THE PLAN OF THE BUILDER
New York had brought Andrew Bedient
rather marvellously into his own. He awoke each
morning with a ruling thought. He lived in a state
of continual transport; he saw all that was savage
in his race, and missed little that was beautiful.
Work was forming within him; he felt all the inspiritings,
all the strange pressures of his long preparation.
He realized that his thirty-three years had been full
years; that all the main exteriors of man’s
life had passed before him in swift review, as a human
babe in embryo takes on from time to time the forms
of the great stations of evolution. He had passed
without temptation from one to another of the vast
traps which catch the multitude; nor tarried at a
single one of the poisoned oasis of sense. Mother
Earth had taken him to her breast; India had lulled
his body and awakened his spirit; he had gone up to
his Sinai there.
He looked back upon the several crises
in which he might have faltered, and truly it seemed
to him that he had been guided through these, by some
wiser spirit, by something of larger vision, at least,
than his own intelligence. Humility and thankfulness
became resurgent at the memory of these times.
Books of beauty and wisdom had come to his hand, it
seemed, at the certain particular instants when he
was ready. Exactly as he had been spared the
terrible temptations of flesh in his boyhood years,
so had he preserved a humble spirit in his intellectual
attainments. It was not he, but the poise that
had been given him, through which he was enabled to
cry out in gratitude this hour; for the soul of man
meets a deadlier dragon in intellectual arrogance than
in the foulest pits of flesh. The Destiny Master
can smile in pity at a poor brain, brutalized through
bodily lusts, but white with anger is the countenance
that regards a spirit, maimed and sick from being yoked
together with a proud mind. Angels burst into
singing when that spirit is free.
His health was a perfect thing; of
that kind that men dream of, and boys know, but do
not stop to feel. He could smell the freshness
of pure water in his bath or when he drank; there
was delight in the taste of common foods; at night
in his high room, higher still than the studio of
Vina Nettleton, there were moments when the land-wind
seemed to bring delicacies from the spring meadows
of Jersey; or blowing from the sea, he sensed the
great sterile open. He was tireless, and could
discern the finest prints and weaves at bad angles
of light.
He moved often along the water-fronts
and through abandoned districts; a curious sense of
unreality often came over him in these night rambles,
as if he were tranced among the perversions of astral
light. He gave a great deal, but saw that if
he gave his life nightly, even that would not avail.
His money was easily passed into another hand; that
would not do little vessels of oil overturned
upon an Atlantic of storm. These were but tentative
givings; they denied him nothing. Bedient saw
that he must give more than this, and waited for the
way.... The most poignant and heart-wringing experience
for him in New York was suddenly to find himself in
the midst of the harried human herd, when it was trying
to play. One can best read a city’s tragedy
at its pleasure-places.
...Beth Truba was his great ignition.
His love for her overflowed upon all things....
The hour or more in her studio became the feature of
his day. Bedient was not shown the work on the
portrait. Beth didn’t altogether like the
way it progressed. Sometimes, she talked as she
worked (sitting low beneath the skylight, so that every
change of light was in her hair, while the spring
matured outside). Deep realities were often uttered
thus, sentences which bore the signet of her strong
understanding, for they passed through the stimulated
faculties of the artist, engrossed in her particular
expression. Thus the same intelligence which
colored her work, distinguished her sayings....
Bedient daily astonished her. Again and again,
she perceived that he had come to New York, full of
power from his silences apart. She wanted him
to preserve his freshness of vision. His quiet
expressions thrilled her.
“The women I know, married or
unmarried, are nearly all unhappy,” she said,
one day. “My younger friends, even among
girls, are afraid. They see that men are blinded
by things they can taste and see and touch speed,
noise and show. The married women are restless
and terrified by spiritual loneliness. The younger
women see it and are afraid.”
“’Had I but two loaves
of bread, I should sell one to buy white hyacinths,’”
Bedient quoted; “I like to think of that line
of Mahomet’s.... Women are ready for white
hyacinths the bread of life.... But
this spiritual loneliness is a wonderful sign.
The spirit floods in where it can where
it is sought after and the children of
women who are hungry for spiritual things, are children
of dreams. They must be. They may not be
happy, but they will feel a stronger yearning to go
out alone and find ‘the white presences among
the hills.’”
Beth was silent.
“Yearning is religion,”
Bedient added. “Hunger of the heart for
higher things will bring spiritual expansion.
Look at the better-born children to-day. I mean
those who do not have every chance against them.
I seem to catch a new tone in the murmur of this rousing
generation. They have an expanded consciousness.
It is the spiritual yearnings of motherhood.”
“But what of the woman who will
not take the bowl of porridge that ordinary man gives
her?” Beth demanded. “So many women
dare not cannot and then their
dreams, their best, are not reflected in the consciousness
of the new race.”
Bedient smiled, and Beth regarded
her work intently, for an echo of the confessional
had come back to her from her own words.
“That is a matter so intensely
individual,” he replied. “We are at
the beginning of the woman’s era, and with every
transition there are pangs to be suffered by those
who are great enough. These great ones are especially
prepared to see how terrible is their denial from the
highest privileges of woman. And yet they may
be spiritual mothers, centres of pure and radiant
energy. Every work of genius has been inspired
by such a woman. And if, as sometimes happens,
a true lover does come, the two are so happy that
the temperature of the whole race warms through them.”
“What an optimist!” she
said, but when alone, it came to her that he had been
less certain than usual in this answer. Perhaps,
he had felt her stress upon realizing the personal
aspect; perhaps he had too many things to say, and
was not ready. It was a matter intensely
individual. However, this was the only time he
had failed to carry her critical attention.
Bedient saw that the years had locked
one door after another about the real heart of Beth
Truba. His work was plain to unlock
them one by one. How the task fascinated; he
made it his art and his first thought.
“You change so,” she complained
laughingly, after there had been several sittings.
“I’m afraid I shall paint you very badly
because I am trying so hard. You don’t
look at all the same as you did at first. Therefore
all the first must be destroyed.”
Bedient knew if his work prospered,
all that had been before would be redeemed.
One morning it was one
of the first of the May mornings there was
something like heart-break in the room. Up on
the skylight, the sparrows were debating whether it
would rain or not. There was tension in the air
which Bedient tried to ease from every angle.
Consummately he set about to restore and reassure,
but she seemed to feel her work was faring ill; that
life was an evil thing. All the brightness that
had suffused her mind from his presence, again and
again, had vanished apparently, leaving not the slightest
glow behind.
“Don’t bother to work
on this to-day,” he said. “I am not
in the slightest hurry and you are to do it wonderfully.
Please be sure that I know that.... Will you
go with me to the Metropolitan galleries to-day?”
Beth smiled, and went on deliberating
before the picture. Presently, the tension possessed
her again. She looked very white in the North
light.
“Did you ever doubt if you were
really in the world?” she asked after a moment,
but did not wait, nor seem to expect an answer....
“I have,” she added, “and concluded
that I only thought I was here queer sense
of unreality that has more than once sent me flying
to the telephone after a day’s work alone to hear my own voice and be
answered. But, even if one proves that one is indeed here, one can never
get an answer to the eternal What for?...
I shall do a story, sometime, and call it Miss
What For.... A young girl who came into the
world with greatness of vitality and enthusiasm, alive
as few humans are, and believing in everything and
everybody. Before she was fully grown, she realized
that she was not sought after so much as certain friends
whose fathers had greater possessions. This was
terrible. It took long for her to believe that
nothing counted so much as money. It made the
world a nightmare, but she set to work to become her
own heiress.... In this struggle she must at
last lose faith. This can be brought about by
long years, smashing blows and incredible suffering,
but the result must be made complete to
fit the title.”
“But, why do you try to fit
such a poor shivering little title?”
She smiled wearily. “I
was trying, perhaps, to picture one of your spiritual
mothers, centres of pure and radiant energy, in one
of the other moments, that the world seldom
sees. The power is almost always turned on, when
the world is looking.”
She had made him writhe inwardly, as no one else could.
“But there are many such
women,” she went on, “victims of your
transition period, caught between the new and the old,
helpers, perhaps, of the Great Forces at work which
will bring better conditions; but oh, so helpless!...
They may bring a little cheer to passing souls who
quickly forget; they may even inspire genius, as you
say, but what of themselves when they, all alone, see
that they have no real place in the world, no lasting
effect, leaving no image, having no part in the plan
of the Builder?”
Bedient arose. Beth saw he was not ready to answer.
“A visit to the galleries is
tempting,” she said. “It may give
me an idea.... I never had quite such a patron.
You are so little curious to see what I have done,
that I sometimes wonder why you wanted the portrait,
and why you came to me for it.... I wonder if
it’s the day or my eyes it’s
so much easier to talk aimlessly than to work
“It’s really gray, and
the sparrows have decided upon a shower.”
She regarded him whimsically.
“And you look so well in your raincoat,”
he added.
They took the ’bus up the Avenue....
She pointed out the tremendous vitalities of the Rodin
marbles, intimated their visions, and remarked that
he should hear Vina Nettleton on this subject.
“She breaks down, becomes livid,
at the stupidity of the world, for reviling her idol
on his later work, especially the bust of Balzac,
which the critics said showed deterioration,”
Beth told him, “As if Rodin did not know the
mystic Balzac better than the populace.”
“It has always seemed that the
mystics of the arts must recognize one another,”
Bedient said.... “I do not know Balzac
“You must. Why, even Taine,
Sainte Beuve, and Gautier didn’t know
him! They glorified his work just so long as it
had to do with fleshly Paris, but called him mad in
his loftier altitudes where they couldn’t follow.”
It was possibly an hour afterward,
when Bedient halted before a certain picture longer
than others; then went back to another that had interested
him. Moments passed. He seemed to have forgotten
all exteriors, but vibrated at intervals from one
to another of these two small silent things Le
Chant du Berger and another. They were designated
only by catalogue numbers. Beth, who knew them,
would have waited hours.... Presently he spoke,
and told her long of their effects, what they meant
to him.
“You have not been here before?” she asked.
“No.”
“You don’t know who did those pictures?”
“No.”
“Puvis de Chavannes.”
“The name is but a name to me,
but the work why, they are out of the body
entirely! I can feel the great silence!”
he explained, and told her of his cliff and God-mother,
of Gobind, the bees, the moon, the standing pools,
the lotos, the stars, the forests, the voices and the
dreams.... They stood close together, talking
very low, and the visitors brushed past, without hearing.
“If not the greatest painter,
Puvis de Chavannes is the greatest mural painter of
the nineteenth century,” Beth said. “Rodin,
who knew Balzac, also knew Puvis de Chavannes....
’The mystics of the arts know one another,’”
she added. “I saw Rodin’s bust and
statue of these men in Paris.”
To Beth, the incident was of inestimable
importance in her conception of Bedient.... A
Japanese group interested him later an old
vender of sweetmeats in a city street, with children
about him little girls bent forward under
the weight of their small brothers. Beth regarded
the picture curiously and waited for Bedient to speak.
“It’s very real,”
he said. “The little girls are crippled
from these weights. The boy babe rides his sister
for his first views of the world.... Look at
the sweet little girl-faces, haggard from the burden
of their fat-cheeked, wet-nosed brothers. A birth
is a miss over there a miss for which the
mother suffers when it is not a boy.
The girls of Japan carry their brothers until they
begin to carry their sons. You need only look
at this picture to know that here is a people messing
with uniforms and explosives, a people still hot with
the ape and the tiger in their breasts.”
Beth was thinking that America was
not yet aeons distant from this Japanese institution,
the male incubus of the girl child. She did not
speak, for she was thinking of what she had said in
the studio of the edginess of her temper.
“Spinsters may scold, but not spiritual mothers,”
she thought. She might have been very happy, but
for a mental anchor fast to that gloomy mood of the
morning.... Hours had flown magically. It
was past mid-afternoon.... There was one more
picture that had held him, not for itself, but like
the Japanese scene, for the thoughts it incited....
An aged woman in a cheerless room, bending over the
embers of a low fire. In the glow, the weary old
face revealed a bitter loneliness, and yet it was
strangely sustained. The twisted hands held to
the fire, would have fitted exactly about the waist
of a little child which was not there.
“I would call her The Race
Mother,” Bedient said reverently. “She
is of every race, and every age. She has carried
her brothers and her sons; given them her strength;
shielded them from cold winds and dangerous heats;
given them the nourishment of her body and the food
prepared with her hands. Their evils were her
own deeper shame; their goodness or greatness was
of her conceiving, her dreams first. Her sons
have turned to her in hunger, her mate in passion,
but neither as their equal. For that which was
noble in their sight and of good report, they turned
to men. In their counsels they have never asked
her voice; they suffered her sometimes to listen to
their devotions, but hers were given to them_.
“They were stronger. They
chose what should become the intellectual growth of
the race. Having no part in this, her mind was
stunted, according to their standards. She had
the silences, the bearing, the services for others,
the giving of love. She loved her mate sometimes,
her brothers often, her sons always, and
served them. Loving much, she learned to love
God. Silences, and much loving of men, one learns
to love God. Silences and services and much loving
of her kind out of these comes the spirit
which knows God.
“So while her men, like children
with heavy blocks, were passing their intellectual
matters one to the other, she came to know that love
is giving; that as love pours out in service, the
Holy Spirit floods in; that spaciousness of soul is
immortality; that out of the spaciousness of soul,
great sons are born.... And here and there down
the ages, these great sons have appeared, veered the
race right at moments of impending destruction, and
buoyed it on.”
He had not raised his voice above
that low animate tone, which has not half the carrying
quality of a whisper. Beth had hoped for such
a moment, for in her heart she knew that Vina Nettleton
had felt this power of his. With her whole soul,
she listened, and the look upon his face which she
wanted for the portrait lived in her mind as he resumed:
“I ask you to look how every
evil, every combination of hell, has arisen to tear
at the flanks of the race, for this is history.
Yet a few women, and a few men, the gifts of women,
have arisen to save.... Do you think that war
or money, or lust of any kind, shall destroy us now,
in this modern rousing hour, with woman at last coming
into her own when they have never yet in
the darkest hour of the world, vanquished a single
great dream of a pure woman? And now women generally
are rising to their full dreams; approaching each moment
nearer to that glorious formula for the making of immortals....”
He smiled suddenly into her white
face. “I tell you, Beth Truba,” he
said, “there isn’t a phase, a moment, of
this harsh hour of transition, that isn’t majestic
with promise!... It’s a good picture....
Dear old mother, in every province of the soul, she
is a step nearer the Truth than man. The little
matters of the intellect, from which she has been
barred for centuries, she shall override like a Brunhilde.
Even that which men called her sins were from loving....
Gaunt mother with bended back she has stood
between God and the world; she has been the vessel
of the Holy Spirit; she is the Holy Spirit in
the world; and when she shall fully know her greatness,
then prophets of her bearing shall walk the earth.”
They wound through the park in the
rainy dusk, emerging in Fifty-ninth Street; and even
then, Beth did not care to ride, so they finished the
distance to her studio in the Avenue crowd.