CHAPTER SEVEN - “COMING EVENTS CAST THEIR SHADOWS BEFORE”
Once the affair had been reported
to the local police, news of the tragedy spread over
the neighbourhood with amazing velocity, and by nine
o’clock next morning there wasn’t a soul
within a radius of five miles who had not heard of
it; by ten the Common and the immediate vicinity of
Gleer Cottage were literally black with morbid-minded
sightseers and reporters.
As yet, however, none but the police
and the representatives of the press had been permitted
to cross the threshold of the house or to obtain even
the merest glimpse of the murdered man. For all
that, certain facts relative to the position in which
the body had been found, together with the mysterious
marks upon his shirt bosom, had leaked out, and as
Scotland Yard, as represented by Cleek and Superintendent
Narkom, had chosen to remain silent for the present
relative to such clues as had been discovered, this
gave room for some fine flights of fancy on the part
of the representatives of the press.
The special correspondent of the Evening
Planet “discovered” that the Count
was “a well-known Austrian nobleman” who
had offended the famous Ravaschol group, and was the
author of the equally famous “Ninth Clause”
which had acted so disastrously against it a
circumstance which, the Planet claimed, left
no shadow of a doubt regarding “the true meaning
of the mysterious markings upon the shirt bosom of
the unfortunate gentleman.” Whereupon the
representative of its bitterest rival, the Morning
Star, as promptly discovered that he was nothing
of the sort; that he had been “positively identified”
as the former keeper of a sort of club in Soho much
frequented by Russian, German, French, and Italian
anarchists; and that, on its being discovered by those
gentry that he had sold to the police of their several
countries secrets thus learned, he had been obliged
to disappear from his regular haunts in order to save
his skin. And, furthermore, as the address of
the house in which that club had been maintained,
and from which he had carried on his system of betrayal,
was 63 Essex Row, the explanation of the markings
was quite clear to wit: “Four
and two make six; one and two make three; furthermore,
the peculiar formation of the repeated figure 2 is,
of course, a rude attempt to make it serve for the
letter S. as well; which, taken in conjunction with
the three X’s, leaves no room for doubt that
these markings stand for Number Sixty-three Essex Row
and for nothing else.”
Now as it happened that 63 Essex Row
had, at one time in its career, been the seat of just
such a club and just such a proceeding as the Morning
Star stated, nothing was left the Evening Planet
but sneeringly to point out that “the imaginative
genius of our esteemed contemporary should not let
it fail to remember that the man Lovetski to
whom it doubtless refers, and whose mysterious vanishment
some years ago has never been cleared up had
his supporters as well as his accusers. It was
clearly shown at the time that although he dwelt in
the house where the ‘club’ in question
held forth, there never was any absolute proof that
he was himself in any way actually connected with
it, his vocation being that of a maker of dressing
for boots, shoes, ladies’ bags, and leather
goods generally, which dressing he manufactured upon
the premises.”
This statement, being correct, gave
the Morning Star a chance to clinch its argument
yet more forcibly and to prove itself better informed
than its rival by coming out in its next issue with
the declaration that “there can no longer be
any question relative to the identity of the murdered
man. That he is, or rather was, the long-vanished
Ferdinand Lovetski who was formerly identified with
the club and the boot-dressing industry carried
on at 63 Essex Row, is established beyond all cavil,
since the marks smeared upon his shirt bosom are now
known to have been made with shoe-blacking of that
variety which is applied and polished with a cloth,
and which has of recent years almost entirely superseded
the brush-applied variety of our fathers’ and
grandfathers’ days!”
Narkom, much impressed thereby, showed
these two articles from the Morning Star to
Cleek.
“An ingenious young man that
reporter, Mr. Narkom, and his deductions regarding
those marks reflect great credit upon him,” said
the latter. “For it is positively certain
that whoever he may or may not have been, the man
certainly was not the Count de Louvisan, for
the simple reason that there is no ‘Count
de Louvisan’ in the Austrian nobility, the title
having lapsed some years ago. The theory that
the dead man is that Ferdinand Lovetski who formerly
lived at 63 Essex Row, however, will bear looking
into. It is well thought out. I should, perhaps,
be more impressed with the genius of the chap who
worked out so likely a solution to those mysterious
figures if he hadn’t made me lose faith in his
powers of observation by the ‘shoe blacking’
statement. It is not a bad guess, in the
circumstances for each would leave marks
very similar, if one trusted to the eye alone but
I happen to know that the figures were not
smeared on with shoe-blacking, but with a stick of
that greasy, highly scented black cosmetic which some
actresses use for their eyelashes and some men employ
to disguise the gray hairs in the moustache.
You know the kind of stuff I mean. It is always
wrapped in a brilliant, ruby-coloured tin foil; is
to be found in most barbers’ and hairdressers’
establishments, and is very heavily and peculiarly
perfumed. You will remember that, when I wanted
to ascertain if the odour of the Huile Violette
emanated from the body of the dead man or not, I told
you he was scented, but not with violets?
Very well, the scent which was upon him was the peculiar
spicy fragrance of that particular kind of cosmetic;
and I had only to get one whiff of his shirt bosom
to understand what had been used to make those marks
upon it.”
“My dear Cleek, could you be
sure of that?” ventured Narkom. “I
know the kind of stuff you mean. But few Englishmen
use it these days, though I remember it was once very
popular. It comes in light brown shades for fair
people, as well as in black for dark ones; and the
Count was extremely fair, almost flaxen. Could
you be positive then that what you smelt was not on
his hair or moustache? If he had used the light
sort it would not show, remember.”
“My dear Mr. Narkom, have you
so poor an opinion of my methods that you fancy I
would be likely to be slipshod in my examination, and
to pass over so important a possibility as that?
The man had brilliantine on his hair and moustache,
and the latter had been dressed with curling irons!
Believe me, when we find who put those marks upon him,
we shall find some one who is addicted to the use
of black cosmetic of the kind which I have mentioned.”
And afterward, when the rush of events
had crowded yet more important ones from his mind,
Mr. Maverick Narkom remembered those words and set
that statement down in his diary as another proof of
the amazing thoroughness and the shrewd far-sightedness
of this remarkable man.