Monotheism.
As the matter of Babylonian monotheism
has been publicly touched upon by Fried. Delitzsch
in his “Babel und Bibel”
lectures, a few words upon that important point will
be regarded in all probability as appropriate.
It has already been indicated that the giving of the
names of “the gods his fathers” to Merodach
practically identified them with him, thus leading
to a tendency to monotheism. That tendency is,
perhaps, hinted at in a letter of Assur-bani-apli to
the Babylonians, in which he frequently mentions the
Deity, but in doing so, uses either the word ilu,
“God,” Merodach, the god of Babylon, or
Bel, which may be regarded as one of his names.
The most important document for this monotheistic
tendency, however (confirming as it does the tablet
of the fifty-one names), is that in which at least
thirteen of the Babylonian deities are identified with
Merodach, and that in such a way as to make them merely
forms in which he manifested himself to men.
The text of this inscription is as follows:
“. . . is Merodach of
planting. Lugal-aki-. . . is Merodach of
the water-course. Nirig is Merodach
of strength. Nergal is Merodach
of war. Zagaga is Merodach of battle.
Bel is Merodach of lordship and domination.
Nebo is Merodach of trading(?).
Sin is Merodach the illuminator of
the night. Samas is Merodach of
righteous things. Addu is Merodach
of rain. Tispak is Merodach of frost(?).
Sig is Merodach of green things(?).
Suqamunu is Merodach of the irrigation-channel.”
Here the text breaks off, but must
have contained several more similar identifications,
showing how at least the more thoughtful of the Babylonians
of old looked upon the host of gods whom they worshipped.
What may be the date of this document is uncertain,
but as the colophon seems to describe it as a copy
of an older inscription, it may go back as far as
2000 years B.C. This is the period at which the
name Yaum-ilu “Jäh is God,”
is found, together with numerous references to ilu
as the name for the one great god, and is also, roughly,
the date of Abraham, who, it may be noted, was a Babylonian
of Ur of the Chaldees. It will probably not be
thought too venturesome to say that his monotheism
was possibly the result of the religious trend of
thought in his time.
Dualism.
Damascius, in his valuable account
of the belief of the Babylonians concerning the Creation,
states that, like the other barbarians, they reject
the doctrine of the one origin of the universe, and
constitute two, Tauthe (Tiawath) and Apason (Apsu).
This twofold principle, however, is only applicable
to the system in that it makes of the sea and the
deep (for such are the meanings of the two words) two
personages the female and the male personifications
of primaeval matter, from which all creation sprang,
and which gave birth to the gods of heaven themselves.
As far as the physical constituents of these two principals
are concerned, their tenets might be described as
having “materialistic monism” as their
basis, but inasmuch as they believed that each of
these two principals had a mind, the description “idealistic
monism” cannot be applied to it it
is distinctly a dualism.
And Monism.
Divested of its idealistic side, however,
there would seem to be no escape from regarding the
Babylonian idea of the origin of things as monistic.
This idea has its reflection, though not its reproduction,
in the first chapter of Genesis, in which, verses 2,
6, and 7, water is represented as the first thing
existing, though not the first abode of life.
This divergency from the Babylonian view was inevitable
with a monotheistic nation, such as the Jews were,
regarding as they did the Deity as the great source
of everything existing. What effect the moving
of the Spirit of God upon the face of the waters
was supposed by them to have had, is uncertain, but
it is to be noted that it was the land (v, 12)
which first brought forth, at the command of God.
The future
life.
The belief in a future life is the
natural outcome of a religious belief such as the
Babylonians, Assyrians, and many of the surrounding
nations possessed. As has been shown, a portion
of their creed consisted in hero-worship, which pre-supposes
that the heroes in question continued to exist, in
a state of still greater power and glory, after the
conclusion of their life here upon earth.
“The god Bel hates me I
cannot dwell in this land, and in the territory of
Bel I cannot set my face. I shall descend then
to the Abyss; with Aa my lord shall I constantly dwell.”
It is with these words that, by the counsel of the
god Aa, Ut-napistim explained to those who questioned
him the reason why he was building the ship or ark
which was to save him and his from the Flood, and there
is but little doubt that the author of the story implied
that he announced thereby his approaching death, or
his departure to dwell with his god without passing
the dread portals of the great leveller. This
belief in the life beyond the grave seems to have
been that which was current during the final centuries
of the third millennium before Christ when
a man died, it was said that his god took him to himself,
and we may therefore suppose, that there were as many
heavens places of contentment and bliss as
there were gods, and that every good man was regarded
as going and dwelling evermore with the deity which
he had worshipped and served faithfully during his
lifetime.
Gilgames, the half-divine king of
Erech, who reigned during the half-mythical period,
on losing his friend and counsellor, Enki-du, set
out to find him, and to bring him back, if possible,
from the underworld where he was supposed to dwell.
His death, however, had not been like that of an ordinary
man; it was not Namtaru, the spirit of fate, who had
taken him, nor a misfortune such as befalls ordinary
men, but Nerigal’s unsparing lier-in-wait yet
though Nerigal was the god of war, Enki-du had not
fallen on the battlefield of men, but had been seized
by the earth (apparently the underworld where the wicked
are is meant) in consequence, seemingly, of some trick
or trap which had been laid for him.
The gods were therefore prayed, in
turn, to bring him back, but none of them listened
except Ea, who begged him of Nerigal, whereupon
the latter opened the entrance to the place where
he was the hole of the earth and
brought forth “the spirit (utukku) of
Enki-du like mist.” Immediately after this
come the words, “Tell, my friend, tell, my friend the
law of the land which thou sawest, tell,” and
the answer, “I will not tell thee, friend, I
will not tell thee if I tell thee the law
of the land which I saw, . . . sit down, weep.”
Ultimately, however, the person appealed to apparently
the disembodied Enki-du reveals something
concerning the condition of the souls in the place
of his sojourn after death, as follows:
“Whom thou sawest [die] the death(?)
[of] . . . [I see]
In the resting-place of . . . reposing,
pure waters he drinketh.
Whom in the battle thou sawest killed,
I see
His father and his mother raise his head,
And his wife upon [him leaneth?].
Whose corpse thou hast seen thrown down
in the plain, I see
His edimmu in the earth reposeth
not.
Whose edimmu thou sawest without
a caretaker, I see
The leavings of the dish, the remains
of the food,
Which in the street is thrown,
he eateth.”
It is naturally difficult to decide
in a passage like this, the difference existing between
a man’s utukku and his edimmu,
but the probability is, that the former means his
spiritual essence, whilst the latter stands for the
ghostly shadow of his body, resembling in meaning
the ka of the Egyptians. To all appearance
the abode described above is not the place of the
punishment of the wicked, but the dwelling of those
accounted good, who, if lucky in the manner of their
death, and the disposal of their bodies, enjoyed the
highest happiness in the habitation of the blest.
The other place, however, is otherwise described (it
occurs in the account of Istar’s descent into
Hades, and in the seventh tablet of the Gilgames series the
latter differing somewhat):
“Upon the land of No-return, the
region of . . ., [Set] Istar, daughter of Sin, her
ear. The daughter of Sin set then her ear .
. . Upon the house of gloom, the seat of Irkalla
Upon the house whose entrance hath no exit, Upon
the path whose way hath no return, Upon the house
whose enterers are deprived of light, Where dust
is their nourishment, their food mud, Light they
see not, in darkness they dwell, Clothed also, like
a bird, in a dress of feathers. Upon the door
and bolt the dust hath blown.”
Seven gates gave access to this place
of gloom, and the porter, as he let the visitor in,
took from her (the goddess Istar in the narrative)
at each an article of clothing, until, at the last,
she entered quite naked, apparently typifying the
fact that a man can take nothing with him when he
dieth, and also, in this case, that he has not even
his good deeds wherewith to clothe himself, for had
they outweighed his evil ones, he would not have found
himself in that dread abode.
On the arrival of Istar in Hades,
Ères-ki-gal commanded Namtaru, the god of fate,
to smite Istar with disease in all her members eyes,
sides, feet, heart, and head. As things went wrong
on the earth in consequence of the absence of the
goddess of love, the gods sent a messenger to effect
her release. When he reached the land of No-return,
the queen of the region threatened him with all kinds
of torments the food of the gutters of
the city were to be his food, the oil-jars of the
city (naptha?) his drink, the gloom of the castle
his resting-place, a stone slab his seat, and hunger
and thirst were to shatter his strength. These
were evidently the punishments inflicted there, but
as the messenger threatened was a divine one, they
were probably not put into execution, and he obtained
his demand, for Istar was set free, receiving back
at each gate, in reverse order, the clothing and ornaments
which had been taken from her when she had descended
thither. It is uncertain whether Tammuz, for whom
she had gone down, was set free also, but as he is
referred to, it is not improbable that this was the
case.