It is quite possible to preserve random shapes and rock faces in stonework that is structurally good, yet still fail in a measure to please the eye and satisfy the artistic sense. A house built of stones which, although irregular and of variable size, are generally cubical in shape and set with obvious painstaking to simulate a casual yet remarkably systematic arrangement, never fails to be clumsy and patchy. A case in point is Waynesborough in Easttown Township, Chester County, erected in 1724 by Captain Isaac Wayne. Greame Park, erected in Horsham Township, Montgomery County, by Sir William Keith five years after he was appointed governor of Penn’s Colony in 1717, instances another unsuccessful use of stonework and effectively explodes the pet notion of the indiscriminate that everything which is old is therefore good. The promiscuous use of rough, long, quarried stones, square blocks and narrow strips on end results in an utterly irrational effect, a confusing medley of short lines.

Going to the other extreme, the use of stones so small and irregular as to suggest a “crazy-quilt” mosaic rather than structural stonework is equally displeasing. This scheme unquestionably lends texture to the wall, but it attracts too much attention to itself to the detriment of such architectural features as doors, windows and other wood trim intended to provide suitable embellishment as well as to fulfill the practical requirements of daily use. Inasmuch as rubble used in this manner becomes merely an aggregate in a concrete wall, the consistent thing to do is to consider it as such and give the wall an outside finish or veneer of rough plaster. This fact was recognized and often acted upon by the early Philadelphia builders wherever the stone readily available did not make an attractive wall. A few of the best examples extant serve to indicate that houses of this sort have all the charm of the modern stucco structure built over hollow tile.

Perhaps the most picturesque of the old houses of this type is Wyck at Germantown Avenue and Walnut Lane, Germantown, a long, rambling structure of rubble masonry with an outside veneer of rough white plaster standing end to the street. Although Colonial in detail and partaking to a degree of the general character of its neighbors, the ensemble presents a rare blending of European influences with American construction. Vine-clad trellises on the entrance front, a long arbor on the garden front, box-bordered flower beds and a profusion of shade trees and shrubs all help to compose a picture of rare charm in which leading American architects have often found inspiration for modern work.

Wyck is probably the oldest building in Germantown and certainly quaint of appearance, considering its age, for it has been preserved as nearly as possible in its early condition. The oldest part was built about 1690 by Hans Millan. Later another house was built near by on the opposite side of an old Indian trail, and subsequently the two were joined together, a wide, brick-paved wagon way running beneath the connecting structure. This passage has since been closed in to form a spacious hallway with wide double doors and a long transom above, the outer doors being wood paneled and the inner ones glazed.

Of romantic interest is the use of this great hall of Wyck as a hospital and operating room after the Battle of Germantown, and later, in 1825, as the scene of a reception tendered to La Fayette, following his breakfast at Cliveden, when the townspeople were presented to him by Charles J. Wister. The doorway to the right, with its molded jambs, plain, four-paned transom and paneled door divided in the middle like many of the neighborhood, is of the most modest order, yet its simple lines and good proportions, together with the green of the climbing vines about it, in contrast with the white plaster walls, makes a strong appeal to everybody of artistic appreciation. The position of the knob indicates the size of the great rim lock within, while the graceful design of the brass knocker is justly one of the most popular to-day.

Wyck has never been sold, but has passed from one owner to another by inheritance through the Jansen and Wistar families to the Haines family, in which it has since remained. One of its owners, Caspar Wistar, in 1740 established the first glassworks in America at Salem, New Jersey.

The most notable house of plastered stone masonry, and one of the noblest countryseats in the vicinity of Philadelphia, is Clunie, later and better known as Mount Pleasant, located in the Northern Liberties, Fairmount Park, on the east bank of the Schuylkill River only a little north of the Girard Avenue bridge. To see it is to appreciate more fully the princely mode of country living in which some of the most distinguished citizens of the early metropolis of the colonies indulged.

Standing on high ground and commanding broad views both up and down the stream, the house is of truly baronial mien and Georgian character. Two flanking outbuildings, two and a half stories high, hip-roofed and dormered, some forty feet from each end of the main house and corresponding with it in character and construction, provide the servants’ quarters and various domestic offices. Beyond the circle formed by the drive on the east or entrance front of the house and at some distance to either side are two barns. Thus the house becomes the central feature in a strikingly picturesque group of buildings having all the manorial impressiveness of the old Virginia mansions along the James River.

The main house rises two and a half stories above a high foundation of hewn stone with iron-barred basement windows set in stone frames. It is of massive rubble-stone masonry, coated with yellowish-gray rough-cast and having heavy quoined corners of red brick, also a horizontal belt of the same material at the second-floor level, the keyed lintels of the large ranging windows, however, being of faced stone.

Above a heavy cornice with prominent modillions springs the hipped roof, pierced on both sides by two handsome dormers and surmounted by a long, beautifully balustraded belvedere. Two great brick chimney stacks, one at each end of the building, with four arched openings near the top, lend an aspect of added dignity and solidity. The principal feature of the façade on both the east and west or river front is the slightly projecting central portion with its quoined corners, surmounting corniced pediment springing from the eaves, ornate Palladian windows in the second story and superb pedimental doorway in harmony with the pedimental motive above. Although the detail is heavy, and free use has been made of the orders, the work is American Georgian at its best and altogether admirable. The doorways of the two sides are similar but not the same, and a comparison, as found in another chapter, is most interesting.

Within, a broad hall extends entirely through the house from one front to the other, as likewise does a spacious drawing-room on the north side with an elaborate chimney piece in the middle of the outside wall. The dining room occupies the west front, and back of it, in an L extension from the hall, a handsome staircase with gracefully turned balustrade leads to the bedrooms on the second floor. Throughout the interior the wood finish is worthy of the exterior trim. Beautifully tooled cornices, graceful pilasters, nicely molded door and window casings, heavy pedimental doorheads, all are of excellent design and more carefully wrought than in average Colonial work. Finest of all, perhaps, is a chamber on the second floor overlooking the river that must, according to the very nature of things, have been the boudoir of the mistress of Mount Pleasant. The architectural treatment of the fireplace end of this room, with exquisite carving above the overmantel panel and above the closet doors at each side, is greatly admired by all who see it.

The erection of Mount Pleasant was begun late in 1761 by John Macpherson, a sea captain of Clunie, Scotland, who amassed a fortune and lost an arm in the adventurous practice of privateering. Here he lived in manorial splendor, entertaining the most eminent personages of the day with munificent hospitality and employing himself with numerous ingenious inventions, notably a practical device for moving brick and stone houses intact. He wrote on moral philosophy, lectured on astronomy and published the first city directory in 1785, a unique volume giving the names in direct house-to-house sequence and having such notations as, “I won’t tell you”, “What you please”, and “Cross woman” against street numbers where he found the occupants suspicious or unresponsive to his queries.

Meeting reverses in some of his financial affairs and longing for further adventures at sea, Macpherson sought the chief command of the American Navy at the outbreak of the Revolution. This being denied him he leased Mount Pleasant to Don Juan de Merailles, the Spanish ambassador. But to be near General Washington, Merailles had to remove to Morristown and there he soon died.

In the spring of 1779 Macpherson sold Mount Pleasant to General Benedict Arnold, of unhappy memory, whose remarkable and traitorous career is known to every American. Arnold had been placed in command of Philadelphia by Washington, following its evacuation by the British, and in acquiring the most palatial countryseat in the vicinity he gratified his fondness for display and apparently saw in it a means of retaining or increasing his influence and power. It was his marriage gift to his bride, Peggy Shippen, the daughter of Edward Shippen, a moderate Loyalist, who eventually became reconciled to the new order and was chief justice of the State from 1799 to 1805. At Mount Pleasant Arnold and his wife remained for more than a year, living extravagantly and entertaining lavishly. Arnold’s financial embarrassments and bitter contentions with persistent enemies became ever more deeply involved. Here in bitterness, and not without some provocation, he conceived the dastardly plan of obtaining from Washington command of West Point, the key to the Hudson River Valley, in order that he might betray it to the British.

Following the discovery of the plot and Arnold’s flight to the British lines, his property was confiscated, and Mount Pleasant was leased for a short period to Baron von Steuben, after which it passed through several hands to General Jonathan Williams, of Boston, in whose family the place remained until the middle of the nineteenth century, when it was acquired by the city as a part of Fairmount Park.

At Number 5442 Germantown Avenue, standing directly on the sidewalk as was often the case, and with a beautiful box-bordered garden of old-fashioned flowers about one hundred by four hundred feet along the south end, is one of the most interesting old plastered houses in Philadelphia. Well known in history, it is no less notable architecturally. In general arrangement it differs little from numerous other gable-roof structures of the vicinity, two and a half stories high with chimneys at each end and handsome pedimental dormers with round-topped windows between. It is in the excellent detail and nice proportion of the wood trim, both without and within, that this house excels. Interest focuses upon the deeply recessed doorway with its sturdy Tuscan columns and pediment, and the great, attractively paneled door. The fenestration is admirable with twenty-four-paned windows set in handsome frames with architrave casings and beautifully molded sills, the lower windows having shutters and the upper ones blinds. A notable feature is the heavy cornice with large modillions, and beneath a relatively fine-scale, double denticulated molding or Grecian fret.

Within, a wide hall extends through the middle of the house, widening at the back where a handsome winding staircase with landings ascends to the floor above. Opposite the staircase is a breakfast room overlooking the garden. The parlor and dining room on opposite sides of the hall, the bedrooms above and also the halls all have beautifully paneled wainscots. There are handsome chimney pieces in each room with dark Pennsylvania marble facings about the fireplaces and ornamental panels so nicely made that no joints are visible. Throughout the house the woodwork is of unusual beauty and unexcelled in workmanship.

The house was built in 1772 by David Deschler, a wealthy West India merchant, the son of an aide-de-camp to the reigning Prince of Baden, and Margaret, a sister of John Wister and Caspar Wistar. After the retreat of the American forces at the conclusion of the Battle of Germantown, Sir William Howe, the British commander, moved his headquarters from Stenton to the Deschler house. While there he is said to have been visited by Prince William Henry, then a midshipman in the Royal Navy, but afterward King William IV of England.

Upon Deschler’s death in 1792 the house was bought by Colonel Isaac Franks, a New Yorker who had served his country well in the Continental Army and filled several civil commissions after the conclusion of peace with England. He it was who rented the house to Washington for a short period in the early winter of 1793 and again for six weeks in the following summer because of the yellow fever epidemic in Philadelphia. Here met the President’s cabinet Jefferson, Hamilton, Knox and Randolph to discuss the President’s message to Congress and the difficulties with England, France and Spain. Aside from Mount Vernon, it is the only dwelling now standing in which Washington lived for any considerable time.

In 1804 the property was purchased by Elliston and John Perot, two Frenchmen who conducted a prosperous mercantile business in Philadelphia. On the death of the former in 1834, the place was purchased by his son-in-law, Samuel B. Morris, of the shipping firm of Waln and Morris, in whose family it has since remained. The interiors remain as in Washington’s time, and much of the furniture, silver and china used by him are still preserved, together with his letter thanking Captain Samuel Morris for the valuable services of the First City Troop during the Revolution.

Although not erected until a few years after the treaty of peace following the Revolution, Vernon is so thoroughly Colonial in architecture and of such merit as to warrant mention here. It stands in extensive grounds on the west side of Germantown Avenue, Germantown, above Chelton Avenue. The main house is a hip-roofed structure two and a half stories in height of rubble masonry, the front being plastered and lined off to simulate dressed stone and the other walls being pebble dashed. A wing in the rear connects the main house with a semi-detached gable-roof structure in which were located the kitchen and servants’ rooms. The principal features of the symmetrical façade with its ranging twelve-paned windows, shuttered on the lower story, are the central pediment with exquisite fanlight between flanking chimneys and handsomely detailed dormers, and a splendid doorway alluded to later in these pages. A fine-scale denticulated molding in the cornice, repeated elsewhere in the exterior wood trim, lends an air of exceptional richness and refinement.

Vernon was built in 1803 by James Matthews, a whipmaker of the firm of McAllister and Matthews. In 1812 it was purchased by John Wistar, son of Daniel Wistar, and a member of the countinghouse of his uncle, William Wistar. Upon his uncle’s death he conducted the business with his brother Charles and became well known in mercantile circles and prominent in the Society of Friends. A bronze statue of him in Quaker garb has been erected in front of the house. Some years after his death in 1862 the place passed under the control of the city for a park and was occupied for a time by the Free Library. Since the erection of a building near by for this latter purpose, it has housed the museum of the Site and Relic Society, and contains much of interest to the student of early Germantown.

Another house in the Colonial spirit erected shortly after the close of the Revolution is Loudoun, at Germantown Avenue and Apsley Street, Germantown, its grounds embracing the summit of Neglee’s Hill. The house is two and a half stories high with additions which have somewhat altered its original appearance; it has a gambrel roof, hipped at one end after the Mansard manner with excellent dormers on both the front and end just mentioned. Its plastered rubble masonry walls are clothed with clinging ivy. The architectural interest centers chiefly in the fenestration and the pillared portico reminiscent of plantation mansions farther south. This portico, with its simple pediment and wooden columns surmounted by pleasingly unusual capitals of acanthus-leaf motive, was added some thirty years after the house was erected. The great twenty-four-paned ranging windows have heavy paneled shutters on the first floor and blinds on the second. Tall, slender, engaged columns supporting a nicely detailed entablature frame a typical Philadelphia doorway, the paneled door itself being single with a handsome leaded fanlight above.

Loudoun was built in 1801 by Thomas Armat as a countryseat for his son, Thomas Wright Armat. The elder Armat originally settled in Loudoun County, Virginia, and hence the name of the estate. Coming to Philadelphia about the time of the Revolution, his family moved to Germantown during the yellow fever epidemic of 1793 and found it such a pleasing place of residence that the building of Loudoun some years later came as a natural consequence. It stands at the very outskirts of Germantown, now the twenty-second ward of Philadelphia, where Germantown Avenue starts its winding course toward Chestnut Hill. At the original lottery distribution of the land of the Frankford Company in the cave of Francis Daniel Pastorius, there being no permanent houses at that time, the site fell to Thomas Kunders, in whose house at Number 5109 Germantown Avenue the first meeting of Friends was held in Germantown. After the Battle of Germantown the hill was used as a hospital, and many dead were buried there. From 1820 to 1835 Loudoun was rented to Madam Greland as a summer school for young women, and it was during this period, probably about 1830, that the pillared portico was added.

A successful Philadelphia merchant and well-known philanthropist, Thomas Armat, gave the site for St. Luke’s Church in Germantown and assisted in its erection, also setting aside a chamber at Loudoun which was known as the minister’s room. He was among the first to suggest the use of coal for heating, and one of the early patentees of a hay scales. Armat’s daughter married Gustavus Logan, great-great-grandson of James Logan and grandson of John Dickinson, whose “Farmer’s Letters”, addressed to the people of England, are said to have brought about the repeal of the Stamp Act. Loudoun still remains in the Logan family.

No stranger house can be found in all Philadelphia than Solitude on the west bank of the Schuylkill in Blockley Township, Fairmount Park. It is a boxlike structure of plastered rubble masonry twenty-six feet square and two and a half stories high, with a hip roof having simple pedimental dormers and two oppositely disposed chimneys. The wood trim is severely simple throughout, from the heavy molded cornice under the eaves to the pedimental recessed doorway with its Ionic columns and entablature. Two slightly projecting courses of brick, one some ten inches or so above the other, form an unusual belt at the second-floor level, while a distinctive feature of the fenestration is seen in the fact that most of the windows have nine-paned upper and six-paned lower sashes.

Within, the entrance doorway leads into a hall some nine feet wide and extending entirely across the house from side to side. The remainder of the first floor consists of a large parlor with windows opening on a portico overlooking the river. A beautiful stucco cornice and ceiling and a carved wood surbase are its best features. In one corner a staircase with wrought-iron railing rises to the second floor, where there is a library about fifteen feet square with built-in bookcases, two connecting bedrooms, one with an alcove and secret door where the owner might shut himself away from intrusive visitors, and a staircase leading to more bedrooms on the third floor. The cellar is deep and roomy, with provision for wine storage, and an underground passage communicates with the kitchen located in a separate building about twenty-five feet distant.

Solitude was built in 1785 by John Penn, a grandson of William Penn, the founder of Philadelphia, and a son of Thomas Penn, whose wife was a daughter of the Earl of Pomfret. A much traveled, scholarly man, poet, idealist and art patron, he came to Philadelphia in 1783 to look after proprietary interests in Pennsylvania and intending to become an American. But his claims were made under hereditary rights, and as the State was not disposed to honor them he concluded to remain an Englishman. Vexed with the perversity of human nature, he built Solitude and named it for a lodge belonging to the Duke of Wuerttemburg. There he lived somewhat the life of a recluse with his books and trees for three years. He was on friendly terms with his neighbors, however, who included his cousin, Governor John Penn, and Judge Richard Peters. Gay week-end parties also came in boats to enjoy his hospitality, and Washington once spent a day with him during the sitting of the Constitutional Convention in Philadelphia.

In 1788 Penn suddenly returned to England, built a handsome residence at Stoke and embarked on a notable career in public life, becoming sheriff of Bucks in 1798, a member of Parliament in 1802, and royal governor of the island of Portland in Dorset for many years after 1805. The University of Cambridge made him an LL.D. in 1811, and he won promotion to a lieutenant-colonelcy in the Royal Bucks Yeomanry. Later in his declining years he formed the Outinian Society to encourage young men and women to marry, although he inconsistently died a bachelor in 1834.

Solitude then passed by inheritance to Penn’s youngest brother, Granville, and on his death ten years later to a nephew, Granville John Penn, great-grandson of William Penn, and the last Penn at Solitude. Coming to Philadelphia in middle life about 1851 he was lionized by society and in acknowledgment gave a grand “Fête Champêtre” and collation. Following his death in 1867, Solitude and its grounds were made part of Fairmount Park, and after several years without tenancy the house in its original condition was made the administration building of the Zoological Society.

The fine old plastered stone houses of Philadelphia comprise one of the distinctive and most admired types of its Colonial architecture. Those with pebble-dashed walls which seek to simulate no other building material or form of construction possess the added charm of frank sincerity. Fire-proof in character, pleasing in appearance, and readily adaptable to varied home requirements, they point the way wherever rubble stone incapable of forming an attractive wall is cheaply available. Many modern dwellings in the Colonial spirit are being built in this manner.