T’ Exalt the Soul, or make the Heart
sincere,
To arm our Lives with honesty severe,
To shake the wretch beyond the reach of
Law,
Deter the young, and touch the bold with
awe,
To raise the fal’n, to hear the
sufferer’s cries,
And sanctify the virtues of the wife,
Old Satire rose from Probity of mind,
The noblest Ethicks to reform mankind.
As Cynthia’s
Orb excels the gems of night:
So Epic Satire shines distinctly
bright.
Here Genius lives, and strength in every
part,
And lights and shades, and fancy fix’d
by art.
A second beauty in its nature lies,
It gives not Things, but Beings
to our eyes,
Life, Substance, Spirit
animate the whole;
Fiction and Fable are the
Sense and Soul.
The common Dulness of mankind,
array’d
In pomp, here lives and breathes, a wond’rous
Maid:
The Poet decks her with each unknown Grace,
Clears her dull brain, and brightens her
dark face:
See! Father Chaos o’er
his First-born nods,
And Mother Night, in Majesty of
Gods!
See Querno’s Throne, by hands
Pontific rise,
And a Fool’s Pandaemonium
strike our Eyes!
Ev’n what on C l
the Publick bounteous pours,
Is sublimated here to Golden show’rs.
A Dunciad or a Lutrin
is compleat,
And one in action; ludicrously
great.
Each wheel rolls round in due degrees
of force;
E’en Episodes are needful,
or of course:
Of course, when things are virtually
begun
E’er the first ends, the Father
and the Son:
Or else so needful, and exactly
grac’d,
That nothing is ill-suited, or
ill-plac’d.
True Epic’s a vast World,
and this a small;
One has its proper beauties, and
one all.
Like Cynthia, one in thirty
days appears,
Like Saturn one, rolls round in
thirty years.
There opens a wide Tract, a length
of Floods,
A height of Mountains, and a waste of
Woods:
Here but one Spot; nor Leaf, nor
Green depart
From Rules, e’en Nature seems the
Child of Art.
As Unities in Epick works appear,
So must they shine in full distinction
here.
Ev’n the warm Iliad moves
with slower pow’rs:
That forty days demands, This forty hours.
Each other Satire humbler
arts has known,
Content with meaner Beauties, tho’
its own:
Enough for that, if rugged in its course
The Verse but rolls with Vehemence and
Force;
Or nicely pointed in th’ Horatian
way
Wounds keen, like Syrens mischievously
gay.
Here, All has Wit, yet must that
Wit be strong,
Beyond the Turns of Epigram, or
Song.
The Thought must rise exactly from
the vice,
Sudden, yet finish’d,
clear, and yet concise.
One Harmony must first with
last unite;
As all true Paintings have their Place
and Light.
Transitions must be quick,
and yet design’d,
Not made to fill, but just retain the
mind:
And Similies, like meteors of the
night,
Just give one flash of momentary Light.
As thinking makes the Soul,
low things exprest
In high-rais’d terms, define a Dunciad
best.
Books and the Man demands as much,
or more,
Than He who wander’d to
the Latian Shore:
For here (eternal Grief to Duns’s
soul,
And B ’s
thin Ghost!) the Part contains the Whole:
Since in Mock-Epic none succeeds, but
he
Who tastes the Whole of Epic Poesy.
The Moral must be clear
and understood;
But finer still, if negatively good:
Blaspheming Capaneus obliquely
shows
T’ adore those Gods Aeneas
fears and knows.
A Fool’s the Heroe;
but the Poet’s end
Is, to be candid, modest,
and a Friend.
Let Classic Learning
sanctify each Part,
Not only show your Reading, but your Art.
The charms of Parody,
like those of Wit,
If well contrasted, never fail
to hit;
One half in light, and one in darkness
drest,
(For contraries oppos’d still shine
the best.)
When a cold Page half breaks the Writer’s
heart,
By this it warms, and brightens into Art.
When Rhet’ric glitters with too
pompous pride,
By this, like Circe, ’tis
un-deify’d.
So Berecynthia, while her off-spring
vye
In homage to the Mother of the sky,
(Deck’d in rich robes, of trees,
and plants, and flow’rs,
And crown’d illustrious with an
hundred tow’rs)
O’er all Parnassus casts
her eyes at once,
And sees an hundred Sons and
each a Dunce.
The Language next:
from hence new pleasure springs;
For Styles are dignify’d,
as well as Things.
Tho’ Sense subsists, distinct from
phrase or sound,
Yet Gravity conveys a surer wound.
The chymic secret which your pains wou’d
find,
Breaks out, unsought for, in Cervantes’
mind;
And Quixot’s wildness, like
that King’s of old,
Turns all he touches, into Pomp
and Gold.
Yet in this Pomp discretion must be had;
Tho’ grave, not stiff;
tho’ whimsical, not mad:
In Works like these if Fustian
might appear,
Mock-Epics, Blackmore, would not
cost thee dear.
We grant, that Butler
ravishes the Heart,
As Shakespear soar’d beyond
the reach of Art;
(For Nature form’d those Poets without
Rules,
To fill the world with imitating Fools.)
What Burlesque could, was by that
Genius done;
Yet faults it has, impossible to shun:
Th’ unchanging strain for want of
grandeur cloys,
And gives too oft the horse-laugh mirth
of Boys:
The short-legg’d verse, and double-gingling
Sound,
So quick surprize us, that our heads run
round:
Yet in this Work peculiar Life presides,
And Wit, for all the world to glean
besides.
Here pause, my Muse, too daring
and too young!
Nor rashly aim at Precepts yet unsung.
Can Man the Master of the Dunciad
teach?
And these new Bays what other hopes to
reach?
’Twere better judg’d, to study
and explain
Each ancient Grace he copies not in vain;
To trace thee, Satire, to thy utmost Spring,
Thy Form, thy Changes, and thy Authors
sing.
All Nations with this Liberty
dispense,
And bid us shock the Man that shocks Good
Sense.
Great Homer first the Mimic Sketch
design’d
What grasp’d not Homer’s
comprehensive mind?
By him who Virtue prais’d,
was Folly curst,
And who Achilles sung, drew Dunce
the First.
Next him Simonides,
with lighter Air,
In Beasts, and Apes, and Vermin, paints
the Fair:
The good Scriblerus in like forms
displays
The reptile Rhimesters of these later
days.
More fierce, Archilochus!
thy vengeful flame;
Fools read and dy’d:
for Blockheads then had Shame.
The Comic-Satirist attack’d
his Age,
And found low Arts, and Pride, among the
Sage:
See learned Athens stand attentive
by,
And Stoicks learn their Foibles
from the Eye.
Latium’s fifth Homer
held the Greeks in view;
Solid, tho’ rough, yet incorrect
as new.
Lucilius, warm’d with more
than mortal flame
Rose next, and held a torch to ev’ry
shame.
See stern Menippus, cynical, unclean;
And Grecian Cento’s, mannerly
obscene.
Add the last efforts of Pacuvius’
rage,
And the chaste decency of Varro’s
page.
See Horace next, in
each reflection nice,
Learn’d, but not vain, the Foe of
Fools nor Vice.
Each page instructs, each Sentiment prevails,
All shines alike, he rallies, but ne’er
rails:
With courtly ease conceals a Master’s
art,
And least-expected steals upon the heart.
Yet Cassius felt the fury of
his rage,
(Cassius, the We d
of a former age)
And sad Alpinus, ignorantly read,
Who murder’d Memnon, tho’
for ages dead.
Then Persius came:
whose line tho’ roughly wrought,
His Sense o’erpaid the stricture
of his thought.
Here in clear light the Stoic-doctrine
shines,
Truth all subdues, or Patience all resigns.
A Mind supreme! impartial, yet severe:
Pure in each Act, in each Recess sincere!
Yet rich ill Poets urg’d
the Stoic’s Frown,
And bade him strike at Dulness
and a Crown.
The Vice and Luxury Petronius
drew,
In Nero meet: th’ imperial
point of view:
The Roman Wilmot, that could Vice
chastize,
Pleas’d the mad King he serv’d,
to satirize.
The next in Satire felt
a nobler rage,
What honest Heart could bear Domitian’s
age?
See his strong Sense, and Numbers masculine!
His Soul is kindled, and he kindles mine:
Scornful of Vice, and fearless of Offence,
He flows a Torrent of impetuous Sense.
Lo! Savage Tyrants Who
blasphem’d their God
Turn Suppliants now, and gaze at Julians Rod.
Lucian, severe, but
in a gay disguise,
Attacks old Faith, or sports in learned
Lyes;
Sets Heroes and Philosophers at odds;
And scourges Mortals, and dethrones the
Gods.
Then all was Night But
Satire rose once more
Where Medici and Leo Arts
restore.
Tassone shone fantastic, but sublime:
And He, who form’d the Macaronique-Rhime:
Then Westward too by
slow degrees confest,
Where boundless Rabelais made the
World his Jest;
Marot had Nature, Regnier
Force and Flame,
But swallow’d all in Boileau’s
matchless Fame!
Extensive Soul! who rang’d all learning
o’er,
Present and past and yet found
room for more.
Full of new Sense, exact in every Page,
Unbounded, and yet sober in thy Rage.
Strange Fate! Thy solid Sterling
of two lines,
Drawn to our Tinsel, thro’
whole Pages shines!
In Albion then, with
equal lustre bright,
Great Dryden rose, and steer’d
by Nature’s light.
Two glimmering Orbs he just observ’d
from far,
The Ocean wide, and dubious either Star,
Donne teem’d with Wit, but
all was maim’d and bruis’d,
The periods endless, and the sense confus’d:
Oldham rush’d on, impetuous,
and sublime,
But lame in Language, Harmony, and Rhyme;
These (with new graces) vig’rous
nature join’d
In one, and center’d ’em in
Dryden’s mind.
How full thy verse? Thy meaning how
severe?
How dark thy theme? yet made exactly clear.
Not mortal is thy accent, nor thy rage,
Yet mercy softens, or contracts each Page.
Dread Bard! instruct us to revere thy
rules,
And hate like thee, all Rebels, and all
Fools.
His Spirit ceas’d not
(in strict truth) to be;
For dying Dryden breath’d,
O Garth! on thee,
Bade thee to keep alive his genuine Rage,
Half-sunk in want, oppression and old
age;
Then, when thy pious hands repos’d his head,
When vain young Lords and ev’n the
Flamen fled.
For well thou knew’st his merit
and his art,
His upright mind, clear head, and friendly
heart.
Ev’n Pope himself (who sees
no Virtue bleed
But bears th’ affliction) envies
thee the deed.
O Pope! Instructor
of my studious days,
Who fix’d my steps in virtue’s
early ways:
On whom our labours, and our hopes depend,
Thou more than Patron, and ev’n
more than Friend!
Above all Flattery, all Thirst of Gain,
And Mortal but in Sickness, and in Pain!
Thou taught’st old Satire nobler
fruits to bear,
And check’d her Licence with a moral
Care:
Thou gav’st the Thought new beauties
not its own,
And touch’d the Verse with Graces
yet unknown.
Each lawless branch thy level eye survey’d.
And still corrected Nature as she stray’d:
Warm’d Boileau’s Sense
with Britain’s genuine Fire,
And added Softness to Tassone’s
Lyre.
Yet mark the hideous nonsense
of the age,
And thou thy self the subject of its rage.
So in old times, round godlike Scaeva
ran
Rome’s dastard Sons, a Million,
and a Man.
Th’ exalted merits of
the Wise and Good
Are seen, far off, and rarely understood.
The world’s a father to a Dunce
unknown,
And much he thrives, for Dulness! he’s
thy own.
No hackney brethren e’er condemn
him twice;
He fears no enemies, but dust and mice.
If Pope but writes,
the Devil Legion raves,
And meagre Critics mutter in their caves:
(Such Critics of necessity consume
All Wit, as Hangmen ravish’d Maids
at Rome.)
Names he a Scribler? all the world’s
in arms,
Augusta, Granta, Rhedecyna
swarms:
The guilty reader fancies what he fears,
And every Midas trembles for his
ears.
See all such malice, obloquy,
and spite
Expire e’re morn, the mushroom of
a night!
Transient as vapours glimm’ring
thro’ the glades,
Half-form’d and idle, as the dreams
of maids,
Vain as the sick man’s vow, or young
man’s sigh,
Third-nights of Bards, or H ’s
sophistry.
These ever hate the Poet’s
sacred line:
These hate whate’er is glorious,
or divine.
From one Eternal Fountain Beauty
springs,
The Energy of Wit, and Truth
of Things,
That Source is GOD: From him
they downwards tend,
Flow round yet in their native
center end.
Hence Rules, and Truth, and Order, Dunces
strike;
Of Arts, and Virtues, enemies alike.
Some urge, that Poets of supreme
renown
Judge ill to scourge the Refuse of the
Town.
How’ere their Casuists hope to turn
the scale,
These men must smart, or scandal will
prevail.
By these, the weaker Sex still suffer
most:
And such are prais’d who rose at
Honour’s cost:
The Learn’d they wound, the Virtuous,
and the Fair,
No fault they cancel, no reproach they
spare:
The random Shaft, impetuous in the dark,
Sings on unseen, and quivers in the mark.
’Tis Justice, and not Anger, makes
us write,
Such sons of darkness must be drag’d
to light:
Long-suff’ring nature must not always
hold;
In virtue’s cause ’tis gen’rous
to be bold.
To scourge the bad, th’ unwary to
reclaim,
And make light flash upon the face of
shame.
Others have urg’d (but
weigh it, and you’ll find
’Tis light as feathers blown before
the wind)
That Poverty, the Curse of Providence,
Attones for a dull Writer’s want
of Sense:
Alas! his Dulness ’twas that made
him poor;
Not vice versa: We infer no
more.
Of Vice and Folly Poverty’s the
curse,
Heav’n may be rigid, but the Man
was worse,
By good made bad, by favours more disgrac’d,
So dire th’ effects of ignorance
misplac’d!
Of idle Youth, unwatch’d by Parents
eyes!
Of Zeal for pence, and Dedication Lies!
Of conscience model’d by a Great
man’s looks!
And arguings in religion from
No books!
No light the darkness of that
mind invades,
Where Chaos rules, enshrin’d
in genuine Shades;
Where, in the Dungeon of the Soul inclos’d,
True Dulness nods, reclining and repos’d.
Sense, Grace, or Harmony, ne’er
enter there,
Nor human Faith, nor Piety sincere;
A mid-night of the Spirits, Soul, and
Head,
(Suspended all) as Thought it self lay
dead.
Yet oft a mimic gleam of transient light
Breaks thro’ this gloom, and then
they think they write;
From Streets to Streets th’ unnumber’d
Pamphlets fly,
Then tremble Warner, Brown,
and Billingsly.
O thou most gentle Deity appear,
Thou who still hear’st, and yet
art prone to hear:
Whose eye ne’er closes, and whose
brains ne’er rest,
(Thy own dear Dulness bawling at thy breast)
Attend, O Patience, on thy arm
reclin’d,
And see Wit’s endless enemies behind!
And ye, Our Muses,
with a hundred tongues,
And Thou, O Henley! blest with
brazen lungs;
Fanatic Withers! fam’d for
rhimes and sighs,
And Jacob Behmen! most obscurely
wise;
From darkness palpable, on dusky wings
Ascend! and shroud him who your Off-spring
sings.
The first with Egypt’s
darkness in his head
Thinks Wit the devil, and curses books
unread.
For twice ten winters has he blunder’d
on,
Thro’ heavy comments, yet ne’er
lost nor won:
Much may be done in twenty winters more,
And let him then learn English
at threescore.
No sacred Maro glitters on his
shelf,
He wants the mighty Stagyrite himself.
See vast Coimbria’s comments pil’d on high,
In heaps Soncinas, Sotus,
Sanchez lie:
For idle hours, Sa’s
idler casuistry.
Yet worse is he, who in one
language read,
Has one eternal jingling in his head,
At night, at morn, in bed, and on the
stairs ...
Talks flights to grooms, and makes lewd
songs at pray’rs
His Pride, a Pun: a Guinea his Reward,
His Critick G-ld-n, Jemmy M-re
his Bard.
What artful Hand the Wretch’s
Form can hit,
Begot by Satan on a M ly’s
Wit:
In Parties furious at the great Man’s
nod,
And hating none for nothing, but his God:
Foe to the Learn’d, the Virtuous,
and the Sage,
A Pimp in Youth, an Atheist in old Age:
Now plung’d in Bawdry and substantial
Lyes,
Now dab’ling in ungodly Theories;
But so, as Swallows skim the pleasing
flood,
Grows giddy, but ne’er drinks to
do him good:
Alike resolv’d to flatter, or to
cheat,
Nay worship Onions, if they cry, come
eat:
A foe to Faith, in Revelation blind,
And impious much, as Dunces are by kind.
Next see the Master-piece
of Flatt’ry rise,
Th’ anointed Son of Dulness and
of Lies:
Whose softest Whisper fills a Patron’s
Ear,
Who smiles unpleas’d, and mourns without a tear.
Persuasive, tho’ a woful Blockhead
he:
Truth dies before his shadowy Sophistry.
For well he knows the Vices of the
Town,
The Schemes of State, and Int’rest
of the Gown;
Immoral Afternoons, indecent Nights,
Enflaming Wines, and second Appetites.
But most the Theatres with
dulness groan,
Embrio’s half-form’d, a Progeny
unknown:
Fine things for nothing, transports out
of season,
Effects un-caus’d, and murders without
reason.
Here Worlds run round, and Years are taught
to stay,
Each Scene an Elegy, each Act a Play.
Can the same Pow’r such various
Passions move?
Rejoice, or weep, ’tis ev’ry
thing for Love.
The self-same Cause produces Heav’n
and Hell:
Things contrary as Buckets in a Well;
One up, one down, one empty, and one full:
Half high, half low, half witty, and half
dull.
So on the borders of an ancient Wood,
Or where some Poplar trembles o’er
the Flood,
Arachne travels on her filmy thread,
Now high, now low, or on her feet or head.
Yet these love Verse, as Croaking comforts Frogs,
And Mire and Ordure are the Heav’n
of Hogs.
As well might Nothing bind Immensity,
Or passive Matter Immaterials see,
As these shou’d write by reason,
rhime, and rule,
Or we turn Wit, whom nature doom’d
a Fool.
If Dryden err’d, ’twas
human frailty once,
But blund’ring is the Essence of
a Dunce.
Some write for Glory, but
the Phantom fades;
Some write as Party, or as Spleen invades;
A third, because his Father was well read,
And Murd’rer-like, calls Blushes
from the dead.
Yet all for Morals and for Arts contend
They want’em both, who never prais’d
a Friend.
More ill, than dull; For pure stupidity
Was ne’er a crime in honest Banks,
or me.
See next a Croud in damasks,
silks, and crapes,
Equivocal in dress, half-belles, half-trapes:
A length of night-gown rich Phantasia
trails,
Olinda wears one shift, and pares
no nails:
Some in C l’s
Cabinet each act display,
When nature in a transport dies away:
Some more refin’d transcribe their
Opera-loves
On Iv’ry Tablets, or in clean white
Gloves:
Some of Platonic, some of carnal Taste,
Hoop’d, or un-hoop’d, ungarter’d,
or unlac’d.
Thus thick in Air the wing’d Creation
play,
When vernal Phoebus rouls the Light
away,
A motley race, half Insects and half Fowls,
Loose-tail’d and dirty, May-flies,
Bats, and Owls.
Gods, that this native nonsense
was our worst!
With Crimes more deep, O Albion!
art thou curst.
No Judgment open Prophanation fears,
For who dreads God, that can preserve
his Ears?
Oh save me Providence, from Vice refin’d,
That worst of ills, a Speculative Mind!
Not that I blame divine Philosophy,
(Yet much we risque, for Pride and
Learning lye.)
Heav’n’s paths are found by
Nature more than Art,
The Schoolman’s Head misleads the
Layman’s Heart.
What unrepented Deeds has
Albion done?
Yet spare us Heav’n! return, and
spare thy own.
Religion vanishes to Types, and
Shade,
By Wits, by fools, by her own Sons betray’d!
Sure ’twas enough to give the Dev’l
his due,
Must such Men mingle with the Priesthood
too?
So stood Onias at th’ Almighty’s
Throne,
Profanely cinctur’d in a Harlot’s
Zone.
Some Rome, and some
the Reformation blame;
’Tis hard to say from whence such
License came;
From fierce Enthusiasts, or Socinians
sad?
C ns the soft,
or Bourignon the mad?
From wayward Nature, or lewd Poet’s
Rhimes?
From praying, canting, or king-killing
times?
From all the dregs which Gallia
cou’d pour forth,
(Those Sons of Schism) landed in the North?
From whence it came, they and the D l
best know,
Yet thus much, Pope, each Atheist
is thy Foe.
O Decency, forgive these friendly
Rhimes,
For raking in the dunghill of their crimes.
To name each Monster wou’d make
Printing dear,
Or tire Ned Ward, who writes six
Books a-year.
Such vicious Nonsense, Impudence, and
Spite,
Wou’d make a Hermit, or a Father
write.
Tho’ Julian rul’d the
World, and held no more
Than deist Gildon taught, or Toland
swore,
Good Greg’ry prov’d
him execrably bad,
And scourg’d his Soul, with drunken
Reason mad.
Much longer, Pope restrain’d
his awful hand,
Wept o’er poor Niniveh, and
her dull band,
’Till Fools like Weeds rose up,
and choak’d the Land.
Long, long he slumber’d e’er
th’ avenging hour;
For dubious Mercy half o’er-rul’d
his pow’r:
’Till the wing’d bolt, red-hissing
from above
Pierc’d Millions thro’ For
such the Wrath of Jove.
Hell, Chaos, Darkness,
tremble at the sound,
And prostrate Fools bestrow the vast Profound:
No Charon wafts ’em from
the farther Shore,
Silent they sleep, alas! to rise no more.
Oh POPE, and Sacred Criticism!
forgive
A Youth, who dares approach your Shrine,
and live!
Far has he wander’d in an unknown
Night,
No Guide to lead him, but his own dim
Light.
For him more fit, in vulgar Paths to tread,
To shew th’ Unlearned what they
never read,
Youth to improve, or rising Genius tend,
To Science much, to Virtue more, a Friend.