SPRING SONGSTERS
Early April sees the last contest
which winter wages for supremacy, and often it is
a half-hearted attempt; but after the army of the North
has retreated, with its icicles and snowdrifts, spring
seems dazed for a while. Victory has been dearly
bought, and April is the season when, for a time,
the trees and insects hang fire paralysed while
the chill is thawing from their marrow. Our northern
visitors of the bird world slip quietly away.
There is no great gathering of clans like that of the
tree swallows in the fall, but silently, one by one,
they depart, following the last moan of the north
wind, covering winter’s disordered retreat with
warbles and songs.
One evening we notice the juncos
and tree sparrows in the tangled, frost-burned stubble,
and the next day, although our eye catches glints of
white from sparrow tails, it is from vesper finches,
not from juncos, and the weed spray which a few
hours before bent beneath a white-throat’s weight,
now vibrates with the energy which a field sparrow
puts into his song. Field and chipping sparrows,
which now come in numbers, are somewhat alike, but
by their beaks and songs you may know them. The
mandibles of the former are flesh-coloured, those
of the latter black. The sharp chip! chip!
is characteristic of the “chippy,” but
the sweet, dripping song of the field sparrow is charming.
No elaborate performance this, but a succession of
sweet, high notes, accelerating toward the end, like
a coin of silver settling to rest on a marble table a
simple, chaste vespers which rises to the setting
sun and endears the little brown singer to us.
We may learn much by studying these
homely little frequenters of our orchards and pastures;
each has a hundred secrets which await patient and
careful watching by their human lovers. In the
chipping sparrow we may notice a hint of the spring
change of dress which warblers and tanagers carry
to such an extreme. When he left us in the fall
he wore a dull-streaked cap, but now he comes from
the South attired in a smart head-covering of bright
chestnut. Poor little fellow, this is the very
best he can do in the way of especial ornament to bewitch
his lady love, but it suffices. Can the peacock’s
train do more?
This is the time to watch for the
lines of ducks crossing the sky, and be ready to find
black ducks in the oddest places even in
insignificant rain pools deep in the woods. In
the early spring the great flocks of grackles and
redwings return, among the first to arrive as they
were the last to leave for the South.
Before the last fox sparrow goes,
the hermit thrush comes, and these birds, alike in
certain superficialities, but so actually unrelated,
for a time seek their food in the same grove.
The hardier of the warblers pass us
in April, stopping a few days before continuing to
the northward. We should make haste to identify
them and to learn all we can of their notes and habits,
not only because of the short stay which most of them
make, but on account of the vast assemblage of warbler
species already on the move in the Southern States,
which soon, in panoply of rainbow hues, will crowd
our groves and wear thin the warbler pages of our
bird books.
These April days we are sure to see
flocks of myrtle, or yellow-rumped warblers, and yellow
palm warblers in their olive-green coats and chestnut
caps. The black-and-white creeper will always
show himself true to his name a creeping
bundle of black and white streaks. When we hear
of the parula warbler or of the Cape May warbler we
get no idea of the appearance of the bird, but when
we know that the black-throated green warblers begin
to appear in April, the first good view of one of this
species will proclaim him as such.
We have marked the fox sparrow as
being a great scratcher among dead leaves. His
habit is continued in the spring by the towhee, or
chewink, who uses the same methods, throwing both
feet backward simultaneously. The ordinary call
note of this bird is a good example of how difficult
it is to translate bird songs into human words.
Listen to the quick, double note coming from the underbrush.
Now he says “towhee’!” the
next time “chewink’!” You
may change about at will, and the notes will always
correspond. Whatever is in our mind at the instant,
that will seem to be what the bird says. This
should warn us of the danger of reading our thoughts
and theories too much into the minds and actions of
birds. Their mental processes, in many ways,
correspond to ours. When a bird expresses fear,
hate, bravery, pain or pleasure, we can sympathise
thoroughly with it, but in studying their more complex
actions we should endeavour to exclude the thousand
and one human attributes with which we are prone to
colour the bird’s mental environment.
John Burroughs has rendered the song
of the black-throated green warbler in an inimitable
way, as follows: “ V !”
When we have once heard the bird we will instantly
recognise the aptness of these symbolic lines.
The least flycatcher, called minimus by the
scientists, well deserves his name, for of all those
members of his family which make their home with us,
he is the smallest. These miniature flycatchers
have a way of hunting which is all their own.
They sit perched on some exposed twig or branch, motionless
until some small insect flies in sight. Then they
will launch out into the air, and, catching the insect
with a snap of their beaks, fly back to the same perch.
They are garbed in subdued grays, olives, and yellows.
The least flycatcher has another name which at once
distinguishes him chébec’.
As he sits on a limb, his whole body trembles when
he jerks out these syllables, and his tail snaps as
if it played some important part in the mechanism
of his vocal effort.
When you are picking cowslips and
hepaticas early in the month, keep a lookout for the
first barn swallow. Nothing gives us such an impression
of the independence and individuality of birds as
when a solitary member of some species arrives days
before others of his kind. One fork-tailed beauty
of last year’s nest above the haymow may hawk
about for insects day after day alone, before he is
joined by other swallows. Did he spend the winter
by himself, or did the heimweh smite his heart
more sorely and bring him irresistibly to the loved
nest in the rafters? This love of home, which
is so striking an attribute of birds, is a wonderfully
beautiful thing. It brings the oriole back to
the branch where still swings her exquisite purse-shaped
home of last summer; it leads each pair of fishhawks
to their particular cartload of sticks, to which a
few more must be added each year; it hastens the wing
beats of the sea-swallows northward to the beach which,
ten months ago, was flecked with their eggs the
shifting grains of sand their only nest.
This love of home, of birthplace,
bridges over a thousand physical differences between
these feathered creatures and ourselves. We forget
their expressionless masks of horn, their feathered
fingers, their scaly toes, and looking deep into their
clear, bright eyes, we know and feel a kinship, a
sympathy of spirit, which binds us all together, and
we are glad.
Yet these sweet sounds
of the early season,
And these fair sights of its sunny
days,
Are only sweet when we fondly listen,
And only fair when we fondly gaze.
There is no glory in
star or blossom
Till looked upon by a loving eye;
There is no fragrance in April breezes
Till breathed with joy as they wander
by.
William Cullen
Bryant.
THE SIMPLE ART OF SAPSUCKING
The yellow-bellied sapsucker is, at
this time of year, one of our most abundant woodpeckers,
and in its life we have an excellent example of that
individuality which is ever cropping out in Nature the
trial and acceptance of life under new conditions.
In the spring we tap the sugar maples,
and gather great pailfuls of the sap as it rises from
its winter resting-place in the roots, and the sapsucker
likes to steal from our pails or to tap the trees for
himself. But throughout part of the year he is
satisfied with an insect diet and chooses the time
when the sap begins to flow downward in the autumn
for committing his most serious depredations upon
the tree. It was formerly thought that this bird,
like its near relatives, the downy and hairy woodpeckers,
was forever boring for insects; but when we examine
the regularity and symmetry of the arrangement of
its holes, we realise that they are for a very different
purpose than the exposing of an occasional grub.
Besides drinking the sap from the
holes, this bird extracts a quantity of the tender
inner bark of the tree, and when a tree has been encircled
for several feet up and down its trunk by these numerous
little sap wells, the effect becomes apparent in the
lessened circulation of the liquid blood of the tree;
and before long, death is certain to ensue. So
the work of the sapsucker is injurious, while the
grub-seeking woodpeckers confer only good upon the
trees they frequent.
And how pitiful is the downfall of
a doomed tree! Hardly has its vitality been lessened
an appreciable amount, when somehow the word is passed
to the insect hordes who hover about in waiting, as
wolves hang upon the outskirts of a herd of buffalo.
In the spring, when the topmost branches have received
a little less than their wonted amount of wholesome
sap and the leaves are less vigorous, the caterpillars
and twig-girdlers attack at once. Ichneumen flies
and boring beetles seem to know by signs invisible
to us that here is opportunity. Then in the fall
come again the sapsuckers to the tree, remorselessly
driving hole after hole through the still untouched
segments of its circle of life. When the last
sap-channel is pierced and no more can pass to the
roots, the tree stands helpless, waiting for the end.
Swiftly come frost and rain, and when the April suns
again quicken all the surrounding vegetation into vigorous
life, the victim of the sapsuckers stands lifeless,
its branches reaching hopelessly upward, a naked mockery
amid the warm green foliage around. Insects and
fungi and lightning now set to work unhindered, and
the tree falls at last, dust to dust ashes
to ashes.
A sapsucker has been seen in early
morning to sink forty or fifty wells into the bark
of a mountain ash tree, and then to spend the rest
of the day in sidling from one to another, taking
a sip here and a drink there, gradually becoming more
and more lethargic and drowsy, as if the sap actually
produced some narcotic or intoxicating effect.
Strong indeed is the contrast between such a picture
and the same bird in the early spring, then
full of life and vigour, drawing musical reverberations
from some resonant hollow limb.
Like other idlers, the sapsucker in
its deeds of gluttony and harm brings, if anything,
more injury to others than to itself. The farmers
well know its depredations and detest it accordingly,
but unfortunately they are not ornithologists, and
a peckerwood is a peckerwood to them; and so while
the poor downy, the red-head, and the hairy woodpeckers
are seen busily at work cutting the life threads of
the injurious borer larvae, the farmer, thinking of
his dying trees, slays them all without mercy or distinction.
The sapsucker is never as confiding as the downy, and
from a safe distance sees others murdered for sins
which are his alone.
But we must give sapsucker his due
and admit that he devours many hundreds of insects
throughout the year, and though we mourn the death
of an occasional tree, we cannot but admire his new
venture in life, his cunning in choosing
only the dessert served at the woodpeckers’
feasts, the sweets which flow at the tap
of a beak, leaving to his fellows the labour of searching
and drilling deep for more substantial courses.
WILD WINGS
The ides of March see the woodcock
back in its northern home, and in early April it prepares
for nesting. The question of the nest itself is
a very simple matter, being only a cavity, formed
by the pressure of the mother’s body, among
the moss and dead leaves. The formalities of courtship
are, however, quite another thing, and the execution
of interesting aerial dances entails much effort and
time.
It is in the dusk of evening that
the male woodcock begins his song, plaintive
notes uttered at regular intervals, and sounding like
peent! peent! Then without warning he
launches himself on a sharply ascending spiral, his
wings whistling through the gloom. Higher and
higher he goes, balances a moment, and finally descends
abruptly, with zigzag rushes, wings and voice both
aiding each other in producing the sounds, to which,
let us suppose, his prospective mate listens with ecstasy.
It is a weird performance, repeated again and again
during the same evening.
So pronounced and loud is the whistling
of the wings that we wonder how it can be produced
by ordinary feathers. The three outer primaries
of the wing, which in most birds are usually like
the others, in the woodcock are very stiff, and the
vanes are so narrow that when the wing is spread there
is a wide space between each one. When the wing
beats the air rapidly, the wind rushes through these
feather slits, and we have the accompaniment
of the love-song explained.
The feather-covered arms and hands
of birds are full of interest; and after studying
the wing of a chicken which has been plucked for the
table, we shall realise how wonderful a transformation
has taken place through the millions of years past.
Only three stubby fingers are left and these are stiff
and almost immovable, but the rest of the forearm is
very like that of our own arm.
See how many facts we can accumulate
about wings, by giving special attention to them,
when watching birds fly across the sky. How easy
it is to identify the steady beats of a crow, or the
more rapid strokes of a duck; how distinctive is the
frequent looping flight of a goldfinch, or the longer,
more direct swings of a woodpecker!
Hardly any two birds have wings exactly
similar in shape, every wing being exquisitely adapted
to its owner’s needs. The gull soars or
flaps slowly on his long, narrow, tireless pinions,
while the quail rises suddenly before us on short,
rounded wings, which carry it like a rocket for a
short distance, when it settles quickly to earth again.
The gull would fare ill were it compelled to traverse
the ocean with such brief spurts of speed, while,
on the other hand, the last bob-white would shortly
vanish, could it escape from fox or weasel only with
the slow flight of a gull. How splendidly the
sickle wings of a swift enable it to turn and twist,
bat-like, in its pursuit of insects!
You may be able to identify any bird
near your home, you may know its nest and eggs, its
song and its young; but begin at the beginning again
and watch their wings and their feet and their bills
and you will find that there are new and wonderful
truths at your very doorstep. Try bringing home
from your walk a list of bill-uses or feet-functions.
Remember that a familiar object, looked at from a
new point of view, will take to itself unthought-of
significance.
Whither midst falling dew,
While glow the heavens with the last steps
of day,
Far, through their rosy depths, dost thou
pursue
Thy solitary way?
William Cullen
Bryant.
THE BIRDS IN THE MOON
The lover of birds who has spent the
day in the field puts away his glasses at nightfall,
looking forward to a walk after dark only as a chance
to hear the call of nocturnal birds or to catch the
whirr of a passing wing. But some bright moonlight
night in early May, or again in mid September, unsheath
your glasses and tie them, telescope-fashion, to a
window-ledge or railing. Seat yourself in an easy
position and focus on the moon. Shut out all
earthly scenes from your mind and imagine yourself
wandering amid those arid wastes. What a scene
of cosmic desolation! What vast deserts, and
gaping craters of barren rock! The cold, steel-white
planet seems of all things most typical of death.
But those specks passing across its
surface? At first you imagine they are motes
clogging the delicate blood-vessels of the retina;
then you wonder if a distant host of falling meteors
could have passed. Soon a larger, nearer mote
appears; the moon and its craters are forgotten and
with a thrill of delight you realise that they are
birds living, flying birds of
all earthly things typical of the most vital life!
Migration is at its height, the chirps and twitters
which come from the surrounding darkness are tantalising
hints telling of the passing legions. Thousands
and thousands of birds are every night pouring northward
in a swift, invisible, aerial stream.
As a projecting pebble in mid-stream
blurs the transparent water with a myriad bubbles,
so the narrow path of moon-rays, which our glass reveals,
cute a swath of visibility straight through the host
of birds to our eager eyes. How we hate to lose
an instant’s opportunity! Even a wink may
allow a familiar form to pass unseen. If we can
use a small telescope, the field of view is much enlarged.
Now and then we recognise the flight of some particular
species, the swinging loop of a woodpecker
or goldfinch, or the flutter of a sandpiper.
It has been computed that these birds
sometimes fly as much as a mile or more above the
surface of the earth, and when we think of the tiny,
fluttering things at this terrible height, it takes
our breath away. What a panorama of dark earth
and glistening river and ocean must be spread out
beneath them! How the big moon must glow in that
rarefied air! How diminutive and puerile must
seem the houses and cities of human fashioning!
The instinct of migration is one of
the most wonderful in the world. A young bob-white
and a bobolink are hatched in the same New England
field. The former grows up and during the fall
and winter forms one of the covey which is content
to wander a mile or two, here and there, in search
of good feeding grounds. Hardly has the bobolink
donned his first full dress before an irresistible
impulse seizes him. One night he rises up and
up, ever higher on fluttering wings, sets his course
southward, gives you a glimpse of him across the moon,
and keeps on through Virginia to Florida, across seas,
over tropical islands, far into South America, never
content until he has put the great Amazon between
him and his far distant birthplace.
He who, from zone to zone,
Guides through the boundless sky thy certain
flight,
In the long way that I must tread alone,
Will lead my steps aright.
William Cullen
Bryant.