Young Gourlay had found a means of
escaping from his foolish mind. By the beginning
of his second session he was as able a toper as a publican
could wish. The somewhat sordid joviality of Allan’s
ring, their wit-combats that were somewhat crude,
appeared to him the very acme of social intercourse.
To emulate Logan and Allan was his aim. But drink
appealed to him in many ways besides. Now when
his too apprehensive nerves were frightened by bugbears
in his lonely room he could be off to the Howff and
escape them. And drink inspired him with false
courage to sustain his pose as a hardy rollicker.
He had acquired a kind of prestige since the night
of Allan’s party, and two of the fellows whom
he met there Armstrong and Gillespie became
his friends at College and the Howff. He swaggered
before them as he had swaggered at school both in
Barbie and Skeighan, and now there was no Swipey Broon
to cut him over the coxcomb. Armstrong and Gillespie though
they saw through him let him run on, for
he was not bad fun when he was splurging. He
found, too, when with his cronies that drink unlocked
his mind, and gave a free flow to his ideas.
Nervous men are often impotent of speech from very
excess of perception; they realize not merely what
they mean to say, but with the nervous antennæ of
their minds they feel the attitude of every auditor.
Distracted by lateral perceptions from the point ahead,
they blunder where blunter minds would go forward undismayed.
That was the experience of young Gourlay. If he
tried to talk freely when sober, he always grew confused.
But drink deadened the outer rim of his perception
and left it the clearer in the middle for its concentration.
In plainer language, when he was drunk he was less
afraid of being laughed at, and free of that fear
he was a better speaker. He was driven to drink,
then, by every weakness of his character. As
nervous hypochondriac, as would-be swaggerer, as a
dullard requiring stimulus, he found that drink, to
use his own language, gave him “smeddum.”
With his second year he began the
study of philosophy, and that added to his woes.
He had nerves to feel the Big Conundrum, but not the
brains to solve it; small blame to him for that, since
philosophers have cursed each other black in the face
over it for the last five thousand years. But
it worried him. The strange and sinister detail
of the world, that had always been a horror to his
mind, became more horrible beneath the stimulus of
futile thought. But whisky was the mighty cure.
He was the gentleman who gained notoriety on a memorable
occasion by exclaiming, “Metaphysics be damned;
let us drink!” Omar and other bards have expressed
the same conclusion in more dulcet wise. But Gourlay’s
was equally sincere. How sincere is another question.
Curiously, an utterance of “Auld
Tam,” one of his professors, half confirmed
him in his evil ways.
“I am speaking now,” said
Tam, “of the comfort of a true philosophy, less
of its higher aspect than its comfort to the mind of
man. Physically, each man is highest on the globe;
intellectually, the philosopher alone dominates the
world. To him are only two entities that matter himself
and the Eternal; or, if another, it is his fellow-man,
whom serving he serves the ultimate of being.
But he is master of the outer world. The mind,
indeed, in its first blank outlook on life is terrified
by the demoniac force of nature and the swarming misery
of man; by the vast totality of things, the cold remoteness
of the starry heavens, and the threat of the devouring
seas. It is puny in their midst.”
Gourlay woke up, and the sweat broke
on him. Great Heaven, had Tam been through it
too!
“At that stage,” quoth
the wise man, “the mind is dispersed in a thousand
perceptions and a thousand fears; there is no central
greatness in the soul. It is assailed by terrors
which men sunk in the material never seem to feel.
Phenomena, uninformed by thought, bewilder and depress.”
“Just like me!” thought
Gourlay, and listened with a thrilling interest because
it was “just like him.”
“But the labyrinth,” said
Tam, with a ring in his voice as of one who knew “the
labyrinth cannot appal the man who has found a clue
to its windings. A mind that has attained to
thought lives in itself, and the world becomes its
slave. Its formerly distracted powers rally home;
it is central, possessing, not possessed. The
world no longer frightens, being understood.
Its sinister features are accidents that will pass
away, and they gradually cease to be observed.
For real thinkers know the value of a wise indifference.
And that is why they are often the most genial men;
unworried by the transient, they can smile and wait,
sure of their eternal aim. The man to whom the
infinite beckons is not to be driven from his mystic
quest by the ambush of a temporal fear; there is no
fear it has ceased to exist. That is
the comfort of a true philosophy if a man
accepts it not merely mechanically, from another,
but feels it in breath and blood and every atom of
his being. With a warm surety in his heart, he
is undaunted by the outer world. That, gentlemen,
is what thought can do for a man.”
“By Jove,” thought Gourlay,
“that’s what whisky does for me!”
And that, on a lower level, was what
whisky did. He had no conception of what Tam
really meant; there were people, indeed, who used to
think that Tam never knew what he meant himself.
They were as little able as Gourlay to appreciate
the mystic, through the radiant haze of whose mind
thoughts loomed on you sudden and big, like mountain
tops in a sunny mist, the grander for their dimness.
But Gourlay, though he could not understand, felt
the fortitude of whisky was somehow akin to the fortitude
described. In the increased vitality it gave he
was able to tread down the world. If he walked
on a wretched day in a wretched street, when he happened
to be sober, his mind was hither and yon in a thousand
perceptions and a thousand fears, fastening to (and
fastened to) each squalid thing around. But with
whisky humming in his blood he paced onward in a happy
dream. The wretched puddles by the way, the frowning
rookeries where misery squalled, the melancholy
noises of the street, were passed unheeded by.
His distracted powers rallied home; he was concentrate,
his own man again, the hero of his musing mind.
For, like all weak men of a vivid fancy, he was constantly
framing dramas of which he was the towering lord.
The weakling who never “downed” men in
reality was always “downing” them in thought.
His imaginary triumphs consoled him for his actual
rebuffs. As he walked in a tipsy dream, he was
“standing up” to somebody, hurling his
father’s phrases at him, making short work of
him! If imagination paled, the nearest
tavern supplied a remedy, and flushed it to a radiant
glow. Whereupon he had become the master of his
world, and not its slave.
“Just imagine,” he thought,
“whisky doing for me what philosophy seems to
do for Tam. It’s a wonderful thing the drink!”
His second session wore on, and when
near its close Tam gave out the subject for the Raeburn.
The Raeburn was a poor enough prize a
few books for an “essay in the picturesque;”
but it had a peculiar interest for the folk of Barbie.
Twenty years ago it was won four years in succession
by men from the valley; and the unusual run of luck
fixed it in their minds. Thereafter when an unsuccessful
candidate returned to his home, he was sure to be
asked very pointedly, “Who won the Raeburn the
year?” to rub into him their perception that
he at least had been a failure. A bodie would
dander slowly up, saying, “Ay, man, ye’ve
won hame!” Then, having mused awhile, would
casually ask, “By-the-bye, who won the Raeburn
the year? Oh, it was a Perthshire man! It
used to come our airt, but we seem to have lost the
knack o’t! Oh yes, sir, Barbie bred writers
in those days, but the breed seems to have decayed.”
Then he would murmur dreamily, as if talking to himself,
“Jock Goudie was the last that got it hereaway.
But he was a clever chap.”
The caustic bodie would dander away
with a grin, leaving a poor writhing soul. When
he reached the Cross he would tell the Deacon blithely
of the “fine one he had given him,” and
the Deacon would lie in wait to give him a fine one
too. In Barbie, at least, your returning student
is never met at the station with a brass band, whatever
may happen in more emotional districts of the North,
where it pleases them to shed the tear.
“An Arctic Night” was
the inspiring theme which Tam set for the Raeburn.
“A very appropriate subject!”
laughed the fellows; “quite in the style of
his own lectures.” For Tam, though wise
and a humorist, had his prosy hours. He used
to lecture on the fifteen characteristics of Lady Macbeth
(so he parcelled the unhappy Queen), and he would announce
quite gravely, “We will now approach the discussion
of the eleventh feature of the lady.”
Gourlay had a shot at the Raeburn.
He could not bring a radiant fullness of mind to bear
upon his task (it was not in him to bring), but his
morbid fancy set to work of its own accord. He
saw a lonely little town far off upon the verge of
Lapland night, leagues and leagues across a darkling
plain, dark itself and little and lonely in the gloomy
splendour of a Northern sky. A ship put to sea,
and Gourlay heard in his ears the skirl of the man
who went overboard struck dead by the icy
water on his brow, which smote the brain like a tomahawk.
He put his hand to his own brow when
he wrote that, and, “Yes,” he cried eagerly,
“it would be the cold would kill the brain!
Ooh-ooh, how it would go in!”
A world of ice groaned round him in
the night; bergs ground on each other and were rent
in pain; he heard the splash of great fragments tumbled
in the deep, and felt the waves of their distant falling
lift the vessel beneath him in the darkness.
To the long desolate night came a desolate dawn, and
eyes were dazed by the encircling whiteness; yet there
flashed green slanting chasms in the ice, and towering
pinnacles of sudden rose, lonely and far away.
An unknown sea beat upon an unknown shore, and the
ship drifted on the pathless waters, a white dead man
at the helm.
“Yes, by Heaven,” cried
Gourlay, “I can see it all, I can see it all that
fellow standing at the helm, frozen white and as stiff’s
an icicle!”
Yet, do what he might, he was unable
to fill more than half a dozen small pages. He
hesitated whether he should send them in, and held
them in his inky fingers, thinking he would burn them.
He was full of pity for his own inability. “I
wish I was a clever chap,” he said mournfully.
“Ach, well, I’ll
try my luck,” he muttered at last, “though
Tam may guy me before the whole class for doing so
little o’t.”
The Professor, however (unlike the
majority of Scottish professors), rated quality higher
than quantity.
“I have learned a great deal
myself,” he announced on the last day of the
session “I have learned a great deal
myself from the papers sent in on the subject of an
‘Arctic Night.’”
“Hear, hear!” said an insolent student
at the back.
“Where, where?” said the Professor; “stand
up, sir!”
A gigantic Borderer rose blushing
into view, and was greeted with howls of derision
by his fellows. Tam eyed him, and he winced.
“You will apologize in my private
room at the end of the hour,” said Aquinas,
as the students used to call him. “Learn
that this is not a place to bray in.”
The giant slunk down, trying to hide himself.
“Yes,” said Tam, “I
have learned what a poor sense of proportion some of
you students seem to have. It was not to see who
could write the most, but who could write the best,
that I set the theme. One gentleman he
has been careful to give me his full name and address,”
twinkled Tam, and picking up a huge manuscript he
read it from the outer page, “Mr. Alexander
MacTavish of Benmacstronachan, near Auchnapeterhoolish,
in the island of South Uist has sent me
in no less than a hundred and fifty-three closely-written
pages! I dare say it’s the size of the
adjectives he uses that makes the thing so heavy,”
quoth Tam, and dropped it thudding on his desk.
“Life is short, the art of the MacTavish long,
and to tell the truth, gentlemen” he
gloomed at them humorously “to tell
the truth, I stuck in the middle o’t!”
(Roars of laughter, and a reproving voice, “Oh,
ta pold MacTa-avish!” whereat there was
pandemonium). MacTavish was heard to groan, “Oh,
why tid I leave my home!” to which a voice responded
in mocking antiphone, “Why tid you cross
ta teep?” The noise they made was heard
at Holyrood.
When the tumult and the shouting died,
Tam resumed with a quiver in his voice, for “ta
pold MacTavish” had tickled him too. “Now,
gentlemen,” he said, “I don’t judge
essays by their weight, though I’m told they
sometimes pursue that method in Glasgow!”
(Groans for the rival University,
cries of “Oh-oh-oh!” and a weary voice,
“Please, sir, don’t mention that place;
it makes me feel quite ill.”)
The Professor allayed the tumult with dissuasive palm.
“I believe,” he said dryly,
“you call that noise of yours ’the College
Tramp;’ in the Senatus we speak o’t
as ‘the Cuddies’ Trudge.’ Now
gentlemen, I’m not unwilling to allow a little
noise on the last day of the session, but really you
must behave more quietly. So little does
that method of judging essays commend itself to me,
I may tell you, that the sketch which I consider the
best barely runs to half a dozen short pages.”
Young Gourlay’s heart gave a
leap within him; he felt it thudding on his ribs.
The skin crept on him, and he breathed with quivering
nostrils. Gillespie wondered why his breast heaved.
“It’s a curious sketch,”
said the Professor. “It contains a serious
blunder in grammar and several mistakes in spelling,
but it shows, in some ways, a wonderful imagination.”
“Ho, ho!” thought Gourlay.
“Of course there are various
kinds of imagination,” said Tam. “In
its lowest form it merely recalls something which
the eyes have already seen, and brings it vividly
before the mind. A higher form pictures something
which you never saw, but only conceived as a possible
existence. Then there’s the imagination
which not only sees but hears actually
hears what a man would say on a given occasion, and
entering into his blood, tells you exactly why he does
it. The highest form is both creative and consecrative,
if I may use the word, merging in diviner thought.
It irradiates the world. Of that high power there
is no evidence in the essay before me. To be
sure there was little occasion for its use.”
Young Gourlay’s thermometer went down.
“Indeed,” said Aquinas,
“there’s a curious want of bigness in the
sketch no large nobility of phrase.
It is written in gaspy little sentences, and each
sentence begins ‘and’ ’and’ ’and,’
like a schoolboy’s narrative. It’s
as if a number of impressions had seized the writer’s
mind, which he jotted down hurriedly, lest they should
escape him. But, just because it’s so little
wordy, it gets the effect of the thing faith,
sirs, it’s right on to the end of it every time!
The writing of some folk is nothing but a froth of
words lucky if it glistens without, like
a blobber of iridescent foam. But in this sketch
there’s a perception at the back of every sentence.
It displays, indeed, too nervous a sense of the external
world.”
“Name, name!” cried the
students, who were being deliberately worked by Tam
to a high pitch of curiosity.
“I would strongly impress on
the writer,” said the shepherd, heedless of
his bleating sheep “I would strongly
impress on the writer to set himself down for a spell
of real, hard, solid, and deliberate thought.
That almost morbid perception, with philosophy to back
it, might create an opulent and vivid mind. Without
philosophy it would simply be a curse. With philosophy
it would bring thought the material to work on.
Without philosophy it would simply distract and irritate
the mind.”
“Name, name!” cried the fellows.
“The winner of the Raeburn,” said Thomas
Aquinas, “is Mr. John Gourlay.”
Gourlay and his friends made for the
nearest public-house. The occasion, they thought,
justified a drink. The others chaffed Gourlay
about Tam’s advice.
“You know, Jack,” said
Gillespie, mimicking the sage, “what you have
got to do next summer is to set yourself down for
a spell of real, hard, solid, and deliberate thought.
That was Tam’s advice, you know.”
“Him and his advice!” said Gourlay.