MESDAMES DE STAEL AND DE REMUSAT
It is a strange human frailty that
cannot stand for long the purgatory of seeing the
elevation of a great public benefactor. The less
competent the critics, the more merciless they are
in their declamation and intrigue. They hint
at faults, and if this is too ineffective, they invent
them. Men in prominent public positions rarely
escape the vituperation of the professional scandalmonger.
These creatures exist everywhere. Their vanity
is only equal to their incompetency in all matters
that count. Their capacity consists in knowing
the kind of diversion a certain class of people relish,
and the more exalted their prey is, and the larger
the reputation he may have for living a blameless
life, the more persistent their whisperings, significant
nods, and winkings become. They know, and they
could tell, a thing or two which would paralyse belief.
They could show how correct they have been in consistently
proclaiming that so and so was a very much overestimated
man, and never ought to have been put into such a
high position; “and besides, I don’t want
to say all I know, but his depravity! Well, there,
I could, if I would, open some people’s eyes,
but I don’t want to do anybody any harm,”
and so on. These condescending ulcerous-minded
defamers congratulate themselves on their goodness
of heart in withholding from the public gaze their
nasty imaginary accusations, which are merely the thoughts
of a conceited and putrid mind.
Many and many a poor man, without
knowing it, is the innocent victim of unfounded accusations,
hatched and circulated in that subtle, insinuating
way so familiar to the sexless calumniator. The
genuine female traducer is an awful scourge, especially
if she be political. No male can equal her in
refined aggressive cunning. She can circulate
a filthy libel by writing a virtuous letter, and never
a flaw will appear to trip her into responsibility
for it. And her sardonic smile is an inarticulate
revelation of all she wishes to convey. It is
more than a mere oration. It emits the impression
of a bite.
Madame de Stael showed an aptitude
for this ignoble aggressiveness towards Napoleon after
she had exhausted every form of strategy to allure
him into a flirtation with her. She was frequently
a sort of magnificent horse-marine who bounced herself
into the presence of prominent individuals, thrusting
her venomed points on those who had been flattered
into listening; at other times she was feline in her
methods. Talleyrand and Fouche made use of this
latter phase of her character to serve their own ends.
She had a talent which was used for mischief, but
her vulgarity and egotism were quite deplorable.
She would have risked the torments of Hades if she
could but have embarked upon a liaison with Napoleon.
She plied him with letters well seasoned with passion,
but all to no purpose. She came to see him at
the Rue Chantereine, and was sent away. She invited
him to balls to which he never went. But she
had opportunities given her which were used in forcing
herself upon his attention. At one of these she
held him for two hours, and imagining she had made
a great impression, she asked him abruptly, “Who
was the most superior woman in antiquity, and who
is so at the present day?” Napoleon had had enough
of her love-making chatter, so snapped out in his
quick practical way, “She who has borne the
most children.” The lady’s discomfiture
may be imagined. It was a deadly thrust.
This very same lady, who had tempted
the ruler of France without success, made violent
love to Benjamin Constant, who was no friend of Napoleon’s
at the time. Her letters to him were passionate,
and Napoleon told Gourgaud at St. Helena that she
even threatened to kill her son if Benjamin would
do what she wished him to. This fussy female
intriguer suggested to Napoleon that if he would give
her two million francs she would write anything he
wished. She was immediately packed about her
business.
Madame de Stael was not an important
personage at all, but she had the power of attracting
people to her who, like herself, had grievances to
be discussed, and we may without doubt conclude that
these gatherings were composed of well-selected intriguers
whom she had fixed in her feline eye. Her great
grievance was the First Consul’s, and subsequently
the Emperor’s, coldness towards her. He
estimated her at her true value. He treated her
with the courtesy due to a French citizen, but nothing
more, and when she misbehaved in his presence, he
rebuked her with due consideration for her sex.
When she caused people to talk to him of her, he merely
shrugged his shoulders as was his habit, and smiled
disdainfully; though occasionally he could not resist
the temptation of ridiculing her comic pretensions.
But this human curiosity had power for mischief.
She was not only an intriguer, but,
subsequent to her failure in love-making, she developed
a literary tyrannicide. She condescended to patronise
the head of the State by causing it to be conveyed
to him that her hostility would cease under certain
well-defined conditions. When he became the real
Governor of France, Napoleon put a stop to religious
persecution, and put the churches into use. He
re-established religion, and by doing so brought under
his influence one hundred million Catholics.
This wise policy created strong opposition from a
section of the clergy. Madame de Stael and the
friends whom she had whipped up, many of them being
the principal generals, were mischievously opposed
to it, and brought pressure to bear so that he might
be induced to establish the Protestant religion.
Napoleon ignored them all. He knew he was on the
right ground, and that the nation as a whole was with
him. France was essentially a Roman Catholic
country, and the head of it gave back to her people
what was regarded as the true faith. The exile
frequently referred to these matters in conversation
with one or other of his followers. Napoleon’s
disdain for Madame de Stael was well merited, and he
never saw or heard of her that it did not set his
nerves on edge. She was the “death on man”
sort of female who persisted in being, either directly
or indirectly, his political adviser. Dr. Max
Lenz accuses the Emperor of developing a despotism
that caused him to drive a woman like Madame de Stael
from land to land, “and trampled under foot every
manifestation of independence.”
Really, the good doctor lays himself
open to the charge of not making himself better informed
of the doings of this sinister person, who was steeped
in treason, and who refused to accept the laws of life
with proper submission. It is merely farcical
to assume that Madame de Stael was kept well under
discipline because of a whimsical despotism on the
part of the man who had fixed a settled government
on France, and who was kept well informed of the attempts
of the Baroness and her anarchist associates to undermine
and destroy the Constitution it had cost France and
its ruler so much to reconstruct and consolidate.
“Let her be judged as a man,” said Napoleon,
and in truth he was right in deciding in this way,
as her whole attitude aped the masculine. He was
right, too, in showing how wholly objectionable she
had made herself to him. He had been led to adopt
a sort of “For God’s sake, what does she
want?” idea of her during the early years of
his rule, though he never at any time showed weakness
in his actual dealings with her. He disliked
women who asserted themselves as men, and he disliked
the amorous offspring of Necker more because he loathed
women who threw themselves into the arms of men; she
had surfeited him with her persistent attempts at
making love to him. In one of her letters to
him she says it was evidently an egregious error, an
entire misunderstanding of human nature, that the
quiet and timid Josephine had bound up her fate with
that of a tempestuous temper like his. She and
Napoleon seemed born for each other, and it appeared
as if nature had only gifted her with so enthusiastic
a disposition in order to enable her to admire such
a hero as he was. Napoleon in his fury tore this
precious letter up and exclaimed, “This manufacturer
of sentiments dares to compare herself with Josephine!”
The letters were not answered, though
this had no deterrent effect on Madame de Stael.
She continued to pour out in profusion adoration.
He was “a god who had descended on earth.”
She addressed him as such, and his callous reception
of her madness drove her into despair and vindictiveness
which brought salutary punishment to herself.
Her weapons of wit and sarcasm availed nothing.
He looked upon her as a sort of gifted lunatic that
had got the idea of seducing him into her head.
She became so mischievous that he bundled her out of
France. “As long as I live,” said
he, “she shall not return.” He advised
that she should live in Berlin, Vienna, Milan, or
London, the latter for preference. There she
would have full scope for her genius in producing
pamphlets. “Oh yes,” says the “god
who had descended on earth”; “she has
talent, much talent, in fact far too much, but it is
offensive and revolutionary.” This poetess-politician,
who said brave things and wrote amazing diatribes
against her “god,” was in truth one of
the most servile creatures on earth. She pleaded
to be allowed to come back to her native land, and
pledged herself to a life of retirement, but the great
man’s faith in his own sound judgment was not
to be shaken.
“Her promises are all very fine,”
he said, “but I know what they mean. Why
should she be so anxious to be in the immediate reach
of tyranny?”
Like all eccentric women who desire
to play the part of man, she made her appearance before
Napoleon in the most absurd, tasteless attire.
This woman of genius and folly lacked the wisdom of
gauging the taste of Bonaparte, whom she desired to
captivate with her sluttish appearance and whirling
words.
This man of method and order, who
had a keen eye for grace or beauty in its varied phases,
was always pronounced in his opinion that women should
dress simply but with faultless taste. It improves
good looks, and, if need be, it covers up defects;
but in any case it is the bounden duty of women to
dress with some regard to conventional custom.
It gives them much greater influence than they would
otherwise have. Most women know the importance
of this trick, and do it, and they are amply rewarded
for their good sense.
Madame de Stael did quite the opposite.
She appeared before the Man of Destiny in a shocking
garb, and he regarded it as a piece of impertinence.
It stirred up his prejudice openly against her, in
spite of his indifferent attempts to conceal it, but
her egotism was so gigantic, she actually believed
she was making great strides towards curing his callousness
towards her. This woman has been used elaborately
by anti-Napoleonic writers to prove that he was an
inhuman despot and she a high-minded, virtuous Frenchwoman,
and a genius in the art of government. They quote
her as a great authority. Her knowledge of his
evil deeds and mistakes of administration is set forth
as being flawless. They bemoan his treatment of
this amiable female, and in the midst of their ecstasy
of compassion and wrath they hand down to posterity
a record of unheard-of woes. There is little
doubt Napoleon’s remark that “the Neckers
were an odd lot, always comforting themselves in mutual
admiration,” is well merited. The daughter
utilised the name of the father with lavish persistence.
Her ambition and impudence were boundless, and were
the cause of Napoleon bestowing some wholesome discipline
upon her, which, like a true heroine, she resented,
and sent forth from her exile streams of relentless
wailing, adorned by a fluency of venom that would have
put the most militant suffragette in our time to the
blush.
But suddenly her hysteria subsided,
and after a brief repose she switched off the truculent
side and sought the pity of the man whose life she
had set herself to make one long ache if he did not
yield to her arrogant pretensions. She had written
in a perpetual scream of his iniquities, and was thrown
over by her former associates, who saw clearly enough
that no real good could be accomplished by whining
about cruelty when stern flawless justice only existed.
They recognised that she was a personality, but her
antics puzzled them, and well they might. She
bewailed her isolation with a throbbing heart, and
after committing indiscretions that Robespierre would
have sent her head flying for, she was suddenly bereaved
of her neglected husband. This event gave Benjamin
Constant a better chance, but the Baroness aimed at
higher game. She was held in the grip of a delusion
that she had it in her power to hypnotise the First
Consul and cause him to become her lover. She
had an uncontrollable idolatry for this august person,
whom she hoped to win over by writing for the consumption
of his enemies the many reasons for her aversion to
him. Without a doubt the woman was madly in love
with the object of her supposed aversion, and was
driven to frenzy by his obvious distaste for her.
In 1811 she secretly married a young
officer called M. de Rocca, who had fallen desperately
in love with her. He was amiable and brilliant;
became an officer of Hussars in the French Army; did
valiant deeds amongst the hills in Andalusia in 1809;
and was awarded the Cross of the Legion of Honour.
Subsequently he was shot down by guérillas, badly
wounded in the thigh, foot, and chest; had a romantic
deliverance; was hidden in a chapel by a young lady,
and nursed into consciousness and convalescence by
loving care, which enabled him to reach Madrid, and
ultimately Geneva, where, in the radiance of youthful
infatuation, he rode with reckless energy down a risky
steep part of the city, so that he might pass the
window of the lady, who was more than old enough to
be his mother, and in a few months was to be made
his wife. A child was born to them in 1812, and
in order to save its legitimacy, she acknowledged
the marriage to a few, but it was not generally known
until after her death that Rocca was her lawful husband.
Conscious, and sensitive no doubt, that it was not
quite natural for old women to marry young men, she
prudently had the event kept secret. The young
husband did not only possess tender affection for
her, but he combined chivalrous ambitions which made
the romance additionally attractive.
Be it remembered that Benjamin Constant
was a former lover of Madame de Stael. The young
bridegroom, following a natural instinct, had a great
dislike to Benjamin, and took an opportunity of really
small provocation to challenge him to a duel, which,
owing to wiser counsels, was never fought. There
does not seem to have been very much to fight a duel
about. Constant had a quarrel with his father
in which he involved Madame de Stael, and Rocca resented
it like a gallant youthful husband, who was at that
stage when it is thought desirable to shoot or otherwise
kill somebody, in order to show the extent of his
devotion to his enchantress. Rocca had hoped to
die (so he said) before her, but fate willed that
he should linger on and suffer for six months more.
Madame de Stael slept peacefully into her last long
sleep on July 14, 1817.
Her career was chequered and restless.
She had influence, which she used oft-times recklessly,
and led less gifted people than herself into committing
needless errors. She wrote and spoke with a wit
and sarcasm which charmed all but those at whom it
was directed. Her bitter rebuffs and severe trials
were mainly of her own making. For the most part
she wrote with superficial feeling and without real
soul. During the Napoleonic regime, time was a
creeping horror to her, but she found pleasure in
the thought that it was a torture to her suffering
heart. George Eliot knew and used her extraordinary
power; Madame de Stael wasted hers. Nevertheless
she had many friends who loved her society. Wellington
was brought under her influence. Byron, who shrank
from her at first, says, “She was the best creature
in the world.” She had been at some pains
to try to bring Lord and Lady Byron together.
She was capable of impressing people with her charm,
but magnetic influence she had none when living, and
has left none behind.
Rocca exclaimed, when he heard that
she had passed to the shadows, “What crown could
replace that which I have lost!” And the distracted
Benjamin Constant, filled with remorse, reproached
himself for some undefined suffering he had caused
her, and did penance all night through in the death-chamber
of his divine Juliet.
This crazy woman seems to have been
capricious in everything. She made and broke
liaisons with amazing rapidity while undergoing a compulsory
sojourn at Coppet. She formed there an attachment
for the son of a person named M. Baranti, which very
nearly cheated Rocca from becoming her husband, and
the faithless Benjamin Constant from being, erroneously
perhaps, associated with her name as the author of
the manuscript of St. Helen, and she the notoriety
of writing “Ten Years of Exile,” which
was published after her death.
The youthful Baranti found no scope
for his talents at Coppet, and being offered an inducement
to go to the metropolis so that he might have larger
opportunities of advancement, he abandoned the famous
authoress, and she, in loving despair, was seized with
the impulse to immortalise his severance by attempting
suicide, and thereby ending her passion for liaisons,
virulence, and fame. The attempt, presumably
feeble, left her long years of mischievous mania for
attack on the supposed author of all her woes.
She readily found amongst his enemies (and thus the
enemies of France) those who yearned with her in the
hope she freely and openly expressed that her native
land should suffer defeats, and in this her desire
was fully acquiesced in by the combination of hysterical
and purblind Kings, aided by a coterie of irreconcilables,
who welcomed the destruction of their fatherland in
order that the man who had made it the glory and the
envy of the world should be driven from it. Many
of these creatures were members of the same Senate
who, a few years previously, sent Napoleon a fervent
address couched in grovelling language, imploring him
to cement the hold his personality had on the national
life. The following is what they say, and what
they ask him to do:-“You have brought
us out of the chaos of the past, you have made us
bless the benefits of the present. Great man,
complete your work, and make it as immortal as your
glory!”
The authors of this whining appeal
are worthy to be associated with the traitorous daughter
of Jacques Necker, Minister of Finance to Louis XVI.,
and of those apoplectic monarchs who sought her guilty
and inflammatory aid.
Then we come to another female celebrity,
though less notable than Madame de Stael, who is regarded
by the traducers of Napoleon as a historian because
she wrote in her memoirs that which they wished the
world to think of him, and because they flattered themselves
that it exculpated them from the charge of injustice
and mere hatred. Madame de Stael’s book,
“Considerations sur la Revolution Francaise,”
made its appearance. Its violent characteristics
inflamed Charles de Remusat to urge his mother to
enter into competition with this work, the result
being the production of Madame de Remusat’s memoirs,
edited by her grandson, M. Paul de Remusat. Charles
(her son) had reproached her for having destroyed
memoirs she had written previously, but lurking
in her mind was the thought of all the favours she
and her family had received, and her correspondence,
teeming with adulation for the man whom she was now
induced to declaim against. The knowledge that
she was about to expose her perfidy “worried”
her, and she wrote to Charles thus:-“If
it should happen that some day my son were to publish
all this, what would people think of me?” and
the son, obviously influenced by the mother’s
fears, delayed until the fall of the Second Empire
the publication of one of the most unreliable and
barefaced calumnies ever produced against a great benefactor.
In her memoirs she says that she and
her husband excited general envy by the high position
the First Consul had given them. She was first
Lady in Waiting, and subsequently Lady of the Household,
her husband being “attached to Napoleon’s
household.” She says that she was witty
and of a refined mind, and though she was less “good-looking”
than her companions, she had the advantage of being
able to “charm his mind,” and she was
almost the only woman with whom he condescended to
converse. She relates residing in the camp at
Boulogne “and having breakfast and dinner daily
with Bonaparte.” In the evenings they used
to “discuss philosophy, literature, and art,
or listen to the First Consul relating about the years
of his youth and early achievements.”
No doubt the young Madame de Remusat
became assured in the same way as Madame de Stael
that she would one day be raised to heights of glory
unequalled in history, and the disappointment embittered
her. She admits that she “suffered on account
of blighted hopes and deceived affections and the
failure of her calculations.” Moreover,
Josephine had an eye on the lady whose husband in
evil times sought her influence with Napoleon to stretch
out a helping hand and save them from the poverty
by which they were beset. Napoleon’s big
heart spontaneously responded to the appeal of his
fascinating spouse, the result being that favours
were heaped upon M. de Remusat and his wife from time
to time, and Josephine’s goodness was repaid
by seeing Madame in feline fashion purring at her
Imperial master’s affections, and on the authority
of Madame de Remusat she “becomes cold and jealous.”
Finding that Napoleon did not appreciate her love-making,
she, like Madame de Stael under similar circumstances,
took to intriguing, which got her quickly into disgrace.
She is anxious to make her fall as light as possible
in the public eye, so relates that he told her that
“his desire was to make her a great lady, but
he could not be expected to do this unless she showed
devotion.” But in spite of the wife’s
defection, as is always Napoleon’s way, he does
not visit her sins on the husband, but raises him to
the important posts of Grand Master of the Robes,
High Chamberlain, and then Superintendent of Theatres,
and in addition gave him large sums to keep up his
status, and notwithstanding Josephine’s cause
for “cold jealousy,” Madame de Remusat
was generously kept in her service after Marie Louise
had become Empress. M. de Remusat remained in
the Emperor’s service until the fall of the
Empire, and then went over to Louis XVIII. Both
of these sycophants were content to accept the favours
of the Imperial couple and eat their bread and cringe
at their feet while they plotted with the plotters
for the Emperor’s downfall.
Unhappily for the veracity and probity
of Madame Remusat as a history writer, her letters
containing notes jotted down day by day as they occurred
have been published, and the memoirs put side by side
with these throbbings of the heart reveal an incomparable
baseness that makes one wonder at the reckless, blind
partisanship which induced her descendants to give
the memoirs to an intelligent public.
In the memoirs she says:-“Nothing
is so base as his soul; it is closed against all generous
impulses, and possesses no true grandeur. I noticed
that he always failed to understand and to admire a
noble action;” and again she goes on to say
that “In war he foresaw the means of calling
away our attention from the reflections which, sooner
or later, his government could not fail to suggest
to us, and he reserved it in order to dazzle, or at
least to enforce silence on us. Bonaparte felt
that he would be infallibly lost the day when his
enforced inactivity enabled us to think both of him
and of ourselves.” “What a relief
whenever the Emperor went away! His absence always
seemed to bring solace. People breathed more freely.”
Now this would have been all very
well. It was the stereotyped phraseology of Napoleon’s
avowed enemies. He knew it, and viewed it with
contempt and derision, and until Madame de Remusat
and her snuffling, cringing husband became swollen
with over-indulgence and smitten with wounded pride,
they regarded language such as now appears in her
memoirs as mere froth. She practically says that
she held the same views in 1818 as she did from 1802
to 1808, but when she wrote this she no doubt relied
on her correspondence being kept snugly private or
destroyed; but it has been published, and here are
some amazing extracts from it:-
“I often think, my dear, of
that Empire, the territory of which extends to Antwerp!
Consider what a man he must be who can rule it single-handed,
and what few instances history offers like him!"
“Whilst he creates, so to speak, new nations
in his progress, people must be struck, from one end
of Europe to the other, by the remarkably prosperous
state of France. Her Navy, formed in two years,
after a ruinous revolution, and assuming at last a
menacing attitude after so long, excited the scoffs
of a shortsighted enemy.”
“When again I reflect on the
peace we enjoy, our wise and moderate liberty,
which is quite sufficient for me, the glory my country
is covered with, the pomp and even the magnificence
surrounding us, and in which I delight, because it
is proof that success has crowned our efforts; when,
in short, I consider that all this prosperity is the
work of one man, I am filled with admiration
and gratitude."
“What I write here, my dear,
is, of course, strictly between ourselves, for many
people would be anxious to ascribe to these feelings
some other cause than that which really inspires them;
besides, it seems to me that we are less eager to express
the praises that come from the heart than those that
proceed from the mind."
“Thank goodness, I am at last
happy and contented!! What a pleasure it is to
see the Emperor again, and how much that pleasure will
be felt here! This splendid campaign, this glorious
peace, this prompt return, all is really marvellous."
“Like woman, the French are
rather impatient and exacting; it is true that the
Emperor has spoilt us in the campaign; indeed, no lover
was ever more anxious to gratify the wishes of his
mistress than His Majesty to meet our desires.
You demand a prompt march? Very well, the army
that was at Boulogne will find itself, three weeks
later, in Germany. You ask for the capture of
a town? Here is the surrender of Ulm. You
are not satisfied!! You are craving for more victories?
Here they are: Here is Vienna which you wanted,
and also a pitched battle, in order that no kind of
success may be wanting. Add to these a whole
series of noble and generous deeds, of words full of
grandeur and kindness, and always to the purpose,
so much so that our hearts share also that glory,
and can join it to all the national pride it arouses
in us."
“I used to cry bitterly at that
time, for I felt so affected that, had I met the Emperor
at the moment, I should, I believe, have thrown my
arms round his neck, although I should, afterwards,
have been compelled to fall on my knees and ask pardon
for my conduct."
So overcome with boundless admiration
is she that her soul yearns for the gift of being
able to do him full justice by writing a history, a
panegyric, a book, in fact, that would show him to
be immeasurably above all men living or dead.
She fears that people cannot see his nobility and
greatness as she does. She is bewildered and acclaims
him a god. Here is another outburst of passionate
devotion:-
“That undaunted courage, carried
even to rashness, and which was always crowned with
success, that calm assurance in the midst of danger,
with that wise foresight and that prompt resolution,
arouse always new feelings of admiration which it
seems can never be surpassed."
It will be seen her letters shape
well for the fulfilment of the great ambition of her
life, i.e., to picture him as he was. The
writing is good, the description picturesque, and
I believe the impartial mind will also regard it as
accurate. She believes “that even persons
who are hardest to please must be compelled to admit
that he is a most amiable sovereign.” She
is smitten with the feeling of gratitude, and says
it is so sweet that she really regards it as another
favour. She wishes her husband could “often
secure some of those comforting smiles from the master,”
and tells him he is “no fool to be fond of those
smiles,” and promises to congratulate him if
he secures some.
She asks God to watch over him (such
will always be her prayer) when he is fighting and
conquering. Her heart is grieved when he is at
a great distance from them. She eulogises his
great qualities to her son, and advises him “to
study all that she was able to tell him of the Emperor,
and write about it when he grew up,” and the
boy exclaimed, “Mother, what you have told me
sounds like one of Plutarch’s lives!”
But there comes a time when Napoleon
sees that the price he has to pay for adulation is
too high, for, like most over-pampered people, Madame
de Remusat seems to have got the idea of equality badly
into her head. She became waspish, exacting,
claiming more than her share of emoluments, seeking
for attentions which her “amiable sovereign”
saw in the fitness of things it would be folly to
bestow. She mistook wholesome justice for tyranny,
defied discipline, and not only connived at treason,
but prayed for the extinction of him against whom
it was directed. Disaster overtook him, he fell,
and in her delirium of malice and joy she bethought
it an opportune moment to write what are known as
her memoirs, refuting therein all her former eulogies
and opinions so vividly told in the “Letters
of Madame de Remusat.” Now that adversity
so terrible overshadows the matchless hero of the
letters, she throws every scruple aside, and warms
to her task in writing unstinted, gross, and manifest
libels. Contrast with the “letters”
these quotations from the memoirs. She avows that
“nothing is so base as his soul. It is
closed against all generous impulses; he never could
admire a noble action.” “He possesses
an innate depravity of nature, and has a special taste
for evil.” “His absence brought solace,
and made people breathe freely.” “He
is devoid of every kind of personal courage, and generous
impulses are foreign to him.” “He
put a feeling of restraint into everybody that approached
him.” “He was feared everywhere.”
“He delighted to excite fear.” “He
did not like to make people comfortable.”
“He was afraid of the least familiarity.”
This latter grievance, combined of course with the
rest, is quite significant, and we are justified in
assuming that the Lady in Waiting has been taking
liberties, and has been deservedly snubbed by His
Imperial Majesty. It is perhaps necessary to pause
here and remind the reader that on the authority of
her son, and subsequently of her grandson, these memoirs
were written entirely “without malice,”
and the sole object of writing them at all was that
“the truth should be told.”
Very well then. Are we to believe
the letters or the memoirs, because in the former
she over and over again declares that “his comely
manners were irresistible”; but in the memoirs
with audacious bitterness she affirms “not only
is he ill-mannered but brutal.”
Such effrontery is beyond criticism.
She finds it “impossible to depict the disinterested
loyalty with which she longed for the King’s
return,” and describes the hero of her letters
as a ruthless destroyer of all worth, and being brought
so low, she is straitened by the demands of “truth”
and “grows quite disheartened.”
It will be observed that it is always
truth which is the abiding motive, it matters not
whether it is letters or memoirs. She avows it
is “truth” she writes. “The
love of truth,” says the editor in his preface,
“gave her courage to persevere in her task for
more than two years.” That is, it took
her more than two years to write the “truths”
contained in the memoirs disavowing the “truths”
so vehemently given in the letters; the former book
pregnant with the bitterness of a writer without heart
and principle, and with political and personal motives
running through its pages like a canker, while the
latter, radiant in luxuriant adulation, gapes at her
memory with retributive justice.
The renegade son served the renegade
and ungrateful mother ill when he advised her to write
what is a barefaced recantation of her former statements.
Napoleon has said that “People are rarely drawn
to you by favours conferred upon them.”
He had many examples of this truth, but none more
striking than the above. Madame de Remusat and
her husband were raised from poverty to affluence
by Napoleon, and the memory of all the favours that
were showered upon them by the man she declares she
loved should have kept them from hate and disloyalty,
and forbidden the writing of such unworthy vitupérations
against him.