The following Thursday night Tom called
at the Whitmans’ to rehearse the lecture.
Nancy’s cousin Bob had arranged to have two rooms
reserved for them during the Friday noon hour at the
Mills, and they had agreed that the best way to prepare
for the ordeal was to study their notes and get their
material in final shape and then have a dress rehearsal
on Thursday night. “After a while,”
Nancy had said, “when we work into the harness,
we probably won’t need to have one, but I don’t
think we can be too careful of this first lecture.”
This had been precisely Tom’s opinion also.
Tom had never seen Henry so amiable.
In fact he seemed hard put to it to keep from unrestrained
merriment, and Tom, who found the affair more alarming
as it progressed, would have preferred avoiding him
altogether. He knew that Henry was calling him
callow, a lightweight, charges well-nigh proved by
his present undertaking, and to save himself from
rout he had to remember that Henry was a heavy Grave
man and that his own participation was only a question
of common courtesy to a lady, anyway. Nancy had
set her heart upon the thing, and he would be a very
indifferent friend to stand idly by and not lift a
finger to help.
“I believe,” said Henry,
“that we are to sit in the drawing-room.
Nancy will stand in the far end of the library.”
“I see,” replied Tom vaguely.
“She feels that having the conditions
rather trying tonight will help her tomorrow.
Accordingly, she’s going to speak first, and
she wants me to excuse her for not being here when
you arrived. By coming in formally and beginning
her address without speaking to us, she hopes to get
some of the feeling of the way it will be tomorrow.”
And with a somewhat hysterical noise he went to the
stairway. “All right, Nancy.”
In a minute Nancy appeared on the
stairs and, walking stiffly across into the library,
she climbed upon a footstool at the far end. In
front of her was an old violin stand. Upon it
she put her notes. She then raised her face;
and even at the distance it appeared flushed.
“Fellow workers,” she began.
At this point Henry broke into uncontrollable
laughter. “Excuse me, really, but it is
too much. ’Fellow workers’ oh,
dear me. Oh, oh, I am afraid I can’t stand
it. You must excuse me, really. Oh, dear
me,” and rising weakly, handkerchief in hand,
he tottered from the room.
Nancy, the picture of resigned despair,
gazed at Tom. He felt slightly hysterical himself.
“What are we to do?” she
asked helplessly. As they were nearly fifty feet
apart, the pitch of her voice was necessarily above
that used in ordinary conversation and gave to her
words considerable melodramatic force. A fresh
shout of laughter descending from the stairs made the
situation none the easier.
Nancy was, indeed, thoroughly upset.
What was to become of her independent life if this
failed? How else could she express herself?
Was it to collapse at the very start, before she could
even approach her dreams for the future? To have
it end ridiculously, to have her become a laughing
stock, would be too cruel. No, she would fight
for her liberty.
“Why, the thing to do is to
go on,” replied Tom. Had those words been
said at Marengo or Poitiers or Persepolis, they might
today be learned by school children. They were
of the stuff that wins lost causes. They stem
defeat as effectively as fresh battalions.
“Fellow workers,” Nancy
began again, and this time there was only respectful
silence, “I have come to you today to tell you
a little something about the machines which are forever
your property, which were given to you by your Maker
and which it is your sacred duty to keep in as good
condition as possible. I mean your own bodies.”
She paused, and Tom nodded encouragement from the
other room. “It has become my pleasant
duty to come to you and tell you how you may keep these
God-given machines. You are to regard me, in
other words, as your friend and sister.”
The lecturer was here threatened by a dry, pippy, cough
and the whole course was imperilled. However,
she drove fiercely on.
“At the outset you should have
a brief working knowledge of such things as your heart
and lungs, your pancreas, liver, big and little intestines
and their juices; and I shall, accordingly, give you
a brief idea of the various systems, beginning today
with the circulatory and respiratory. Next time
I shall hope to cover the digestive and excretory tracts,
and I shall close with two talks on personal hygiene.”
This ended the preliminary matter, and the lecturer
proceeded with the body of her talk in a somewhat
more mechanical style. The respiratory system
was dismissed in six minutes, although, in some curious
way, Mr. Sprig had strung the same material out to
half an hour.
Before beginning upon the circulatory
system, however, she sprang a surprise. “For
your convenience,” she explained, “I shall
draw a diagram of the heart and its valves, and with
your assistance I shall explain its action.”
After a little wrestling with the diagram, which would
curl, she managed to pin it to the wall. She then
proceeded, in red crayon, to draw a fully equipped
heart. She finished with audible relief and,
turning triumphantly greeted Miss Balch
and her brother Leofwin.
“Dear me, I am afraid we are
intruding,” said Miss Balch, looking around
with ingenuous charm.
Henry, having heard the bell which
the social workers had been too absorbed to hear,
appeared at the door and relieved the situation temporarily.
Leofwin, however, whose eye was naturally caught by
the pictorial, was gazing at the circulatory system
on the wall. “What on earth is that?”
he asked, with more curiosity than was perhaps excusable.
“It looks for all the world like some sort of
impressionistic valentine.”
Nancy, for one reckless moment, was
tempted to say that it was, but temperate judgment
prevailed. After all, why need she be ashamed
of what they were doing?
“Tom and I are giving a course
of lectures at the Mill, in hygiene, and we are just
rehearsing a little; that’s all. The valentine
shows the heart action. Those arm things are
the valves, you see.”
“But, really, you know, even
a valve must have some perspective.”
“Well, of course, I’m
no artist. The cut in the dictionary was very
small, and when I enlarged it I tried to get the right
proportions, but I just had my tape measure and ”
“I shall help you. Elfrida
will bear me out: I have always been interested
in the lower classes, and I shall love to go with you
and draw it when the time comes.”
“Oh, I couldn’t let you do that.”
“Why not? I admit I’ve
had no experience, but, after all, in a work of this
kind, it is the spirit that counts, isn’t it?”
Elfrida had engaged Tom and Henry
at a point as far distant as she could from her brother
and Nancy, and she now asked Tom what he thought of
Somebody’s latest novel and made him lose track
of their conversation.
“Are you really a realist?” asked
Miss Balch.
“No, I don’t think I am.”
“Fancy,” replied Miss
Balch. “Then I think you would like a thing
I got out of the library the other day by one of these
new Russians. He has some dreadful name.
Well, it is about this man, a peasant, who falls in
love with this Bolshevist agent, and she uses the man,
you see, as a tool. Then there is this other
woman in it who ”
Leofwin had adopted a very free-and-easy
manner, it seemed to Tom. He was sitting with
his legs crossed, hands folded, one arm over the back
of his chair, half facing Nancy. He was being
extremely bland and at his ease. It was the sort
of thing one might do in a Russian drawing-room, perhaps,
where the ladies doubtless didn’t mind being
bitten in a fit of passion, but it was decidedly not
the way to behave in Woodbridge although
it must be confessed that an impartial observer might
have failed to distinguish any marked difference in
the way Tom himself was sitting, since he, too, had
crossed his legs, folded his hands, and was half facing
Nancy. It was clear that Nancy was painfully
trying to do the honours. “You must let
me see your pictures,” Tom heard her say.
“... Really, Mr. Reynolds,
I think you might listen to me when I’m trying
so hard to entertain you.”
“Why, I heard everything you
said. All about this new Russian.”
“Sly boots!” said Miss Balch archly.
Tom wondered what the proper reply
was. What he wanted to say, in the same arch
manner was “Puss Wuss!” but instead he
just grinned brightly and let it be inferred that
he was thinking of all sorts of clever things.
“A penny for your thoughts, sir,” cried
Miss Balch.
This was unbearable, especially since
Henry was apparently enjoying it so much.
“I hope you won’t think
me rude, but I was thinking of the great pile of uncorrected
test papers at home on my desk, and I am afraid you
will have to excuse me.” He rose.
The whole room rose.
He started for the door, and Nancy
hurried over to him. “Isn’t it dreadful?”
she seemed to say. Behind her, like Tartarin’s
camel, loomed Leofwin.
“We’ll meet here at twelve,”
Nancy said, and with an effort she managed to include
the cavalier and irrepressible artist, who, beaming
and bowing, showed in every corner of him his thorough
approval of the whole arrangement.