolen bride. We passed also Branksome Tower,
the scene of the “Lay of the Last Minstrel,”
and reached Selkirk in the early evening. The
next day I spent at Abbotsford. The Great Magician
had been dead only ten years, and his family still
occupied the house with some of his old employees
who figure in Lockhart’s biography. I sat
in the great arm-chair where Sir Walter Scott wrote
many of his novels, and looked out of the window of
his bedchamber, through which came the rippling murmurs
of the Tweed, that consoled his dying hours. I
heartily subscribe to the opinion, expressed by Tennyson,
that Sir Walter Scott was the most extraordinary man
in British literature since the days of Shakespeare.
After reaching Glasgow I made a brief
trip into the Land of Burns. At the town of Ayr
I found an omnibus waiting to take me down to the
birthplace of the poet. At that time the number
of visitors to these regions was comparatively few,
and the birthplace of the poet had not been transformed,
as now, into a crowded museum. On reaching a slight
elevation, since consecrated by the muse of Burns,
there broke upon the view his monument, his native
cottage, Alloway Kirk, the scene of the inimitable
Tam o’ Shanter, and behind them all the “Banks
and Braes of Bonnie Doon.” I went first
to the monument, within which on a centre table are
the two volumes of the Bible given by Burns to Highland
Mary when they “lived one day of parting love”
beneath the hawthorn of Coilsfield. One of the
volumes contains, in Burns’ handwriting, “Thou
shalt not forswear thyself, but shalt perform unto
the Lord thy vows,” and a lock of Mary’s
hair, of a light brown color, given at the time, is
preserved in the treasured volumes. A few steps
away is Alloway Kirk. The old sexton was standing
by the grave of Burns’ father, and described
to me the route of “Tam o’ Shanter.”
He showed me the chinks in the sides through which
the kirk seemed “all in a bleeze,” and
he pointed out the identical place on the wall where
Old Nick was presiding over the midnight revels of
the beldames when
“Louder and louder the piper
blew,
Swifter and swifter the dancers
flew.”
After the old man had finished his
recital, I asked him whether he had ever seen the
poet. “Only aince,” he replied.
“That was one day when he was ridin’ on
a road near here. I met a friend who told me to
hurry up, for Rabbie Burns was just ahead. I
whippit up my horse, and came up to a roughly dressed
man, ridin’ slowly along, with his blue bonnet
pulled down over his forehead, and his eyes turned
toward the groond.” “Didn’t
you speak to him?” I said. “Nay, nay,”
replied the man, in a tone of deep reverence, “he
was Rabbie Burns. I dare na speak to him.
If he had been any other mon I would have said
‘good morrow to ye.’” Beautiful
and eloquent tribute, paid by an unlettered peasant,
not to rank or to wealth, but to a soul a
mighty soul though clad in “hodden grey”
like himself!
The most interesting object was yet
to be visited the cottage of his birth,
I entered it with reverence; and a well dressed, but
very old, woman welcomed me in. “This is
the room,” she said. I looked around on
the rough stone walls and could not believe that it
ever contained such a soul; for the cottage, with
all its subsequent repairs, was hardly equal to the
generality of our early log cabins. The old lady
was very affable. In her early life she had been
connected with an inn at Mauchline, and had seen the
poet often. “Rabbie was a funny fellow,”
she said; “I ken’d him weel; and he stoppit
at our hoose on his way up to Edinburgh to see the
lairds.” I asked her if he was not
always humorous. “Nae, nae,” she
replied, “he used to come in and sit doun wi’
his hands in his lap like a bashful country lad; very
glum, till he got a drap o’ whuskey, or
heard a gude story, and then he was aff! He
was very poorly in his latter days.” Those
closing days in Dumfries, steeped in poverty to the
lips, forms one of the most tragic chapters in literary
history; and I know scarcely anything in our language
more pathetic than the letter which he wrote describing
his wretched bondage to the dominion of strong drink.
An old lady of Kilmarnock told my friend, the late
Dr. Taylor of New York, that when a young woman she
had gone to Burns’ house to assist in preparations
for his funeral, and stated that there was not enough
decent linen in the house to lay out the most splendid
genius in all Scotland! When I was at Ayr, a sister
of Burns, Mrs. Begg, was still living, and I am always
regretting that I did not call upon her. His
widow, Jean Armour, had died but a few years before;
and when a certain pert American who called upon the
old lady had the audacity to ask her: “Can
you show me any relics of the poet?” answered
with majestic dignity: “Sir, I am the
only relic of Robert Burns.”
I went abroad on this first visit
to Europe keen for lion hunting, and with an eager
desire to see some of the men who had been my literary
benefactors. On my arrival in London, having a
letter of introduction to Charles Dickens, which a
mutual friend had given to me, I resolved to present
it. Charles Dickens was an idol of my college
days, and I had spent a few minutes with him in Philadelphia
during his recent visit to the United States.
He had returned from his triumphal tour about a month
before I landed in Liverpool. I called at his
house, but he was not at home. The next day he
did me the honor to call on me at Morley’s Hotel,
and, not finding me in, invited me up to his house
near York Gate, Regents Park. It was a dingy,
brick house surrounded by a high wall, but cheerful
and cozy within. I found him in his sanctum, a
singularly shaped room, with statuettes of Sam
Weller and others of his creations on the mantelpiece.
A portrait of his beautiful wife was upon the wall that
wife, the separation from whom threw a strange, sad
shadow over his home. How handsome he was then!
With his deep, dark, lustrous eyes, that you saw yourself
in, and the merry mouth wreathed with laughter, and
the luxuriant mass of dark hair that he wore in a sort
of stack over his lofty forehead! He had a slight
lisp in his pleasant voice, and ran on in rapid talk
for an hour, with a shy reluctance to talk about his
own works, but with the most superabounding vivacity
I have ever met with in any man. His two daughters,
one of whom afterward married the younger Collins,
a brother novelist, were then schoolgirls of eight
and ten years, came in, with books in their hands,
to give their father a good-morning kiss. After
parting with him, when I had reached his gate, he
called after me in a very loud voice, “If you
see Mrs. Lucretia Mott, tell her that I have not forgotten
the slave.” His “American Notes”
appeared the next week. There were some things
in that hasty and faulty volume for which I sent him
a cordial note of thanks, and I speedily received
the following characteristic reply, which I still
prize as a precious relic of the man:
I DEVONSHIRE TERRACE,
REGENTS PARK, Octh, 1842.
MY DEAR SIR: I am heartily
obliged to you for your frank and manly letter.
I shall always remember it in connection with my
American book; and never believe me save
in the foremost rank of its pleasant and honorable
associations. Let me subscribe myself,
as I really am
Faithfully your Friend,
CHARLES DICKENS.
Mr. Theodore Ledyard Cuyler.
I hold that Dickens was the most original
genius in our fictitious literature since the days
of Walter Scott. As a social reformer his fame
is quite as great as it is as a master of romance.
His pen was mighty to the pulling down of many a social
abuse, and from the loving kindness of his writings
has been got many an inspiration to deeds of charity.
But how could a man who went so far as he did go no
further? How could the reformer who struck at
so many social wrongs spare that hideous fountain-head
of misery in London, the dram-shop? And how could
he descend to scurrilously satirize all societies
formed for the promotion of temperance? A still
greater marvel is that so kind-hearted a man as Mr.
Dickens, who sought honestly the amelioration of the
condition of his fellow-men, could utterly ignore
the transforming power of Christianity. He did
not cast contempt on the Bible, and never soiled his
pages with infidelity, neither did he ever enlighten,
and warm and vivify them with evangelical uplifting
truth. Only a few feet of earth separate the
grave of Charles Dickens from the grave of William
Wilberforce. Both loved their fellow-men; but
the great difference between them was that one of
them invoked the spiritual power of the Gospel of
Christ, which the other lamentably ignored.