In a little sunken place, behind a
rock, some rods away, Westover found Jeff lurking
with his dog, both silent and motionless. “Hello?”
he said, inquiringly.
“Come back to show you the way,”
said the boy. “Thought you couldn’t
find it alone.”
“Oh, why didn’t you say
you’d wait?” The boy grinned. “I
shouldn’t think a fellow like you would want
to be afraid of any man, even for the fun of scaring
a little girl.” Jeff stopped grinning and
looked interested, as if this was a view of the case
that had not occurred to him. “But perhaps
you like to be afraid.”
“I don’t know as I do,”
said the boy, and Westover left him to the question
a great part of the way home. He did not express
any regret or promise any reparation. But a few
days after that, when he had begun to convoy parties
of children up to see Westover at work, in the late
afternoon, on their way home from school, and to show
the painter off to them as a sort of family property,
he once brought the young Whitwells. He seemed
on perfect terms with them now, and when the crowd
of larger children hindered the little boy’s
view of the picture, Jeff, in his quality of host,
lifted him under his arms and held him up so that he
could look as long as he liked.
The girl seemed ashamed of the good
understanding before Westover. Jeff offered to
make a place for her among the other children who had
looked long enough, but she pulled the front of her
bonnet across her face and said that she did not want
to look, and caught her brother by the hand and ran
away with him. Westover thought this charming,
somewhat; he liked the intense shyness which the child’s
intense passion had hidden from him before.
Jeff acted as host to the neighbors
who came to inspect the picture, and they all came,
within a circuit of several miles around, and gave
him their opinions freely or scantily, according to
their several temperaments. They were mainly
favorable, though there was some frank criticism,
too, spoken over the painter’s shoulder as openly
as if he were not by. There was no question but
of likeness; all finer facts were far from them; they
wished to see how good a portrait Westover had made,
and some of them consoled him with the suggestion that
the likeness would come out more when the picture
got dry.
Whitwell, when he came, attempted
a larger view of the artist’s work, but apparently
more out of kindness for him than admiration of the
picture. He said he presumed you could not always
get a thing like that just right the first time, and
that you had to keep trying till you did get it; but
it paid in the end. Jeff had stolen down from
the house with his dog, drawn by the fascination which
one we have injured always has for us; when Whitwell
suddenly turned upon him and asked, jocularly, “What
do you think, Jeff?” the boy could only kick
his dog and drive it home, as a means of hiding his
feelings.
He brought the teacher to see the
picture the last Friday before the painter went away.
She was a cold-looking, austere girl, pretty enough,
with eyes that wandered away from the young man, although
Jeff used all his arts to make her feel at home in
his presence. She pretended to have merely stopped
on her way up to see Mrs. Durgin, and she did not venture
any comment on the painting; but, when Westover asked
something about her school, she answered him promptly
enough as to the number and ages and sexes of the
school-children. He ventured so far toward a joke
with her as to ask if she had much trouble with such
a tough subject as Jeff, and she said he could be
good enough when he had a mind. If he could get
over his teasing, she said, with the air of reading
him a lecture, she would not have anything to complain
of; and Jeff looked ashamed, but rather of the praise
than the blame. His humiliation seemed complete
when she said, finally: “He’s a good
scholar.”
On the Tuesday following, Westover
meant to go. It was the end of his third week,
and it had brought him into September. The weather
since he had begun to paint Lion’s Head was
perfect for his work; but, with the long drought,
it had grown very warm. Many trees now had flamed
into crimson on the hill-slopes; the yellowing corn
in the fields gave out a thin, dry sound as the delicate
wind stirred the blades; but only the sounds and sights
were autumnal. The heat was oppressive at midday,
and at night the cold had lost its edge. There
was no dew, and Mrs. Durgin sat out with Westover
on the porch while he smoked a final pipe there.
She had come to join him for some fixed purpose, apparently,
and she called to her boy, “You go to bed, Jeff,”
as if she wished to be alone with Westover; the men
folks were already in bed; he could hear them cough
now and then.
“Mr. Westover,” the woman
began, even as she swept her skirts forward before
she sat down, “I want to ask you whether you
would let that picture of yours go on part board?
I’ll give you back just as much as you say of
this money.”
He looked round and saw that she had
in the hand dropped in her lap the bills he had given
her after supper.
“Why, I couldn’t, very well, Mrs. Durgin ”
he began.
“I presume you’ll think
I’m foolish,” she pursued. “But
I do want that picture; I don’t know when I’ve
ever wanted a thing more. It’s just like
Lion’s Head, the way I’ve seen it, day
in and day out, every summer since I come here thirty-five
years ago; it’s beautiful!”
“Mrs. Durgin,” said Westover,
“you gratify me more than I can tell you.
I wish I wish I could let you have the
picture. I I don’t know what
to say ”
“Why don’t you let me
have it, then? If we ever had to go away from
here if anything happened to us it’s
the one thing I should want to keep and take with
me. There! That’s the way I feel about
it. I can’t explain; but I do wish you’d
let me have it.”
Some emotion which did not utter itself
in the desire she expressed made her voice shake in
the words. She held out the bank-notes to him,
and they rustled with the tremor of her hand.
“Mrs. Durgin, I suppose I shall
have to be frank with you, and you mustn’t feel
hurt. I have to live by my work, and I have to
get as much as I can for it ”
“That’s what I say.
I don’t want to beat you down on it. I’ll
give you whatever you think is right. It’s
my money, and my husband feels just as I do about
it,” she urged.
“You don’t quite understand,”
he said, gently. “I expect to have an exhibition
of my pictures in Boston this fall, and I hope to get
two or three hundred dollars for Lion’s Head.”
“I’ve been a proper fool,”
cried the woman, and she drew in a long breath.
“Oh, don’t mind,”
he begged; “it’s all right. I’ve
never had any offer for a picture that I’d rather
take than yours. I know the thing can’t
be altogether bad after what you’ve said.
And I’ll tell you what! I’ll have
it photographed when I get to Boston, and I’ll
send you a photograph of it.”
“How much will that be?”
Mrs. Durgin asked, as if taught caution by her offer
for the painting.
“Nothing. And if you’ll
accept it and hang it up here somewhere I shall be
very glad.”
“Thank you,” said Mrs.
Durgin, and the meekness, the wounded pride, he fancied
in her, touched him.
He did not know at first how to break
the silence which she let follow upon her words.
At last he said:
“You spoke, just now, about
taking it with you. Of course, you don’t
think of leaving Lion’s Head?”
She did not answer for so long a time
that he thought she had not perhaps heard him or heeded
what he said; but she answered, finally: “We
did think of it. The day you come we had about
made up our minds to leave.”
“Oh!”
“But I’ve been thinkin’
of something since you’ve been here that I don’t
know but you’ll say is about as wild as wantin’
to buy a three-hundred-dollar picture with a week’s
board.” She gave a short, self-scornful
laugh; but it was a laugh, and it relieved the tension.
“It may not be worth any more,”
he said, glad of the relief.
“Oh, I guess it is,” she
rejoined, and then she waited for him to prompt her.
“Well?”
“Well, it’s this; and
I wanted to ask you, anyway. You think there’d
be any chance of my gettin’ summer folks to
come here and board if I was to put an advertisement
in a Boston paper? I know it’s a lonesome
place, and there ain’t what you may call attractions.
But the folks from the hotels, sometimes, when they
ride over in a stage to see the view, praise up the
scenery, and I guess it is sightly. I know that
well enough; and I ain’t afraid but what I can
do for boarders as well as some, if not better.
What do you think?”
“I think that’s a capital idea, Mrs. Durgin.”
“It’s that or go,”
she said. “There ain’t a livin’
for us on the farm any more, and we got to do somethin’.
If there was anything else I could do! But I’ve
thought it out and thought it out, and I guess there
ain’t anything I can do but take boarders if
I can get them.”
“I should think you’d
find it rather pleasant on some accounts. Your
boarders would be company for you,” said Westover.
“We’re company enough
for ourselves,” said Mrs. Durgin. “I
ain’t ever been lonesome here, from the first
minute. I guess I had company enough when I was
a girl to last me the sort that hotel folks are.
I presume Mr. Whitwell spoke to you about my father?”
“Yes; he did, Mrs. Durgin.”
“I don’t presume he said
anything that wa’n’t true. It’s
all right. But I know how my mother used to slave,
and how I used to slave myself; and I always said
I’d rather do anything than wait on boarders;
and now I guess I got to come to it. The sight
of summer folks makes me sick! I guess I could
‘a’ had ’em long ago if I’d
wanted to. There! I’ve said enough.”
She rose, with a sudden lift of her powerful frame,
and stood a moment as if expecting Westover to say
something.
He said: “Well, when you’ve
made your mind up, send your advertisement to me,
and I’ll attend to it for you.”
“And you won’t forget about the picture?”
“No; I won’t forget that.”
The next morning he made ready for
an early start, and in his preparations he had the
zealous and even affectionate help of Jeff Durgin.
The boy seemed to wish him to carry away the best impression
of him, or, at least, to make him forget all that
had been sinister or unpleasant in his behavior.
They had been good comrades since the first evil day;
they had become good friends even; and Westover was
touched by the boy’s devotion at parting.
He helped the painter get his pack together in good
shape, and he took pride in strapping it on Westover’s
shoulders, adjusting and readjusting it with care,
and fastening it so that all should be safe and snug.
He lingered about at the risk of being late for school,
as if to see the last of the painter, and he waved
his hat to him when Westover looked back at the house
from half down the lane. Then he vanished, and
Westover went slowly on till he reached that corner
of the orchard where the slanting gravestones of the
family burial-ground showed above the low wall.
There, suddenly, a storm burst upon him. The
air rained apples, that struck him on the head, the
back, the side, and pelted in violent succession on
his knapsack and canvases, camp-stool and easel.
He seemed assailed by four or five skilful marksmen,
whose missiles all told.
When he could lift his face to look
round he heard a shrill, accusing voice, “Oh,
Jeff Durgin!” and he saw another storm of apples
fly through the air toward the little Whitwell girl,
who dodged and ran along the road below and escaped
in the direction of the schoolhouse. Then the
boy’s face showed itself over the top of one
of the gravestones, all agrin with joy. He waited
and watched Westover keep slowly on, as if nothing
had happened, and presently he let some apples fall
from his hands and walked slowly back to the house,
with his dog at his heels.
When Westover reached the level of
the road and the shelter of the woods near Whitwell’s
house, he unstrapped his load to see how much harm
had been done to his picture. He found it unhurt,
and before he had got the burden back again he saw
Jeff Durgin leaping along the road toward the school-house,
whirling his satchel of books about his head and shouting
gayly to the girl, now hidden by the bushes at the
other end of the lane: “Cynthy! Oh,
Cynthy! Wait for me! I want to tell you something!”