IN SIX LEAVES FROM THE SIBYL’S BOOK.
I - NAPOLEON AT ISOLA BELLA.
In the Isola Bella, upon the Lago
Maggiore, where the richest vegetation of the tropics
grows in the vicinity of the Alps, there is a lofty
laurel-tree (the bay), tall as the tallest oak, on
which, a few days before the battle of Marengo, Napoleon
carved the word “BATTAGLIA.” The
bark has fallen away from the inscription, most of
the letters are gone, and the few left are nearly
effaced.
I.
O fairy island of a fairy sea,
Wherein Calypso might have spell’d the Greek,
Or Flora piled her fragrant treasury,
Cull’d from each shore her Zephyr’s
wings could seek.
From rocks, where aloes blow.
Tier upon tier, Hesperian fruits
arise;
The hanging bowers of this soft Babylon;
An India mellows in the Lombard skies,
And changelings, stolen from the Lybian sun,
Smile to yon Alps of snow.
II.
Amid this gentlest dream-land of
the wave,
Arrested, stood the wondrous Corsican;
As if one glimpse the better angel gave
Of the bright garden-life vouschafed to man
Ere blood defiled the world.
He stood that grand Sesostris
of the North
While paused the car to which were harness’d
kings;
And in the airs, that lovingly sigh’d forth
The balms of Araby, his eagle-wings
Their sullen thunder furl’d.
III.
And o’er the marble hush of
those large brows,
Dread with the awe of the Olympian nod,
A giant laurel spread its breathless boughs,
The prophet-tree of the dark Pythian god,
Shadowing the doom of thrones!
What, in such hour of rest and scene
of joy,
Stirs in the cells of that unfathom’d brain?
Comes back one memory of the musing boy,
Lone gazing o’er the yet unmeasured main,
Whose waifs are human bones?
IV.
To those deep eyes doth one soft
dream return?
Soft with the bloom of youth’s unrifled
spring,
When Hope first fills from founts divine the urn,
And rapt Ambition, on the angel’s wing,
Floats first through golden air?
Or doth that smile recall the midnight
street,
When thine own star the solemn ray denied,
And to a stage-mime, for obscure retreat
From hungry Want, the destined Cæsar sigh’d?
Still Fate, as then, asks prayer.
V.
Under that prophet tree, thou standest
now;
Inscribe thy wish upon the mystic rind;
Hath the warm human heart no tender vow
Link’d with sweet household names? no
hope enshrined
Where thoughts are priests of Peace.
Or, if dire Hannibal thy model be,
Dread lest, like him, thou bear the thunder home!
Perchance ev’n now a Scipio dawns for thee,
Thou doomest Carthage while thou smitest Rome
Write, write “Let carnage
cease!”
VI.
Whispers from heaven have strife
itself inform’d;
“Peace” was our dauntless Falkland’s
latest sigh,
Navarre’s frank Henry fed the forts he storm’d.
Wild Xerxes wept the Hosts he doom’d to
die!
Ev’n War pays dues to Love!
Note how harmoniously the art of
Man
Blends with the Beautiful of Nature! see
How the true Laurel of the Delian
Shelters the Grace! Apollo’s
peaceful tree
Blunts ev’n the bolt of Jove.
VII.
Write on the sacred bark such votive
prayer,
As the mild Power may grant in coming years,
Some word to make thy memory gentle there;
More than renown, kind thought for men endears
A Hero to Mankind.
Slow moved the mighty hand a
tremour shook
The leaves, and hoarse winds groan’d along
the wood;
The Pythian tree the damning sentence took,
And to the sun the battle-word of blood
Glared from the gashing rind.
VIII.
So thou hast writ the word, and sign’d
thy doom:
Farewell, and pass upon thy gory way,
The direful skein the pausing Fates resume!
Let not the Elysian grove thy steps delay
From thy Promethean goal.
The fatal tree the abhorrent word
retain’d,
Till the last Battle on its bloody strand
Flung what were nobler had no life remain’d,
The crownless front and the disarmed hand
And the’ foil’d Titan
Soul;
IX.
Now, year by year, the warrior’s
iron mark
Crumbles away from the majestic tree,
The indignant life-sap ebbing from the bark
Where the grim death-word to Humanity
Profaned the Lord of Day.
High o’er the pomp of blooms,
as greenly still,
Aspires that tree the Archetype of
Fame,
The stem rejects all chronicle of ill;
The bark shrinks back the tree
survives the same
The record rots away.
BAVENO,
Oc, 1845.
II - MAZARIN - FAREWELL TO THE BEAUTIFUL, WITHOUT.
“I was walking, some days after,
in the new apartments of his palace. I recognized
the approach of the cardinal (Mazaria) by the sound
of his slippered feet, which he dragged one after
the other, as a man enfeebled by a mortal malady.
I concealed myself behind the tapestry, and I heard
him say, ‘Il faut quitter tout
cela!’ (’I must leave all that!’)
He stopped at every step, for he was very feeble,
and casting his eyes on each object that attracted
him, he sighed forth, as from the bottom of his heart,
’II faut quitter tout cela!
What pains have I taken to acquire these things!
Can I abandon them without regret? I shall never
see them more where I am about to go!’”
&c. Mémoires INEDITS DE LOUIS HENRI,
COMTE DE BRIENNE, Barriere’s Edition,
vol. ii. .
Serene the Marble Images
Gleam’d down, in lengthen’d
rows;
Their life, like the Uranides,
A glory and repose.
Glow’d forth the costly canvas spoil
From many a gorgeous frame;
One race will starve the living toil,
The next will gild the name.
That stately silence silvering through,
The steadfast tapers shone
Upon the Painter’s pomp of hue,
The Sculptor’s solemn
stone.
Saved from the deluge-storm of Time,
Within that ark, survey
Whate’er of elder Art sublime
Survives a world’s decay!
There creeps a foot, there sighs a breath,
Along the quiet floor;
An old man leaves his bed of death
To count his treasures o’er.
Behold the dying mortal glide
Amidst the eternal Art;
It were a sight to stir with pride
Some pining Painter’s
heart!
It were a sight that might beguile
Sad Genius from the Hour,
To see the life of Genius smile
Upon the death of Power.
The ghost-like master of that hall
Is king-like in the land;
And France’s proudest heads could
fall
Beneath that spectre hand.
Veil’d in the Roman purple, preys
The canker-worm within;
And more than Bourbon’s sceptre
sways
The crook of Mazarin.
Italian, yet more dear to thee
Than sceptre, or than crook,
The Art in which thine Italy
Still charm’d thy glazing
look!
So feebly, and with wistful eyes,
He crawls along the floor;
A dying man, who, ere he dies,
Would count his treasures
o’er.
And, from the landscape’s soft repose,
Smiled thy calm soul, Lorraine;
And, from the deeps of Raphael, rose
Celestial Love again.
In pomp, which his own pomp recalls,
The haggard owner sees
Thy cloth of gold and banquet halls,
Thou stately Veronese!
While, cold as if they scorn’d to
hail
Creations not their own,
The Gods of Greece stand marble-pale
Around the Thunderer’s
throne.
There, Hebe brims the urn of gold;
There, Hermes treads the skies;
There, ever in the Serpent’s fold,
Laocoon deathless dies.
There, startled from her mountain rest,
Young Dian turns to draw
The arrowy death that waits the breast
Her slumber fail’d to
awe.
There, earth subdued by dauntless deeds,
And life’s large labours
done,
Stands, sad as Worth with mortal meeds,
Alcmena’s mournful son.
They gaze upon the fading form
With mute immortal eyes;
Here, clay that waits the hungry worm;
There, children of the skies.
Then slowly as he totter’d by,
The old Man, unresign’d,
Sigh’d forth: “Alas!
and must I die,
And leave such life behind?
“The Beautiful, from which I part,
Alone defies decay!”
Still, while he sigh’d, the eternal
Art
Smiled down upon the clay.
And as he waved the feeble hand,
And crawl’d unto the
porch,
He saw the Silent Genius stand
With the extinguish’d
torch!
The world without, for ever yours,
Ye stern remorseless Three;
What, from that changeful world, secures
Calm Immortality?
Nay, soon or late decays, alas!
Or canvass, stone, or scroll;
From all material forms must pass
To forms afresh, the soul.
’Tis but in that which doth create,
Duration can be sought;
A worm can waste the canvass; Fate
Ne’er swept from Time,
a Thought.
Lives Phidias in his works alone?
His Jove returns to air:
But wake one godlike shape from stone,
And Phidian thought is there!
Blot out the Iliad from the earth,
Still Homer’s thought
would fire
Each deed that boasts sublimer worth,
And each diviner lyre.
Like light, connecting star to star,
Doth Thought transmitted run;
Rays that to earth the nearest are,
Have longest left the sun.
The Parcae. Leaf the Third.
III - ANDRE CHENIER - FAREWELL TO THE BEAUTIFUL, WITHIN.
“Andre Chenier, the original
of whatever is truest to nature and genuine passion,
in the modern poetry of France, died by the guillotine,
July 27, 1794. In ascending the scaffold, he
cried, ‘To die so young!’ ’And there
was something here!’ he added, striking his forehead,
not in the fear of death, but the despair of genius!” See
THIERS, vol. iv. .
Within the prison’s dreary girth,
The dismal night, before
That morn on which the dungeon Earth
Shall wall the soul no more,
There stood serenest images
Where doomed Genius lay,
The ever young Uranides
Around the Child of Clay.
On blacken’d walls and rugged floors
Shone cheerful, thro’
the night,
The stars like beacons from
the shores
Of the still Infinite.
From Ida to the Poet’s cell
The Pain-beguilers stole;
Apollo tuned his silver shell
And Hebe brimm’d the
bowl.
To grace those walls he needed nought
That tint or stone bestows;
Creation kindled from his thought:
He call’d and
gods arose.
The visions Poets only know
Upon the captive smiled,
As bright within those walls of woe
As on the sunlit child;
He saw the nameless, glorious things
Which youthful dreamers see,
When Fancy first with murmurous wings
O’ershadows bards to
be;
Those forms to life spiritual given
By high creative hymn;
From music born as from their
heaven
Are born the Seraphim.
Forgetful of the coming day,
Upon the dungeon floor
He sate to count, poor child of clay,
The wealth of genius o’er;
To count the gems, as yet unwrought,
But found beneath the soil;
The bright discoveries claim’d by
thought,
As future crowns for toil.
He sees The Work his breath should warm
To life, from out the air:
The Shape of Love his soul should form,
Then leave its birthright
there!
He sees the new Immortal rise
From her melodious sea;
The last descendant of the skies
For man to bend the knee
He sees himself within your shrine
O hero gods of Fame!
And hears the praise that makes divine
The human holy name.
True to the hearts of men shall chime
The song their lips repeat;
When heroes chant the strain, sublime;
When lovers breathe it, sweet.
Lo, from the brief delusion given,
He starts, as through the
bars
Gleams wan the dawn that scares from Heaven
And Thought alike its
stars.
Hark to the busy tramp below!
The jar of iron doors!
The gaoler’s heavy footfall slow
Along the funeral floors!
The murmur of the crowd that round
The human shambles throng;
That muffled sullen thunder-sound
The Death-cart grates along!
“Alas, so soon! and must
I die,”
He groan’d forth unresign’d;
“Flit like a cloud athwart the sky,
And leave no wrack behind!
“And yet my Genius speaks to me;
The Pythian fires my brain;
And tells me what my life should be;
A Prophet and in
vain!
“O realm more wide, from clime to
clime,
Than ever Cæsar sway’d;
O conquests in that world of time
My grand desire survey’d!”
Blood-red upon his loathing eyes
Now glares the gaoler’s
torch:
“Come forth, the day is in the skies,
The Death-cart at the porch!”
Pass on! to thee the Parcae
give
The fairest lot of all;
In golden poet-dreams to live,
And ere they fade to
fall!
The shrine that longest guards a Name
Is oft an early tomb;
The Poem most secure of fame
Is some wrong’d
poet’s doom!
The Parcae. Leaf the Fourth.
IV - MARY STUART AND HER MOURNER.
“Mary Stuart perished at the
age of forty-four years and two months. Her remains
were taken from her weeping servants, and a green cloth,
torn in haste from an old billiard table, was flung
over her once beautiful form. Thus it remained
unwatched and unattended, except by a poor little
lap-dog, which could not be induced to quit the body
of its mistress. This faithful little animal
was found dead two days afterwards; and the circumstance
made such an impression even on the hard-hearted minister
of Elizabeth, that it was mentioned in the official
despatches.”
MRS. JAMIESON’S
Female Sovereigns Mary Queen of Scots.
The axe its bloody work had done;
The corpse neglected lay;
This peopled world could spare not one
To watch beside the clay.
The fairest work from Nature’s
hand
That e’er on mortals shone,
A sunbeam stray’d from fairy land
To fade upon a throne;
The Venus of the Tomb whose form
Was destiny and death;
The Siren’s voice that stirr’d
a storm
In each melodious breath;
Such was, what now by fate is hurl’d
To rot, unwept, away.
A star has vanish’d from the world;
And none to miss the ray!
Stern Knox, that loneliness forlorn
A harsher truth might teach
To royal pomps, than priestly scorn
To royal sins can preach!
No victims now that lip can make!
That hand how powerless now!
O God! and what a King but
take
A bauble from the brow?
The world is full of life and love;
The world methinks might spare
From millions, one to watch above
The dust of monarchs there.
And not one human eye! yet
lo
What stirs the funeral pall?
What sound it is not human
woe
Wails moaning through the
hall?
Close by the form mankind desert
One thing a vigil keeps;
More near and near to that still heart
It wistful, wondering creeps.
It gazes on those glazed eyes,
It hearkens for a breath
It does not know that kindness dies,
And love departs from death.
It fawns as fondly as before
Upon that icy hand.
And hears from lips, that speak no more,
The voice that can command.
To that poor fool, alone on earth,
No matter what had been
The pomp, the fall, the guilt, the worth,
The Dead was still a Queen.
With eyes that horror could not scare,
It watch’d the senseless
clay:
Crouch’d on the breast of Death,
and there
Moan’d its fond life
away.
And when the bolts discordant clash’d,
And human steps drew nigh,
The human pity shrunk abash’d
Before that faithful eye;
It seem’d to gaze with such rebuke
On those who could forsake;
Then turn’d to watch once more the
look,
And strive the sleep to wake.
They raised the pall they touch’d
the dead,
A cry, and both were
still’d,
Alike the soul that Hate had sped,
The life that Love had kill’d.
Semiramis of England, hail!
Thy crime secures thy sway:
But when thine eyes shall scan the tale
Those hireling scribes convey;
When thou shalt read, with late remorse,
How one poor slave was found
Beside thy butcher’d rival’s
corse,
The headless and discrown’d;
Shall not thy soul foretell thine own
Unloved, expiring hour,
When those who kneel around the throne
Shall fly the falling tower;
When thy great heart shall silent break,
When thy sad eyes shall strain
Through vacant space, one thing to seek
One thing that loved in
vain?
Though round thy parting pangs of pride
Shall priest and noble crowd;
More worth the grief, that mourn’d
beside
Thy victim’s gory shroud!
The Parcae. Leaf the Fifth.
V - THE LAST DAYS OF ELIZABETH.
“Her delight is to sit in the
dark, and sometimes, with shedding tears, to bewail
Essex.” Contemporaneous Correspondence.
“She refused all consolation;
few words she uttered, and they were all expressive
of some hidden grief which she cared not to reveal.
But sighs and groans were the chief vent which she
gave to her despondency, and which, though they discovered
her sorrows, were never able to ease or assuage them.
Ten days and nights she lay upon the carpet leaning
on cushions which her maids brought her,” &c. HUME.
I.
Rise from thy bloody grave,
Thou soft Medusa of the Fated Line
Whose evil beauty look’d to death the brave;
Discrowned Queen, around whose passionate shame
Terror and Grief the palest flowers entwine,
That ever veil’d the ruins of a Name
With the sweet parasites of song divine!
Arise, sad Ghost, arise,
And if Revenge outlive the Tomb,
Behold the Doomer brought to doom!
Lo, where thy mighty Murderess lies,
The sleepless couch the sunless room,
Through the darkness darkly seen
Rests the shadow of a Queen;
Ever on the lawns below
Flit the shadows to and fro,
Quick at dawn, and slow at noon,
Halving midnight with the moon:
In the palace, still and dun,
Rests that shadow on the floor;
All the changes of the sun
Move that shadow nevermore.
II.
Yet oft she turns from face to face,
A keen and wistful gaze,
As if the memory seeks to trace
The sign of some lost dwelling-place
Beloved in happier days;
Ah, what the clue
supplies
In the cold vigil of a hireling’s
eyes?
Ah, sad in childless age to weep alone,
Look round and find no grief
reflect our own!
O Soul, thou speedest to thy rest away,
But not upon the pinions of
the dove;
When death draws nigh, how miserable they
Who have outlived all love!
As on the solemn verge of Night
Lingers a weary Moon,
Thou wanest last of every glorious light
That bathed with splendour
thy majestic noon:
The stately stars that clustering o’er
the isle
Lull’d into glittering
rest the subject sea;
Gone the great Masters of Italian wile,
False to the world beside,
but true to thee!
Burleigh, the subtlest builder of thy
fame,
The serpent craft of winding
Walsingham;
They who exalted yet before
thee bow’d:
And that more dazzling chivalry the
Band
That made thy Court a Faery Land,
In which thou wert enshrined to reign
alone
The Gloriana of the Diamond Throne;
All gone, and left
thee sad amidst the cloud.
III.
To their great sires, to whom thy youth
was known,
Who from thy smile, as laurels
from the sun
Drank the immortal greenness of renown,
Succeeds the cold lip-homage
scantly won
From the new race whose hearts already
bear
The Wise-man’s offerings to th’
unworthy Heir.
Watching the glass in which
the sands run low,
Hovers keen Cecil
with his falcon eyes,
And musing Bacon bends
his marble brow.
But deem not fondly there
To weep the fate or pour th’ averting
prayer
Attend those solemn spies!
Lo, at the Regal Gate
The impatient couriers wait;
To speed from hour to hour
the nice account
That registers the grudged unpitied sighs
Vexing the friendless void, before
The Stuart’s step shall reeling
mount
Tudor’s steep throne, red with his
Mother’s gore!
IV.
O piteous mockery
of all pomp thou art,
Poor Child of Clay, worn out
with toil and years!
As, layer by layer,
the granite of the heart
Dissolving, melteth to the
weakest tears
That ever Village Maiden shed
above
The grave that robb’d her quiet
world of love.
Ten days and nights upon that
floor
Those weary limbs
have lain;
And every hour has added more
Of heaviness to
pain.
As gazing into dismal air
She sees the headless phantom
there,
The victim round whose image
twined
The last wild love of womankind;
That lightning flash’d from stormy
hearts,
Which now reveals the deeps
of Heaven,
And now remorseless, earthward darts,
Rives, and expires
on what its stroke hath riven!
’Twere sad to see from those stern
eyes
Th’ unheeded anguish
feebly flow;
And hear the broken word that dies
In moanings faint and low;
But sadder still to mark the while,
The vacant stare the marble
smile,
And think, that goal of glory
won.
How slight a shade
between
The idiot moping in the sun
And England’s
giant Queen!
V.
Call back the joyous Past!
Lo, England white-robed for
a holyday!
While, choral to the clarion’s kingly
blast,
Shout peals on shout along
the Virgin’s way,
As through the swarming streets rolls
on the long array.
Mary is dead! Look
from your fire-won homes,
Exulting Martyrs! on
the mount shall rest
Truth’s ark at last! th’ avenging
Lutheran comes
And clasps THE BOOK ye died
for to her breast!
With her, the flower of all the Land,
The high-born gallants ride,
And ever nearest of the band,
With watchful eye and ready hand,
Young Dudley’s form
of pride!
Ah, ev’n in that exulting hour,
Love half allures the soul from Power,
To that dread brow in bending down
Throbs up, beneath the manlike crown,
The woman’s
heart wild beating,
While steals the whisper’d worship,
paid
Not to the Monarch, but the Maid,
Through tromps
and stormy greeting.
VI.
Call back the gorgeous Past!
The lists are set, the trumpets sound,
Still as the stars, when to
the breeze
Sway the proud crests of stately
trees,
Bright eyes, from tier on tier around,
Look down, where on its famous ground
Murmurs and moves
the bristling life
Of
antique Chivalry!
“Forward!" the signal
word is given
Like cloud on cloud by tempest driven;
Steel lightens, and arm’d thunders
close!
How plumes descend in flakes of snows;
How the ground reels, as reels a sea,
Beneath the inebriate rapture-strife
Of
jocund Chivalry!
Who is the Victor of the Day?
Thou of the delicate form and golden hair
And Manhood glorious in its midst of May;
Thou who, upon thy shield of argent, bearest
The bold device, “The Loftiest is
the Fairest!”
As bending low
thy stainless crest,
“The Vestal
throned by the West”
Accords the old
Provencal crown
Which blends her
own with thy renown;
Arcadian Sidney Nursling
of the Muse,
Flower of divine Romance, whose bloom
was fed
By daintiest Hélicon’s
most silver dews,
Alas! how soon thy lovely leaves were
shed
Thee lost, no more were Grace and Force
united,
Grace but some flaunting Buckingham
unmann’d,
And Force but crush’d what Freedom
vainly righted
Behind, lo Cromwell looms,
and dusks the land
With the swart shadow of his
giant hand.
VII.
Call back the Kingly Past!
Where, bright and broadening
to the main,
Rolls on the scornful
River,
Stout hearts beat high on
Tilbury’s plain,
Our Marathon for
ever!
No breeze above, but on the mast
The pennon shook as with the blast.
Forth from the cloud the day-god strode;
Flash’d back from steel, the splendour
glow’d,
Leapt the loud joy from Earth to Heaven,
As through the ranks asunder riven,
The Warrior-Woman
rode!
Hark, thrilling through the
armed Line
The martial accents
ring,
“Though mine the Woman’s form yet
mine,
“The Heart
of England’s King!"
Woe to the Island
and the Maid!
The Pope has preach’d
the New Crusade,
His sons have
caught the fiery zeal;
The Monks are
merry in Castile;
Bold
Parma on the Main;
And through the
deep exulting sweep
The
Thunder-Steeds of Spain.
What meteor rides the sulphurous gale?
The Flames have caught the giant sail!
Fierce Drake is grappling prow to prow;
God and St. George for Victory now!
Death in the Battle and the Wind
Carnage before and Storm behind
Wild shrieks are heard above the hurtling
roar
By Orkney’s rugged strands, and
Erin’s ruthless shore.
Joy to the Island
and the Maid!
Pope Sextus
wept the Last Crusade!
His sons consumed before his
zeal,
The Monks are woeful in Castile;
Your Monument
the Main,
The glaive and gale record
your tale,
Ye Thunder-Steeds of
Spain!
VIII.
Turn from the
idle Past;
Its lonely ghost
thou art!
Yea, like a ghost, whom charms
to earth detain
(When, with the dawn, its
kindred phantom train
Glide into peaceful
graves) to dust depart
Thy shadowy pageants; and
the day unblest,
Seems some dire curse that
keeps thee from thy rest.
Yet comfort, comfort to thy longing woe,
Thou wistful watcher by the
dreary portal;
Now when most human, since most feeble,
know,
That in the Human struggles
the Immortal.
Flash’d from the steel of the descending
shears,
Oft sacred light illumes the
parting soul;
And our last glimpse along the woof of
years,
First reads the scheme that
disinvolves the whole.
Yet, then, recall the Past!
Is reverence not the child of sympathy?
To feel for Greatness we must hear it
sigh:
On mortal brows those halos longest last
Which blend for one the rays that verge
from all.
Few reign, few triumph; millions love
and grieve:
Of grief and love let some high memory
leave
One mute appeal to life, upon the stone
That tomb from Time shall votive rites
receive
When History doubts what ghost once fill’d
a throne.
So, indistinct while back’d
by sunlit skies
But large and clear against the midnight
pall,
Thy human outline awes our human eyes.
Place, place, ye meaner royalties below,
For Nature’s holiest Womanhood
and Woe!
Let not vain youth deride
the age that still
Loves as the young, loves on
unto the last;
Grandest the heart when grander than the
will
Bow we before the soul, which through
the Past,
Turns no vain glance towards fading heights
of Pride,
But strains its humbled tearful gaze to
see,
Love and Remorse near Immortality,
And by the yawning Grave, stand side by
side.
VI - CROMWELL’S DREAM.
The conception of this Ode originated
in a popular tradition of Cromwell’s earlier
days. It is thus strikingly related by Mr. Forster,
in his very valuable Life of Cromwell: “He
laid himself down, too fatigued in hope for sleep,
when suddenly the curtains of his bed were slowly
withdrawn by a gigantic figure, which bore the aspect
of a woman, and which, gazing at him silently for
a while, told him that he should, before his death,
be the greatest man in England. He remembered
when he told the story, and the recollection marked
the current of his thoughts, that the figure had
not made mention of the word King.”
Alteration has been made in the scene of the vision,
and the age of Cromwell.
I.
The Moor spread wild and far,
In the sharp whiteness of a wintry shroud;
Midnight yet moonless; and
the winds ice-bound:
And a grey dusk not
darkness reign’d around,
Save where the phantom of
a sudden star
Peer’d o’er some haggard precipice
of cloud:
Where on the wold, the triple
pathway cross’d,
A sturdy wanderer wearied,
lone, and lost,
Paused and gazed round; a
dwarf’d but aged yew
O’er the wan rime its
gnome-like shadow threw;
The spot invited, and by sleep
oppress’d,
Beneath the boughs he laid
him down to rest.
A man of stalwart limbs and
hardy frame,
Meet for the ruder time when
force was fame,
Youthful in years the
features yet betray
Thoughts rarely mellow’d
till the locks are grey:
Round the firm lips the lines
of solemn wile
Might warn the wise of danger
in the smile;
But the blunt aspect spoke
more sternly still
That craft of craft THE
STUBBORN WILL:
That
which, let what may betide
Never
halts nor swerves aside;
From
afar its victim viewing,
Slow
of speed, but sure-pursuing;
Through
maze, up mount, still hounding on its way,
Till
grimly couch’d beside the conquer’d prey!
II.
The loftiest fate will longest
lie
In unrevealing
sleep;
And yet unknown the destined
race,
Nor yet his Soul had walk’d
with Grace;
Still, on the seas of Time
Drifted the ever-careless
prime,
But many a blast that o’er
the sky
All idly seems
to sweep,
Still while it speeds, may spread the
seeds
The toils of autumn
reap:
And we must blame the soil, and not the
wind,
If hurrying passion leave no golden grain
behind.
III.
Seize seize seize!
Bind him strong in the chain,
On his heart, on his brain,
Clasp the links of the evil
Sleep!
Seize seize seize
Ye fiends that dimly sweep
Up from the Stygian deep,
Where Death sits watchful by his brother’s
side!
Ye pale Impalpables,
that are
Shadows of Truths afar,
Appearing oft to warn, but ne’er
to guide,
Hover around the calm, disdainful
Fates,
Reveal the woof
through which the spindle gleams:
Open, ye Ebon gates!
Darken the moon O
Dreams!
Seize seize seize
Bind him strong in the chain,
On his heart, on his brain,
Clasp the links of the evil
Sleep!
Awakes or dreams he still?
His eyes are open
with a glassy stare,
On the fix’d brow the large drops
gather chill,
And horror, like a wind, stirs through
the lifted hair.
Before him stands the Thing
of Dread
A giant shadow motionless and pale!
As those dim Lemur-Vapours that exhale
From the rank grasses rotting
o’er the Dead,
And startle midnight with the mocking
show
Of the still, shrouded bones that sleep
below
So the wan image which the
Vision bore
Was outlined from the air,
no more
Than served to make the loathing sense
a bond
Between the world of life, and grislier
worlds beyond.
IV.
“Behold!” the
Shadow said, and lo,
Where the blank heath had spread, a smiling
scene;
Soft woodlands sloping from a village
green,
And, waving to blue Heaven,
the happy cornfields glow:
A modest roof, with ivy cluster’d
o’er,
And Childhood’s busy mirth beside
the door.
But, yonder, sunset sleeping on the sod,
Bow Labour’s rustic
sons in solemn prayer;
And, self-made teacher of the truths of
God,
The Dreamer sees the Phantom-Cromwell
there!
“Art thou content, of
these the greatest Thou,”
Murmur’d the Fiend,
“the Master and the Priest?”
A sullen anger knit the Dreamer’s
brow,
And from his scornful lips
the words came slow,
“The greatest of the
hamlet, Demon, No!”
Loud laugh’d the Fiend then
trembled through the sky,
Where haply angels watch’d,
a warning sigh;
And darkness swept the scene, and golden
Quiet ceased.
V.
“Behold!” the Shadow said a
hell-born ray
Shoots through the Night, up-leaps the
unholy Day,
Spring from the earth the Dragon’s
armed seed,
The ghastly squadron wheels, and neighs
the spectre-steed.
Unnatural sounded the sweet Mother-tongue,
As loud from host to host the English
war-cry rung;
Kindred with kindred blent
in slaughter show
The dark phantasma of the
Prophet-Woe!
A gay and glittering band!
Apollo’s lovelocks in the crest
of Mars
Light-hearted Valour, laughing scorn to
scars
A gay and glittering band,
Unwitting of the scythe the
lilies of the land!
Pale in the midst, that stately squadron
boasts
A princely form, a mournful
brow;
And still, where plumes are
proudest, seen,
With sparkling eye and dauntless
mien,
The young Achilles of the hosts.
On rolls the surging war and
now
Along the closing columns
ring
“Rupert” and “Charles” “The
Lady of the Crown,"
“Down with the Roundhead Rebels,
down!”
“St. George and England’s
king.”
A stalwart and a sturdy band,
Whose souls of sullen zeal
Are made, by the Immortal Hand
Invulnerable steel!
A kneeling host, a pause of prayer,
A single voice thrills through the air
“They come. Up, Ironsides!
For TRUTH and PEACE unsparing smite!
Behold the accursed Amalekite!”
The Dreamer’s heart beat high and loud,
For, calmly through the carnage-cloud,
The scourge and servant of the Lord,
This hand the Bible that the sword
The Phantom-Cromwell rides!
A lurid darkness swallows
the array,
One moment lost the
darkness rolls away,
And, o’er
the slaughter done,
Smiles, with his
eyes of love, the setting Sun;
Death makes our
foe our brother;
And,
meekly, side by side,
Sleep
scowling Hate and sternly smiling Pride,
On the kind breast of Earth, the quiet
Mother!
Lo, where the
victor sweeps along,
The Gideon of
the gory throng,
Beneath his hoofs
the harmless dead
The aureole on
his helmed head
Before him steel-clad
Victory bending,
Around, from earth
to heaven ascending
The fiery incense of triumphant song.
So, as some orb,
above a mighty stream
Sway’d by
its law, and sparkling in its beam,
A power apart
from that tempestuous tide,
Calm and aloft, behold the Phantom-Conqueror
ride!
“Art thou content of
these the greatest Thou,
Hero and Patriot?” murmur’d
then the Fiend.
The unsleeping Dreamer answer’d,
“Tempter, nay,
My soul stands
breathless on the mountain’s brow
And looks beyond!”
Again swift darkness screen’d
The solemn Chieftain
and the fierce array,
And armed Glory pass’d,
like happier Peace, away.
VI.
He look’d again, and
saw
A chamber with funereal sables hung,
Wherein there lay a ghastly,
headless thing
That once had
been a king
And by the corpse a living man, whose
doom,
Had both been left to Nature’s
gradual law,
Were riper for the garner-house of gloom.
Rudely beside the gory clay were flung
The Norman sceptre and the
Saxon crown;
So, after some imperial Tragedy
August alike with sorrow
and renown,
We smile to see the gauds that moved our
awe,
Purple and orb, in dusty
lumber lie,
Alas, what thousands, on the stage of
Time,
Envied the baubles, and revered the Mine!
Placed by the trunk with
long and whitening hair
By dark-red goûts
besprent, the sever’d head
Up to the Gazer’s musing
eyes, the while,
Look’d with its livid
brow and stony smile.
On that sad scene, his gaze the Dreamer
fed,
Familiar both the Living and the Dead;
Terror, and hate, and strife concluded
there,
Calm in his six-feet realm
the monarch lay;
And by the warning victim’s
mangled clay
The Phantom-Cromwell smiled, and
bending down
With shadowy fingers toy’d about
the shadowy crown.
“Art thou content at
last? a Greater thou
Than
one to whom the loftiest bent the knee.
First
in thy fierce Republic of the Free,
Avenger
and Deliverer?”
“Fiend,”
replied
The Dreamer, “who
shall palter with the tide?
Deliverer!
Pilots who the vessel save
Leave not the
helm while winds are on the wave.
THE FUTURE is
the Haven of THE NOW!”
“True,”
quoth the Fiend Again the darkness spread,
And night gave
back to air the Doomsman and the Dead!
VII.
“See,”
cried the Fiend; he views
A lofty Senate
stern with many a form
Not unfamiliar
to the earlier strife;
Knit were the
brows and passion flush’d the hues,
And all were hush’d! that,
hush which is in life
As in the air,
prophetic of a storm.
Uprose a shape with dark
bright eye;
It spoke and at the word
The Dreamer breathed an angry sigh;
And starting clutch’d his
sword;
An instinct bade him hate and fear
That unknown shape as if a foe
were near
For, mighty in that mien of thoughtful youth,
Spoke Fraud’s most deadly foe a
soul on fire with Truth;
A soul without one stain
Save England’s hallowing tears; the
sad and starry Vane.
There enter’d on that conclave high
A solitary Man!
And rustling through the conclave high
A troubled murmur ran;
A moment more loud riot all
With pike and morion gleam’d the startled
hall:
And there, where, since the primal date
Of Freedom’s glorious morn,
The eternal People solemn sate,
The People’s Champion spat his ribald
scorn!
Dark moral to all ages! Blent in one
The broken fasces and the shatter’d throne;
The deed that damns immortally is done;
And FORCE, the Cain of Nations-reigns alone!
The veil is rent the crafty soul lies
bare!
“Behold,” the Demon cried, “the
Future Cromwell, there!
Art thou content, on earth the Greatest thou,
APOSTATE AND USURPER?” From his
rest
The Dreamer started with a heaving breast,
The better angels of the human heart
Not dumb to his, The Hell-Born laugh’d
aloud,
And o’er the Evil Vision rush’d the
cloud!