The word content is not inspiring
nowadays; rather it is irritating because it is dull.
It prepares the mind for a little sermon in the style
of the Vicar of Wakefield about how you and I should
be satisfied with our countrified innocence and our
simple village sports. The word, however, has
two meanings, somewhat singularly connected; the “sweet
content” of the poet and the “cubic content”
of the mathematician. Some distinguish these
by stressing the different syllables. Thus, it
might happen to any of us, at some social juncture,
to remark gaily, “Of the content of the King
of the Cannibal Islands’ Stewpot I am content
to be ignorant”; or “Not content with
measuring the cubic content of my safe, you are stealing
the spoons.” And there really is an analogy
between the mathematical and the moral use of the
term, for lack of the observation of which the latter
has been much weakened and misused.
The preaching of contentment is in
disrepute, well deserved in so far that the moral
is really quite inapplicable to the anarchy and insane
peril of our tall and toppling cities. Content
suggests some kind of security; and it is not strange
that our workers should often think about rising above
their position, since they have so continually to
think about sinking below it. The philanthropist
who urges the poor to saving and simple pleasures
deserves all the derision that he gets. To advise
people to be content with what they have got may or
may not be sound moral philosophy.
But to urge people to be content with
what they haven’t got is a piece of impudence
hard for even the English poor to pardon. But
though the creed of content is unsuited to certain
special riddles and wrongs, it remains true for the
normal of mortal life. We speak of divine discontent;
discontent may sometimes be a divine thing, but content
must always be the human thing. It may be true
that a particular man, in his relation to his master
or his neighbour, to his country or his enemies, will
do well to be fiercely unsatisfied or thirsting for
an angry justice. But it is not true, no sane
person can call it true, that man as a whole in his
general attitude towards the world, in his posture
towards death or green fields, towards the weather
or the baby, will be wise to cultivate dissatisfaction.
In a broad estimate of our earthly experience, the
great truism on the tablet remains: he must not
covet his neighbour’s ox nor his ass nor anything
that is his. In highly complex and scientific
civilisations he may sometimes find himself forced
into an exceptional vigilance. But, then, in highly
complex and scientific civilisations, nine times out
of ten, he only wants his own ass back.
But I wish to urge the case for cubic
content; in which (even more than in moral content)
I take a personal interest. Now, moral content
has been undervalued and neglected because of its
separation from the other meaning. It has become
a negative rather than a positive thing. In some
accounts of contentment it seems to be little more
than a meek despair.
But this is not the true meaning of
the term; it should stand for the idea of a positive
and thorough appreciation of the content of anything;
for feeling the substance and not merely the surface
of experience. “Content” ought to
mean in English, as it does in French, being pleased;
placidly, perhaps, but still positively pleased.
Being contented with bread and cheese ought not to
mean not caring what you eat. It ought to mean
caring for bread and cheese; handling and enjoying
the cubic content of the bread and cheese and adding
it to your own. Being content with an attic ought
not to mean being unable to move from it and resigned
to living in it. It ought to mean appreciating
what there is to appreciate in such a position; such
as the quaint and elvish slope of the ceiling or the
sublime aerial view of the opposite chimney-pots.
And in this sense contentment is a real and even an
active virtue; it is not only affirmative, but creative.
The poet in the attic does not forget the attic in
poetic musings; he remembers whatever the attic has
of poetry; he realises how high, how starry, how cool,
how unadorned and simple—in short, how Attic
is the attic.
True contentment is a thing as active
as agriculture. It is the power of getting out
of any situation all that there is in it. It is
arduous and it is rare. The absence of this digestive
talent is what makes so cold and incredible the tales
of so many people who say they have been “through”
things; when it is evident that they have come out
on the other side quite unchanged. A man might
have gone “through” a plum pudding as
a bullet might go through a plum pudding; it depends
on the size of the pudding—and the man.
But the awful and sacred question is “Has the
pudding been through him?” Has he tasted, appreciated,
and absorbed the solid pudding, with its three dimensions
and its three thousand tastes and smells? Can
he offer himself to the eyes of men as one who has
cubically conquered and contained a pudding?
In the same way we may ask of those
who profess to have passed through trivial or tragic
experiences whether they have absorbed the content
of them; whether they licked up such living water as
there was. It is a pertinent question in connection
with many modern problems.
Thus the young genius says, “I
have lived in my dreary and squalid village before
I found success in Paris or Vienna.” The
sound philosopher will answer, “You have never
lived in your village, or you would not call it dreary
and squalid.”
Thus the Imperialist, the Colonial
idealist (who commonly speaks and always thinks with
a Yankee accent) will say, “I’ve been right
away from these little muddy islands, and seen God’s
great seas and prairies.” The sound philosopher
will reply, “You have never been in these islands;
you have never seen the weald of Sussex or the plain
of Salisbury; otherwise you could never have called
them either muddy or little.”
Thus the Suffragette will say, “I
have passed through the paltry duties of pots and
pans, the drudgery of the vulgar kitchen; but I have
come out to intellectual liberty.” The
sound philosopher will answer, “You have never
passed through the kitchen, or you never would call
it vulgar. Wiser and stronger women than you
have really seen a poetry in pots and pans; naturally,
because there is a poetry in them.” It is
right for the village violinist to climb into fame
in Paris or Vienna; it is right for the stray Englishman
to climb across the high shoulder of the world; it
is right for the woman to climb into whatever cathedrae
or high places she can allow to her sexual dignity.
But it is wrong that any of these climbers should
kick the ladder by which they have climbed. But
indeed these bitter people who record their experiences
really record their lack of experiences. It is
the countryman who has not succeeded in being a countryman
who comes up to London. It is the clerk who has
not succeeded in being a clerk who tries (on vegetarian
principles) to be a countryman. And the woman
with a past is generally a woman angry about the past
she never had.
When you have really exhausted an
experience you always reverence and love it.
The two things that nearly all of us have thoroughly
and really been through are childhood and youth.
And though we would not have them back again on any
account, we feel that they are both beautiful, because
we have drunk them dry.